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Color name
HEX #80B114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80B114 it is the complementary color #7F4EEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80B114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80B114 shade: #85B10F, #96C322, #A7D535, #B8E748 and #C9F95B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80B114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80B114 shade: #80B114, #6F9F01, #5E8D00, #4D7B00 and #3C6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80B114 shade: #81B314, #ACB314, #B38F14, #B36414 and #B33914

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80B114 shade: #81B314, #56B314, #2CB314, #14B327 and #14B352

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80B114 shade matches the following richer shades: #81B314 and #87C304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80B114 shade: #81B314, #7BA324, #759334, #6F8344 and #697354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80B114 shade: #B38E14, #AEB314, #83B314, #59B314 and #2EB314

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80B114 shade: #4C690C, #678E10, #81B314, #9CD818 and #AFE831

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80B114 shade: #80B114, #14B363 and #A314B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80B114 shade: #80B114, #1483B3 and #B31483

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80B114 shade: #80B114, #14B363, #4414B3 and #B31463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80B114 shade: #80B114, #14B393, #4414B3 and #B31434

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 89 / 31

HEX #80B114

RGB 128 177 20

HSL 78.73, 0.8%, 0.39%

LAB 66.58, -36.68, 64.94

 

Complementary color

CMYK 46 / 67 / 0 / 8

HEX #7F4EEB

RGB 127 78 235

HSL 258.73, 0.8%, 0.61%

LAB 46.92, 55.32, -72.2

 

CMYK 25 / 0 / 92 / 31

HEX #85B10F

RGB 133 177 15

HSL 76.3, 0.84%, 0.38%

LAB 66.87, -34.81, 66.16

 

CMYK 23 / 0 / 83 / 24

HEX #96C322

RGB 150 195 34

HSL 76.77, 0.7%, 0.45%

LAB 73.3, -35.72, 68.12

 

CMYK 22 / 0 / 75 / 16

HEX #A7D535

RGB 167 213 53

HSL 77.25, 0.66%, 0.52%

LAB 79.65, -36.42, 68.86

 

CMYK 20 / 0 / 69 / 9

HEX #B8E748

RGB 184 231 72

HSL 77.74, 0.77%, 0.59%

LAB 85.91, -36.96, 68.84

 

CMYK 19 / 0 / 63 / 2

HEX #C9F95B

RGB 201 249 91

HSL 78.23, 0.93%, 0.67%

LAB 92.1, -37.38, 68.37

 

CMYK 28 / 0 / 89 / 31

HEX #80B114

RGB 128 177 20

HSL 78.73, 0.8%, 0.39%

LAB 66.58, -36.68, 64.94

 

CMYK 30 / 0 / 99 / 38

HEX #6F9F01

RGB 111 159 1

HSL 78.23, 0.99%, 0.31%

LAB 60.05, -35.65, 62.13

 

CMYK 33 / 0 / 100 / 45

HEX #5E8D00

RGB 94 141 0

HSL 80, 1%, 0.28%

LAB 53.42, -34.27, 56.76

 

CMYK 37 / 0 / 100 / 52

HEX #4D7B00

RGB 77 123 0

HSL 82.44, 1%, 0.24%

LAB 46.64, -32.82, 51.12

 

CMYK 43 / 0 / 100 / 59

HEX #3C6900

RGB 60 105 0

HSL 85.71, 1%, 0.21%

LAB 39.69, -31.3, 45.34

 

CMYK 28 / 0 / 89 / 30

HEX #81B314

RGB 129 179 20

HSL 78.87, 0.8%, 0.39%

LAB 67.25, -37.18, 65.51

 

CMYK 4 / 0 / 89 / 30

HEX #ACB314

RGB 172 179 20

HSL 62.64, 0.8%, 0.39%

LAB 70.22, -19.29, 69.17

 

CMYK 0 / 20 / 89 / 30

HEX #B38F14

RGB 179 143 20

HSL 46.42, 0.8%, 0.39%

LAB 61.03, 2.8, 62.11

 

CMYK 0 / 44 / 89 / 30

HEX #B36414

RGB 179 100 20

HSL 30.19, 0.8%, 0.39%

LAB 50.39, 26.64, 53.7

 

CMYK 0 / 68 / 89 / 30

HEX #B33914

RGB 179 57 20

HSL 13.96, 0.8%, 0.39%

LAB 42.09, 47.88, 47.19

 

CMYK 28 / 0 / 89 / 30

HEX #81B314

RGB 129 179 20

HSL 78.87, 0.8%, 0.39%

LAB 67.25, -37.18, 65.51

 

CMYK 52 / 0 / 89 / 30

HEX #56B314

RGB 86 179 20

HSL 95.09, 0.8%, 0.39%

LAB 65.18, -52.08, 62.94

 

CMYK 75 / 0 / 89 / 30

HEX #2CB314

RGB 44 179 20

HSL 110.94, 0.8%, 0.39%

LAB 64.02, -61.63, 61.49

 

CMYK 89 / 0 / 78 / 30

HEX #14B327

RGB 20 179 39

HSL 127.17, 0.8%, 0.39%

LAB 63.78, -63.43, 56.25

 

CMYK 89 / 0 / 54 / 30

HEX #14B352

RGB 20 179 82

HSL 143.4, 0.8%, 0.39%

LAB 64.16, -58.75, 38.71

 

CMYK 28 / 0 / 89 / 30

HEX #81B314

RGB 129 179 20

HSL 78.87, 0.8%, 0.39%

LAB 67.25, -37.18, 65.51

 

CMYK 31 / 0 / 98 / 24

HEX #87C304

RGB 135 195 4

HSL 78.85, 0.96%, 0.39%

LAB 72.36, -42.2, 71.88

 

