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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #809ADB it is the complementary color #7F6524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #809ADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #809ADB shade: #859AD6, #96ACE9, #A7BEFC, #B8D0FF and #C9E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #809ADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #809ADB shade: #809ADB, #6F88C8, #5E76B5, #4D64A2 and #3C528F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #809ADB shade: #809ADB, #8081DB, #9780DB, #B080DB and #C880DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #809ADB shade: #809ADB, #8081DB and #8080DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #809ADB shade matches the following richer shades: #809ADB, #7394E8 and #658EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #809ADB shade: #809ADB, #8D9FCE, #9AA5C1, #A7ABB3 and #B5B0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #809ADB shade: #80CCDB, #80B3DB, #809BDB, #8083DB and #9580DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #809ADB shade: #3F67C9, #6080D2, #809ADB, #A0B3E4 and #C0CDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #809ADB shade: #809ADB, #D280DB and #C0DB80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #809ADB shade: #809ADB, #DB809B and #9BDB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #809ADB shade: #809ADB, #D280DB, #DBC080 and #89DB80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #809ADB shade: #809ADB, #DB80C9, #DBC080 and #80DB92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

Complementary color

CMYK 0 / 20 / 72 / 50

HEX #7F6524

RGB 127 101 36

HSL 42.86, 0.56%, 0.32%

LAB 44.16, 3.02, 39.3

 

CMYK 38 / 28 / 0 / 16

HEX #859AD6

RGB 133 154 214

HSL 224.44, 0.5%, 0.68%

LAB 64.12, 7.36, -33

 

CMYK 36 / 26 / 0 / 9

HEX #96ACE9

RGB 150 172 233

HSL 224.1, 0.65%, 0.75%

LAB 70.78, 6.89, -33.04

 

CMYK 34 / 25 / 0 / 1

HEX #A7BEFC

RGB 167 190 252

HSL 223.76, 0.93%, 0.82%

LAB 77.32, 6.48, -33.12

 

CMYK 28 / 18 / 0 / 0

HEX #B8D0FF

RGB 184 208 255

HSL 219.72, 1%, 0.86%

LAB 83.19, 2.26, -25.63

 

CMYK 21 / 11 / 0 / 0

HEX #C9E2FF

RGB 201 226 255

HSL 212.22, 1%, 0.89%

LAB 88.94, -2.22, -16.82

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 45 / 32 / 0 / 22

HEX #6F88C8

RGB 111 136 200

HSL 223.15, 0.45%, 0.61%

LAB 57.23, 8.04, -36

 

CMYK 48 / 35 / 0 / 29

HEX #5E76B5

RGB 94 118 181

HSL 223.45, 0.37%, 0.54%

LAB 50.3, 8.78, -36.08

 

CMYK 52 / 38 / 0 / 36

HEX #4D64A2

RGB 77 100 162

HSL 223.76, 0.36%, 0.47%

LAB 43.21, 9.7, -36.21

 

CMYK 58 / 43 / 0 / 44

HEX #3C528F

RGB 60 82 143

HSL 224.1, 0.41%, 0.4%

LAB 35.94, 10.88, -36.41

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 42 / 41 / 0 / 14

HEX #8081DB

RGB 128 129 219

HSL 239.34, 0.56%, 0.68%

LAB 57.47, 22.01, -46.25

 

CMYK 31 / 42 / 0 / 14

HEX #9780DB

RGB 151 128 219

HSL 255.16, 0.56%, 0.68%

LAB 59.1, 28.68, -43.55

 

CMYK 20 / 42 / 0 / 14

HEX #B080DB

RGB 176 128 219

HSL 271.65, 0.56%, 0.68%

LAB 61.47, 35.75, -39.66

 

CMYK 9 / 42 / 0 / 14

HEX #C880DB

RGB 200 128 219

HSL 287.47, 0.56%, 0.68%

LAB 64.02, 42.8, -35.47

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 42 / 41 / 0 / 14

HEX #8081DB

RGB 128 129 219

HSL 239.34, 0.56%, 0.68%

LAB 57.47, 22.01, -46.25

 

CMYK 42 / 42 / 0 / 14

HEX #8080DB

RGB 128 128 219

HSL 240, 0.56%, 0.68%

LAB 57.21, 22.6, -46.65

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 50 / 36 / 0 / 9

HEX #7394E8

RGB 115 148 232

HSL 223.08, 0.72%, 0.68%

LAB 62.21, 11.53, -46.04

 

