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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80729C it is the complementary color #7F8D63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80729C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80729C shade: #857297, #9684AA, #A796BD, #B8A8D0 and #C9BAE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80729C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80729C shade: #80729C, #6F6089, #5E4E76, #4D3C63 and #3C2A50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80729C shade: #80729D, #8C729D, #97729D, #9D7297 and #9D728B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80729C shade: #80729D, #74729D and #72729D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80729C shade matches the following richer shades: #80729D, #795EB0, #734BC4, #6D37D7 and #6624EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80729C shade: #80729D, #868589, #8D9876, #93AC63 and #9ABF4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80729C shade: #727A9D, #74729D, #80729D, #8B729D and #97729D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80729C shade: #584D6F, #6C5E87, #80729D, #968AAE and #ACA2BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80729C shade: #80729C, #9D7286 and #749D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80729C shade: #80729C, #9D8072 and #729D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80729C shade: #80729C, #9D7286, #8E9D72 and #729D89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80729C shade: #80729C, #9D7279, #8E9D72 and #729D96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 27 / 0 / 39

HEX #80729C

RGB 128 114 156

HSL 260, 0.18%, 0.53%

LAB 50.72, 14.32, -20.69

 

Complementary color

CMYK 10 / 0 / 30 / 45

HEX #7F8D63

RGB 127 141 99

HSL 80, 0.18%, 0.47%

LAB 56.55, -12.71, 20.78

 

CMYK 12 / 25 / 0 / 41

HEX #857297

RGB 133 114 151

HSL 270.81, 0.15%, 0.52%

LAB 50.98, 14.86, -17.31

 

CMYK 12 / 22 / 0 / 33

HEX #9684AA

RGB 150 132 170

HSL 268.42, 0.18%, 0.59%

LAB 57.93, 14.36, -17.6

 

CMYK 12 / 21 / 0 / 26

HEX #A796BD

RGB 167 150 189

HSL 266.15, 0.23%, 0.66%

LAB 64.73, 13.9, -17.9

 

CMYK 12 / 19 / 0 / 18

HEX #B8A8D0

RGB 184 168 208

HSL 264, 0.3%, 0.74%

LAB 71.38, 13.49, -18.21

 

CMYK 11 / 18 / 0 / 11

HEX #C9BAE3

RGB 201 186 227

HSL 261.95, 0.42%, 0.81%

LAB 77.92, 13.1, -18.53

 

CMYK 18 / 27 / 0 / 39

HEX #80729C

RGB 128 114 156

HSL 260, 0.18%, 0.53%

LAB 50.72, 14.32, -20.69

 

CMYK 19 / 30 / 0 / 46

HEX #6F6089

RGB 111 96 137

HSL 261.95, 0.18%, 0.46%

LAB 43.58, 14.9, -20.52

 

CMYK 20 / 34 / 0 / 54

HEX #5E4E76

RGB 94 78 118

HSL 264, 0.2%, 0.38%

LAB 36.25, 15.55, -20.38

 

CMYK 22 / 39 / 0 / 61

HEX #4D3C63

RGB 77 60 99

HSL 266.15, 0.25%, 0.31%

LAB 28.67, 16.33, -20.29

 

CMYK 25 / 48 / 0 / 69

HEX #3C2A50

RGB 60 42 80

HSL 268.42, 0.31%, 0.24%

LAB 20.81, 17.25, -20.26

 

CMYK 18 / 27 / 0 / 38

HEX #80729D

RGB 128 114 157

HSL 259.53, 0.18%, 0.53%

LAB 50.76, 14.56, -21.21

 

CMYK 11 / 27 / 0 / 38

HEX #8C729D

RGB 140 114 157

HSL 276.28, 0.18%, 0.53%

LAB 51.89, 18.59, -19.38

 

CMYK 4 / 27 / 0 / 38

HEX #97729D

RGB 151 114 157

HSL 291.63, 0.18%, 0.53%

LAB 53, 22.36, -17.58

 

