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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8059A4 it is the complementary color #7FA65B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8059A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8059A4 shade: #85599F, #966BB2, #A77DC5, #B88FD8 and #C9A1EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8059A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8059A4 shade: #8059A4, #6F4791, #5E357E, #4D236B and #3C1158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8059A4 shade: #8159A6, #9659A6, #A659A1, #A6598D and #A65978

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8059A4 shade: #8159A6, #6C59A6 and #5959A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8059A4 shade matches the following richer shades: #8159A6, #8245BA, #8330CF, #841BE4 and #8407F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8059A4 shade: #8159A6, #806E91, #7F837C, #7F9768 and #7EAC53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8059A4 shade: #595BA6, #6C59A6, #8159A6, #9559A6 and #A659A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8059A4 shade: #573C70, #6C4B8B, #8159A6, #9574B4 and #AA8FC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8059A4 shade: #8059A4, #A6596F and #59A662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8059A4 shade: #8059A4, #A68159 and #59A681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8059A4 shade: #8059A4, #A6596F, #7EA659 and #59A690

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8059A4 shade: #8059A4, #A65B59, #7EA659 and #59A4A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 46 / 0 / 36

HEX #8059A4

RGB 128 89 164

HSL 271.2, 0.3%, 0.5%

LAB 44.82, 31.09, -34.57

 

Complementary color

CMYK 23 / 0 / 45 / 35

HEX #7FA65B

RGB 127 166 91

HSL 91.2, 0.3%, 0.5%

LAB 63.79, -26.67, 34.5

 

CMYK 16 / 44 / 0 / 38

HEX #85599F

RGB 133 89 159

HSL 277.71, 0.28%, 0.49%

LAB 45.13, 31.42, -31.08

 

CMYK 16 / 40 / 0 / 30

HEX #966BB2

RGB 150 107 178

HSL 276.34, 0.32%, 0.56%

LAB 52.08, 30.6, -31.22

 

CMYK 15 / 37 / 0 / 23

HEX #A77DC5

RGB 167 125 197

HSL 275, 0.38%, 0.63%

LAB 58.89, 29.83, -31.36

 

CMYK 15 / 34 / 0 / 15

HEX #B88FD8

RGB 184 143 216

HSL 273.7, 0.48%, 0.7%

LAB 65.59, 29.12, -31.51

 

CMYK 14 / 31 / 0 / 8

HEX #C9A1EB

RGB 201 161 235

HSL 272.43, 0.65%, 0.78%

LAB 72.17, 28.46, -31.67

 

CMYK 22 / 46 / 0 / 36

HEX #8059A4

RGB 128 89 164

HSL 271.2, 0.3%, 0.5%

LAB 44.82, 31.09, -34.57

 

CMYK 23 / 51 / 0 / 43

HEX #6F4791

RGB 111 71 145

HSL 272.43, 0.34%, 0.42%

LAB 37.72, 32.01, -34.52

 

CMYK 25 / 58 / 0 / 51

HEX #5E357E

RGB 94 53 126

HSL 273.7, 0.41%, 0.35%

LAB 30.48, 32.96, -34.44

 

CMYK 28 / 67 / 0 / 58

HEX #4D236B

RGB 77 35 107

HSL 275, 0.51%, 0.28%

LAB 23.14, 33.81, -34.22

 

CMYK 32 / 81 / 0 / 65

HEX #3C1158

RGB 60 17 88

HSL 276.34, 0.68%, 0.21%

LAB 15.83, 34.15, -33.61

 

CMYK 22 / 46 / 0 / 35

HEX #8159A6

RGB 129 89 166

HSL 271.17, 0.3%, 0.5%

LAB 45.03, 31.87, -35.41

 

CMYK 10 / 46 / 0 / 35

HEX #9659A6

RGB 150 89 166

HSL 287.53, 0.3%, 0.5%

LAB 47.47, 38.14, -31.41

 

CMYK 0 / 46 / 3 / 35

HEX #A659A1

RGB 166 89 161

HSL 303.9, 0.3%, 0.5%

LAB 49.28, 42.06, -25.49

 

CMYK 0 / 46 / 15 / 35

HEX #A6598D

RGB 166 89 141

HSL 319.48, 0.3%, 0.5%

LAB 48.48, 38.56, -14.86

 

CMYK 0 / 46 / 28 / 35

HEX #A65978

RGB 166 89 120

HSL 335.84, 0.3%, 0.5%

LAB 47.76, 35.33, -3.33

 

CMYK 22 / 46 / 0 / 35

HEX #8159A6

RGB 129 89 166

HSL 271.17, 0.3%, 0.5%

LAB 45.03, 31.87, -35.41

 

