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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80B150 it is the complementary color #7F4EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80B150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80B150 shade: #85B14B, #96C35E, #A7D571, #B8E784 and #C9F997

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80B150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80B150 shade: #80B150, #6F9F3D, #5E8D2A, #4D7B17 and #3C6904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80B150 shade: #7FB04F, #99B04F, #B0AD4F, #B0934F and #B0784F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80B150 shade: #7FB04F, #65B04F, #4FB053, #4FB06D and #4FB088

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80B150 shade matches the following richer shades: #7FB04F, #7FC53A, #7FD926 and #7EEE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80B150 shade: #7FB04F, #7F9B64, #7F8778, #80728D and #805DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80B150 shade: #B0AD4F, #99B04F, #80B04F, #66B04F and #4FB052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80B150 shade: #567735, #6A9342, #7FB04F, #94BD6C and #A8CA88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80B150 shade: #80B150, #4FB093 and #B04FA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80B150 shade: #80B150, #4F80B0 and #B04F80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80B150 shade: #80B150, #4FB093, #804FB0 and #B04F6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80B150 shade: #80B150, #4FB0B0, #804FB0 and #B04F4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 55 / 31

HEX #80B150

RGB 128 177 80

HSL 90.31, 0.38%, 0.5%

LAB 66.99, -32.82, 43.89

 

Complementary color

CMYK 27 / 55 / 0 / 31

HEX #7F4EAF

RGB 127 78 175

HSL 270.31, 0.38%, 0.5%

LAB 42.85, 39.8, -44.2

 

CMYK 25 / 0 / 58 / 31

HEX #85B14B

RGB 133 177 75

HSL 85.88, 0.4%, 0.49%

LAB 67.23, -31.44, 46.61

 

CMYK 23 / 0 / 52 / 24

HEX #96C35E

RGB 150 195 94

HSL 86.73, 0.46%, 0.57%

LAB 73.75, -31.54, 45.53

 

CMYK 22 / 0 / 47 / 16

HEX #A7D571

RGB 167 213 113

HSL 87.6, 0.54%, 0.64%

LAB 80.18, -31.58, 44.39

 

CMYK 20 / 0 / 43 / 9

HEX #B8E784

RGB 184 231 132

HSL 88.48, 0.67%, 0.71%

LAB 86.51, -31.58, 43.24

 

CMYK 19 / 0 / 39 / 2

HEX #C9F997

RGB 201 249 151

HSL 89.39, 0.89%, 0.78%

LAB 92.75, -31.55, 42.11

 

CMYK 28 / 0 / 55 / 31

HEX #80B150

RGB 128 177 80

HSL 90.31, 0.38%, 0.5%

LAB 66.99, -32.82, 43.89

 

CMYK 30 / 0 / 62 / 38

HEX #6F9F3D

RGB 111 159 61

HSL 89.39, 0.45%, 0.43%

LAB 60.35, -32.71, 44.92

 

CMYK 33 / 0 / 70 / 45

HEX #5E8D2A

RGB 94 141 42

HSL 88.48, 0.54%, 0.36%

LAB 53.6, -32.46, 45.65

 

CMYK 37 / 0 / 81 / 52

HEX #4D7B17

RGB 77 123 23

HSL 87.6, 0.68%, 0.29%

LAB 46.72, -31.97, 45.66

 

CMYK 43 / 0 / 96 / 59

HEX #3C6904

RGB 60 105 4

HSL 86.73, 0.93%, 0.21%

LAB 39.7, -31.14, 44.29

 

CMYK 28 / 0 / 55 / 31

HEX #7FB04F

RGB 127 176 79

HSL 90.31, 0.38%, 0.5%

LAB 66.62, -32.83, 43.92

 

CMYK 13 / 0 / 55 / 31

HEX #99B04F

RGB 153 176 79

HSL 74.23, 0.38%, 0.5%

LAB 68.31, -22.67, 46.32

 

CMYK 0 / 2 / 55 / 31

HEX #B0AD4F

RGB 176 173 79

HSL 58.14, 0.38%, 0.5%

LAB 69.24, -11.59, 47.86

 

