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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80631A it is the complementary color #7F9CE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80631A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80631A shade: #856315, #967528, #A7873B, #B8994E and #C9AB61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80631A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80631A shade: #80631A, #6F5107, #5E3F00, #4D2D00 and #3C1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80631A shade: #7F621A, #7F471A, #7F2C1A and #7F1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80631A shade: #7F621A, #7F7E1A, #657F1A, #4A7F1A and #2F7F1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80631A shade matches the following richer shades: #7F621A, #8B680E and #986D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80631A shade: #7F621A, #735D26, #665833, #5A523F and #4D4D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80631A shade: #7F2B1A, #7F461A, #7F611A, #7F7C1A and #677F1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80631A shade: #3B2D0C, #5D4813, #7F621A, #A17D21 and #C39728

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80631A shade: #80631A, #247F1A and #381A7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80631A shade: #80631A, #1A7F61 and #611A7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80631A shade: #80631A, #247F1A, #1A387F and #751A7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80631A shade: #80631A, #1A7F2E, #1A387F and #7F1A6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 80 / 50

HEX #80631A

RGB 128 99 26

HSL 42.94, 0.66%, 0.3%

LAB 43.64, 4.15, 43.19

 

Complementary color

CMYK 45 / 32 / 0 / 10

HEX #7F9CE5

RGB 127 156 229

HSL 222.94, 0.66%, 0.7%

LAB 64.92, 8.85, -40.08

 

CMYK 0 / 26 / 84 / 48

HEX #856315

RGB 133 99 21

HSL 41.79, 0.73%, 0.3%

LAB 44.18, 6.34, 45.78

 

CMYK 0 / 22 / 73 / 41

HEX #967528

RGB 150 117 40

HSL 42, 0.58%, 0.37%

LAB 51.11, 4.75, 45.41

 

CMYK 0 / 19 / 65 / 35

HEX #A7873B

RGB 167 135 59

HSL 42.22, 0.48%, 0.44%

LAB 57.9, 3.47, 44.39

 

CMYK 0 / 17 / 58 / 28

HEX #B8994E

RGB 184 153 78

HSL 42.45, 0.43%, 0.51%

LAB 64.58, 2.42, 43.14

 

CMYK 0 / 15 / 52 / 21

HEX #C9AB61

RGB 201 171 97

HSL 42.69, 0.49%, 0.58%

LAB 71.15, 1.55, 41.84

 

CMYK 0 / 23 / 80 / 50

HEX #80631A

RGB 128 99 26

HSL 42.94, 0.66%, 0.3%

LAB 43.64, 4.15, 43.19

 

CMYK 0 / 27 / 94 / 56

HEX #6F5107

RGB 111 81 7

HSL 42.69, 0.88%, 0.23%

LAB 36.52, 5.97, 42.71

 

CMYK 0 / 33 / 100 / 63

HEX #5E3F00

RGB 94 63 0

HSL 40.21, 1%, 0.18%

LAB 29.25, 8.32, 38.86

 

CMYK 0 / 42 / 100 / 70

HEX #4D2D00

RGB 77 45 0

HSL 35.06, 1%, 0.15%

LAB 21.78, 11.06, 31.03

 

CMYK 0 / 55 / 100 / 76

HEX #3C1B00

RGB 60 27 0

HSL 27, 1%, 0.12%

LAB 14.09, 14, 21.17

 

CMYK 0 / 23 / 80 / 50

HEX #7F621A

RGB 127 98 26

HSL 42.77, 0.66%, 0.3%

LAB 43.24, 4.26, 42.78

 

CMYK 0 / 44 / 80 / 50

HEX #7F471A

RGB 127 71 26

HSL 26.73, 0.66%, 0.3%

LAB 36.16, 20.23, 35.94

 

CMYK 0 / 65 / 80 / 50

HEX #7F2C1A

RGB 127 44 26

HSL 10.69, 0.66%, 0.3%

LAB 30.37, 34.9, 30.04

 

CMYK 0 / 80 / 80 / 50

HEX #7F1A1A

RGB 127 26 26

HSL 0, 0.66%, 0.3%

LAB 27.64, 42.36, 27.15

 

CMYK 0 / 23 / 80 / 50

HEX #7F621A

RGB 127 98 26

HSL 42.77, 0.66%, 0.3%

LAB 43.24, 4.26, 42.78

 

CMYK 0 / 1 / 80 / 50

HEX #7F7E1A

RGB 127 126 26

HSL 59.41, 0.66%, 0.3%

LAB 51.28, -11.63, 50.19

 

CMYK 20 / 0 / 80 / 50

HEX #657F1A

RGB 101 127 26

HSL 75.45, 0.66%, 0.3%

LAB 49.52, -23.86, 47.82

 

CMYK 42 / 0 / 80 / 50

HEX #4A7F1A

RGB 74 127 26

HSL 91.49, 0.66%, 0.3%

LAB 47.89, -34.72, 45.71

 

CMYK 63 / 0 / 80 / 50

HEX #2F7F1A

RGB 47 127 26

HSL 107.52, 0.66%, 0.3%

LAB 46.79, -43.18, 44.26

 

CMYK 0 / 23 / 80 / 50

HEX #7F621A

RGB 127 98 26

HSL 42.77, 0.66%, 0.3%

LAB 43.24, 4.26, 42.78

 

CMYK 0 / 25 / 90 / 45

HEX #8B680E

RGB 139 104 14

HSL 43.2, 0.82%, 0.3%

LAB 46.21, 6.08, 49.91

 

CMYK 0 / 28 / 99 / 40

HEX #986D01

RGB 152 109 1

HSL 42.91, 0.99%, 0.3%

LAB 49.03, 9.08, 55.59

 

