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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8077ED it is the complementary color #7F8812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8077ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8077ED shade: #8577E8, #9689FB, #A79BFF, #B8ADFF and #C9BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8077ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8077ED shade: #8077ED, #6F65DA, #5E53C7, #4D41B4 and #3C2FA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8077ED shade: #8178ED, #A078ED, #C078ED, #E078ED and #ED78DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8077ED shade: #8178ED and #7878ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8077ED shade matches the following richer shades: #8178ED and #766BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8077ED shade: #8178ED, #8B84E1, #9690D5, #A09DC8 and #ABA9BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8077ED shade: #78AFED, #788FED, #7F78ED, #9F78ED and #BE78ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8077ED shade: #3C2FE4, #5E53E9, #8178ED, #A39CF2 and #C5C1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8077ED shade: #8077ED, #ED78CE and #9FED78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8077ED shade: #8077ED, #ED7F78 and #78ED7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8077ED shade: #8077ED, #ED78CE, #E6ED78 and #78ED97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8077ED shade: #8077ED, #ED78AB, #E6ED78 and #78EDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 50 / 0 / 7

HEX #8077ED

RGB 128 119 237

HSL 244.58, 0.77%, 0.7%

LAB 55.98, 33.1, -58.67

 

Complementary color

CMYK 7 / 0 / 87 / 47

HEX #7F8812

RGB 127 136 18

HSL 64.58, 0.77%, 0.3%

LAB 54.2, -17.25, 55

 

CMYK 43 / 49 / 0 / 9

HEX #8577E8

RGB 133 119 232

HSL 247.43, 0.71%, 0.69%

LAB 56.09, 32.81, -55.68

 

CMYK 40 / 45 / 0 / 2

HEX #9689FB

RGB 150 137 251

HSL 246.84, 0.93%, 0.76%

LAB 62.79, 31.71, -55.44

 

CMYK 35 / 39 / 0 / 0

HEX #A79BFF

RGB 167 155 255

HSL 247.2, 1%, 0.8%

LAB 68.66, 26.8, -48.24

 

CMYK 28 / 32 / 0 / 0

HEX #B8ADFF

RGB 184 173 255

HSL 248.05, 1%, 0.84%

LAB 74.38, 21.36, -39.2

 

CMYK 21 / 25 / 0 / 0

HEX #C9BFFF

RGB 201 191 255

HSL 249.38, 1%, 0.87%

LAB 80.12, 16.42, -30.21

 

CMYK 46 / 50 / 0 / 7

HEX #8077ED

RGB 128 119 237

HSL 244.58, 0.77%, 0.7%

LAB 55.98, 33.1, -58.67

 

CMYK 49 / 54 / 0 / 15

HEX #6F65DA

RGB 111 101 218

HSL 245.13, 0.61%, 0.63%

LAB 49.19, 34.44, -58.97

 

CMYK 53 / 58 / 0 / 22

HEX #5E53C7

RGB 94 83 199

HSL 245.69, 0.51%, 0.55%

LAB 42.29, 35.97, -59.29

 

CMYK 57 / 64 / 0 / 29

HEX #4D41B4

RGB 77 65 180

HSL 246.26, 0.47%, 0.48%

LAB 35.31, 37.7, -59.57

 

CMYK 63 / 71 / 0 / 37

HEX #3C2FA1

RGB 60 47 161

HSL 246.84, 0.55%, 0.41%

LAB 28.29, 39.59, -59.72

 

CMYK 46 / 49 / 0 / 7

HEX #8178ED

RGB 129 120 237

HSL 244.62, 0.76%, 0.7%

LAB 56.3, 32.73, -58.16

 

CMYK 32 / 49 / 0 / 7

HEX #A078ED

RGB 160 120 237

HSL 260.51, 0.76%, 0.7%

LAB 58.99, 40.18, -53.7

 

CMYK 19 / 49 / 0 / 7

HEX #C078ED

RGB 192 120 237

HSL 276.92, 0.76%, 0.7%

LAB 62.3, 48.53, -48.25

 

CMYK 5 / 49 / 0 / 7

HEX #E078ED

RGB 224 120 237

HSL 293.33, 0.76%, 0.7%

LAB 66.05, 57.19, -42.08

 

CMYK 0 / 49 / 8 / 7

HEX #ED78DB

RGB 237 120 219

HSL 309.23, 0.76%, 0.7%

LAB 66.94, 57.71, -30.6

 

CMYK 46 / 49 / 0 / 7

HEX #8178ED

RGB 129 120 237

HSL 244.62, 0.76%, 0.7%

LAB 56.3, 32.73, -58.16

 

CMYK 49 / 49 / 0 / 7

HEX #7878ED

RGB 120 120 237

HSL 240, 0.76%, 0.7%

LAB 55.62, 30.75, -59.28

 

CMYK 46 / 49 / 0 / 7

HEX #8178ED

RGB 129 120 237

HSL 244.62, 0.76%, 0.7%

LAB 56.3, 32.73, -58.16

 

CMYK 53 / 57 / 0 / 2

HEX #766BFA

RGB 118 107 250

HSL 244.62, 0.93%, 0.7%

LAB 53.24, 41.91, -70.35

 

CMYK 46 / 49 / 0 / 7

HEX #8178ED

RGB 129 120 237

HSL 244.62, 0.76%, 0.7%

LAB 56.3, 32.73, -58.16

 

CMYK 38 / 41 / 0 / 12

HEX #8B84E1

RGB 139 132 225

HSL 244.52, 0.61%, 0.7%

LAB 59.37, 24.74, -46.54

 

