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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8082B7 it is the complementary color #7F7D48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8082B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8082B7 shade: #8582B2, #9694C5, #A7A6D8, #B8B8EB and #C9CAFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8082B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8082B7 shade: #8082B7, #6F70A4, #5E5E91, #4D4C7E and #3C3A6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8082B7 shade: #8082B7, #8D80B7, #9C80B7, #AB80B7 and #B780B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8082B7 shade: #8082B7 and #8080B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8082B7 shade matches the following richer shades: #8082B7, #7073C7, #6064D8, #4F55E8 and #3F46F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8082B7 shade: #8082B7, #9091A7, #A0A097, #B0AE87 and #C0BD77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8082B7 shade: #80A0B7, #8091B7, #8082B7, #8C80B7 and #9B80B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8082B7 shade: #525592, #6568A9, #8082B7, #9A9CC6 and #B5B6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8082B7 shade: #8082B7, #B780AF and #99B780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8082B7 shade: #8082B7, #B78082 and #82B780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8082B7 shade: #8082B7, #B780AF, #B7B580 and #80B788

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8082B7 shade: #8082B7, #B7809E, #B7B580 and #80B799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

Complementary color

CMYK 0 / 2 / 43 / 50

HEX #7F7D48

RGB 127 125 72

HSL 57.82, 0.28%, 0.39%

LAB 51.44, -7.55, 29.1

 

CMYK 25 / 27 / 0 / 30

HEX #8582B2

RGB 133 130 178

HSL 243.75, 0.24%, 0.6%

LAB 56.25, 11.85, -24.87

 

CMYK 24 / 25 / 0 / 23

HEX #9694C5

RGB 150 148 197

HSL 242.45, 0.3%, 0.68%

LAB 63.09, 11.39, -25

 

CMYK 23 / 23 / 0 / 15

HEX #A7A6D8

RGB 167 166 216

HSL 241.2, 0.39%, 0.75%

LAB 69.79, 10.97, -25.17

 

CMYK 22 / 22 / 0 / 8

HEX #B8B8EB

RGB 184 184 235

HSL 240, 0.56%, 0.82%

LAB 76.36, 10.6, -25.35

 

CMYK 21 / 20 / 0 / 0

HEX #C9CAFE

RGB 201 202 254

HSL 238.87, 0.96%, 0.89%

LAB 82.81, 10.25, -25.56

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 32 / 32 / 0 / 36

HEX #6F70A4

RGB 111 112 164

HSL 238.87, 0.23%, 0.54%

LAB 49.07, 12.15, -28.04

 

CMYK 35 / 35 / 0 / 43

HEX #5E5E91

RGB 94 94 145

HSL 240, 0.21%, 0.47%

LAB 41.89, 12.82, -28.07

 

CMYK 39 / 40 / 0 / 51

HEX #4D4C7E

RGB 77 76 126

HSL 241.2, 0.25%, 0.4%

LAB 34.5, 13.62, -28.17

 

CMYK 44 / 46 / 0 / 58

HEX #3C3A6B

RGB 60 58 107

HSL 242.45, 0.3%, 0.32%

LAB 26.87, 14.63, -28.37

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 23 / 30 / 0 / 28

HEX #8D80B7

RGB 141 128 183

HSL 254.18, 0.28%, 0.61%

LAB 56.6, 16.75, -27.14

 

CMYK 15 / 30 / 0 / 28

HEX #9C80B7

RGB 156 128 183

HSL 270.55, 0.28%, 0.61%

LAB 57.97, 21.53, -24.92

 

CMYK 7 / 30 / 0 / 28

HEX #AB80B7

RGB 171 128 183

HSL 286.91, 0.28%, 0.61%

LAB 59.45, 26.43, -22.52

 

CMYK 0 / 30 / 1 / 28

HEX #B780B5

RGB 183 128 181

HSL 302.18, 0.28%, 0.61%

LAB 60.64, 30.03, -19.44

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 30 / 30 / 0 / 28

HEX #8080B7

RGB 128 128 183

HSL 240, 0.28%, 0.61%

LAB 55.53, 12.76, -28.89

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 44 / 42 / 0 / 22

HEX #7073C7

RGB 112 115 199

HSL 237.93, 0.44%, 0.61%

LAB 51.64, 20.56, -44.22

 

CMYK 56 / 54 / 0 / 15

HEX #6064D8

RGB 96 100 216

HSL 238, 0.61%, 0.61%

LAB 47.7, 31.38, -60.3

 

CMYK 66 / 63 / 0 / 9

HEX #4F55E8

RGB 79 85 232

HSL 237.65, 0.77%, 0.61%

LAB 44.21, 42.92, -75.09

 