CMYK 59 / 42 / 0 / 4

HEX #658EF6

RGB 101 142 246

HSL 223.03, 0.89%, 0.68%

LAB 60.58, 16.59, -56.41

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 32 / 23 / 0 / 19

HEX #8D9FCE

RGB 141 159 206

HSL 223.38, 0.4%, 0.68%

LAB 65.68, 4.67, -26.1

 

CMYK 20 / 15 / 0 / 24

HEX #9AA5C1

RGB 154 165 193

HSL 223.08, 0.24%, 0.68%

LAB 67.75, 2.14, -15.65

 

CMYK 7 / 4 / 0 / 30

HEX #A7ABB3

RGB 167 171 179

HSL 220, 0.07%, 0.68%

LAB 69.89, 0.16, -4.6

 

CMYK 0 / 3 / 8 / 29

HEX #B5B0A6

RGB 181 176 166

HSL 40, 0.09%, 0.68%

LAB 71.98, -0.01, 5.74

 

CMYK 42 / 7 / 0 / 14

HEX #80CCDB

RGB 128 204 219

HSL 189.89, 0.56%, 0.68%

LAB 77.81, -19.68, -14.85

 

CMYK 42 / 18 / 0 / 14

HEX #80B3DB

RGB 128 179 219

HSL 206.37, 0.56%, 0.68%

LAB 70.83, -6.55, -25.43

 

CMYK 42 / 29 / 0 / 14

HEX #809BDB

RGB 128 155 219

HSL 222.2, 0.56%, 0.68%

LAB 64.28, 6.84, -35.55

 

CMYK 42 / 40 / 0 / 14

HEX #8083DB

RGB 128 131 219

HSL 238.02, 0.56%, 0.68%

LAB 57.98, 20.83, -45.44

 

CMYK 32 / 42 / 0 / 14

HEX #9580DB

RGB 149 128 219

HSL 253.85, 0.56%, 0.68%

LAB 58.92, 28.13, -43.84

 

CMYK 69 / 49 / 0 / 21

HEX #3F67C9

RGB 63 103 201

HSL 222.61, 0.56%, 0.52%

LAB 45.6, 18.62, -55.2

 

CMYK 54 / 39 / 0 / 18

HEX #6080D2

RGB 96 128 210

HSL 223.16, 0.56%, 0.6%

LAB 54.64, 12.34, -45.8

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 30 / 21 / 0 / 11

HEX #A0B3E4

RGB 160 179 228

HSL 223.24, 0.56%, 0.76%

LAB 73.1, 4.55, -26.7

 

CMYK 19 / 14 / 0 / 7

HEX #C0CDED

RGB 192 205 237

HSL 222.67, 0.56%, 0.84%

LAB 82.37, 2.17, -17.25

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 4 / 42 / 0 / 14

HEX #D280DB

RGB 210 128 219

HSL 294.07, 0.56%, 0.68%

LAB 65.16, 45.78, -33.61

 

CMYK 12 / 0 / 42 / 14

HEX #C0DB80

RGB 192 219 128

HSL 77.8, 0.56%, 0.68%

LAB 83.67, -23.39, 41.73

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 0 / 42 / 29 / 14

HEX #DB809B

RGB 219 128 155

HSL 342.2, 0.56%, 0.68%

LAB 64.05, 38.34, 0.89

 

CMYK 29 / 0 / 42 / 14

HEX #9BDB80

RGB 155 219 128

HSL 102.2, 0.56%, 0.68%

LAB 81.4, -36.73, 38.37

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 4 / 42 / 0 / 14

HEX #D280DB

RGB 210 128 219

HSL 294.07, 0.56%, 0.68%

LAB 65.16, 45.78, -33.61

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 37 / 0 / 42 / 14

HEX #89DB80

RGB 137 219 128

HSL 114.07, 0.56%, 0.68%

LAB 80.48, -42.61, 37.02

 

CMYK 42 / 30 / 0 / 14

HEX #809ADB

RGB 128 154 219

HSL 222.86, 0.56%, 0.68%

LAB 64.01, 7.41, -35.97

 

CMYK 0 / 42 / 8 / 14

HEX #DB80C9

RGB 219 128 201

HSL 311.87, 0.56%, 0.68%

LAB 65.53, 45.31, -22.91

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 42 / 0 / 33 / 14

HEX #80DB92

RGB 128 219 146

HSL 131.87, 0.56%, 0.68%

LAB 80.36, -42.48, 27.62

 

Description

Color code: HEX #809ADB | qconv.com Color code: HEX #809ADB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 154 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 154 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 30 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 30% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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