CMYK 0 / 27 / 4 / 38

HEX #9D7297

RGB 157 114 151

HSL 308.37, 0.18%, 0.53%

LAB 53.42, 23.27, -13.37

 

CMYK 0 / 27 / 11 / 38

HEX #9D728B

RGB 157 114 139

HSL 325.12, 0.18%, 0.53%

LAB 53.02, 21.05, -6.95

 

CMYK 18 / 27 / 0 / 38

HEX #80729D

RGB 128 114 157

HSL 259.53, 0.18%, 0.53%

LAB 50.76, 14.56, -21.21

 

CMYK 26 / 27 / 0 / 38

HEX #74729D

RGB 116 114 157

HSL 242.79, 0.18%, 0.53%

LAB 49.72, 10.65, -22.9

 

CMYK 27 / 27 / 0 / 38

HEX #72729D

RGB 114 114 157

HSL 240, 0.18%, 0.53%

LAB 49.55, 10.02, -23.17

 

CMYK 18 / 27 / 0 / 38

HEX #80729D

RGB 128 114 157

HSL 259.53, 0.18%, 0.53%

LAB 50.76, 14.56, -21.21

 

CMYK 31 / 47 / 0 / 31

HEX #795EB0

RGB 121 94 176

HSL 259.76, 0.34%, 0.53%

LAB 45.91, 29.15, -39.95

 

CMYK 41 / 62 / 0 / 23

HEX #734BC4

RGB 115 75 196

HSL 259.83, 0.51%, 0.53%

LAB 42.25, 44.07, -57.52

 

CMYK 49 / 74 / 0 / 16

HEX #6D37D7

RGB 109 55 215

HSL 260.25, 0.67%, 0.53%

LAB 39.39, 58.32, -73.19

 

CMYK 56 / 85 / 0 / 8

HEX #6624EA

RGB 102 36 234

HSL 260, 0.83%, 0.53%

LAB 37.89, 69.8, -86.55

 

CMYK 18 / 27 / 0 / 38

HEX #80729D

RGB 128 114 157

HSL 259.53, 0.18%, 0.53%

LAB 50.76, 14.56, -21.21

 

CMYK 2 / 3 / 0 / 46

HEX #868589

RGB 134 133 137

HSL 255, 0.02%, 0.53%

LAB 55.74, 1.17, -2.02

 

CMYK 7 / 0 / 22 / 40

HEX #8D9876

RGB 141 152 118

HSL 79.41, 0.14%, 0.53%

LAB 61.16, -10.16, 16.61

 

CMYK 15 / 0 / 42 / 33

HEX #93AC63

RGB 147 172 99

HSL 80.55, 0.31%, 0.53%

LAB 66.98, -20.93, 34.67

 

CMYK 19 / 0 / 59 / 25

HEX #9ABF4F

RGB 154 191 79

HSL 79.82, 0.47%, 0.53%

LAB 72.69, -29.57, 51.34

 

CMYK 27 / 22 / 0 / 38

HEX #727A9D

RGB 114 122 157

HSL 228.84, 0.18%, 0.53%

LAB 51.76, 5.26, -19.78

 

CMYK 26 / 27 / 0 / 38

HEX #74729D

RGB 116 114 157

HSL 242.79, 0.18%, 0.53%

LAB 49.72, 10.65, -22.9

 

CMYK 18 / 27 / 0 / 38

HEX #80729D

RGB 128 114 157

HSL 259.53, 0.18%, 0.53%

LAB 50.76, 14.56, -21.21

 

CMYK 11 / 27 / 0 / 38

HEX #8B729D

RGB 139 114 157

HSL 274.88, 0.18%, 0.53%

LAB 51.79, 18.25, -19.54

 

CMYK 4 / 27 / 0 / 38

HEX #97729D

RGB 151 114 157

HSL 291.63, 0.18%, 0.53%

LAB 53, 22.36, -17.58

 