CMYK 75 / 72 / 0 / 3

HEX #3F46F8

RGB 63 70 248

HSL 237.73, 0.93%, 0.61%

LAB 41.55, 55.07, -88.5

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 14 / 13 / 0 / 35

HEX #9091A7

RGB 144 145 167

HSL 237.39, 0.12%, 0.61%

LAB 60.76, 4.22, -11.67

 

CMYK 0 / 0 / 6 / 37

HEX #A0A097

RGB 160 160 151

HSL 60, 0.05%, 0.61%

LAB 65.63, -1.67, 4.68

 

CMYK 0 / 1 / 23 / 31

HEX #B0AE87

RGB 176 174 135

HSL 57.07, 0.21%, 0.61%

LAB 70.35, -5.77, 20.33

 

CMYK 0 / 2 / 38 / 25

HEX #C0BD77

RGB 192 189 119

HSL 57.53, 0.37%, 0.61%

LAB 75.41, -9.38, 35.76

 

CMYK 30 / 13 / 0 / 28

HEX #80A0B7

RGB 128 160 183

HSL 205.09, 0.28%, 0.61%

LAB 64.28, -5.53, -15.49

 

CMYK 30 / 21 / 0 / 28

HEX #8091B7

RGB 128 145 183

HSL 221.45, 0.28%, 0.61%

LAB 60.12, 2.89, -21.81

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 23 / 30 / 0 / 28

HEX #8C80B7

RGB 140 128 183

HSL 253.09, 0.28%, 0.61%

LAB 56.52, 16.44, -27.28

 

CMYK 15 / 30 / 0 / 28

HEX #9B80B7

RGB 155 128 183

HSL 269.45, 0.28%, 0.61%

LAB 57.87, 21.2, -25.08

 

CMYK 44 / 42 / 0 / 43

HEX #525592

RGB 82 85 146

HSL 237.19, 0.28%, 0.45%

LAB 38.49, 15.37, -34.08

 

CMYK 40 / 38 / 0 / 34

HEX #6568A9

RGB 101 104 169

HSL 237.35, 0.28%, 0.53%

LAB 46.35, 15.56, -35.27

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 22 / 21 / 0 / 22

HEX #9A9CC6

RGB 154 156 198

HSL 237.27, 0.28%, 0.69%

LAB 65.53, 8.33, -21.8

 

CMYK 15 / 15 / 0 / 16

HEX #B5B6D5

RGB 181 182 213

HSL 238.13, 0.28%, 0.77%

LAB 74.88, 5.89, -15.69

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 0 / 30 / 4 / 28

HEX #B780AF

RGB 183 128 175

HSL 308.73, 0.28%, 0.61%

LAB 60.43, 28.9, -16.35

 

CMYK 16 / 0 / 30 / 28

HEX #99B780

RGB 153 183 128

HSL 92.73, 0.28%, 0.61%

LAB 71.01, -20.21, 24.71

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 0 / 30 / 29 / 28

HEX #B78082

RGB 183 128 130

HSL 357.82, 0.28%, 0.61%

LAB 59.08, 21.56, 7.47

 

CMYK 29 / 0 / 30 / 28

HEX #82B780

RGB 130 183 128

HSL 117.82, 0.28%, 0.61%

LAB 69.59, -28.36, 22.56

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 0 / 30 / 4 / 28

HEX #B780AF

RGB 183 128 175

HSL 308.73, 0.28%, 0.61%

LAB 60.43, 28.9, -16.35

 

CMYK 0 / 1 / 30 / 28

HEX #B7B580

RGB 183 181 128

HSL 57.82, 0.28%, 0.61%

LAB 72.68, -7.69, 27.33

 

CMYK 30 / 0 / 26 / 28

HEX #80B788

RGB 128 183 136

HSL 128.73, 0.28%, 0.61%

LAB 69.64, -27.63, 18.29

 

CMYK 30 / 29 / 0 / 28

HEX #8082B7

RGB 128 130 183

HSL 237.82, 0.28%, 0.61%

LAB 56.06, 11.59, -28.06

 

CMYK 0 / 30 / 14 / 28

HEX #B7809E

RGB 183 128 158

HSL 327.27, 0.28%, 0.61%

LAB 59.87, 25.9, -7.48

 

CMYK 0 / 1 / 30 / 28

HEX #B7B580

RGB 183 181 128

HSL 57.82, 0.28%, 0.61%

LAB 72.68, -7.69, 27.33

 

CMYK 30 / 0 / 16 / 28

HEX #80B799

RGB 128 183 153

HSL 147.27, 0.28%, 0.61%

LAB 70, -24.38, 9.55

 

Description

Color code: HEX #8082B7 | qconv.com Color code: HEX #8082B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 130 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 130 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 29 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 29% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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