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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80698A it is the complementary color #7F9675. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80698A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80698A shade: #856985, #967B98, #A78DAB, #B89FBE and #C9B1D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80698A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80698A shade: #80698A, #6F5777, #5E4564, #4D3351 and #3C213E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80698A shade: #81698C, #8A698C, #8C6983, #8C697A and #8C6971

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80698A shade: #81698C, #78698C, #6F698C and #69698C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80698A shade matches the following richer shades: #81698C, #89559F, #9142B3, #992EC7 and #A01ADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80698A shade: #81698C, #797D78, #729164, #6AA550 and #62B83C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80698A shade: #6E698C, #78698C, #81698C, #8A698C and #8C6984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80698A shade: #56465D, #6B5874, #81698C, #957F9F and #A997B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80698A shade: #80698A, #8C696D and #698C73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80698A shade: #80698A, #8C8169 and #698C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80698A shade: #80698A, #8C696D, #748C69 and #698C88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80698A shade: #80698A, #8C7069, #748C69 and #69858C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 24 / 0 / 46

HEX #80698A

RGB 128 105 138

HSL 281.82, 0.14%, 0.48%

LAB 47.66, 15.59, -14.73

 

Complementary color

CMYK 15 / 0 / 22 / 41

HEX #7F9675

RGB 127 150 117

HSL 101.82, 0.14%, 0.52%

LAB 59.53, -14.59, 14.76

 

CMYK 0 / 21 / 0 / 48

HEX #856985

RGB 133 105 133

HSL 300, 0.12%, 0.47%

LAB 47.99, 16.34, -11.21

 

CMYK 1 / 19 / 0 / 40

HEX #967B98

RGB 150 123 152

HSL 295.86, 0.12%, 0.54%

LAB 54.99, 15.78, -11.67

 

CMYK 2 / 18 / 0 / 33

HEX #A78DAB

RGB 167 141 171

HSL 292, 0.15%, 0.61%

LAB 61.83, 15.27, -12.12

 

CMYK 3 / 16 / 0 / 25

HEX #B89FBE

RGB 184 159 190

HSL 288.39, 0.19%, 0.68%

LAB 68.54, 14.82, -12.56

 

CMYK 4 / 15 / 0 / 18

HEX #C9B1D1

RGB 201 177 209

HSL 285, 0.26%, 0.76%

LAB 75.12, 14.4, -12.99

 

CMYK 7 / 24 / 0 / 46

HEX #80698A

RGB 128 105 138

HSL 281.82, 0.14%, 0.48%

LAB 47.66, 15.59, -14.73

 

CMYK 7 / 27 / 0 / 53

HEX #6F5777

RGB 111 87 119

HSL 285, 0.16%, 0.4%

LAB 40.46, 16.2, -14.38

 

CMYK 6 / 31 / 0 / 61

HEX #5E4564

RGB 94 69 100

HSL 288.39, 0.18%, 0.33%

LAB 33.04, 16.89, -14.03

 

CMYK 5 / 37 / 0 / 68

HEX #4D3351

RGB 77 51 81

HSL 292, 0.23%, 0.26%

LAB 25.38, 17.69, -13.66

 

CMYK 3 / 47 / 0 / 76

HEX #3C213E

RGB 60 33 62

HSL 295.86, 0.31%, 0.19%

LAB 17.44, 18.58, -13.22

 

CMYK 8 / 25 / 0 / 45

HEX #81698C

RGB 129 105 140

HSL 281.14, 0.14%, 0.48%

LAB 47.83, 16.38, -15.65

 

CMYK 1 / 25 / 0 / 45

HEX #8A698C

RGB 138 105 140

HSL 296.57, 0.14%, 0.48%

LAB 48.76, 19.57, -14.15

 

CMYK 0 / 25 / 6 / 45

HEX #8C6983

RGB 140 105 131

HSL 315.43, 0.14%, 0.48%

LAB 48.66, 18.52, -8.94

 

