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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #809D1D it is the complementary color #7F62E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #809D1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #809D1D shade: #859D18, #96AF2B, #A7C13E, #B8D351 and #C9E564

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #809D1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #809D1D shade: #809D1D, #6F8B0A, #5E7900, #4D6700 and #3C5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #809D1D shade: #7E9B1C, #9B961C, #9B741C, #9B511C and #9B2F1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #809D1D shade: #7E9B1C, #5C9B1C, #3A9B1C, #1C9B21 and #1C9B43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #809D1D shade matches the following richer shades: #7E9B1C and #87AA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #809D1D shade: #7E9B1C, #768C2B, #6E7D3A, #666F49 and #5E6058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #809D1D shade: #9B731C, #9B951C, #809B1C, #5E9B1C and #3C9B1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #809D1D shade: #465510, #627816, #7E9B1C, #9BBE23 and #B3D931

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #809D1D shade: #809D1D, #1C9B51 and #841C9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #809D1D shade: #809D1D, #1C809B and #9B1C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #809D1D shade: #809D1D, #1C9B51, #381C9B and #9B1C66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #809D1D shade: #809D1D, #1C9B77, #381C9B and #9B1C40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 38

HEX #809D1D

RGB 128 157 29

HSL 73.59, 0.69%, 0.36%

LAB 60.6, -27.03, 57.67

 

Complementary color

CMYK 44 / 57 / 0 / 11

HEX #7F62E2

RGB 127 98 226

HSL 253.59, 0.69%, 0.64%

LAB 50.38, 41.94, -61.51

 

CMYK 15 / 0 / 85 / 38

HEX #859D18

RGB 133 157 24

HSL 70.83, 0.73%, 0.35%

LAB 60.93, -25.08, 59.43

 

CMYK 14 / 0 / 75 / 31

HEX #96AF2B

RGB 150 175 43

HSL 71.36, 0.61%, 0.43%

LAB 67.52, -25.93, 60.24

 

CMYK 13 / 0 / 68 / 24

HEX #A7C13E

RGB 167 193 62

HSL 71.91, 0.51%, 0.5%

LAB 74, -26.58, 60.14

 

CMYK 13 / 0 / 62 / 17

HEX #B8D351

RGB 184 211 81

HSL 72.46, 0.6%, 0.57%

LAB 80.39, -27.08, 59.54

 

CMYK 12 / 0 / 56 / 10

HEX #C9E564

RGB 201 229 100

HSL 73.02, 0.71%, 0.65%

LAB 86.69, -27.48, 58.67

 

CMYK 18 / 0 / 82 / 38

HEX #809D1D

RGB 128 157 29

HSL 73.59, 0.69%, 0.36%

LAB 60.6, -27.03, 57.67

 

CMYK 20 / 0 / 93 / 45

HEX #6F8B0A

RGB 111 139 10

HSL 73.02, 0.87%, 0.29%

LAB 53.89, -26.06, 55.87

 

CMYK 22 / 0 / 100 / 53

HEX #5E7900

RGB 94 121 0

HSL 73.39, 1%, 0.24%

LAB 47.05, -24.78, 51.89

 

CMYK 25 / 0 / 100 / 60

HEX #4D6700

RGB 77 103 0

HSL 75.15, 1%, 0.2%

LAB 40.05, -23.27, 46.06

 

CMYK 29 / 0 / 100 / 67

HEX #3C5500

RGB 60 85 0

HSL 77.65, 1%, 0.17%

LAB 32.83, -21.73, 40.05

 

CMYK 19 / 0 / 82 / 39

HEX #7E9B1C

RGB 126 155 28

HSL 73.7, 0.69%, 0.36%

LAB 59.85, -26.93, 57.24

 

CMYK 0 / 3 / 82 / 39

HEX #9B961C

RGB 155 150 28

HSL 57.64, 0.69%, 0.36%

LAB 60.66, -11.66, 58.82

 