CMYK 0 / 16 / 55 / 31

HEX #B0934F

RGB 176 147 79

HSL 42.06, 0.38%, 0.5%

LAB 62.22, 2.32, 39.65

 

CMYK 0 / 32 / 55 / 31

HEX #B0784F

RGB 176 120 79

HSL 25.36, 0.38%, 0.5%

LAB 55.31, 17.36, 31.2

 

CMYK 28 / 0 / 55 / 31

HEX #7FB04F

RGB 127 176 79

HSL 90.31, 0.38%, 0.5%

LAB 66.62, -32.83, 43.92

 

CMYK 43 / 0 / 55 / 31

HEX #65B04F

RGB 101 176 79

HSL 106.39, 0.38%, 0.5%

LAB 65.26, -41.88, 41.99

 

CMYK 55 / 0 / 53 / 31

HEX #4FB053

RGB 79 176 83

HSL 122.47, 0.38%, 0.5%

LAB 64.43, -47.77, 38.83

 

CMYK 55 / 0 / 38 / 31

HEX #4FB06D

RGB 79 176 109

HSL 138.56, 0.38%, 0.5%

LAB 64.82, -43.65, 25.91

 

CMYK 55 / 0 / 23 / 31

HEX #4FB088

RGB 79 176 136

HSL 155.26, 0.38%, 0.5%

LAB 65.35, -38.2, 11.98

 

CMYK 28 / 0 / 55 / 31

HEX #7FB04F

RGB 127 176 79

HSL 90.31, 0.38%, 0.5%

LAB 66.62, -32.83, 43.92

 

CMYK 36 / 0 / 71 / 23

HEX #7FC53A

RGB 127 197 58

HSL 90.22, 0.55%, 0.5%

LAB 72.73, -43.98, 59.59

 

CMYK 41 / 0 / 82 / 15

HEX #7FD926

RGB 127 217 38

HSL 90.17, 0.7%, 0.5%

LAB 78.62, -53.22, 71.36

 

CMYK 47 / 0 / 93 / 7

HEX #7EEE11

RGB 126 238 17

HSL 90.41, 0.87%, 0.5%

LAB 84.8, -62.07, 80.3

 

CMYK 28 / 0 / 55 / 31

HEX #7FB04F

RGB 127 176 79

HSL 90.31, 0.38%, 0.5%

LAB 66.62, -32.83, 43.92

 

CMYK 18 / 0 / 35 / 39

HEX #7F9B64

RGB 127 155 100

HSL 90.55, 0.22%, 0.5%

LAB 60.67, -19.92, 25.72

 

CMYK 6 / 0 / 11 / 47

HEX #7F8778

RGB 127 135 120

HSL 92, 0.06%, 0.5%

LAB 55.27, -5.87, 7.06

 

CMYK 9 / 19 / 0 / 45

HEX #80728D

RGB 128 114 141

HSL 271.11, 0.11%, 0.5%

LAB 50.15, 10.89, -12.73

 

CMYK 21 / 43 / 0 / 36

HEX #805DA2

RGB 128 93 162

HSL 270.43, 0.27%, 0.5%

LAB 45.67, 28.26, -32.05

 

CMYK 0 / 2 / 55 / 31

HEX #B0AD4F

RGB 176 173 79

HSL 58.14, 0.38%, 0.5%

LAB 69.24, -11.59, 47.86

 

CMYK 13 / 0 / 55 / 31

HEX #99B04F

RGB 153 176 79

HSL 74.23, 0.38%, 0.5%

LAB 68.31, -22.67, 46.32

 

CMYK 27 / 0 / 55 / 31

HEX #80B04F

RGB 128 176 79

HSL 89.69, 0.38%, 0.5%

LAB 66.68, -32.46, 44

 

CMYK 42 / 0 / 55 / 31

HEX #66B04F

RGB 102 176 79

HSL 105.77, 0.38%, 0.5%

LAB 65.31, -41.56, 42.05

 

