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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #806251 it is the complementary color #7F9DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #806251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #806251 shade: #85624C, #96745F, #A78672, #B89885 and #C9AA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #806251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #806251 shade: #806251, #6F503E, #5E3E2B, #4D2C18 and #3C1A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #806251 shade: #806252, #805652 and #805252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #806251 shade: #806252, #806F52, #807B52, #788052 and #6B8052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #806251 shade matches the following richer shades: #806252, #905E41, #A15930, #B2541F and #C34F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #806251 shade: #806252, #6F6762, #5E6C73, #4D7084 and #3C7595

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #806251 shade: #80525A, #805552, #806252, #806E52 and #807A52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #806251 shade: #4D3B31, #664F41, #806252, #997662 and #AA8B7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #806251 shade: #806251, #668052 and #525480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #806251 shade: #806251, #528062 and #625280

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #806251 shade: #806251, #668052, #526F80 and #6B5280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #806251 shade: #806251, #588052, #526F80 and #795280

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 37 / 50

HEX #806251

RGB 128 98 81

HSL 21.7, 0.22%, 0.41%

LAB 44.12, 9.6, 14.34

 

Complementary color

CMYK 27 / 10 / 0 / 32

HEX #7F9DAE

RGB 127 157 174

HSL 201.7, 0.22%, 0.59%

LAB 63.08, -6.4, -12.26

 

CMYK 0 / 26 / 43 / 48

HEX #85624C

RGB 133 98 76

HSL 23.16, 0.27%, 0.41%

LAB 44.58, 11.14, 18.05

 

CMYK 0 / 23 / 37 / 41

HEX #96745F

RGB 150 116 95

HSL 22.91, 0.22%, 0.48%

LAB 51.61, 10.31, 16.73

 

CMYK 0 / 20 / 32 / 35

HEX #A78672

RGB 167 134 114

HSL 22.64, 0.23%, 0.55%

LAB 58.49, 9.62, 15.54

 

CMYK 0 / 17 / 28 / 28

HEX #B89885

RGB 184 152 133

HSL 22.35, 0.26%, 0.62%

LAB 65.23, 9.03, 14.46

 

CMYK 0 / 15 / 24 / 21

HEX #C9AA98

RGB 201 170 152

HSL 22.04, 0.31%, 0.69%

LAB 71.85, 8.51, 13.47

HEX #C9AA98

CMYK 0 / 23 / 37 / 50

HEX #806251

RGB 128 98 81

HSL 21.7, 0.22%, 0.41%

LAB 44.12, 9.6, 14.34

 

CMYK 0 / 28 / 44 / 56

HEX #6F503E

RGB 111 80 62

HSL 22.04, 0.28%, 0.34%

LAB 36.86, 10.47, 15.71

 

CMYK 0 / 34 / 54 / 63

HEX #5E3E2B

RGB 94 62 43

HSL 22.35, 0.37%, 0.27%

LAB 29.41, 11.57, 17.31

 

CMYK 0 / 43 / 69 / 70

HEX #4D2C18

RGB 77 44 24

HSL 22.64, 0.52%, 0.2%

LAB 21.74, 13.03, 19.23

 

CMYK 0 / 57 / 92 / 76

HEX #3C1A05

RGB 60 26 5

HSL 22.91, 0.85%, 0.13%

LAB 13.89, 14.96, 18.87

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 0 / 33 / 36 / 50

HEX #805652

RGB 128 86 82

HSL 5.22, 0.22%, 0.41%

LAB 40.98, 16.88, 9.4

 

CMYK 0 / 36 / 36 / 50

HEX #805252

RGB 128 82 82

HSL 0, 0.22%, 0.41%

LAB 39.97, 19.25, 7.97

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 0 / 13 / 36 / 50

HEX #806F52

RGB 128 111 82

HSL 37.83, 0.22%, 0.41%

LAB 47.71, 2.09, 18.62

 

CMYK 0 / 4 / 36 / 50

HEX #807B52

RGB 128 123 82

HSL 53.48, 0.22%, 0.41%

LAB 51.11, -4.78, 23.13

 

CMYK 6 / 0 / 36 / 50

HEX #788052

RGB 120 128 82

HSL 70.43, 0.22%, 0.41%

LAB 51.88, -10.95, 24.02

 

CMYK 16 / 0 / 36 / 50

HEX #6B8052

RGB 107 128 82

HSL 87.39, 0.22%, 0.41%

LAB 50.89, -16.29, 22.53

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 0 / 35 / 55 / 44

HEX #905E41

RGB 144 94 65

HSL 22.03, 0.38%, 0.41%

LAB 44.68, 17.12, 24.9

 

CMYK 0 / 45 / 70 / 37

HEX #A15930

RGB 161 89 48

HSL 21.77, 0.54%, 0.41%

LAB 45.55, 26.06, 36.01

 

CMYK 0 / 53 / 83 / 30

HEX #B2541F

RGB 178 84 31

HSL 21.63, 0.7%, 0.41%

LAB 46.85, 35.06, 46.52

 

CMYK 0 / 59 / 93 / 24

HEX #C34F0E

RGB 195 79 14

HSL 21.55, 0.87%, 0.41%

LAB 48.54, 43.77, 55.18

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 0 / 7 / 12 / 56

HEX #6F6762

RGB 111 103 98

HSL 23.08, 0.06%, 0.41%

LAB 44.18, 2.2, 3.95

 