CMYK 0 / 25 / 13 / 45

HEX #8C697A

RGB 140 105 122

HSL 330.86, 0.14%, 0.48%

LAB 48.37, 16.85, -4

 

CMYK 0 / 25 / 19 / 45

HEX #8C6971

RGB 140 105 113

HSL 346.29, 0.14%, 0.48%

LAB 48.1, 15.29, 0.98

 

CMYK 8 / 25 / 0 / 45

HEX #81698C

RGB 129 105 140

HSL 281.14, 0.14%, 0.48%

LAB 47.83, 16.38, -15.65

 

CMYK 14 / 25 / 0 / 45

HEX #78698C

RGB 120 105 140

HSL 265.71, 0.14%, 0.48%

LAB 46.96, 13.23, -17.06

 

CMYK 21 / 25 / 0 / 45

HEX #6F698C

RGB 111 105 140

HSL 250.29, 0.14%, 0.48%

LAB 46.15, 10.16, -18.38

 

CMYK 25 / 25 / 0 / 45

HEX #69698C

RGB 105 105 140

HSL 240, 0.14%, 0.48%

LAB 45.63, 8.16, -19.2

 

CMYK 8 / 25 / 0 / 45

HEX #81698C

RGB 129 105 140

HSL 281.14, 0.14%, 0.48%

LAB 47.83, 16.38, -15.65

 

CMYK 14 / 47 / 0 / 38

HEX #89559F

RGB 137 85 159

HSL 282.16, 0.3%, 0.48%

LAB 44.69, 34.94, -31.74

 

CMYK 19 / 63 / 0 / 30

HEX #9142B3

RGB 145 66 179

HSL 281.95, 0.46%, 0.48%

LAB 43.02, 51.49, -46.15

 

CMYK 23 / 77 / 0 / 22

HEX #992EC7

RGB 153 46 199

HSL 281.96, 0.62%, 0.48%

LAB 42.54, 65.56, -58.57

 

CMYK 27 / 88 / 0 / 14

HEX #A01ADB

RGB 160 26 219

HSL 281.66, 0.79%, 0.48%

LAB 43.25, 75.92, -68.91

 

CMYK 8 / 25 / 0 / 45

HEX #81698C

RGB 129 105 140

HSL 281.14, 0.14%, 0.48%

LAB 47.83, 16.38, -15.65

 

CMYK 3 / 0 / 4 / 51

HEX #797D78

RGB 121 125 120

HSL 108, 0.02%, 0.48%

LAB 51.94, -2.5, 2.2

 

CMYK 21 / 0 / 31 / 43

HEX #729164

RGB 114 145 100

HSL 101.33, 0.18%, 0.48%

LAB 56.83, -19.71, 20.44

 

CMYK 36 / 0 / 52 / 35

HEX #6AA550

RGB 106 165 80

HSL 101.65, 0.35%, 0.48%

LAB 62.13, -35.23, 37.79

 

CMYK 47 / 0 / 67 / 28

HEX #62B83C

RGB 98 184 60

HSL 101.61, 0.51%, 0.48%

LAB 67.43, -48.06, 52.88

 

CMYK 21 / 25 / 0 / 45

HEX #6E698C

RGB 110 105 140

HSL 248.57, 0.14%, 0.48%

LAB 46.06, 9.82, -18.52

 

CMYK 14 / 25 / 0 / 45

HEX #78698C

RGB 120 105 140

HSL 265.71, 0.14%, 0.48%

LAB 46.96, 13.23, -17.06

 

CMYK 8 / 25 / 0 / 45

HEX #81698C

RGB 129 105 140

HSL 281.14, 0.14%, 0.48%

LAB 47.83, 16.38, -15.65

 

CMYK 1 / 25 / 0 / 45

HEX #8A698C

RGB 138 105 140

HSL 296.57, 0.14%, 0.48%

LAB 48.76, 19.57, -14.15

 

