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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #806970 it is the complementary color #7F968F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #806970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #806970 shade: #85696B, #967B7E, #A78D91, #B89FA4 and #C9B1B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #806970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #806970 shade: #806970, #6F575D, #5E454A, #4D3337 and #3C2124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #806970 shade: #816A71 and #816A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #806970 shade: #816A71, #816A77, #816A7D, #7E6A81 and #786A81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #806970 shade matches the following richer shades: #816A71, #945769, #A74462, #BA315A and #CD1E53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #806970 shade: #816A71, #6E7D78, #5B9080, #48A387 and #35B58E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #806970 shade: #816A7E, #816A77, #816A71, #816A6B and #816F6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #806970 shade: #544449, #6A575D, #816A71, #967E85 and #A8959B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #806970 shade: #806970, #817E6A and #6A7A81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #806970 shade: #806970, #71816A and #6A7181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #806970 shade: #806970, #817E6A, #6A817A and #6A6C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #806970 shade: #806970, #7D816A, #6A817A and #6E6A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 13 / 50

HEX #806970

RGB 128 105 112

HSL 341.74, 0.1%, 0.46%

LAB 46.79, 10.38, -0.48

 

Complementary color

CMYK 15 / 0 / 5 / 41

HEX #7F968F

RGB 127 150 143

HSL 161.74, 0.1%, 0.54%

LAB 60.17, -9.59, 0.96

 

CMYK 0 / 21 / 20 / 48

HEX #85696B

RGB 133 105 107

HSL 355.71, 0.12%, 0.47%

LAB 47.17, 11.49, 3.13

 

CMYK 0 / 18 / 16 / 41

HEX #967B7E

RGB 150 123 126

HSL 353.33, 0.11%, 0.54%

LAB 54.19, 10.94, 2.29

 

CMYK 0 / 16 / 13 / 35

HEX #A78D91

RGB 167 141 145

HSL 350.77, 0.13%, 0.6%

LAB 61.05, 10.45, 1.51

 

CMYK 0 / 14 / 11 / 28

HEX #B89FA4

RGB 184 159 164

HSL 348, 0.15%, 0.67%

LAB 67.77, 10.02, 0.79

 

CMYK 0 / 12 / 9 / 21

HEX #C9B1B7

RGB 201 177 183

HSL 345, 0.18%, 0.74%

LAB 74.37, 9.63, 0.1

 

CMYK 0 / 18 / 13 / 50

HEX #806970

RGB 128 105 112

HSL 341.74, 0.1%, 0.46%

LAB 46.79, 10.38, -0.48

 

CMYK 0 / 22 / 16 / 56

HEX #6F575D

RGB 111 87 93

HSL 345, 0.12%, 0.39%

LAB 39.56, 10.94, 0.31

 

CMYK 0 / 27 / 21 / 63

HEX #5E454A

RGB 94 69 74

HSL 348, 0.15%, 0.32%

LAB 32.1, 11.61, 1.19

 

CMYK 0 / 34 / 29 / 70

HEX #4D3337

RGB 77 51 55

HSL 350.77, 0.2%, 0.25%

LAB 24.39, 12.42, 2.23

 

CMYK 0 / 45 / 40 / 76

HEX #3C2124

RGB 60 33 36

HSL 353.33, 0.29%, 0.18%

LAB 16.38, 13.46, 3.55

 

CMYK 0 / 18 / 12 / 49

HEX #816A71

RGB 129 106 113

HSL 341.74, 0.1%, 0.46%

LAB 47.19, 10.36, -0.48

 

CMYK 0 / 18 / 18 / 49

HEX #816A6A

RGB 129 106 106

HSL 0, 0.1%, 0.46%

LAB 47, 9.12, 3.42

 

CMYK 0 / 18 / 12 / 49

HEX #816A71

RGB 129 106 113

HSL 341.74, 0.1%, 0.46%

LAB 47.19, 10.36, -0.48

 

CMYK 0 / 18 / 8 / 49

HEX #816A77

RGB 129 106 119

HSL 326.09, 0.1%, 0.46%

LAB 47.37, 11.48, -3.81

 

CMYK 0 / 18 / 3 / 49

HEX #816A7D

RGB 129 106 125

HSL 310.43, 0.1%, 0.46%

LAB 47.57, 12.65, -7.11

 

CMYK 2 / 18 / 0 / 49

HEX #7E6A81

RGB 126 106 129

HSL 292.17, 0.1%, 0.46%

LAB 47.4, 12.35, -9.77

 

CMYK 7 / 18 / 0 / 49

HEX #786A81

RGB 120 106 129

HSL 276.52, 0.1%, 0.46%

LAB 46.82, 10.15, -10.7

 

CMYK 0 / 18 / 12 / 49

HEX #816A71

RGB 129 106 113

HSL 341.74, 0.1%, 0.46%

LAB 47.19, 10.36, -0.48

 

CMYK 0 / 41 / 29 / 42

HEX #945769

RGB 148 87 105

HSL 342.3, 0.26%, 0.46%

LAB 44.42, 27.6, 0.57

 

CMYK 0 / 59 / 41 / 35

HEX #A74462

RGB 167 68 98

HSL 341.82, 0.42%, 0.46%

LAB 43.11, 43.64, 3.32

 

CMYK 0 / 74 / 52 / 27

HEX #BA315A

RGB 186 49 90

HSL 342.04, 0.58%, 0.46%

LAB 43.32, 56.75, 9.04

 

CMYK 0 / 85 / 60 / 20

HEX #CD1E53

RGB 205 30 83

HSL 341.83, 0.74%, 0.46%

LAB 44.99, 66.63, 16.27

 

