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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8063D7 it is the complementary color #7F9C28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8063D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8063D7 shade: #8563D2, #9675E5, #A787F8, #B899FF and #C9ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8063D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8063D7 shade: #8063D7, #6F51C4, #5E3FB1, #4D2D9E and #3C1B8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8063D7 shade: #8265D7, #A065D7, #BF65D7, #D765D1 and #D765B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8063D7 shade: #8265D7 and #6565D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8063D7 shade matches the following richer shades: #8265D7, #7A55E7 and #7246F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8063D7 shade: #8265D7, #8975C8, #9184B8, #9994A8 and #A1A499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8063D7 shade: #6585D7, #6567D7, #8265D7, #A065D7 and #BE65D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8063D7 shade: #5230BA, #6744CF, #8265D7, #9C86E0 and #B7A7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8063D7 shade: #8063D7, #D765A4 and #76D765

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8063D7 shade: #8063D7, #D78265 and #65D782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8063D7 shade: #8063D7, #D765A4, #BBD765 and #65D798

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8063D7 shade: #8063D7, #D76582, #BBD765 and #65D7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 54 / 0 / 16

HEX #8063D7

RGB 128 99 215

HSL 255, 0.59%, 0.62%

LAB 50, 38.54, -55.89

 

Complementary color

CMYK 19 / 0 / 74 / 39

HEX #7F9C28

RGB 127 156 40

HSL 75, 0.59%, 0.38%

LAB 60.29, -26.43, 53.81

 

CMYK 37 / 53 / 0 / 18

HEX #8563D2

RGB 133 99 210

HSL 258.38, 0.55%, 0.61%

LAB 50.17, 38.38, -52.74

 

CMYK 34 / 49 / 0 / 10

HEX #9675E5

RGB 150 117 229

HSL 257.68, 0.68%, 0.68%

LAB 56.94, 37.3, -52.57

 

CMYK 33 / 46 / 0 / 3

HEX #A787F8

RGB 167 135 248

HSL 256.99, 0.89%, 0.75%

LAB 63.61, 36.32, -52.41

 

CMYK 28 / 40 / 0 / 0

HEX #B899FF

RGB 184 153 255

HSL 258.24, 1%, 0.8%

LAB 69.61, 32.49, -46.66

 

CMYK 21 / 33 / 0 / 0

HEX #C9ABFF

RGB 201 171 255

HSL 261.43, 1%, 0.84%

LAB 75.3, 27.36, -37.65

 

CMYK 40 / 54 / 0 / 16

HEX #8063D7

RGB 128 99 215

HSL 255, 0.59%, 0.62%

LAB 50, 38.54, -55.89

 

CMYK 43 / 59 / 0 / 23

HEX #6F51C4

RGB 111 81 196

HSL 255.65, 0.49%, 0.54%

LAB 43.14, 39.8, -56.11

 

CMYK 47 / 64 / 0 / 31

HEX #5E3FB1

RGB 94 63 177

HSL 256.32, 0.48%, 0.47%

LAB 36.19, 41.14, -56.29

 

CMYK 51 / 72 / 0 / 38

HEX #4D2D9E

RGB 77 45 158

HSL 256.99, 0.56%, 0.4%

LAB 29.22, 42.47, -56.32

 

CMYK 57 / 81 / 0 / 45

HEX #3C1B8B

RGB 60 27 139

HSL 257.68, 0.67%, 0.33%

LAB 22.33, 43.51, -55.98

 

CMYK 40 / 53 / 0 / 16

HEX #8265D7

RGB 130 101 215

HSL 255.26, 0.59%, 0.62%

LAB 50.64, 37.86, -54.85

 

CMYK 26 / 53 / 0 / 16

HEX #A065D7

RGB 160 101 215

HSL 271.05, 0.59%, 0.62%

LAB 53.69, 45.31, -49.8

 

CMYK 11 / 53 / 0 / 16

HEX #BF65D7

RGB 191 101 215

HSL 287.37, 0.59%, 0.62%

LAB 57.36, 53.45, -43.76

 

CMYK 0 / 53 / 3 / 16

HEX #D765D1

RGB 215 101 209

HSL 303.16, 0.59%, 0.62%

LAB 60.21, 58.84, -35.67

 

CMYK 0 / 53 / 17 / 16

HEX #D765B2

RGB 215 101 178

HSL 319.47, 0.59%, 0.62%

LAB 58.95, 53.87, -19.96

 

CMYK 40 / 53 / 0 / 16

HEX #8265D7

RGB 130 101 215

HSL 255.26, 0.59%, 0.62%

LAB 50.64, 37.86, -54.85

 

CMYK 53 / 53 / 0 / 16

HEX #6565D7

RGB 101 101 215

HSL 240, 0.59%, 0.62%

LAB 48.24, 31.44, -58.85

 

CMYK 40 / 53 / 0 / 16

HEX #8265D7

RGB 130 101 215

HSL 255.26, 0.59%, 0.62%

LAB 50.64, 37.86, -54.85

 

CMYK 47 / 63 / 0 / 9

HEX #7A55E7

RGB 122 85 231

HSL 255.21, 0.75%, 0.62%

LAB 47.5, 49.61, -69.02

 

CMYK 54 / 72 / 0 / 3

HEX #7246F7

RGB 114 70 247

HSL 254.92, 0.92%, 0.62%

LAB 45.18, 60.51, -81.83

 

CMYK 40 / 53 / 0 / 16

HEX #8265D7

RGB 130 101 215

HSL 255.26, 0.59%, 0.62%

LAB 50.64, 37.86, -54.85

 

