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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808D9C it is the complementary color #7F7263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808D9C shade: #858D97, #969FAA, #A7B1BD, #B8C3D0 and #C9D5E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808D9C shade: #808D9C, #6F7B89, #5E6976, #4D5763 and #3C4550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808D9C shade: #818D9C, #81869C, #83819C, #8A819C and #91819C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808D9C shade: #818D9C, #81869C and #81819C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808D9C shade matches the following richer shades: #818D9C, #6F8CAE, #5D8BC0, #4A89D2 and #3888E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808D9C shade: #818D9C, #938F8A, #A59077, #B79165 and #C99353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808D9C shade: #819C9C, #81959C, #818D9C, #81869C and #83819C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808D9C shade: #596471, #6B7988, #818D9C, #98A2AE and #AFB7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808D9C shade: #808D9C, #95819C and #989C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808D9C shade: #808D9C, #9C818D and #8D9C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808D9C shade: #808D9C, #95819C, #9C8F81 and #889C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808D9C shade: #808D9C, #9C819B, #9C8F81 and #819C82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 10 / 0 / 39

HEX #808D9C

RGB 128 141 156

HSL 212.14, 0.12%, 0.56%

LAB 58.07, -1.39, -9.54

 

Complementary color

CMYK 0 / 10 / 22 / 50

HEX #7F7263

RGB 127 114 99

HSL 32.14, 0.12%, 0.44%

LAB 48.82, 2.44, 10.16

SW® 0038

CMYK 12 / 7 / 0 / 41

HEX #858D97

RGB 133 141 151

HSL 213.33, 0.08%, 0.56%

LAB 58.29, -0.8, -6.31

 

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

CMYK 12 / 6 / 0 / 26

HEX #A7B1BD

RGB 167 177 189

HSL 212.73, 0.14%, 0.7%

LAB 71.78, -1.06, -7.31

 

CMYK 12 / 6 / 0 / 18

HEX #B8C3D0

RGB 184 195 208

HSL 212.5, 0.2%, 0.77%

LAB 78.33, -1.18, -7.8

 

CMYK 11 / 6 / 0 / 11

HEX #C9D5E3

RGB 201 213 227

HSL 212.31, 0.32%, 0.84%

LAB 84.77, -1.3, -8.28

 

CMYK 18 / 10 / 0 / 39

HEX #808D9C

RGB 128 141 156

HSL 212.14, 0.12%, 0.56%

LAB 58.07, -1.39, -9.54

 

CMYK 19 / 10 / 0 / 46

HEX #6F7B89

RGB 111 123 137

HSL 212.31, 0.1%, 0.49%

LAB 51.1, -1.26, -9.1

 

CMYK 20 / 11 / 0 / 54

HEX #5E6976

RGB 94 105 118

HSL 212.5, 0.11%, 0.42%

LAB 43.93, -1.12, -8.67

 

CMYK 22 / 12 / 0 / 61

HEX #4D5763

RGB 77 87 99

HSL 212.73, 0.13%, 0.35%

LAB 36.55, -0.98, -8.23

 

CMYK 25 / 14 / 0 / 69

HEX #3C4550

RGB 60 69 80

HSL 213, 0.14%, 0.27%

LAB 28.89, -0.82, -7.81

 

CMYK 17 / 10 / 0 / 39

HEX #818D9C

RGB 129 141 156

HSL 213.33, 0.12%, 0.56%

LAB 58.15, -1.05, -9.42

 

CMYK 17 / 14 / 0 / 39

HEX #81869C

RGB 129 134 156

HSL 228.89, 0.12%, 0.56%

LAB 56.21, 2.94, -12.34

 

CMYK 16 / 17 / 0 / 39

HEX #83819C

RGB 131 129 156

HSL 244.44, 0.12%, 0.56%

LAB 55, 6.51, -14.14

 

CMYK 12 / 17 / 0 / 39

HEX #8A819C

RGB 138 129 156

HSL 260, 0.12%, 0.56%

LAB 55.59, 8.91, -13.19

 

CMYK 7 / 17 / 0 / 39

HEX #91819C

RGB 145 129 156

HSL 275.56, 0.12%, 0.56%

LAB 56.21, 11.36, -12.2

 

CMYK 17 / 10 / 0 / 39

HEX #818D9C

RGB 129 141 156

HSL 213.33, 0.12%, 0.56%

LAB 58.15, -1.05, -9.42

 

CMYK 17 / 14 / 0 / 39

HEX #81869C

RGB 129 134 156

HSL 228.89, 0.12%, 0.56%

LAB 56.21, 2.94, -12.34

 

CMYK 17 / 17 / 0 / 39

HEX #81819C

RGB 129 129 156

HSL 240, 0.12%, 0.56%

LAB 54.83, 5.83, -14.41

 

CMYK 17 / 10 / 0 / 39

HEX #818D9C

RGB 129 141 156

HSL 213.33, 0.12%, 0.56%

LAB 58.15, -1.05, -9.42

 

CMYK 36 / 20 / 0 / 32

HEX #6F8CAE

RGB 111 140 174

HSL 212.38, 0.28%, 0.56%

LAB 57.26, -1.64, -21.17

 

CMYK 52 / 28 / 0 / 25

HEX #5D8BC0

RGB 93 139 192

HSL 212.12, 0.44%, 0.56%

LAB 56.68, -0.53, -32.4

 

CMYK 65 / 35 / 0 / 18

HEX #4A89D2

RGB 74 137 210

HSL 212.21, 0.6%, 0.56%

LAB 56.09, 2.66, -43.57

 

CMYK 75 / 40 / 0 / 11

HEX #3888E4

RGB 56 136 228

HSL 212.09, 0.76%, 0.56%

LAB 56.14, 7, -53.62

 

