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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80AB46 it is the complementary color #7F54B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80AB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80AB46 shade: #85AB41, #96BD54, #A7CF67, #B8E17A and #C9F38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80AB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80AB46 shade: #80AB46, #6F9933, #5E8720, #4D750D and #3C6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80AB46 shade: #7FAA46, #9AAA46, #AA9F46, #AA8446 and #AA6846

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80AB46 shade: #7FAA46, #64AA46, #49AA46, #46AA5D and #46AA78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80AB46 shade matches the following richer shades: #7FAA46, #82BE32, #85D11F and #88E40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80AB46 shade: #7FAA46, #7C9759, #7A836C, #777080 and #745D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80AB46 shade: #AA9E46, #9BAA46, #80AA46, #65AA46 and #4BAA46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80AB46 shade: #53702E, #698D3A, #7FAA46, #94BD5C and #A7C97A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80AB46 shade: #80AB46, #46AA84 and #AA46A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80AB46 shade: #80AB46, #4680AA and #AA4680

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80AB46 shade: #80AB46, #46AA84, #6F46AA and #AA466C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80AB46 shade: #80AB46, #46AAA2, #6F46AA and #AA464E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 59 / 33

HEX #80AB46

RGB 128 171 70

HSL 85.54, 0.42%, 0.47%

LAB 65.09, -31, 46.4

 

Complementary color

CMYK 31 / 55 / 0 / 27

HEX #7F54B9

RGB 127 84 185

HSL 265.54, 0.42%, 0.53%

LAB 44.74, 38.92, -47.05

 

CMYK 22 / 0 / 62 / 33

HEX #85AB41

RGB 133 171 65

HSL 81.51, 0.45%, 0.46%

LAB 65.35, -29.49, 49.04

 

CMYK 21 / 0 / 56 / 26

HEX #96BD54

RGB 150 189 84

HSL 82.29, 0.44%, 0.54%

LAB 71.91, -29.71, 48.08

 

CMYK 19 / 0 / 50 / 19

HEX #A7CF67

RGB 167 207 103

HSL 83.08, 0.52%, 0.61%

LAB 78.36, -29.85, 46.99

 

CMYK 18 / 0 / 46 / 12

HEX #B8E17A

RGB 184 225 122

HSL 83.88, 0.63%, 0.68%

LAB 84.71, -29.93, 45.86

 

CMYK 17 / 0 / 42 / 5

HEX #C9F38D

RGB 201 243 141

HSL 84.71, 0.81%, 0.75%

LAB 90.98, -29.97, 44.72

 

CMYK 25 / 0 / 59 / 33

HEX #80AB46

RGB 128 171 70

HSL 85.54, 0.42%, 0.47%

LAB 65.09, -31, 46.4

 

CMYK 27 / 0 / 67 / 40

HEX #6F9933

RGB 111 153 51

HSL 84.71, 0.5%, 0.4%

LAB 58.42, -30.76, 47.24

 

CMYK 30 / 0 / 76 / 47

HEX #5E8720

RGB 94 135 32

HSL 83.88, 0.62%, 0.33%

LAB 51.62, -30.34, 47.56

 

CMYK 34 / 0 / 89 / 54

HEX #4D750D

RGB 77 117 13

HSL 83.08, 0.8%, 0.25%

LAB 44.7, -29.65, 46.73

 

CMYK 39 / 0 / 100 / 61

HEX #3C6300

RGB 60 99 0

HSL 83.64, 1%, 0.19%

LAB 37.63, -28.56, 43.75

 

CMYK 25 / 0 / 59 / 33

HEX #7FAA46

RGB 127 170 70

HSL 85.8, 0.42%, 0.47%

LAB 64.73, -30.91, 45.97

 

CMYK 9 / 0 / 59 / 33

HEX #9AAA46

RGB 154 170 70

HSL 69.6, 0.42%, 0.47%

LAB 66.57, -20.04, 48.55

 

CMYK 0 / 6 / 59 / 33

HEX #AA9F46

RGB 170 159 70

HSL 53.4, 0.42%, 0.47%

LAB 64.79, -7.5, 46.92

 

