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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8071F3 it is the complementary color #7F8E0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8071F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8071F3 shade: #8571EE, #9683FF, #A795FF, #B8A7FF and #C9B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8071F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8071F3 shade: #8071F3, #6F5FE0, #5E4DCD, #4D3BBA and #3C29A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8071F3 shade: #8172F3, #A472F3, #C672F3, #E972F3 and #F372DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8071F3 shade: #8172F3 and #7272F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8071F3 shade matches the following richer shades: #8172F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8071F3 shade: #8172F3, #8B7FE6, #948BDA, #9E97CE and #A7A4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8071F3 shade: #72AAF3, #7288F3, #7F72F3, #A172F3 and #C472F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8071F3 shade: #3D26EC, #5F4CEF, #8172F3, #A398F6 and #C5BEF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8071F3 shade: #8071F3, #F372CC and #99F372

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8071F3 shade: #8071F3, #F37F72 and #72F37F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8071F3 shade: #8071F3, #F372CC, #E6F372 and #72F399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8071F3 shade: #8071F3, #F372A6, #E6F372 and #72F3BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 53 / 0 / 5

HEX #8071F3

RGB 128 113 243

HSL 246.92, 0.84%, 0.7%

LAB 54.94, 38.35, -63.69

 

Complementary color

CMYK 11 / 0 / 92 / 44

HEX #7F8E0C

RGB 127 142 12

HSL 66.92, 0.84%, 0.3%

LAB 55.97, -20.5, 57.7

 

CMYK 44 / 53 / 0 / 7

HEX #8571EE

RGB 133 113 238

HSL 249.6, 0.79%, 0.69%

LAB 55.04, 38, -60.72

 

CMYK 41 / 49 / 0 / 0

HEX #9683FF

RGB 150 131 255

HSL 249.19, 1%, 0.76%

LAB 61.6, 36.25, -59.53

 

CMYK 35 / 42 / 0 / 0

HEX #A795FF

RGB 167 149 255

HSL 250.19, 1%, 0.79%

LAB 67.22, 30.2, -50.51

 

CMYK 28 / 35 / 0 / 0

HEX #B8A7FF

RGB 184 167 255

HSL 251.59, 1%, 0.83%

LAB 72.92, 24.69, -41.47

 

CMYK 21 / 27 / 0 / 0

HEX #C9B9FF

RGB 201 185 255

HSL 253.71, 1%, 0.86%

LAB 78.66, 19.69, -32.47

 

CMYK 47 / 53 / 0 / 5

HEX #8071F3

RGB 128 113 243

HSL 246.92, 0.84%, 0.7%

LAB 54.94, 38.35, -63.69

 

CMYK 50 / 58 / 0 / 12

HEX #6F5FE0

RGB 111 95 224

HSL 247.44, 0.68%, 0.63%

LAB 48.19, 39.79, -63.99

 

CMYK 54 / 62 / 0 / 20

HEX #5E4DCD

RGB 94 77 205

HSL 247.97, 0.56%, 0.55%

LAB 41.37, 41.39, -64.26

 

CMYK 59 / 68 / 0 / 27

HEX #4D3BBA

RGB 77 59 186

HSL 248.5, 0.52%, 0.48%

LAB 34.5, 43.12, -64.44

 

CMYK 64 / 75 / 0 / 35

HEX #3C29A7

RGB 60 41 167

HSL 249.05, 0.61%, 0.41%

LAB 27.67, 44.86, -64.37

 

CMYK 47 / 53 / 0 / 5

HEX #8172F3

RGB 129 114 243

HSL 246.98, 0.84%, 0.7%

LAB 55.25, 37.98, -63.18

 

CMYK 33 / 53 / 0 / 5

HEX #A472F3

RGB 164 114 243

HSL 263.26, 0.84%, 0.7%

LAB 58.41, 45.99, -57.94

 

CMYK 19 / 53 / 0 / 5

HEX #C672F3

RGB 198 114 243

HSL 279.07, 0.84%, 0.7%

LAB 62.09, 54.48, -51.85

 

CMYK 4 / 53 / 0 / 5

HEX #E972F3

RGB 233 114 243

HSL 295.35, 0.84%, 0.7%

LAB 66.39, 63.54, -44.79

 

CMYK 0 / 53 / 10 / 5

HEX #F372DA

RGB 243 114 218

HSL 311.63, 0.84%, 0.7%

LAB 66.64, 62.07, -30.45

 

CMYK 47 / 53 / 0 / 5

HEX #8172F3

RGB 129 114 243

HSL 246.98, 0.84%, 0.7%

LAB 55.25, 37.98, -63.18

 

CMYK 53 / 53 / 0 / 5

HEX #7272F3

RGB 114 114 243

HSL 240, 0.84%, 0.7%

LAB 54.12, 34.91, -65.07

 

CMYK 47 / 53 / 0 / 5

HEX #8172F3

RGB 129 114 243

HSL 246.98, 0.84%, 0.7%

LAB 55.25, 37.98, -63.18

 

CMYK 47 / 53 / 0 / 5

HEX #8172F3

RGB 129 114 243

HSL 246.98, 0.84%, 0.7%

LAB 55.25, 37.98, -63.18

 

CMYK 40 / 45 / 0 / 10

HEX #8B7FE6

RGB 139 127 230

HSL 246.99, 0.67%, 0.7%

LAB 58.4, 29.03, -50.87

 