CMYK 21 / 31 / 0 / 56

HEX #584D6F

RGB 88 77 111

HSL 259.41, 0.18%, 0.37%

LAB 35.06, 12.33, -17.9

 

CMYK 20 / 30 / 0 / 47

HEX #6C5E87

RGB 108 94 135

HSL 260.49, 0.18%, 0.45%

LAB 42.68, 14.62, -20.73

 

CMYK 18 / 27 / 0 / 38

HEX #80729D

RGB 128 114 157

HSL 259.53, 0.18%, 0.53%

LAB 50.76, 14.56, -21.21

 

CMYK 14 / 21 / 0 / 32

HEX #968AAE

RGB 150 138 174

HSL 260, 0.18%, 0.61%

LAB 59.63, 11.79, -17.29

 

CMYK 10 / 15 / 0 / 25

HEX #ACA2BF

RGB 172 162 191

HSL 260.69, 0.18%, 0.69%

LAB 68.29, 9.28, -13.58

 

CMYK 18 / 27 / 0 / 39

HEX #80729C

RGB 128 114 156

HSL 260, 0.18%, 0.53%

LAB 50.72, 14.32, -20.69

 

CMYK 0 / 27 / 15 / 38

HEX #9D7286

RGB 157 114 134

HSL 332.09, 0.18%, 0.53%

LAB 52.87, 20.18, -4.25

 

CMYK 26 / 0 / 27 / 38

HEX #749D72

RGB 116 157 114

HSL 117.21, 0.18%, 0.53%

LAB 60.82, -22.75, 18.1

 

CMYK 18 / 27 / 0 / 39

HEX #80729C

RGB 128 114 156

HSL 260, 0.18%, 0.53%

LAB 50.72, 14.32, -20.69

 

CMYK 0 / 18 / 27 / 38

HEX #9D8072

RGB 157 128 114

HSL 19.53, 0.18%, 0.53%

LAB 55.91, 8.95, 11.79

 

CMYK 27 / 0 / 18 / 38

HEX #729D80

RGB 114 157 128

HSL 139.53, 0.18%, 0.53%

LAB 61, -20.81, 10.52

 

CMYK 18 / 27 / 0 / 39

HEX #80729C

RGB 128 114 156

HSL 260, 0.18%, 0.53%

LAB 50.72, 14.32, -20.69

 

CMYK 0 / 27 / 15 / 38

HEX #9D7286

RGB 157 114 134

HSL 332.09, 0.18%, 0.53%

LAB 52.87, 20.18, -4.25

 

CMYK 10 / 0 / 27 / 38

HEX #8E9D72

RGB 142 157 114

HSL 80.93, 0.18%, 0.53%

LAB 62.57, -13.07, 20.78

 

CMYK 27 / 0 / 13 / 38

HEX #729D89

RGB 114 157 137

HSL 152.09, 0.18%, 0.53%

LAB 61.22, -18.97, 5.77

 

CMYK 18 / 27 / 0 / 39

HEX #80729C

RGB 128 114 156

HSL 260, 0.18%, 0.53%

LAB 50.72, 14.32, -20.69

 

CMYK 0 / 27 / 23 / 38

HEX #9D7279

RGB 157 114 121

HSL 350.23, 0.18%, 0.53%

LAB 52.49, 18.04, 2.85

 

CMYK 10 / 0 / 27 / 38

HEX #8E9D72

RGB 142 157 114

HSL 80.93, 0.18%, 0.53%

LAB 62.57, -13.07, 20.78

 

CMYK 27 / 0 / 4 / 38

HEX #729D96

RGB 114 157 150

HSL 170.23, 0.18%, 0.53%

LAB 61.56, -16.1, -1.07

 

Description

Color code: HEX #80729C | qconv.com Color code: HEX #80729C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 114 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 114 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 27 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 27% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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