CMYK 0 / 23 / 80 / 50

HEX #7F621A

RGB 127 98 26

HSL 42.77, 0.66%, 0.3%

LAB 43.24, 4.26, 42.78

 

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

CMYK 0 / 14 / 50 / 60

HEX #665833

RGB 102 88 51

HSL 43.53, 0.33%, 0.3%

LAB 37.92, 0.17, 23.48

 

CMYK 0 / 9 / 30 / 65

HEX #5A523F

RGB 90 82 63

HSL 42.22, 0.18%, 0.3%

LAB 35.14, -0.11, 12.37

 

CMYK 0 / 0 / 1 / 70

HEX #4D4D4C

RGB 77 77 76

HSL 60, 0.01%, 0.3%

LAB 32.72, -0.21, 0.59

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B1A

RGB 127 43 26

HSL 10.1, 0.66%, 0.3%

LAB 30.19, 35.38, 29.86

 

CMYK 0 / 45 / 80 / 50

HEX #7F461A

RGB 127 70 26

HSL 26.14, 0.66%, 0.3%

LAB 35.92, 20.82, 35.7

 

CMYK 0 / 24 / 80 / 50

HEX #7F611A

RGB 127 97 26

HSL 42.18, 0.66%, 0.3%

LAB 42.97, 4.85, 42.52

 

CMYK 0 / 2 / 80 / 50

HEX #7F7C1A

RGB 127 124 26

HSL 58.22, 0.66%, 0.3%

LAB 50.69, -10.54, 49.66

 

CMYK 19 / 0 / 80 / 50

HEX #677F1A

RGB 103 127 26

HSL 74.26, 0.66%, 0.3%

LAB 49.66, -22.99, 48

 

CMYK 0 / 24 / 80 / 77

HEX #3B2D0C

RGB 59 45 12

HSL 42.13, 0.66%, 0.14%

LAB 19.36, 2.15, 22.7

 

CMYK 0 / 23 / 80 / 64

HEX #5D4813

RGB 93 72 19

HSL 42.97, 0.66%, 0.22%

LAB 31.83, 2.92, 33.45

 

CMYK 0 / 23 / 80 / 50

HEX #7F621A

RGB 127 98 26

HSL 42.77, 0.66%, 0.3%

LAB 43.24, 4.26, 42.78

 

CMYK 0 / 22 / 80 / 37

HEX #A17D21

RGB 161 125 33

HSL 43.13, 0.66%, 0.38%

LAB 54.4, 4.96, 51.84

 

CMYK 0 / 23 / 79 / 24

HEX #C39728

RGB 195 151 40

HSL 42.97, 0.66%, 0.46%

LAB 64.87, 6.19, 60.25

 

CMYK 0 / 23 / 80 / 50

HEX #80631A

RGB 128 99 26

HSL 42.94, 0.66%, 0.3%

LAB 43.64, 4.15, 43.19

 

CMYK 72 / 0 / 80 / 50

HEX #247F1A

RGB 36 127 26

HSL 114.06, 0.66%, 0.3%

LAB 46.48, -45.7, 43.86

 

CMYK 56 / 80 / 0 / 50

HEX #381A7F

RGB 56 26 127

HSL 257.82, 0.66%, 0.3%

LAB 20.49, 39.93, -51.48

 

CMYK 0 / 23 / 80 / 50

HEX #80631A

RGB 128 99 26

HSL 42.94, 0.66%, 0.3%

LAB 43.64, 4.15, 43.19

 

CMYK 80 / 0 / 24 / 50

HEX #1A7F61

RGB 26 127 97

HSL 162.18, 0.66%, 0.3%

LAB 47.32, -35.52, 8.43

 

CMYK 24 / 80 / 0 / 50

HEX #611A7F

RGB 97 26 127

HSL 282.18, 0.66%, 0.3%

LAB 26.19, 47.12, -41.93

 

CMYK 0 / 23 / 80 / 50

HEX #80631A

RGB 128 99 26

HSL 42.94, 0.66%, 0.3%

LAB 43.64, 4.15, 43.19

 

CMYK 72 / 0 / 80 / 50

HEX #247F1A

RGB 36 127 26

HSL 114.06, 0.66%, 0.3%

LAB 46.48, -45.7, 43.86

 

CMYK 80 / 56 / 0 / 50

HEX #1A387F

RGB 26 56 127

HSL 222.18, 0.66%, 0.3%

LAB 25.5, 16.48, -43.38

 

CMYK 8 / 80 / 0 / 50

HEX #751A7F

RGB 117 26 127

HSL 294.06, 0.66%, 0.3%

LAB 29.55, 51.24, -36.36

 

CMYK 0 / 23 / 80 / 50

HEX #80631A

RGB 128 99 26

HSL 42.94, 0.66%, 0.3%

LAB 43.64, 4.15, 43.19

 

CMYK 80 / 0 / 64 / 50

HEX #1A7F2E

RGB 26 127 46

HSL 131.88, 0.66%, 0.3%

LAB 46.44, -45.47, 35.34

 

CMYK 80 / 56 / 0 / 50

HEX #1A387F

RGB 26 56 127

HSL 222.18, 0.66%, 0.3%

LAB 25.5, 16.48, -43.38

 

CMYK 0 / 80 / 16 / 50

HEX #7F1A6B

RGB 127 26 107

HSL 311.88, 0.66%, 0.3%

LAB 30.19, 50.18, -22.52

 

Description

Color code: HEX #80631A | qconv.com Color code: HEX #80631A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 99 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 99 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 80 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 80% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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