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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808495 it is the complementary color #7F7B6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808495 shade: #858490, #9696A3, #A7A8B6, #B8BAC9 and #C9CCDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808495 shade: #808495, #6F7282, #5E606F, #4D4E5C and #3C3C49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808495 shade: #7F8394, #817F94, #877F94, #8C7F94 and #927F94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808495 shade: #7F8394 and #7F7F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808495 shade matches the following richer shades: #7F8394, #6C77A7, #596CBA, #4660CD and #3354E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808495 shade: #7F8394, #928F81, #A59B6E, #B8A65B and #CBB248

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808495 shade: #7F8F94, #7F8994, #7F8394, #817F94 and #867F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808495 shade: #585B69, #6B6F80, #7F8394, #9699A7 and #ACAFBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808495 shade: #808495, #947F94 and #8C947F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808495 shade: #808495, #947F83 and #83947F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808495 shade: #808495, #947F94, #94907F and #7F947F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808495 shade: #808495, #947F8E, #94907F and #7F9485

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 11 / 0 / 42

HEX #808495

RGB 128 132 149

HSL 228.57, 0.09%, 0.54%

LAB 55.34, 2.16, -9.6

 

Complementary color

CMYK 0 / 3 / 17 / 50

HEX #7F7B6A

RGB 127 123 106

HSL 48.57, 0.09%, 0.46%

LAB 51.52, -1.59, 9.85

 

CMYK 8 / 8 / 0 / 44

HEX #858490

RGB 133 132 144

HSL 245, 0.05%, 0.54%

LAB 55.59, 2.83, -6.3

 

CMYK 8 / 8 / 0 / 36

HEX #9696A3

RGB 150 150 163

HSL 240, 0.07%, 0.61%

LAB 62.46, 2.61, -6.81

 

CMYK 8 / 8 / 0 / 29

HEX #A7A8B6

RGB 167 168 182

HSL 236, 0.09%, 0.68%

LAB 69.18, 2.41, -7.31

 

CMYK 8 / 7 / 0 / 21

HEX #B8BAC9

RGB 184 186 201

HSL 232.94, 0.14%, 0.75%

LAB 75.78, 2.22, -7.8

 

CMYK 9 / 7 / 0 / 14

HEX #C9CCDC

RGB 201 204 220

HSL 230.53, 0.21%, 0.83%

LAB 82.26, 2.04, -8.28

 

CMYK 14 / 11 / 0 / 42

HEX #808495

RGB 128 132 149

HSL 228.57, 0.09%, 0.54%

LAB 55.34, 2.16, -9.6

 

CMYK 15 / 12 / 0 / 49

HEX #6F7282

RGB 111 114 130

HSL 230.53, 0.08%, 0.47%

LAB 48.29, 2.37, -9.17

 

CMYK 15 / 14 / 0 / 56

HEX #5E606F

RGB 94 96 111

HSL 232.94, 0.08%, 0.4%

LAB 41.05, 2.61, -8.74

 

CMYK 16 / 15 / 0 / 64

HEX #4D4E5C

RGB 77 78 92

HSL 236, 0.09%, 0.33%

LAB 33.56, 2.88, -8.33

 

CMYK 18 / 18 / 0 / 71

HEX #3C3C49

RGB 60 60 73

HSL 240, 0.1%, 0.26%

LAB 25.78, 3.19, -7.92

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 13 / 14 / 0 / 42

HEX #817F94

RGB 129 127 148

HSL 245.71, 0.09%, 0.54%

LAB 54.01, 5.17, -11.01

 

CMYK 9 / 14 / 0 / 42

HEX #877F94

RGB 135 127 148

HSL 262.86, 0.09%, 0.54%

LAB 54.52, 7.28, -10.19

 

CMYK 5 / 14 / 0 / 42

HEX #8C7F94

RGB 140 127 148

HSL 277.14, 0.09%, 0.54%

LAB 54.96, 9.06, -9.48

 

CMYK 1 / 14 / 0 / 42

HEX #927F94

RGB 146 127 148

HSL 294.29, 0.09%, 0.54%

LAB 55.51, 11.22, -8.61

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 14 / 14 / 0 / 42

HEX #7F7F94

RGB 127 127 148

HSL 240, 0.09%, 0.54%

LAB 53.84, 4.48, -11.27

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 35 / 29 / 0 / 35

HEX #6C77A7

RGB 108 119 167

HSL 228.81, 0.25%, 0.54%

LAB 50.89, 7.87, -26.98

 

CMYK 52 / 42 / 0 / 27

HEX #596CBA

RGB 89 108 186

HSL 228.25, 0.41%, 0.54%

LAB 47.49, 15.3, -43.44

 

CMYK 66 / 53 / 0 / 20

HEX #4660CD

RGB 70 96 205

HSL 228.44, 0.57%, 0.54%

LAB 44.34, 25.59, -59.51

 

CMYK 77 / 63 / 0 / 12

HEX #3354E0

RGB 51 84 224

HSL 228.55, 0.74%, 0.54%

LAB 41.89, 37.57, -74.42

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 0 / 2 / 12 / 43

HEX #928F81

RGB 146 143 129

HSL 49.41, 0.07%, 0.54%

LAB 59.29, -1.45, 7.84

 