CMYK 32 / 36 / 0 / 15

HEX #948BDA

RGB 148 139 218

HSL 246.84, 0.52%, 0.7%

LAB 61.5, 21.23, -39.23

 

CMYK 23 / 27 / 0 / 19

HEX #9E97CE

RGB 158 151 206

HSL 247.64, 0.36%, 0.7%

LAB 64.85, 14.3, -27.27

 

CMYK 13 / 15 / 0 / 24

HEX #A7A4C1

RGB 167 164 193

HSL 246.21, 0.19%, 0.7%

LAB 68.47, 6.92, -14.46

 

CMYK 53 / 30 / 0 / 5

HEX #72AAF3

RGB 114 170 243

HSL 213.95, 0.84%, 0.7%

LAB 68.6, 2.02, -42.04

 

CMYK 53 / 44 / 0 / 5

HEX #7288F3

RGB 114 136 243

HSL 229.77, 0.84%, 0.7%

LAB 59.58, 21.79, -56.31

 

CMYK 48 / 53 / 0 / 5

HEX #7F72F3

RGB 127 114 243

HSL 246.05, 0.84%, 0.7%

LAB 55.09, 37.55, -63.45

 

CMYK 34 / 53 / 0 / 5

HEX #A172F3

RGB 161 114 243

HSL 261.86, 0.84%, 0.7%

LAB 58.12, 45.27, -58.43

 

CMYK 19 / 53 / 0 / 5

HEX #C472F3

RGB 196 114 243

HSL 278.14, 0.84%, 0.7%

LAB 61.86, 53.97, -52.24

 

CMYK 74 / 84 / 0 / 7

HEX #3D26EC

RGB 61 38 236

HSL 246.97, 0.84%, 0.54%

LAB 34.87, 66.56, -92.8

 

CMYK 60 / 68 / 0 / 6

HEX #5F4CEF

RGB 95 76 239

HSL 246.99, 0.84%, 0.62%

LAB 43.99, 52.46, -79.35

 

CMYK 47 / 53 / 0 / 5

HEX #8172F3

RGB 129 114 243

HSL 246.98, 0.84%, 0.7%

LAB 55.25, 37.98, -63.18

 

CMYK 34 / 38 / 0 / 4

HEX #A398F6

RGB 163 152 246

HSL 247.02, 0.84%, 0.78%

LAB 67.2, 25.12, -45.66

 

CMYK 21 / 24 / 0 / 2

HEX #C5BEF9

RGB 197 190 249

HSL 247.12, 0.83%, 0.86%

LAB 79.35, 14.42, -28.22

 

CMYK 47 / 53 / 0 / 5

HEX #8071F3

RGB 128 113 243

HSL 246.92, 0.84%, 0.7%

LAB 54.94, 38.35, -63.69

 

CMYK 0 / 53 / 16 / 5

HEX #F372CC

RGB 243 114 204

HSL 318.14, 0.84%, 0.7%

LAB 66.1, 59.94, -23.44

 

CMYK 37 / 0 / 53 / 5

HEX #99F372

RGB 153 243 114

HSL 101.86, 0.84%, 0.7%

LAB 88.01, -49.53, 53.23

 

CMYK 47 / 53 / 0 / 5

HEX #8071F3

RGB 128 113 243

HSL 246.92, 0.84%, 0.7%

LAB 54.94, 38.35, -63.69

 

CMYK 0 / 48 / 53 / 5

HEX #F37F72

RGB 243 127 114

HSL 6.05, 0.84%, 0.7%

LAB 66.1, 43.17, 27.38

 

CMYK 53 / 0 / 48 / 5

HEX #72F37F

RGB 114 243 127

HSL 126.05, 0.84%, 0.7%

LAB 86.61, -58.97, 45.08

 

CMYK 47 / 53 / 0 / 5

HEX #8071F3

RGB 128 113 243

HSL 246.92, 0.84%, 0.7%

LAB 54.94, 38.35, -63.69

 

CMYK 0 / 53 / 16 / 5

HEX #F372CC

RGB 243 114 204

HSL 318.14, 0.84%, 0.7%

LAB 66.1, 59.94, -23.44

 

CMYK 5 / 0 / 53 / 5

HEX #E6F372

RGB 230 243 114

HSL 66.05, 0.84%, 0.7%

LAB 92.64, -21.68, 59.81

 

CMYK 53 / 0 / 37 / 5

HEX #72F399

RGB 114 243 153

HSL 138.14, 0.84%, 0.7%

LAB 86.99, -54.96, 32.8

 

CMYK 47 / 53 / 0 / 5

HEX #8071F3

RGB 128 113 243

HSL 246.92, 0.84%, 0.7%

LAB 54.94, 38.35, -63.69

 

CMYK 0 / 53 / 32 / 5

HEX #F372A6

RGB 243 114 166

HSL 335.81, 0.84%, 0.7%

LAB 64.84, 54.82, -3.84

 

CMYK 5 / 0 / 53 / 5

HEX #E6F372

RGB 230 243 114

HSL 66.05, 0.84%, 0.7%

LAB 92.64, -21.68, 59.81

 

CMYK 53 / 0 / 21 / 5

HEX #72F3BF

RGB 114 243 191

HSL 155.81, 0.84%, 0.7%

LAB 87.7, -47.72, 14.34

 

Description

Color code: HEX #8071F3 | qconv.com Color code: HEX #8071F3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 113 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 113 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 53 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 53% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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