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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805ECE it is the complementary color #7FA131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805ECE shade: #855EC9, #9670DC, #A782EF, #B894FF and #C9A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805ECE shade: #805ECE, #6F4CBB, #5E3AA8, #4D2895 and #3C1682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805ECE shade: #805FCD, #9E5FCD, #BC5FCD, #CD5FC1 and #CD5FA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805ECE shade: #805FCD, #625FCD and #5F5FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805ECE shade matches the following richer shades: #805FCD, #7A4EDE and #733DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805ECE shade: #805FCD, #876FBC, #8D80AC, #94919B and #9BA28A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805ECE shade: #5F78CD, #625FCD, #805FCD, #9D5FCD and #BB5FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805ECE shade: #5633A7, #673FC4, #805FCD, #997ED7 and #B29EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805ECE shade: #805ECE, #CD5F96 and #6ACD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805ECE shade: #805ECE, #CD805F and #5FCD80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805ECE shade: #805ECE, #CD5F96, #ACCD5F and #5FCD96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805ECE shade: #805ECE, #CD5F75, #ACCD5F and #5FCDB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 54 / 0 / 19

HEX #805ECE

RGB 128 94 206

HSL 258.21, 0.53%, 0.59%

LAB 48.32, 38.97, -53.44

 

Complementary color

CMYK 21 / 0 / 70 / 37

HEX #7FA131

RGB 127 161 49

HSL 78.21, 0.53%, 0.41%

LAB 61.85, -28.31, 51.95

 

CMYK 34 / 53 / 0 / 21

HEX #855EC9

RGB 133 94 201

HSL 261.87, 0.5%, 0.58%

LAB 48.52, 38.87, -50.23

 

CMYK 32 / 49 / 0 / 14

HEX #9670DC

RGB 150 112 220

HSL 261.11, 0.61%, 0.65%

LAB 55.32, 37.84, -50.1

 

CMYK 30 / 46 / 0 / 6

HEX #A782EF

RGB 167 130 239

HSL 260.37, 0.77%, 0.72%

LAB 62.01, 36.88, -49.98

 

CMYK 28 / 42 / 0 / 0

HEX #B894FF

RGB 184 148 255

HSL 260.19, 1%, 0.79%

LAB 68.45, 35.27, -48.48

 

CMYK 21 / 35 / 0 / 0

HEX #C9A6FF

RGB 201 166 255

HSL 263.6, 1%, 0.83%

LAB 74.13, 30.1, -39.47

 

CMYK 38 / 54 / 0 / 19

HEX #805ECE

RGB 128 94 206

HSL 258.21, 0.53%, 0.59%

LAB 48.32, 38.97, -53.44

 

CMYK 41 / 59 / 0 / 27

HEX #6F4CBB

RGB 111 76 187

HSL 258.92, 0.45%, 0.52%

LAB 41.43, 40.16, -53.62

 

CMYK 44 / 65 / 0 / 34

HEX #5E3AA8

RGB 94 58 168

HSL 259.64, 0.49%, 0.44%

LAB 34.46, 41.4, -53.73

 

CMYK 48 / 73 / 0 / 42

HEX #4D2895

RGB 77 40 149

HSL 260.37, 0.58%, 0.37%

LAB 27.48, 42.54, -53.66

 

CMYK 54 / 83 / 0 / 49

HEX #3C1682

RGB 60 22 130

HSL 261.11, 0.71%, 0.3%

LAB 20.62, 43.21, -53.15

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 23 / 54 / 0 / 20

HEX #9E5FCD

RGB 158 95 205

HSL 274.36, 0.52%, 0.59%

LAB 51.68, 45.7, -47.33

 

CMYK 8 / 54 / 0 / 20

HEX #BC5FCD

RGB 188 95 205

HSL 290.73, 0.52%, 0.59%

LAB 55.36, 53.66, -41.26

 

CMYK 0 / 54 / 6 / 20

HEX #CD5FC1

RGB 205 95 193

HSL 306.55, 0.52%, 0.59%

LAB 57.09, 56.17, -31.54

 

CMYK 0 / 54 / 20 / 20

HEX #CD5FA3

RGB 205 95 163

HSL 322.91, 0.52%, 0.59%

LAB 55.89, 51.47, -16.05

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 52 / 54 / 0 / 20

HEX #625FCD

RGB 98 95 205

HSL 241.64, 0.52%, 0.59%

LAB 45.89, 31.36, -56.92

 

CMYK 54 / 54 / 0 / 20

HEX #5F5FCD

RGB 95 95 205

HSL 240, 0.52%, 0.59%

LAB 45.67, 30.74, -57.29

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 45 / 65 / 0 / 13

HEX #7A4EDE

RGB 122 78 222

HSL 258.33, 0.69%, 0.59%

LAB 45.44, 50.91, -67.26

 

CMYK 52 / 74 / 0 / 6

HEX #733DEF

RGB 115 61 239

HSL 258.2, 0.85%, 0.59%

LAB 43.08, 62.75, -80.78

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 28 / 41 / 0 / 26

HEX #876FBC

RGB 135 111 188

HSL 258.7, 0.36%, 0.59%

LAB 52.01, 26.17, -37.21

 