CMYK 32 / 42 / 0 / 22

HEX #8975C8

RGB 137 117 200

HSL 254.46, 0.43%, 0.62%

LAB 54.25, 26.3, -40.54

 

CMYK 21 / 28 / 0 / 28

HEX #9184B8

RGB 145 132 184

HSL 255, 0.27%, 0.62%

LAB 58.02, 15.92, -25.49

 

CMYK 9 / 12 / 0 / 34

HEX #9994A8

RGB 153 148 168

HSL 255, 0.1%, 0.62%

LAB 62.32, 5.82, -9.81

 

CMYK 2 / 0 / 7 / 36

HEX #A1A499

RGB 161 164 153

HSL 76.36, 0.06%, 0.62%

LAB 66.85, -3.12, 5.33

 

CMYK 53 / 38 / 0 / 16

HEX #6585D7

RGB 101 133 215

HSL 223.16, 0.59%, 0.62%

LAB 56.53, 12.01, -45.59

 

CMYK 53 / 52 / 0 / 16

HEX #6567D7

RGB 101 103 215

HSL 238.95, 0.59%, 0.62%

LAB 48.73, 30.23, -58.05

 

CMYK 40 / 53 / 0 / 16

HEX #8265D7

RGB 130 101 215

HSL 255.26, 0.59%, 0.62%

LAB 50.64, 37.86, -54.85

 

CMYK 26 / 53 / 0 / 16

HEX #A065D7

RGB 160 101 215

HSL 271.05, 0.59%, 0.62%

LAB 53.69, 45.31, -49.8

 

CMYK 12 / 53 / 0 / 16

HEX #BE65D7

RGB 190 101 215

HSL 286.84, 0.59%, 0.62%

LAB 57.23, 53.19, -43.96

 

CMYK 56 / 74 / 0 / 27

HEX #5230BA

RGB 82 48 186

HSL 254.78, 0.59%, 0.46%

LAB 32.82, 49.81, -67.18

 

CMYK 50 / 67 / 0 / 19

HEX #6744CF

RGB 103 68 207

HSL 255.11, 0.59%, 0.54%

LAB 40.45, 48.65, -66.88

 

CMYK 40 / 53 / 0 / 16

HEX #8265D7

RGB 130 101 215

HSL 255.26, 0.59%, 0.62%

LAB 50.64, 37.86, -54.85

 

CMYK 30 / 40 / 0 / 12

HEX #9C86E0

RGB 156 134 224

HSL 254.67, 0.59%, 0.7%

LAB 61.22, 27.88, -42.97

 

CMYK 21 / 28 / 0 / 9

HEX #B7A7E8

RGB 183 167 232

HSL 254.77, 0.59%, 0.78%

LAB 71.91, 18.99, -30.55

 

CMYK 40 / 54 / 0 / 16

HEX #8063D7

RGB 128 99 215

HSL 255, 0.59%, 0.62%

LAB 50, 38.54, -55.89

 

CMYK 0 / 53 / 24 / 16

HEX #D765A4

RGB 215 101 164

HSL 326.84, 0.59%, 0.62%

LAB 58.45, 51.85, -12.64

 

CMYK 45 / 0 / 53 / 16

HEX #76D765

RGB 118 215 101

HSL 111.05, 0.59%, 0.62%

LAB 78.11, -50.27, 47.03

 

CMYK 40 / 54 / 0 / 16

HEX #8063D7

RGB 128 99 215

HSL 255, 0.59%, 0.62%

LAB 50, 38.54, -55.89

 

CMYK 0 / 40 / 53 / 16

HEX #D78265

RGB 215 130 101

HSL 15.26, 0.59%, 0.62%

LAB 62.8, 29.82, 29.58

 

CMYK 53 / 0 / 40 / 16

HEX #65D782

RGB 101 215 130

HSL 135.26, 0.59%, 0.62%

LAB 77.86, -50.7, 32.32

 

CMYK 40 / 54 / 0 / 16

HEX #8063D7

RGB 128 99 215

HSL 255, 0.59%, 0.62%

LAB 50, 38.54, -55.89

 

CMYK 0 / 53 / 24 / 16

HEX #D765A4

RGB 215 101 164

HSL 326.84, 0.59%, 0.62%

LAB 58.45, 51.85, -12.64

 

CMYK 13 / 0 / 53 / 16

HEX #BBD765

RGB 187 215 101

HSL 74.74, 0.59%, 0.62%

LAB 81.9, -26.17, 52.45

 

CMYK 53 / 0 / 29 / 16

HEX #65D798

RGB 101 215 152

HSL 146.84, 0.59%, 0.62%

LAB 78.25, -46.72, 21.44

 

CMYK 40 / 54 / 0 / 16

HEX #8063D7

RGB 128 99 215

HSL 255, 0.59%, 0.62%

LAB 50, 38.54, -55.89

 

CMYK 0 / 53 / 40 / 16

HEX #D76582

RGB 215 101 130

HSL 344.74, 0.59%, 0.62%

LAB 57.43, 47.61, 5.66

 

CMYK 13 / 0 / 53 / 16

HEX #BBD765

RGB 187 215 101

HSL 74.74, 0.59%, 0.62%

LAB 81.9, -26.17, 52.45

 

CMYK 53 / 0 / 13 / 16

HEX #65D7BB

RGB 101 215 187

HSL 165.26, 0.59%, 0.62%

LAB 79.02, -39.16, 3.98

 

Description

Color code: HEX #8063D7 | qconv.com Color code: HEX #8063D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 99 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 99 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 54 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 54% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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