CMYK 0 / 25 / 82 / 39

HEX #9B741C

RGB 155 116 28

HSL 41.57, 0.69%, 0.36%

LAB 51.32, 7.1, 50.6

 

CMYK 0 / 48 / 82 / 39

HEX #9B511C

RGB 155 81 28

HSL 25.04, 0.69%, 0.36%

LAB 42.67, 26.99, 42.71

 

CMYK 0 / 70 / 82 / 39

HEX #9B2F1C

RGB 155 47 28

HSL 8.98, 0.69%, 0.36%

LAB 36.15, 43.88, 36.49

 

CMYK 19 / 0 / 82 / 39

HEX #7E9B1C

RGB 126 155 28

HSL 73.7, 0.69%, 0.36%

LAB 59.85, -26.93, 57.24

 

CMYK 41 / 0 / 82 / 39

HEX #5C9B1C

RGB 92 155 28

HSL 89.76, 0.69%, 0.36%

LAB 57.85, -40.27, 54.68

 

CMYK 63 / 0 / 82 / 39

HEX #3A9B1C

RGB 58 155 28

HSL 105.83, 0.69%, 0.36%

LAB 56.51, -50.55, 52.96

 

CMYK 82 / 0 / 79 / 39

HEX #1C9B21

RGB 28 155 33

HSL 122.36, 0.69%, 0.36%

LAB 55.89, -55.76, 50.57

 

CMYK 82 / 0 / 57 / 39

HEX #1C9B43

RGB 28 155 67

HSL 138.43, 0.69%, 0.36%

LAB 56.18, -52.11, 36.49

 

CMYK 19 / 0 / 82 / 39

HEX #7E9B1C

RGB 126 155 28

HSL 73.7, 0.69%, 0.36%

LAB 59.85, -26.93, 57.24

 

CMYK 21 / 0 / 92 / 33

HEX #87AA0E

RGB 135 170 14

HSL 73.46, 0.85%, 0.36%

LAB 64.91, -30.77, 64.78

 

CMYK 19 / 0 / 82 / 39

HEX #7E9B1C

RGB 126 155 28

HSL 73.7, 0.69%, 0.36%

LAB 59.85, -26.93, 57.24

 

CMYK 16 / 0 / 69 / 45

HEX #768C2B

RGB 118 140 43

HSL 73.61, 0.53%, 0.36%

LAB 54.85, -22.1, 47.02

 

CMYK 12 / 0 / 54 / 51

HEX #6E7D3A

RGB 110 125 58

HSL 73.43, 0.37%, 0.36%

LAB 49.84, -16.47, 34.3

 

CMYK 8 / 0 / 34 / 56

HEX #666F49

RGB 102 111 73

HSL 74.21, 0.21%, 0.36%

LAB 45.19, -10.37, 20.07

 

CMYK 2 / 0 / 8 / 62

HEX #5E6058

RGB 94 96 88

HSL 75, 0.04%, 0.36%

LAB 40.33, -2.42, 4.29

 

CMYK 0 / 26 / 82 / 39

HEX #9B731C

RGB 155 115 28

HSL 41.1, 0.69%, 0.36%

LAB 51.05, 7.67, 50.36

 

CMYK 0 / 4 / 82 / 39

HEX #9B951C

RGB 155 149 28

HSL 57.17, 0.69%, 0.36%

LAB 60.38, -11.12, 58.58

 

CMYK 17 / 0 / 82 / 39

HEX #809B1C

RGB 128 155 28

HSL 72.76, 0.69%, 0.36%

LAB 59.99, -26.09, 57.42

 

CMYK 39 / 0 / 82 / 39

HEX #5E9B1C

RGB 94 155 28

HSL 88.82, 0.69%, 0.36%

LAB 57.95, -39.55, 54.81

 

CMYK 61 / 0 / 82 / 39

HEX #3C9B1C

RGB 60 155 28

HSL 104.88, 0.69%, 0.36%

LAB 56.57, -50.05, 53.04

 