CMYK 55 / 0 / 53 / 31

HEX #4FB052

RGB 79 176 82

HSL 121.86, 0.38%, 0.5%

LAB 64.42, -47.9, 39.31

 

CMYK 28 / 0 / 55 / 53

HEX #567735

RGB 86 119 53

HSL 90, 0.38%, 0.34%

LAB 46.22, -23.94, 32.18

 

CMYK 28 / 0 / 55 / 42

HEX #6A9342

RGB 106 147 66

HSL 90.37, 0.38%, 0.42%

LAB 56.41, -28.43, 37.94

 

CMYK 28 / 0 / 55 / 31

HEX #7FB04F

RGB 127 176 79

HSL 90.31, 0.38%, 0.5%

LAB 66.62, -32.83, 43.92

 

CMYK 22 / 0 / 43 / 26

HEX #94BD6C

RGB 148 189 108

HSL 90.37, 0.38%, 0.58%

LAB 72.08, -27.81, 36.5

 

CMYK 17 / 0 / 33 / 21

HEX #A8CA88

RGB 168 202 136

HSL 90.91, 0.38%, 0.66%

LAB 77.49, -22.99, 29.33

 

CMYK 28 / 0 / 55 / 31

HEX #80B150

RGB 128 177 80

HSL 90.31, 0.38%, 0.5%

LAB 66.99, -32.82, 43.89

 

CMYK 55 / 0 / 16 / 31

HEX #4FB093

RGB 79 176 147

HSL 162.06, 0.38%, 0.5%

LAB 65.61, -35.66, 6.28

 

CMYK 0 / 55 / 6 / 31

HEX #B04FA6

RGB 176 79 166

HSL 306.19, 0.38%, 0.5%

LAB 48.98, 50.96, -28.8

 

CMYK 28 / 0 / 55 / 31

HEX #80B150

RGB 128 177 80

HSL 90.31, 0.38%, 0.5%

LAB 66.99, -32.82, 43.89

 

CMYK 55 / 27 / 0 / 31

HEX #4F80B0

RGB 79 128 176

HSL 209.69, 0.38%, 0.5%

LAB 52.1, -2.32, -30.44

 

CMYK 0 / 55 / 27 / 31

HEX #B04F80

RGB 176 79 128

HSL 329.69, 0.38%, 0.5%

LAB 47.47, 45.05, -8.44

 

CMYK 28 / 0 / 55 / 31

HEX #80B150

RGB 128 177 80

HSL 90.31, 0.38%, 0.5%

LAB 66.99, -32.82, 43.89

 

CMYK 55 / 0 / 16 / 31

HEX #4FB093

RGB 79 176 147

HSL 162.06, 0.38%, 0.5%

LAB 65.61, -35.66, 6.28

 

CMYK 27 / 55 / 0 / 31

HEX #804FB0

RGB 128 79 176

HSL 270.31, 0.38%, 0.5%

LAB 43.24, 39.75, -44.17

 

CMYK 0 / 55 / 39 / 31

HEX #B04F6C

RGB 176 79 108

HSL 342.06, 0.38%, 0.5%

LAB 46.85, 42.5, 2.77

 

CMYK 28 / 0 / 55 / 31

HEX #80B150

RGB 128 177 80

HSL 90.31, 0.38%, 0.5%

LAB 66.99, -32.82, 43.89

 

CMYK 55 / 0 / 0 / 31

HEX #4FB0B0

RGB 79 176 176

HSL 180, 0.38%, 0.5%

LAB 66.4, -28.19, -8.64

 

CMYK 27 / 55 / 0 / 31

HEX #804FB0

RGB 128 79 176

HSL 270.31, 0.38%, 0.5%

LAB 43.24, 39.75, -44.17

 

CMYK 0 / 55 / 55 / 31

HEX #B04F4F

RGB 176 79 79

HSL 0, 0.38%, 0.5%

LAB 46.16, 39.59, 19.4

 

Description

Color code: HEX #80B150 | qconv.com Color code: HEX #80B150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 177 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 177 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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