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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #809901 it is the complementary color #7F66FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #809901. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #809901 shade: #859900, #96AB0F, #A7BD22, #B8CF35 and #C9E148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #809901. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #809901 shade: #809901, #6F8700, #5E7500, #4D6300 and #3C5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #809901 shade: #7F9801, #988801, #985F01, #983701 and #980E01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #809901 shade: #7F9801, #569801, #2E9801, #059801 and #019826

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #809901 shade matches the following richer shades: #7F9801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #809901 shade: #7F9801, #778C0D, #6F7F1A, #667326 and #5E6732

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #809901 shade: #985E01, #988701, #829801, #599801 and #319801

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #809901 shade: #3B4600, #5D6F01, #7F9801, #A2C101 and #C4EA01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #809901 shade: #809901, #019836 and #720198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #809901 shade: #809901, #018298 and #980182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #809901 shade: #809901, #019836, #170198 and #980163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #809901 shade: #809901, #019863, #170198 and #980136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 99 / 40

HEX #809901

RGB 128 153 1

HSL 69.87, 0.99%, 0.3%

LAB 59.32, -25.78, 62.06

 

Complementary color

CMYK 50 / 60 / 0 / 0

HEX #7F66FE

RGB 127 102 254

HSL 249.87, 0.99%, 0.7%

LAB 53.14, 47.62, -72.71

 

CMYK 13 / 0 / 100 / 40

HEX #859900

RGB 133 153 0

HSL 67.84, 1%, 0.3%

LAB 59.68, -23.63, 62.64

 

CMYK 12 / 0 / 91 / 33

HEX #96AB0F

RGB 150 171 15

HSL 68.08, 0.84%, 0.36%

LAB 66.25, -24.91, 66.14

 

CMYK 12 / 0 / 82 / 26

HEX #A7BD22

RGB 167 189 34

HSL 68.52, 0.7%, 0.44%

LAB 72.71, -25.98, 68.04

 

CMYK 11 / 0 / 74 / 19

HEX #B8CF35

RGB 184 207 53

HSL 68.96, 0.62%, 0.51%

LAB 79.08, -26.83, 68.73

 

CMYK 11 / 0 / 68 / 12

HEX #C9E148

RGB 201 225 72

HSL 69.41, 0.72%, 0.58%

LAB 85.37, -27.53, 68.66

 

CMYK 16 / 0 / 99 / 40

HEX #809901

RGB 128 153 1

HSL 69.87, 0.99%, 0.3%

LAB 59.32, -25.78, 62.06

 

CMYK 18 / 0 / 100 / 47

HEX #6F8700

RGB 111 135 0

HSL 70.67, 1%, 0.26%

LAB 52.63, -24.3, 56.64

 

CMYK 20 / 0 / 100 / 54

HEX #5E7500

RGB 94 117 0

HSL 71.79, 1%, 0.23%

LAB 45.77, -22.77, 50.93

 

CMYK 22 / 0 / 100 / 61

HEX #4D6300

RGB 77 99 0

HSL 73.33, 1%, 0.19%

LAB 38.73, -21.22, 45.06

 

CMYK 26 / 0 / 100 / 68

HEX #3C5100

RGB 60 81 0

HSL 75.56, 1%, 0.16%

LAB 31.45, -19.65, 39

 

CMYK 16 / 0 / 99 / 40

HEX #7F9801

RGB 127 152 1

HSL 69.93, 0.99%, 0.3%

LAB 58.95, -25.72, 61.74

 

CMYK 0 / 11 / 99 / 40

HEX #988801

RGB 152 136 1

HSL 53.64, 0.99%, 0.3%

LAB 56.37, -6.08, 60.77

 

CMYK 0 / 38 / 99 / 40

HEX #985F01

RGB 152 95 1

HSL 37.35, 0.99%, 0.3%

LAB 45.44, 17.12, 53.18

 

CMYK 0 / 64 / 99 / 40

HEX #983701

RGB 152 55 1

HSL 21.46, 0.99%, 0.3%

LAB 36.76, 38.64, 47.86

 

CMYK 0 / 91 / 99 / 40

HEX #980E01

RGB 152 14 1

HSL 5.17, 0.99%, 0.3%

LAB 31.79, 52.37, 44.98

 

CMYK 16 / 0 / 99 / 40

HEX #7F9801

RGB 127 152 1

HSL 69.93, 0.99%, 0.3%

LAB 58.95, -25.72, 61.74

 

CMYK 43 / 0 / 99 / 40

HEX #569801

RGB 86 152 1

HSL 86.23, 0.99%, 0.3%

LAB 56.52, -41.97, 58.82

 

CMYK 70 / 0 / 99 / 40

HEX #2E9801

RGB 46 152 1

HSL 102.12, 0.99%, 0.3%

LAB 55.11, -53.2, 57.11

 

CMYK 97 / 0 / 99 / 40

HEX #059801

RGB 5 152 1

HSL 118.41, 0.99%, 0.3%

LAB 54.54, -58.24, 56.42

 

CMYK 99 / 0 / 75 / 40

HEX #019826

RGB 1 152 38

HSL 134.7, 0.99%, 0.3%

LAB 54.66, -56.63, 47.52

 

CMYK 16 / 0 / 99 / 40

HEX #7F9801

RGB 127 152 1

HSL 69.93, 0.99%, 0.3%

LAB 58.95, -25.72, 61.74

 

CMYK 16 / 0 / 99 / 40

HEX #7F9801

RGB 127 152 1

HSL 69.93, 0.99%, 0.3%

LAB 58.95, -25.72, 61.74

 