CMYK 0 / 6 / 33 / 35

HEX #A59B6E

RGB 165 155 110

HSL 49.09, 0.23%, 0.54%

LAB 63.81, -3.37, 24.96

 

CMYK 0 / 10 / 51 / 28

HEX #B8A65B

RGB 184 166 91

HSL 48.39, 0.4%, 0.54%

LAB 68.18, -3.47, 40.9

 

CMYK 0 / 12 / 65 / 20

HEX #CBB248

RGB 203 178 72

HSL 48.55, 0.56%, 0.54%

LAB 72.9, -3.18, 55.76

 

CMYK 14 / 3 / 0 / 42

HEX #7F8F94

RGB 127 143 148

HSL 194.29, 0.09%, 0.54%

LAB 58.32, -4.65, -4.61

 

CMYK 14 / 7 / 0 / 42

HEX #7F8994

RGB 127 137 148

HSL 211.43, 0.09%, 0.54%

LAB 56.63, -1.27, -7.11

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 13 / 14 / 0 / 42

HEX #817F94

RGB 129 127 148

HSL 245.71, 0.09%, 0.54%

LAB 54.01, 5.17, -11.01

 

CMYK 9 / 14 / 0 / 42

HEX #867F94

RGB 134 127 148

HSL 260, 0.09%, 0.54%

LAB 54.43, 6.93, -10.33

 

CMYK 16 / 13 / 0 / 59

HEX #585B69

RGB 88 91 105

HSL 229.41, 0.09%, 0.38%

LAB 38.86, 2.04, -8.39

 

CMYK 16 / 13 / 0 / 50

HEX #6B6F80

RGB 107 111 128

HSL 228.57, 0.09%, 0.46%

LAB 47.04, 2.27, -9.89

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 10 / 8 / 0 / 35

HEX #9699A7

RGB 150 153 167

HSL 229.41, 0.09%, 0.62%

LAB 63.39, 1.77, -7.68

 

CMYK 8 / 6 / 0 / 27

HEX #ACAFBA

RGB 172 175 186

HSL 227.14, 0.09%, 0.7%

LAB 71.54, 1.1, -5.98

 

CMYK 14 / 11 / 0 / 42

HEX #808495

RGB 128 132 149

HSL 228.57, 0.09%, 0.54%

LAB 55.34, 2.16, -9.6

 

CMYK 0 / 14 / 0 / 42

HEX #947F94

RGB 148 127 148

HSL 300, 0.09%, 0.54%

LAB 55.7, 11.94, -8.31

 

CMYK 5 / 0 / 14 / 42

HEX #8C947F

RGB 140 148 127

HSL 82.86, 0.09%, 0.54%

LAB 60.15, -6.86, 10.13

 

CMYK 14 / 11 / 0 / 42

HEX #808495

RGB 128 132 149

HSL 228.57, 0.09%, 0.54%

LAB 55.34, 2.16, -9.6

 

CMYK 0 / 14 / 11 / 42

HEX #947F83

RGB 148 127 131

HSL 348.57, 0.09%, 0.54%

LAB 55.19, 8.74, 0.81

 

CMYK 11 / 0 / 14 / 42

HEX #83947F

RGB 131 148 127

HSL 108.57, 0.09%, 0.54%

LAB 59.47, -10.23, 9.07

 

CMYK 14 / 11 / 0 / 42

HEX #808495

RGB 128 132 149

HSL 228.57, 0.09%, 0.54%

LAB 55.34, 2.16, -9.6

 

CMYK 0 / 14 / 0 / 42

HEX #947F94

RGB 148 127 148

HSL 300, 0.09%, 0.54%

LAB 55.7, 11.94, -8.31

 

CMYK 0 / 3 / 14 / 42

HEX #94907F

RGB 148 144 127

HSL 48.57, 0.09%, 0.54%

LAB 59.68, -1.58, 9.56

 

CMYK 14 / 0 / 14 / 42

HEX #7F947F

RGB 127 148 127

HSL 120, 0.09%, 0.54%

LAB 59.18, -11.7, 8.62

 

CMYK 14 / 11 / 0 / 42

HEX #808495

RGB 128 132 149

HSL 228.57, 0.09%, 0.54%

LAB 55.34, 2.16, -9.6

 

CMYK 0 / 14 / 4 / 42

HEX #947F8E

RGB 148 127 142

HSL 317.14, 0.09%, 0.54%

LAB 55.51, 10.77, -5.11

 

CMYK 0 / 3 / 14 / 42

HEX #94907F

RGB 148 144 127

HSL 48.57, 0.09%, 0.54%

LAB 59.68, -1.58, 9.56

 

CMYK 14 / 0 / 10 / 42

HEX #7F9485

RGB 127 148 133

HSL 137.14, 0.09%, 0.54%

LAB 59.33, -10.54, 5.43

 

Description

Color code: HEX #808495 | qconv.com Color code: HEX #808495 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 132 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 132 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 11 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 11% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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