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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8077BF it is the complementary color #7F8840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8077BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8077BF shade: #8577BA, #9689CD, #A79BE0, #B8ADF3 and #C9BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8077BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8077BF shade: #8077BF, #6F65AC, #5E5399, #4D4186 and #3C2F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8077BF shade: #8178BF, #9478BF, #A778BF, #BB78BF and #BF78B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8077BF shade: #8178BF and #7878BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8077BF shade matches the following richer shades: #8178BF, #7568CF, #6958E0 and #5C47F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8077BF shade: #8178BF, #8D88AF, #99989F, #A5A88F and #B1B87F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8077BF shade: #7896BF, #7882BF, #8078BF, #9378BF and #A678BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8077BF shade: #53499B, #665CB2, #8178BF, #9B94CD and #B5B0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8077BF shade: #8077BF, #BF78A9 and #8CBF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8077BF shade: #8077BF, #BF8078 and #78BF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8077BF shade: #8077BF, #BF78A9, #B7BF78 and #78BF8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8077BF shade: #8077BF, #BF7893, #B7BF78 and #78BFA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 38 / 0 / 25

HEX #8077BF

RGB 128 119 191

HSL 247.5, 0.36%, 0.61%

LAB 53.54, 20.2, -36.57

 

Complementary color

CMYK 7 / 0 / 53 / 47

HEX #7F8840

RGB 127 136 64

HSL 67.5, 0.36%, 0.39%

LAB 54.54, -14.4, 37.11

 

CMYK 28 / 36 / 0 / 27

HEX #8577BA

RGB 133 119 186

HSL 252.54, 0.33%, 0.6%

LAB 53.73, 20.35, -33.37

 

CMYK 27 / 33 / 0 / 20

HEX #9689CD

RGB 150 137 205

HSL 251.47, 0.4%, 0.67%

LAB 60.59, 19.66, -33.36

 

CMYK 25 / 31 / 0 / 12

HEX #A79BE0

RGB 167 155 224

HSL 250.43, 0.53%, 0.74%

LAB 67.31, 19.05, -33.39

 

CMYK 24 / 29 / 0 / 5

HEX #B8ADF3

RGB 184 173 243

HSL 249.43, 0.74%, 0.82%

LAB 73.9, 18.5, -33.46

 

CMYK 21 / 25 / 0 / 0

HEX #C9BFFF

RGB 201 191 255

HSL 249.38, 1%, 0.87%

LAB 80.12, 16.42, -30.21

 

CMYK 33 / 38 / 0 / 25

HEX #8077BF

RGB 128 119 191

HSL 247.5, 0.36%, 0.61%

LAB 53.54, 20.2, -36.57

 

CMYK 35 / 41 / 0 / 33

HEX #6F65AC

RGB 111 101 172

HSL 248.45, 0.3%, 0.54%

LAB 46.53, 21.04, -36.69

 

CMYK 39 / 46 / 0 / 40

HEX #5E5399

RGB 94 83 153

HSL 249.43, 0.3%, 0.46%

LAB 39.35, 22.02, -36.87

 

CMYK 43 / 51 / 0 / 47

HEX #4D4186

RGB 77 65 134

HSL 250.43, 0.35%, 0.39%

LAB 31.99, 23.18, -37.12

 

CMYK 48 / 59 / 0 / 55

HEX #3C2F73

RGB 60 47 115

HSL 251.47, 0.42%, 0.32%

LAB 24.42, 24.57, -37.41

 

CMYK 32 / 37 / 0 / 25

HEX #8178BF

RGB 129 120 191

HSL 247.61, 0.36%, 0.61%

LAB 53.88, 19.89, -36.03

 

CMYK 23 / 37 / 0 / 25

HEX #9478BF

RGB 148 120 191

HSL 263.66, 0.36%, 0.61%

LAB 55.57, 25.5, -33.26

 

CMYK 13 / 37 / 0 / 25

HEX #A778BF

RGB 167 120 191

HSL 279.72, 0.36%, 0.61%

LAB 57.47, 31.35, -30.16

 

CMYK 2 / 37 / 0 / 25

HEX #BB78BF

RGB 187 120 191

HSL 296.62, 0.36%, 0.61%

LAB 59.67, 37.64, -26.58

 

CMYK 0 / 37 / 7 / 25

HEX #BF78B1

RGB 191 120 177

HSL 311.83, 0.36%, 0.61%

LAB 59.6, 36.36, -18.66

 

CMYK 32 / 37 / 0 / 25

HEX #8178BF

RGB 129 120 191

HSL 247.61, 0.36%, 0.61%

LAB 53.88, 19.89, -36.03

 

CMYK 37 / 37 / 0 / 25

HEX #7878BF

RGB 120 120 191

HSL 240, 0.36%, 0.61%

LAB 53.15, 17.36, -37.22

 

CMYK 32 / 37 / 0 / 25

HEX #8178BF

RGB 129 120 191

HSL 247.61, 0.36%, 0.61%

LAB 53.88, 19.89, -36.03

 

CMYK 43 / 50 / 0 / 19

HEX #7568CF

RGB 117 104 207

HSL 247.57, 0.52%, 0.61%

LAB 49.72, 30.75, -51.83

 

CMYK 53 / 61 / 0 / 12

HEX #6958E0

RGB 105 88 224

HSL 247.5, 0.69%, 0.61%

LAB 46.13, 42.74, -67.35

 

CMYK 62 / 70 / 0 / 6

HEX #5C47F0

RGB 92 71 240

HSL 247.46, 0.85%, 0.61%

LAB 42.87, 55.06, -81.76

 

CMYK 32 / 37 / 0 / 25

HEX #8178BF

RGB 129 120 191

HSL 247.61, 0.36%, 0.61%

LAB 53.88, 19.89, -36.03

 