CMYK 0 / 25 / 6 / 45

HEX #8C6984

RGB 140 105 132

HSL 313.71, 0.14%, 0.48%

LAB 48.69, 18.71, -9.48

 

CMYK 8 / 25 / 0 / 64

HEX #56465D

RGB 86 70 93

HSL 281.74, 0.14%, 0.32%

LAB 32.14, 11.64, -11.02

 

CMYK 8 / 24 / 0 / 55

HEX #6B5874

RGB 107 88 116

HSL 280.71, 0.14%, 0.4%

LAB 40.19, 13.45, -12.98

 

CMYK 8 / 25 / 0 / 45

HEX #81698C

RGB 129 105 140

HSL 281.14, 0.14%, 0.48%

LAB 47.83, 16.38, -15.65

 

CMYK 6 / 20 / 0 / 38

HEX #957F9F

RGB 149 127 159

HSL 281.25, 0.14%, 0.56%

LAB 56.16, 14.55, -13.97

 

CMYK 4 / 14 / 0 / 31

HEX #A997B0

RGB 169 151 176

HSL 283.2, 0.14%, 0.64%

LAB 64.73, 11.33, -10.58

 

CMYK 7 / 24 / 0 / 46

HEX #80698A

RGB 128 105 138

HSL 281.82, 0.14%, 0.48%

LAB 47.66, 15.59, -14.73

 

CMYK 0 / 25 / 22 / 45

HEX #8C696D

RGB 140 105 109

HSL 353.14, 0.14%, 0.48%

LAB 47.99, 14.63, 3.21

 

CMYK 25 / 0 / 18 / 45

HEX #698C73

RGB 105 140 115

HSL 137.14, 0.14%, 0.48%

LAB 55.07, -17.62, 9.43

 

CMYK 7 / 24 / 0 / 46

HEX #80698A

RGB 128 105 138

HSL 281.82, 0.14%, 0.48%

LAB 47.66, 15.59, -14.73

 

CMYK 0 / 8 / 25 / 45

HEX #8C8169

RGB 140 129 105

HSL 41.14, 0.14%, 0.48%

LAB 54.34, 0.11, 14.54

 

CMYK 25 / 0 / 8 / 45

HEX #698C81

RGB 105 140 129

HSL 161.14, 0.14%, 0.48%

LAB 55.43, -14.66, 1.89

 

CMYK 7 / 24 / 0 / 46

HEX #80698A

RGB 128 105 138

HSL 281.82, 0.14%, 0.48%

LAB 47.66, 15.59, -14.73

 

CMYK 0 / 25 / 22 / 45

HEX #8C696D

RGB 140 105 109

HSL 353.14, 0.14%, 0.48%

LAB 47.99, 14.63, 3.21

 

CMYK 17 / 0 / 25 / 45

HEX #748C69

RGB 116 140 105

HSL 101.14, 0.14%, 0.48%

LAB 55.57, -15.48, 15.94

 

CMYK 25 / 0 / 3 / 45

HEX #698C88

RGB 105 140 136

HSL 173.14, 0.14%, 0.48%

LAB 55.62, -13.07, -1.85

 

CMYK 7 / 24 / 0 / 46

HEX #80698A

RGB 128 105 138

HSL 281.82, 0.14%, 0.48%

LAB 47.66, 15.59, -14.73

 

CMYK 0 / 20 / 25 / 45

HEX #8C7069

RGB 140 112 105

HSL 12, 0.14%, 0.48%

LAB 49.72, 9.9, 8.07

 

CMYK 17 / 0 / 25 / 45

HEX #748C69

RGB 116 140 105

HSL 101.14, 0.14%, 0.48%

LAB 55.57, -15.48, 15.94

 

CMYK 25 / 5 / 0 / 45

HEX #69858C

RGB 105 133 140

HSL 192, 0.14%, 0.48%

LAB 53.68, -8.25, -7.04

 

Description

Color code: HEX #80698A | qconv.com Color code: HEX #80698A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 105 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 105 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 24 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 24% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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