CMYK 18 / 26 / 0 / 33

HEX #8D80AC

RGB 141 128 172

HSL 257.73, 0.21%, 0.59%

LAB 56.17, 14.13, -21.51

 

CMYK 5 / 6 / 0 / 39

HEX #94919B

RGB 148 145 155

HSL 258, 0.05%, 0.59%

LAB 60.7, 3.07, -4.89

 

CMYK 4 / 0 / 15 / 36

HEX #9BA28A

RGB 155 162 138

HSL 77.5, 0.11%, 0.59%

LAB 65.47, -6.9, 11.64

 

CMYK 54 / 41 / 0 / 20

HEX #5F78CD

RGB 95 120 205

HSL 226.36, 0.52%, 0.59%

LAB 52.15, 15.37, -46.92

 

CMYK 52 / 54 / 0 / 20

HEX #625FCD

RGB 98 95 205

HSL 241.64, 0.52%, 0.59%

LAB 45.89, 31.36, -56.92

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 23 / 54 / 0 / 20

HEX #9D5FCD

RGB 157 95 205

HSL 273.82, 0.52%, 0.59%

LAB 51.57, 45.44, -47.52

 

CMYK 9 / 54 / 0 / 20

HEX #BB5FCD

RGB 187 95 205

HSL 290.18, 0.52%, 0.59%

LAB 55.23, 53.39, -41.47

 

CMYK 49 / 69 / 0 / 35

HEX #5633A7

RGB 86 51 167

HSL 258.1, 0.53%, 0.43%

LAB 32.11, 43.42, -56.99

 

CMYK 47 / 68 / 0 / 23

HEX #673FC4

RGB 103 63 196

HSL 258.05, 0.53%, 0.51%

LAB 38.59, 48.24, -63.52

 

CMYK 38 / 54 / 0 / 20

HEX #805FCD

RGB 128 95 205

HSL 258, 0.52%, 0.59%

LAB 48.49, 38.13, -52.61

 

CMYK 29 / 41 / 0 / 16

HEX #997ED7

RGB 153 126 215

HSL 258.2, 0.53%, 0.67%

LAB 58.6, 29.37, -42.07

 

CMYK 21 / 30 / 0 / 12

HEX #B29EE1

RGB 178 158 225

HSL 257.91, 0.53%, 0.75%

LAB 69.01, 20.9, -31.24

 

CMYK 38 / 54 / 0 / 19

HEX #805ECE

RGB 128 94 206

HSL 258.21, 0.53%, 0.59%

LAB 48.32, 38.97, -53.44

 

CMYK 0 / 54 / 27 / 20

HEX #CD5F96

RGB 205 95 150

HSL 330, 0.52%, 0.59%

LAB 55.45, 49.65, -9.14

 

CMYK 48 / 0 / 54 / 20

HEX #6ACD5F

RGB 106 205 95

HSL 114, 0.52%, 0.59%

LAB 74.54, -50.44, 45.47

 

CMYK 38 / 54 / 0 / 19

HEX #805ECE

RGB 128 94 206

HSL 258.21, 0.53%, 0.59%

LAB 48.32, 38.97, -53.44

 

CMYK 0 / 38 / 54 / 20

HEX #CD805F

RGB 205 128 95

HSL 18, 0.52%, 0.59%

LAB 61, 26.37, 30.32

 

CMYK 54 / 0 / 38 / 20

HEX #5FCD80

RGB 95 205 128

HSL 138, 0.52%, 0.59%

LAB 74.61, -48.43, 29.01

 

CMYK 38 / 54 / 0 / 19

HEX #805ECE

RGB 128 94 206

HSL 258.21, 0.53%, 0.59%

LAB 48.32, 38.97, -53.44

 

CMYK 0 / 54 / 27 / 20

HEX #CD5F96

RGB 205 95 150

HSL 330, 0.52%, 0.59%

LAB 55.45, 49.65, -9.14

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 54 / 0 / 27 / 20

HEX #5FCD96

RGB 95 205 150

HSL 150, 0.52%, 0.59%

LAB 75.01, -44.26, 18

 

CMYK 38 / 54 / 0 / 19

HEX #805ECE

RGB 128 94 206

HSL 258.21, 0.53%, 0.59%

LAB 48.32, 38.97, -53.44

 

CMYK 0 / 54 / 43 / 20

HEX #CD5F75

RGB 205 95 117

HSL 348, 0.52%, 0.59%

LAB 54.5, 45.69, 8.91

 

CMYK 16 / 0 / 54 / 20

HEX #ACCD5F

RGB 172 205 95

HSL 78, 0.52%, 0.59%

LAB 78.03, -27.78, 50.45

 

CMYK 54 / 0 / 11 / 20

HEX #5FCDB7

RGB 95 205 183

HSL 168, 0.52%, 0.59%

LAB 75.77, -36.85, 1.39

 

Description

Color code: HEX #805ECE | qconv.com Color code: HEX #805ECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 94 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 94 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 54 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 54% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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