CMYK 30 / 32 / 0 / 16

HEX #9690D5

RGB 150 144 213

HSL 245.22, 0.45%, 0.7%

LAB 62.71, 17.63, -34.55

 

CMYK 20 / 22 / 0 / 22

HEX #A09DC8

RGB 160 157 200

HSL 244.19, 0.28%, 0.7%

LAB 66.33, 10.13, -21.64

 

CMYK 9 / 10 / 0 / 26

HEX #ABA9BC

RGB 171 169 188

HSL 246.32, 0.12%, 0.7%

LAB 69.94, 4.45, -9.46

 

CMYK 49 / 26 / 0 / 7

HEX #78AFED

RGB 120 175 237

HSL 211.79, 0.76%, 0.7%

LAB 70.01, -1.24, -36.55

 

CMYK 49 / 40 / 0 / 7

HEX #788FED

RGB 120 143 237

HSL 228.21, 0.76%, 0.7%

LAB 61.44, 17.11, -50.01

 

CMYK 46 / 49 / 0 / 7

HEX #7F78ED

RGB 127 120 237

HSL 243.59, 0.76%, 0.7%

LAB 56.15, 32.29, -58.41

 

CMYK 33 / 49 / 0 / 7

HEX #9F78ED

RGB 159 120 237

HSL 260, 0.76%, 0.7%

LAB 58.9, 39.93, -53.86

 

CMYK 20 / 49 / 0 / 7

HEX #BE78ED

RGB 190 120 237

HSL 275.9, 0.76%, 0.7%

LAB 62.08, 48, -48.61

 

CMYK 74 / 79 / 0 / 11

HEX #3C2FE4

RGB 60 47 228

HSL 244.31, 0.77%, 0.54%

LAB 35.19, 60.41, -87.71

 

CMYK 60 / 64 / 0 / 9

HEX #5E53E9

RGB 94 83 233

HSL 244.4, 0.77%, 0.62%

LAB 44.87, 46.55, -74.54

 

CMYK 46 / 49 / 0 / 7

HEX #8178ED

RGB 129 120 237

HSL 244.62, 0.76%, 0.7%

LAB 56.3, 32.73, -58.16

 

CMYK 33 / 36 / 0 / 5

HEX #A39CF2

RGB 163 156 242

HSL 244.88, 0.77%, 0.78%

LAB 68, 21.82, -42.22

 

CMYK 20 / 22 / 0 / 3

HEX #C5C1F7

RGB 197 193 247

HSL 244.44, 0.77%, 0.86%

LAB 80.03, 12.34, -26.11

 

CMYK 46 / 50 / 0 / 7

HEX #8077ED

RGB 128 119 237

HSL 244.58, 0.77%, 0.7%

LAB 55.98, 33.1, -58.67

 

CMYK 0 / 49 / 13 / 7

HEX #ED78CE

RGB 237 120 206

HSL 315.9, 0.76%, 0.7%

LAB 66.44, 55.64, -24.11

 

CMYK 33 / 0 / 49 / 7

HEX #9FED78

RGB 159 237 120

HSL 100, 0.76%, 0.7%

LAB 86.65, -44.36, 48.87

 

CMYK 46 / 50 / 0 / 7

HEX #8077ED

RGB 128 119 237

HSL 244.58, 0.77%, 0.7%

LAB 55.98, 33.1, -58.67

 

CMYK 0 / 46 / 49 / 7

HEX #ED7F78

RGB 237 127 120

HSL 3.59, 0.76%, 0.7%

LAB 65.39, 41.48, 22.94

 

CMYK 49 / 0 / 46 / 7

HEX #78ED7F

RGB 120 237 127

HSL 123.59, 0.76%, 0.7%

LAB 85.04, -55.12, 43.17

 

CMYK 46 / 50 / 0 / 7

HEX #8077ED

RGB 128 119 237

HSL 244.58, 0.77%, 0.7%

LAB 55.98, 33.1, -58.67

 

CMYK 0 / 49 / 13 / 7

HEX #ED78CE

RGB 237 120 206

HSL 315.9, 0.76%, 0.7%

LAB 66.44, 55.64, -24.11

 

CMYK 3 / 0 / 49 / 7

HEX #E6ED78

RGB 230 237 120

HSL 63.59, 0.76%, 0.7%

LAB 91.12, -18.27, 55.31

 

CMYK 49 / 0 / 36 / 7

HEX #78ED97

RGB 120 237 151

HSL 135.9, 0.76%, 0.7%

LAB 85.4, -51.41, 31.74

 

CMYK 46 / 50 / 0 / 7

HEX #8077ED

RGB 128 119 237

HSL 244.58, 0.77%, 0.7%

LAB 55.98, 33.1, -58.67

 

CMYK 0 / 49 / 28 / 7

HEX #ED78AB

RGB 237 120 171

HSL 333.85, 0.76%, 0.7%

LAB 65.26, 50.63, -6.15

 

CMYK 3 / 0 / 49 / 7

HEX #E6ED78

RGB 230 237 120

HSL 63.59, 0.76%, 0.7%

LAB 91.12, -18.27, 55.31

 

CMYK 49 / 0 / 22 / 7

HEX #78EDBA

RGB 120 237 186

HSL 153.85, 0.76%, 0.7%

LAB 86.06, -44.83, 14.65

 

Description

Color code: HEX #8077ED | qconv.com Color code: HEX #8077ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 119 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 119 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 50 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 50% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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