CMYK 19 / 22 / 0 / 31

HEX #8D88AF

RGB 141 136 175

HSL 247.69, 0.2%, 0.61%

LAB 58.38, 10.19, -19.84

 

CMYK 4 / 4 / 0 / 38

HEX #99989F

RGB 153 152 159

HSL 248.57, 0.04%, 0.61%

LAB 63.12, 1.74, -3.54

 

CMYK 2 / 0 / 15 / 34

HEX #A5A88F

RGB 165 168 143

HSL 67.2, 0.13%, 0.61%

LAB 68.01, -5.53, 12.57

 

CMYK 4 / 0 / 31 / 28

HEX #B1B87F

RGB 177 184 127

HSL 67.37, 0.29%, 0.61%

LAB 73, -11.74, 28.21

 

CMYK 37 / 21 / 0 / 25

HEX #7896BF

RGB 120 150 191

HSL 214.65, 0.36%, 0.61%

LAB 61.28, -0.19, -24.6

 

CMYK 37 / 32 / 0 / 25

HEX #7882BF

RGB 120 130 191

HSL 231.55, 0.36%, 0.61%

LAB 55.81, 11.41, -33.07

 

CMYK 33 / 37 / 0 / 25

HEX #8078BF

RGB 128 120 191

HSL 246.76, 0.36%, 0.61%

LAB 53.8, 19.61, -36.17

 

CMYK 23 / 37 / 0 / 25

HEX #9378BF

RGB 147 120 191

HSL 262.82, 0.36%, 0.61%

LAB 55.48, 25.2, -33.41

 

CMYK 13 / 37 / 0 / 25

HEX #A678BF

RGB 166 120 191

HSL 278.87, 0.36%, 0.61%

LAB 57.37, 31.04, -30.33

 

CMYK 46 / 53 / 0 / 39

HEX #53499B

RGB 83 73 155

HSL 247.32, 0.36%, 0.45%

LAB 35.93, 26.07, -43.6

 

CMYK 43 / 48 / 0 / 30

HEX #665CB2

RGB 102 92 178

HSL 246.98, 0.36%, 0.53%

LAB 43.79, 25.88, -44.61

 

CMYK 32 / 37 / 0 / 25

HEX #8178BF

RGB 129 120 191

HSL 247.61, 0.36%, 0.61%

LAB 53.88, 19.89, -36.03

 

CMYK 24 / 28 / 0 / 20

HEX #9B94CD

RGB 155 148 205

HSL 247.37, 0.36%, 0.69%

LAB 63.8, 14.85, -28.35

 

CMYK 17 / 19 / 0 / 15

HEX #B5B0DA

RGB 181 176 218

HSL 247.14, 0.36%, 0.77%

LAB 73.5, 10.26, -20.49

 

CMYK 33 / 38 / 0 / 25

HEX #8077BF

RGB 128 119 191

HSL 247.5, 0.36%, 0.61%

LAB 53.54, 20.2, -36.57

 

CMYK 0 / 37 / 12 / 25

HEX #BF78A9

RGB 191 120 169

HSL 318.59, 0.36%, 0.61%

LAB 59.32, 34.97, -14.51

 

CMYK 27 / 0 / 37 / 25

HEX #8CBF78

RGB 140 191 120

HSL 103.1, 0.36%, 0.61%

LAB 72.36, -30.01, 30.58

 

CMYK 33 / 38 / 0 / 25

HEX #8077BF

RGB 128 119 191

HSL 247.5, 0.36%, 0.61%

LAB 53.54, 20.2, -36.57

 

CMYK 0 / 33 / 37 / 25

HEX #BF8078

RGB 191 128 120

HSL 6.76, 0.36%, 0.61%

LAB 59.77, 23.38, 14.3

 

CMYK 37 / 0 / 33 / 25

HEX #78BF80

RGB 120 191 128

HSL 126.76, 0.36%, 0.61%

LAB 71.43, -35.38, 24.95

 

CMYK 33 / 38 / 0 / 25

HEX #8077BF

RGB 128 119 191

HSL 247.5, 0.36%, 0.61%

LAB 53.54, 20.2, -36.57

 

CMYK 0 / 37 / 12 / 25

HEX #BF78A9

RGB 191 120 169

HSL 318.59, 0.36%, 0.61%

LAB 59.32, 34.97, -14.51

 

CMYK 4 / 0 / 37 / 25

HEX #B7BF78

RGB 183 191 120

HSL 66.76, 0.36%, 0.61%

LAB 75.25, -13.87, 34.91

 

CMYK 37 / 0 / 26 / 25

HEX #78BF8E

RGB 120 191 142

HSL 138.59, 0.36%, 0.61%

LAB 71.7, -32.87, 17.84

 

CMYK 33 / 38 / 0 / 25

HEX #8077BF

RGB 128 119 191

HSL 247.5, 0.36%, 0.61%

LAB 53.54, 20.2, -36.57

 

CMYK 0 / 37 / 23 / 25

HEX #BF7893

RGB 191 120 147

HSL 337.18, 0.36%, 0.61%

LAB 58.62, 31.45, -2.89

 

CMYK 4 / 0 / 37 / 25

HEX #B7BF78

RGB 183 191 120

HSL 66.76, 0.36%, 0.61%

LAB 75.25, -13.87, 34.91

 

CMYK 37 / 0 / 14 / 25

HEX #78BFA4

RGB 120 191 164

HSL 157.18, 0.36%, 0.61%

LAB 72.19, -28.41, 6.62

 

Description

Color code: HEX #8077BF | qconv.com Color code: HEX #8077BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 119 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 119 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 38% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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