CMYK 18 / 6 / 0 / 55

HEX #5E6C73

RGB 94 108 115

HSL 200, 0.1%, 0.41%

LAB 44.72, -3.63, -5.68

 

CMYK 42 / 15 / 0 / 48

HEX #4D7084

RGB 77 112 132

HSL 201.82, 0.26%, 0.41%

LAB 45.4, -6.92, -14.96

 

CMYK 60 / 21 / 0 / 42

HEX #3C7595

RGB 60 117 149

HSL 201.57, 0.43%, 0.41%

LAB 46.78, -8.77, -23.01

 

CMYK 0 / 36 / 30 / 50

HEX #80525A

RGB 128 82 90

HSL 349.57, 0.22%, 0.41%

LAB 40.18, 20.4, 3.33

 

CMYK 0 / 34 / 36 / 50

HEX #805552

RGB 128 85 82

HSL 3.91, 0.22%, 0.41%

LAB 40.73, 17.47, 9.04

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 0 / 14 / 36 / 50

HEX #806E52

RGB 128 110 82

HSL 36.52, 0.22%, 0.41%

LAB 47.43, 2.67, 18.25

 

CMYK 0 / 5 / 36 / 50

HEX #807A52

RGB 128 122 82

HSL 52.17, 0.22%, 0.41%

LAB 50.82, -4.21, 22.76

 

CMYK 0 / 23 / 36 / 70

HEX #4D3B31

RGB 77 59 49

HSL 21.43, 0.22%, 0.25%

LAB 26.53, 6.25, 9.23

 

CMYK 0 / 23 / 36 / 60

HEX #664F41

RGB 102 79 65

HSL 22.7, 0.22%, 0.33%

LAB 35.59, 7.43, 11.96

 

CMYK 0 / 23 / 36 / 50

HEX #806252

RGB 128 98 82

HSL 20.87, 0.22%, 0.41%

LAB 44.14, 9.74, 13.78

 

CMYK 0 / 23 / 36 / 40

HEX #997662

RGB 153 118 98

HSL 21.82, 0.22%, 0.49%

LAB 52.52, 10.81, 16.28

 

CMYK 0 / 18 / 28 / 33

HEX #AA8B7A

RGB 170 139 122

HSL 21.25, 0.22%, 0.57%

LAB 60.26, 9.13, 13.51

 

CMYK 0 / 23 / 37 / 50

HEX #806251

RGB 128 98 81

HSL 21.7, 0.22%, 0.41%

LAB 44.12, 9.6, 14.34

 

CMYK 20 / 0 / 36 / 50

HEX #668052

RGB 102 128 82

HSL 93.91, 0.22%, 0.41%

LAB 50.54, -18.28, 22

 

CMYK 36 / 34 / 0 / 50

HEX #525480

RGB 82 84 128

HSL 237.39, 0.22%, 0.41%

LAB 37.29, 10.59, -25.02

 

CMYK 0 / 23 / 37 / 50

HEX #806251

RGB 128 98 81

HSL 21.7, 0.22%, 0.41%

LAB 44.12, 9.6, 14.34

 

CMYK 36 / 0 / 23 / 50

HEX #528062

RGB 82 128 98

HSL 140.87, 0.22%, 0.41%

LAB 49.63, -22.65, 11.39

 

CMYK 23 / 36 / 0 / 50

HEX #625280

RGB 98 82 128

HSL 260.87, 0.22%, 0.41%

LAB 38.18, 16.95, -23.51

 

CMYK 0 / 23 / 37 / 50

HEX #806251

RGB 128 98 81

HSL 21.7, 0.22%, 0.41%

LAB 44.12, 9.6, 14.34

 

CMYK 20 / 0 / 36 / 50

HEX #668052

RGB 102 128 82

HSL 93.91, 0.22%, 0.41%

LAB 50.54, -18.28, 22

 

CMYK 36 / 13 / 0 / 50

HEX #526F80

RGB 82 111 128

HSL 202.17, 0.22%, 0.41%

LAB 45.25, -5.99, -12.77

 

CMYK 16 / 36 / 0 / 50

HEX #6B5280

RGB 107 82 128

HSL 272.61, 0.22%, 0.41%

LAB 39.1, 19.95, -22.01

 

CMYK 0 / 23 / 37 / 50

HEX #806251

RGB 128 98 81

HSL 21.7, 0.22%, 0.41%

LAB 44.12, 9.6, 14.34

 

CMYK 31 / 0 / 36 / 50

HEX #588052

RGB 88 128 82

HSL 112.17, 0.22%, 0.41%

LAB 49.64, -23.58, 20.65

 

CMYK 36 / 13 / 0 / 50

HEX #526F80

RGB 82 111 128

HSL 202.17, 0.22%, 0.41%

LAB 45.25, -5.99, -12.77

 

CMYK 5 / 36 / 0 / 50

HEX #795280

RGB 121 82 128

HSL 290.87, 0.22%, 0.41%

LAB 40.67, 24.73, -19.47

 

Description

Color code: HEX #806251 | qconv.com Color code: HEX #806251 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 98 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 98 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 37 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 37% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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