CMYK 18 / 0 / 81 / 67

HEX #465510

RGB 70 85 16

HSL 73.04, 0.68%, 0.2%

LAB 33.64, -16.35, 35.66

 

CMYK 18 / 0 / 82 / 53

HEX #627816

RGB 98 120 22

HSL 73.47, 0.69%, 0.28%

LAB 47.09, -21.81, 46.82

 

CMYK 19 / 0 / 82 / 39

HEX #7E9B1C

RGB 126 155 28

HSL 73.7, 0.69%, 0.36%

LAB 59.85, -26.93, 57.24

 

CMYK 18 / 0 / 82 / 25

HEX #9BBE23

RGB 155 190 35

HSL 73.55, 0.69%, 0.44%

LAB 72.17, -31.37, 66.99

 

CMYK 18 / 0 / 77 / 15

HEX #B3D931

RGB 179 217 49

HSL 73.57, 0.69%, 0.52%

LAB 81.53, -33.71, 72.1

 

CMYK 18 / 0 / 82 / 38

HEX #809D1D

RGB 128 157 29

HSL 73.59, 0.69%, 0.36%

LAB 60.6, -27.03, 57.67

 

CMYK 82 / 0 / 48 / 39

HEX #1C9B51

RGB 28 155 81

HSL 145.04, 0.69%, 0.36%

LAB 56.37, -49.88, 29.56

 

CMYK 15 / 82 / 0 / 39

HEX #841C9B

RGB 132 28 155

HSL 289.13, 0.69%, 0.36%

LAB 34.2, 58.84, -46.07

 

CMYK 18 / 0 / 82 / 38

HEX #809D1D

RGB 128 157 29

HSL 73.59, 0.69%, 0.36%

LAB 60.6, -27.03, 57.67

 

CMYK 82 / 17 / 0 / 39

HEX #1C809B

RGB 28 128 155

HSL 192.76, 0.69%, 0.36%

LAB 49.56, -17.81, -22.32

 

CMYK 0 / 82 / 17 / 39

HEX #9B1C80

RGB 155 28 128

HSL 312.76, 0.69%, 0.36%

LAB 36.66, 59.22, -25.28

 

CMYK 18 / 0 / 82 / 38

HEX #809D1D

RGB 128 157 29

HSL 73.59, 0.69%, 0.36%

LAB 60.6, -27.03, 57.67

 

CMYK 82 / 0 / 48 / 39

HEX #1C9B51

RGB 28 155 81

HSL 145.04, 0.69%, 0.36%

LAB 56.37, -49.88, 29.56

 

CMYK 64 / 82 / 0 / 39

HEX #381C9B

RGB 56 28 155

HSL 253.23, 0.69%, 0.36%

LAB 23.8, 47.25, -63.48

 

CMYK 0 / 82 / 34 / 39

HEX #9B1C66

RGB 155 28 102

HSL 325.04, 0.69%, 0.36%

LAB 35.51, 55.92, -10.66

 

CMYK 18 / 0 / 82 / 38

HEX #809D1D

RGB 128 157 29

HSL 73.59, 0.69%, 0.36%

LAB 60.6, -27.03, 57.67

 

CMYK 82 / 0 / 23 / 39

HEX #1C9B77

RGB 28 155 119

HSL 162.99, 0.69%, 0.36%

LAB 57.1, -41.72, 9.63

 

CMYK 64 / 82 / 0 / 39

HEX #381C9B

RGB 56 28 155

HSL 253.23, 0.69%, 0.36%

LAB 23.8, 47.25, -63.48

 

CMYK 0 / 82 / 59 / 39

HEX #9B1C40

RGB 155 28 64

HSL 342.99, 0.69%, 0.36%

LAB 34.33, 52.4, 12.21

 

Description

Color code: HEX #809D1D | qconv.com Color code: HEX #809D1D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 157 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 157 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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