CMYK 28 / 0 / 89 / 30

HEX #81B314

RGB 129 179 20

HSL 78.87, 0.8%, 0.39%

LAB 67.25, -37.18, 65.51

 

CMYK 25 / 0 / 78 / 36

HEX #7BA324

RGB 123 163 36

HSL 78.9, 0.64%, 0.39%

LAB 62.11, -31.64, 56.81

 

CMYK 20 / 0 / 65 / 42

HEX #759334

RGB 117 147 52

HSL 78.95, 0.48%, 0.39%

LAB 56.98, -25.36, 45.38

 

CMYK 15 / 0 / 48 / 49

HEX #6F8344

RGB 111 131 68

HSL 79.05, 0.32%, 0.39%

LAB 51.87, -18.12, 31.52

 

CMYK 9 / 0 / 27 / 55

HEX #697354

RGB 105 115 84

HSL 79.35, 0.16%, 0.39%

LAB 46.85, -9.66, 15.94

 

CMYK 0 / 21 / 89 / 30

HEX #B38E14

RGB 179 142 20

HSL 46.04, 0.8%, 0.39%

LAB 60.76, 3.35, 61.9

 

CMYK 3 / 0 / 89 / 30

HEX #AEB314

RGB 174 179 20

HSL 61.89, 0.8%, 0.39%

LAB 70.38, -18.42, 69.36

 

CMYK 27 / 0 / 89 / 30

HEX #83B314

RGB 131 179 20

HSL 78.11, 0.8%, 0.39%

LAB 67.36, -36.4, 65.66

 

CMYK 50 / 0 / 89 / 30

HEX #59B314

RGB 89 179 20

HSL 93.96, 0.8%, 0.39%

LAB 65.29, -51.19, 63.08

 

CMYK 74 / 0 / 89 / 30

HEX #2EB314

RGB 46 179 20

HSL 110.19, 0.8%, 0.39%

LAB 64.06, -61.31, 61.54

 

CMYK 28 / 0 / 89 / 59

HEX #4C690C

RGB 76 105 12

HSL 78.71, 0.79%, 0.23%

LAB 40.68, -24.3, 43.48

 

CMYK 27 / 0 / 89 / 44

HEX #678E10

RGB 103 142 16

HSL 78.57, 0.8%, 0.31%

LAB 54.31, -30.71, 54.86

 

CMYK 28 / 0 / 89 / 30

HEX #81B314

RGB 129 179 20

HSL 78.87, 0.8%, 0.39%

LAB 67.25, -37.18, 65.51

 

CMYK 28 / 0 / 89 / 15

HEX #9CD818

RGB 156 216 24

HSL 78.75, 0.8%, 0.47%

LAB 79.75, -43, 75.78

 

CMYK 25 / 0 / 79 / 9

HEX #AFE831

RGB 175 232 49

HSL 78.69, 0.8%, 0.55%

LAB 85.53, -41.98, 75.65

 

CMYK 28 / 0 / 89 / 31

HEX #80B114

RGB 128 177 20

HSL 78.73, 0.8%, 0.39%

LAB 66.58, -36.68, 64.94

 

CMYK 89 / 0 / 45 / 30

HEX #14B363

RGB 20 179 99

HSL 149.81, 0.8%, 0.39%

LAB 64.39, -55.93, 30.4

 

CMYK 9 / 89 / 0 / 30

HEX #A314B3

RGB 163 20 179

HSL 293.96, 0.8%, 0.39%

LAB 40.48, 70.34, -50.08

 

CMYK 28 / 0 / 89 / 31

HEX #80B114

RGB 128 177 20

HSL 78.73, 0.8%, 0.39%

LAB 66.58, -36.68, 64.94

 

CMYK 89 / 27 / 0 / 30

HEX #1483B3

RGB 20 131 179

HSL 198.11, 0.8%, 0.39%

LAB 51.42, -11.46, -33.35

 

CMYK 0 / 89 / 27 / 30

HEX #B31483

RGB 179 20 131

HSL 318.11, 0.8%, 0.39%

LAB 40.77, 66.59, -20.41

 

CMYK 28 / 0 / 89 / 31

HEX #80B114

RGB 128 177 20

HSL 78.73, 0.8%, 0.39%

LAB 66.58, -36.68, 64.94

 

CMYK 89 / 0 / 45 / 30

HEX #14B363

RGB 20 179 99

HSL 149.81, 0.8%, 0.39%

LAB 64.39, -55.93, 30.4

 

CMYK 62 / 89 / 0 / 30

HEX #4414B3

RGB 68 20 179

HSL 258.11, 0.8%, 0.39%

LAB 26.69, 57.95, -73.18

 

CMYK 0 / 89 / 45 / 30

HEX #B31463

RGB 179 20 99

HSL 330.19, 0.8%, 0.39%

LAB 39.55, 63.25, -2.22

 

CMYK 28 / 0 / 89 / 31

HEX #80B114

RGB 128 177 20

HSL 78.73, 0.8%, 0.39%

LAB 66.58, -36.68, 64.94

 

CMYK 89 / 0 / 18 / 30

HEX #14B393

RGB 20 179 147

HSL 167.92, 0.8%, 0.39%

LAB 65.35, -45.19, 5.76

 

CMYK 62 / 89 / 0 / 30

HEX #4414B3

RGB 68 20 179

HSL 258.11, 0.8%, 0.39%

LAB 26.69, 57.95, -73.18

 

CMYK 0 / 89 / 71 / 30

HEX #B31434

RGB 179 20 52

HSL 347.92, 0.8%, 0.39%

LAB 38.43, 60.08, 26.18

 

Description

Color code: HEX #80B114 | qconv.com Color code: HEX #80B114 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 177 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 177 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 89 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 89% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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