CMYK 15 / 0 / 91 / 45

HEX #778C0D

RGB 119 140 13

HSL 69.92, 0.83%, 0.3%

LAB 54.77, -23, 56.29

 

CMYK 13 / 0 / 80 / 50

HEX #6F7F1A

RGB 111 127 26

HSL 69.5, 0.66%, 0.3%

LAB 50.25, -19.46, 48.77

 

CMYK 11 / 0 / 67 / 55

HEX #667326

RGB 102 115 38

HSL 70.13, 0.5%, 0.3%

LAB 45.94, -16.44, 39.53

 

CMYK 9 / 0 / 51 / 60

HEX #5E6732

RGB 94 103 50

HSL 70.19, 0.35%, 0.3%

LAB 41.71, -12.36, 28.53

 

CMYK 0 / 38 / 99 / 40

HEX #985E01

RGB 152 94 1

HSL 36.95, 0.99%, 0.3%

LAB 45.2, 17.7, 53.02

 

CMYK 0 / 11 / 99 / 40

HEX #988701

RGB 152 135 1

HSL 53.25, 0.99%, 0.3%

LAB 56.09, -5.54, 60.57

 

CMYK 14 / 0 / 99 / 40

HEX #829801

RGB 130 152 1

HSL 68.74, 0.99%, 0.3%

LAB 59.16, -24.42, 62

 

CMYK 41 / 0 / 99 / 40

HEX #599801

RGB 89 152 1

HSL 85.03, 0.99%, 0.3%

LAB 56.67, -40.91, 59

 

CMYK 68 / 0 / 99 / 40

HEX #319801

RGB 49 152 1

HSL 100.93, 0.99%, 0.3%

LAB 55.19, -52.57, 57.2

 

CMYK 16 / 0 / 100 / 73

HEX #3B4600

RGB 59 70 0

HSL 69.43, 1%, 0.14%

LAB 27.6, -14.11, 35.94

 

CMYK 16 / 0 / 99 / 56

HEX #5D6F01

RGB 93 111 1

HSL 69.82, 0.98%, 0.22%

LAB 43.8, -20.11, 49.17

 

CMYK 16 / 0 / 99 / 40

HEX #7F9801

RGB 127 152 1

HSL 69.93, 0.99%, 0.3%

LAB 58.95, -25.72, 61.74

 

CMYK 16 / 0 / 99 / 24

HEX #A2C101

RGB 162 193 1

HSL 69.69, 0.99%, 0.38%

LAB 73.43, -30.63, 73.76

 

CMYK 16 / 0 / 100 / 8

HEX #C4EA01

RGB 196 234 1

HSL 69.79, 0.99%, 0.46%

LAB 87.28, -35.74, 85.2

 

CMYK 16 / 0 / 99 / 40

HEX #809901

RGB 128 153 1

HSL 69.87, 0.99%, 0.3%

LAB 59.32, -25.78, 62.06

 

CMYK 99 / 0 / 64 / 40

HEX #019836

RGB 1 152 54

HSL 141.06, 0.99%, 0.3%

LAB 54.79, -54.96, 40.99

 

CMYK 25 / 99 / 0 / 40

HEX #720198

RGB 114 1 152

HSL 284.9, 0.99%, 0.3%

LAB 29.07, 60.79, -52.68

 

CMYK 16 / 0 / 99 / 40

HEX #809901

RGB 128 153 1

HSL 69.87, 0.99%, 0.3%

LAB 59.32, -25.78, 62.06

 

CMYK 99 / 14 / 0 / 40

HEX #018298

RGB 1 130 152

HSL 188.74, 0.99%, 0.3%

LAB 49.78, -21.63, -20.25

 

CMYK 0 / 99 / 14 / 40

HEX #980182

RGB 152 1 130

HSL 308.74, 0.99%, 0.3%

LAB 34.62, 63.47, -29.78

 

CMYK 16 / 0 / 99 / 40

HEX #809901

RGB 128 153 1

HSL 69.87, 0.99%, 0.3%

LAB 59.32, -25.78, 62.06

 

CMYK 99 / 0 / 64 / 40

HEX #019836

RGB 1 152 54

HSL 141.06, 0.99%, 0.3%

LAB 54.79, -54.96, 40.99

 

CMYK 85 / 99 / 0 / 40

HEX #170198

RGB 23 1 152

HSL 248.74, 0.99%, 0.3%

LAB 17.79, 53.81, -71.69

 

CMYK 0 / 99 / 35 / 40

HEX #980163

RGB 152 1 99

HSL 321.06, 0.99%, 0.3%

LAB 33.13, 59.7, -12.41

 

CMYK 16 / 0 / 99 / 40

HEX #809901

RGB 128 153 1

HSL 69.87, 0.99%, 0.3%

LAB 59.32, -25.78, 62.06

 

CMYK 99 / 0 / 35 / 40

HEX #019863

RGB 1 152 99

HSL 158.94, 0.99%, 0.3%

LAB 55.45, -47.12, 18.52

 

CMYK 85 / 99 / 0 / 40

HEX #170198

RGB 23 1 152

HSL 248.74, 0.99%, 0.3%

LAB 17.79, 53.81, -71.69

 

CMYK 0 / 99 / 64 / 40

HEX #980136

RGB 152 1 54

HSL 338.94, 0.99%, 0.3%

LAB 31.72, 55.98, 15.16

 

Description

Color code: HEX #809901 | qconv.com Color code: HEX #809901 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 153 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 153 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 99 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 99% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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