CMYK 0 / 22 / 59 / 33

HEX #AA8446

RGB 170 132 70

HSL 37.2, 0.42%, 0.47%

LAB 57.55, 7.27, 38.58

 

CMYK 0 / 39 / 59 / 33

HEX #AA6846

RGB 170 104 70

HSL 20.4, 0.42%, 0.47%

LAB 50.56, 23.03, 30.13

 

CMYK 25 / 0 / 59 / 33

HEX #7FAA46

RGB 127 170 70

HSL 85.8, 0.42%, 0.47%

LAB 64.73, -30.91, 45.97

 

CMYK 41 / 0 / 59 / 33

HEX #64AA46

RGB 100 170 70

HSL 102, 0.42%, 0.47%

LAB 63.26, -40.64, 43.91

 

CMYK 57 / 0 / 59 / 33

HEX #49AA46

RGB 73 170 70

HSL 118.2, 0.42%, 0.47%

LAB 62.18, -48.62, 42.37

 

CMYK 59 / 0 / 45 / 33

HEX #46AA5D

RGB 70 170 93

HSL 133.8, 0.42%, 0.47%

LAB 62.37, -46.1, 31.12

 

CMYK 59 / 0 / 29 / 33

HEX #46AA78

RGB 70 170 120

HSL 150, 0.42%, 0.47%

LAB 62.85, -41.04, 17.25

 

CMYK 25 / 0 / 59 / 33

HEX #7FAA46

RGB 127 170 70

HSL 85.8, 0.42%, 0.47%

LAB 64.73, -30.91, 45.97

 

CMYK 32 / 0 / 74 / 25

HEX #82BE32

RGB 130 190 50

HSL 85.71, 0.58%, 0.47%

LAB 70.73, -40.39, 60.53

 

CMYK 36 / 0 / 85 / 18

HEX #85D11F

RGB 133 209 31

HSL 85.62, 0.74%, 0.47%

LAB 76.49, -48.23, 71.21

 

CMYK 40 / 0 / 95 / 11

HEX #88E40B

RGB 136 228 11

HSL 85.44, 0.91%, 0.47%

LAB 82.24, -55.25, 79.02

 

CMYK 25 / 0 / 59 / 33

HEX #7FAA46

RGB 127 170 70

HSL 85.8, 0.42%, 0.47%

LAB 64.73, -30.91, 45.97

 

CMYK 18 / 0 / 41 / 41

HEX #7C9759

RGB 124 151 89

HSL 86.13, 0.26%, 0.47%

LAB 59.1, -20.58, 29.58

 

CMYK 7 / 0 / 18 / 49

HEX #7A836C

RGB 122 131 108

HSL 83.48, 0.1%, 0.47%

LAB 53.44, -7.74, 11.33

 

CMYK 7 / 13 / 0 / 50

HEX #777080

RGB 119 112 128

HSL 266.25, 0.07%, 0.47%

LAB 48.35, 5.99, -7.83

 

CMYK 21 / 37 / 0 / 42

HEX #745D93

RGB 116 93 147

HSL 265.56, 0.23%, 0.47%

LAB 43.72, 20.83, -26.26

 

CMYK 0 / 7 / 59 / 33

HEX #AA9E46

RGB 170 158 70

HSL 52.8, 0.42%, 0.47%

LAB 64.52, -6.97, 46.61

 

CMYK 9 / 0 / 59 / 33

HEX #9BAA46

RGB 155 170 70

HSL 69, 0.42%, 0.47%

LAB 66.64, -19.62, 48.65

 

CMYK 25 / 0 / 59 / 33

HEX #80AA46

RGB 128 170 70

HSL 85.2, 0.42%, 0.47%

LAB 64.79, -30.53, 46.06

 

CMYK 41 / 0 / 59 / 33

HEX #65AA46

RGB 101 170 70

HSL 101.4, 0.42%, 0.47%

LAB 63.31, -40.31, 43.98

 