CMYK 17 / 10 / 0 / 39

HEX #818D9C

RGB 129 141 156

HSL 213.33, 0.12%, 0.56%

LAB 58.15, -1.05, -9.42

 

CMYK 0 / 3 / 6 / 42

HEX #938F8A

RGB 147 143 138

HSL 33.33, 0.04%, 0.56%

LAB 59.6, 0.54, 3.17

 

CMYK 0 / 13 / 28 / 35

HEX #A59077

RGB 165 144 119

HSL 32.61, 0.2%, 0.56%

LAB 61.03, 3.9, 16.19

 

CMYK 0 / 21 / 45 / 28

HEX #B79165

RGB 183 145 101

HSL 32.2, 0.36%, 0.56%

LAB 62.72, 8.52, 28.76

 

CMYK 0 / 27 / 59 / 21

HEX #C99353

RGB 201 147 83

HSL 32.54, 0.52%, 0.56%

LAB 64.89, 13.37, 41.42

 

CMYK 17 / 0 / 0 / 39

HEX #819C9C

RGB 129 156 156

HSL 180, 0.12%, 0.56%

LAB 62.38, -9.38, -3.15

 

CMYK 17 / 4 / 0 / 39

HEX #81959C

RGB 129 149 156

HSL 195.56, 0.12%, 0.56%

LAB 60.39, -5.54, -6.08

 

CMYK 17 / 10 / 0 / 39

HEX #818D9C

RGB 129 141 156

HSL 213.33, 0.12%, 0.56%

LAB 58.15, -1.05, -9.42

 

CMYK 17 / 14 / 0 / 39

HEX #81869C

RGB 129 134 156

HSL 228.89, 0.12%, 0.56%

LAB 56.21, 2.94, -12.34

 

CMYK 16 / 17 / 0 / 39

HEX #83819C

RGB 131 129 156

HSL 244.44, 0.12%, 0.56%

LAB 55, 6.51, -14.14

 

CMYK 21 / 12 / 0 / 56

HEX #596471

RGB 89 100 113

HSL 212.5, 0.12%, 0.4%

LAB 41.89, -1.11, -8.73

 

CMYK 21 / 11 / 0 / 47

HEX #6B7988

RGB 107 121 136

HSL 211.03, 0.12%, 0.48%

LAB 50.19, -1.7, -9.9

 

CMYK 17 / 10 / 0 / 39

HEX #818D9C

RGB 129 141 156

HSL 213.33, 0.12%, 0.56%

LAB 58.15, -1.05, -9.42

 

CMYK 13 / 7 / 0 / 32

HEX #98A2AE

RGB 152 162 174

HSL 212.73, 0.12%, 0.64%

LAB 66.19, -1.05, -7.42

 

CMYK 9 / 5 / 0 / 25

HEX #AFB7C0

RGB 175 183 192

HSL 211.76, 0.12%, 0.72%

LAB 74.05, -1, -5.52

 

CMYK 18 / 10 / 0 / 39

HEX #808D9C

RGB 128 141 156

HSL 212.14, 0.12%, 0.56%

LAB 58.07, -1.39, -9.54

 

CMYK 4 / 17 / 0 / 39

HEX #95819C

RGB 149 129 156

HSL 284.44, 0.12%, 0.56%

LAB 56.58, 12.77, -11.61

 

CMYK 3 / 0 / 17 / 39

HEX #989C81

RGB 152 156 129

HSL 68.89, 0.12%, 0.56%

LAB 63.37, -6.3, 13.68

 

CMYK 18 / 10 / 0 / 39

HEX #808D9C

RGB 128 141 156

HSL 212.14, 0.12%, 0.56%

LAB 58.07, -1.39, -9.54

 

CMYK 0 / 17 / 10 / 39

HEX #9C818D

RGB 156 129 141

HSL 333.33, 0.12%, 0.56%

LAB 56.77, 12.42, -2.58

 

CMYK 10 / 0 / 17 / 39

HEX #8D9C81

RGB 141 156 129

HSL 93.33, 0.12%, 0.56%

LAB 62.53, -10.47, 12.37

 

CMYK 18 / 10 / 0 / 39

HEX #808D9C

RGB 128 141 156

HSL 212.14, 0.12%, 0.56%

LAB 58.07, -1.39, -9.54

 

CMYK 4 / 17 / 0 / 39

HEX #95819C

RGB 149 129 156

HSL 284.44, 0.12%, 0.56%

LAB 56.58, 12.77, -11.61

 

CMYK 0 / 8 / 17 / 39

HEX #9C8F81

RGB 156 143 129

HSL 31.11, 0.12%, 0.56%

LAB 60.16, 2.42, 9.19

 

CMYK 13 / 0 / 17 / 39

HEX #889C81

RGB 136 156 129

HSL 104.44, 0.12%, 0.56%

LAB 62.17, -12.33, 11.81

 

CMYK 18 / 10 / 0 / 39

HEX #808D9C

RGB 128 141 156

HSL 212.14, 0.12%, 0.56%

LAB 58.07, -1.39, -9.54

 

CMYK 0 / 17 / 1 / 39

HEX #9C819B

RGB 156 129 155

HSL 302.22, 0.12%, 0.56%

LAB 57.21, 15.06, -10.02

 

CMYK 0 / 8 / 17 / 39

HEX #9C8F81

RGB 156 143 129

HSL 31.11, 0.12%, 0.56%

LAB 60.16, 2.42, 9.19

 

CMYK 17 / 0 / 17 / 39

HEX #819C82

RGB 129 156 130

HSL 122.22, 0.12%, 0.56%

LAB 61.7, -14.69, 10.52

 

Description

Color code: HEX #808D9C | qconv.com Color code: HEX #808D9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 141 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 141 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 10 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 10% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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