CMYK 0 / 18 / 12 / 49

HEX #816A71

RGB 129 106 113

HSL 341.74, 0.1%, 0.46%

LAB 47.19, 10.36, -0.48

 

CMYK 12 / 0 / 4 / 51

HEX #6E7D78

RGB 110 125 120

HSL 160, 0.06%, 0.46%

LAB 51.08, -6.58, 0.85

 

CMYK 37 / 0 / 11 / 44

HEX #5B9080

RGB 91 144 128

HSL 161.89, 0.23%, 0.46%

LAB 55.82, -21.44, 2.93

 

CMYK 56 / 0 / 17 / 36

HEX #48A387

RGB 72 163 135

HSL 161.54, 0.39%, 0.46%

LAB 61.06, -34.07, 6.42

 

CMYK 71 / 0 / 22 / 29

HEX #35B58E

RGB 53 181 142

HSL 161.72, 0.55%, 0.46%

LAB 66.33, -43.88, 9.98

 

CMYK 0 / 18 / 2 / 49

HEX #816A7E

RGB 129 106 126

HSL 307.83, 0.1%, 0.46%

LAB 47.6, 12.85, -7.66

 

CMYK 0 / 18 / 8 / 49

HEX #816A77

RGB 129 106 119

HSL 326.09, 0.1%, 0.46%

LAB 47.37, 11.48, -3.81

 

CMYK 0 / 18 / 12 / 49

HEX #816A71

RGB 129 106 113

HSL 341.74, 0.1%, 0.46%

LAB 47.19, 10.36, -0.48

 

CMYK 0 / 18 / 17 / 49

HEX #816A6B

RGB 129 106 107

HSL 357.39, 0.1%, 0.46%

LAB 47.02, 9.29, 2.86

 

CMYK 0 / 14 / 18 / 49

HEX #816F6A

RGB 129 111 106

HSL 13.04, 0.1%, 0.46%

LAB 48.36, 6.18, 5.38

 

CMYK 0 / 19 / 13 / 67

HEX #544449

RGB 84 68 73

HSL 341.25, 0.11%, 0.3%

LAB 30.64, 7.8, -0.43

 

CMYK 0 / 18 / 12 / 58

HEX #6A575D

RGB 106 87 93

HSL 341.05, 0.1%, 0.38%

LAB 39.02, 8.9, -0.54

 

CMYK 0 / 18 / 12 / 49

HEX #816A71

RGB 129 106 113

HSL 341.74, 0.1%, 0.46%

LAB 47.19, 10.36, -0.48

 

CMYK 0 / 16 / 11 / 41

HEX #967E85

RGB 150 126 133

HSL 342.5, 0.1%, 0.54%

LAB 55.17, 10.43, -0.35

 

CMYK 0 / 11 / 8 / 34

HEX #A8959B

RGB 168 149 155

HSL 341.05, 0.1%, 0.62%

LAB 63.5, 8.1, -0.58

 

CMYK 0 / 18 / 13 / 50

HEX #806970

RGB 128 105 112

HSL 341.74, 0.1%, 0.46%

LAB 46.79, 10.38, -0.48

 

CMYK 0 / 2 / 18 / 49

HEX #817E6A

RGB 129 126 106

HSL 52.17, 0.1%, 0.46%

LAB 52.54, -2.49, 11.31

 

CMYK 18 / 5 / 0 / 49

HEX #6A7A81

RGB 106 122 129

HSL 198.26, 0.1%, 0.46%

LAB 50.18, -4.28, -5.81

 

CMYK 0 / 18 / 13 / 50

HEX #806970

RGB 128 105 112

HSL 341.74, 0.1%, 0.46%

LAB 46.79, 10.38, -0.48

 

CMYK 12 / 0 / 18 / 49

HEX #71816A

RGB 113 129 106

HSL 101.74, 0.1%, 0.46%

LAB 52.12, -10.47, 10.53

 

CMYK 18 / 12 / 0 / 49

HEX #6A7181

RGB 106 113 129

HSL 221.74, 0.1%, 0.46%

LAB 47.57, 0.97, -9.7

 

CMYK 0 / 18 / 13 / 50

HEX #806970

RGB 128 105 112

HSL 341.74, 0.1%, 0.46%

LAB 46.79, 10.38, -0.48

 

CMYK 0 / 2 / 18 / 49

HEX #817E6A

RGB 129 126 106

HSL 52.17, 0.1%, 0.46%

LAB 52.54, -2.49, 11.31

 

CMYK 18 / 0 / 5 / 49

HEX #6A817A

RGB 106 129 122

HSL 161.74, 0.1%, 0.46%

LAB 52.03, -9.83, 1.02

 

CMYK 18 / 16 / 0 / 49

HEX #6A6C81

RGB 106 108 129

HSL 234.78, 0.1%, 0.46%

LAB 46.14, 3.95, -11.85

 

CMYK 0 / 18 / 13 / 50

HEX #806970

RGB 128 105 112

HSL 341.74, 0.1%, 0.46%

LAB 46.79, 10.38, -0.48

 

CMYK 3 / 0 / 18 / 49

HEX #7D816A

RGB 125 129 106

HSL 70.43, 0.1%, 0.46%

LAB 53.06, -5.79, 11.99

 

CMYK 18 / 0 / 5 / 49

HEX #6A817A

RGB 106 129 122

HSL 161.74, 0.1%, 0.46%

LAB 52.03, -9.83, 1.02

 

CMYK 15 / 18 / 0 / 49

HEX #6E6A81

RGB 110 106 129

HSL 250.43, 0.1%, 0.46%

LAB 45.92, 6.56, -12.16

 

Description

Color code: HEX #806970 | qconv.com Color code: HEX #806970 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 105 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 105 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 13 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 13% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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