CMYK 56 / 0 / 59 / 33

HEX #4BAA46

RGB 75 170 70

HSL 117, 0.42%, 0.47%

LAB 62.24, -48.11, 42.47

 

CMYK 26 / 0 / 59 / 56

HEX #53702E

RGB 83 112 46

HSL 86.36, 0.42%, 0.31%

LAB 43.69, -22.39, 32.78

 

CMYK 26 / 0 / 59 / 45

HEX #698D3A

RGB 105 141 58

HSL 86.02, 0.42%, 0.39%

LAB 54.41, -26.74, 39.52

 

CMYK 25 / 0 / 59 / 33

HEX #7FAA46

RGB 127 170 70

HSL 85.8, 0.42%, 0.47%

LAB 64.73, -30.91, 45.97

 

CMYK 22 / 0 / 51 / 26

HEX #94BD5C

RGB 148 189 92

HSL 85.36, 0.42%, 0.55%

LAB 71.87, -29.67, 44.21

 

CMYK 17 / 0 / 39 / 21

HEX #A7C97A

RGB 167 201 122

HSL 85.82, 0.42%, 0.63%

LAB 76.92, -24.76, 35.79

 

CMYK 25 / 0 / 59 / 33

HEX #80AB46

RGB 128 171 70

HSL 85.54, 0.42%, 0.47%

LAB 65.09, -31, 46.4

 

CMYK 59 / 0 / 22 / 33

HEX #46AA84

RGB 70 170 132

HSL 157.2, 0.42%, 0.47%

LAB 63.11, -38.4, 10.99

 

CMYK 0 / 59 / 1 / 33

HEX #AA46A9

RGB 170 70 169

HSL 300.6, 0.42%, 0.47%

LAB 46.7, 54.03, -34.2

 

CMYK 25 / 0 / 59 / 33

HEX #80AB46

RGB 128 171 70

HSL 85.54, 0.42%, 0.47%

LAB 65.09, -31, 46.4

 

CMYK 59 / 25 / 0 / 33

HEX #4680AA

RGB 70 128 170

HSL 205.2, 0.42%, 0.47%

LAB 51.43, -6.2, -28.05

 

CMYK 0 / 59 / 25 / 33

HEX #AA4680

RGB 170 70 128

HSL 325.2, 0.42%, 0.47%

LAB 44.92, 47.47, -12.37

 

CMYK 25 / 0 / 59 / 33

HEX #80AB46

RGB 128 171 70

HSL 85.54, 0.42%, 0.47%

LAB 65.09, -31, 46.4

 

CMYK 59 / 0 / 22 / 33

HEX #46AA84

RGB 70 170 132

HSL 157.2, 0.42%, 0.47%

LAB 63.11, -38.4, 10.99

 

CMYK 35 / 59 / 0 / 33

HEX #6F46AA

RGB 111 70 170

HSL 264.6, 0.42%, 0.47%

LAB 39.01, 38.99, -47.5

 

CMYK 0 / 59 / 36 / 33

HEX #AA466C

RGB 170 70 108

HSL 337.2, 0.42%, 0.47%

LAB 44.25, 44.85, -1.14

 

CMYK 25 / 0 / 59 / 33

HEX #80AB46

RGB 128 171 70

HSL 85.54, 0.42%, 0.47%

LAB 65.09, -31, 46.4

 

CMYK 59 / 0 / 5 / 33

HEX #46AAA2

RGB 70 170 162

HSL 175.2, 0.42%, 0.47%

LAB 63.88, -30.86, -4.61

 

CMYK 35 / 59 / 0 / 33

HEX #6F46AA

RGB 111 70 170

HSL 264.6, 0.42%, 0.47%

LAB 39.01, 38.99, -47.5

 

CMYK 0 / 59 / 54 / 33

HEX #AA464E

RGB 170 70 78

HSL 355.2, 0.42%, 0.47%

LAB 43.47, 41.75, 16.24

 

Description

Color code: HEX #80AB46 | qconv.com Color code: HEX #80AB46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 171 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 171 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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