CMYK 35 / 46 / 0 / 35

HEX #6C59A6

RGB 108 89 166

HSL 254.81, 0.3%, 0.5%

LAB 42.89, 25.86, -38.93

 

CMYK 46 / 46 / 0 / 35

HEX #5959A6

RGB 89 89 166

HSL 240, 0.3%, 0.5%

LAB 41.25, 20.86, -41.64

 

CMYK 22 / 46 / 0 / 35

HEX #8159A6

RGB 129 89 166

HSL 271.17, 0.3%, 0.5%

LAB 45.03, 31.87, -35.41

 

CMYK 30 / 63 / 0 / 27

HEX #8245BA

RGB 130 69 186

HSL 271.28, 0.46%, 0.5%

LAB 42.07, 48.05, -51.89

 

CMYK 37 / 77 / 0 / 19

HEX #8330CF

RGB 131 48 207

HSL 271.32, 0.62%, 0.5%

LAB 40.32, 62.74, -66.96

 

CMYK 42 / 88 / 0 / 11

HEX #841BE4

RGB 132 27 228

HSL 271.34, 0.79%, 0.5%

LAB 40.07, 73.98, -79.43

 

CMYK 47 / 97 / 0 / 3

HEX #8407F8

RGB 132 7 248

HSL 271.12, 0.95%, 0.5%

LAB 40.95, 81.3, -89.29

 

CMYK 22 / 46 / 0 / 35

HEX #8159A6

RGB 129 89 166

HSL 271.17, 0.3%, 0.5%

LAB 45.03, 31.87, -35.41

 

CMYK 12 / 24 / 0 / 43

HEX #806E91

RGB 128 110 145

HSL 270.86, 0.14%, 0.5%

LAB 49.23, 14.16, -16.48

 

CMYK 3 / 0 / 5 / 49

HEX #7F837C

RGB 127 131 124

HSL 94.29, 0.03%, 0.5%

LAB 54.24, -2.87, 3.26

 

CMYK 16 / 0 / 31 / 41

HEX #7F9768

RGB 127 151 104

HSL 90.64, 0.18%, 0.5%

LAB 59.57, -17.25, 22.05

 

CMYK 27 / 0 / 52 / 33

HEX #7EAC53

RGB 126 172 83

HSL 91.01, 0.35%, 0.5%

LAB 65.41, -30.89, 40.53

 

CMYK 46 / 45 / 0 / 35

HEX #595BA6

RGB 89 91 166

HSL 238.44, 0.3%, 0.5%

LAB 41.78, 19.6, -40.8

 

CMYK 35 / 46 / 0 / 35

HEX #6C59A6

RGB 108 89 166

HSL 254.81, 0.3%, 0.5%

LAB 42.89, 25.86, -38.93

 

CMYK 22 / 46 / 0 / 35

HEX #8159A6

RGB 129 89 166

HSL 271.17, 0.3%, 0.5%

LAB 45.03, 31.87, -35.41

 

CMYK 10 / 46 / 0 / 35

HEX #9559A6

RGB 149 89 166

HSL 286.75, 0.3%, 0.5%

LAB 47.35, 37.84, -31.61

 

CMYK 0 / 46 / 2 / 35

HEX #A659A2

RGB 166 89 162

HSL 303.12, 0.3%, 0.5%

LAB 49.33, 42.24, -26.01

 

CMYK 22 / 46 / 0 / 56

HEX #573C70

RGB 87 60 112

HSL 271.15, 0.3%, 0.34%

LAB 30.47, 23.05, -25.69

 

CMYK 22 / 46 / 0 / 45

HEX #6C4B8B

RGB 108 75 139

HSL 270.94, 0.3%, 0.42%

LAB 37.99, 27.25, -30.46

 

CMYK 22 / 46 / 0 / 35

HEX #8159A6

RGB 129 89 166

HSL 271.17, 0.3%, 0.5%

LAB 45.03, 31.87, -35.41

 

CMYK 17 / 36 / 0 / 29

HEX #9574B4

RGB 149 116 180

HSL 270.94, 0.3%, 0.58%

LAB 54.21, 25.55, -29.06

 

CMYK 13 / 27 / 0 / 24

HEX #AA8FC3

RGB 170 143 195

HSL 271.15, 0.3%, 0.66%

LAB 63.45, 20.14, -23.18

 

CMYK 22 / 46 / 0 / 36

HEX #8059A4

RGB 128 89 164

HSL 271.2, 0.3%, 0.5%

LAB 44.82, 31.09, -34.57

 

CMYK 0 / 46 / 33 / 35

HEX #A6596F

RGB 166 89 111

HSL 342.86, 0.3%, 0.5%

LAB 47.49, 34.09, 1.7

 

CMYK 46 / 0 / 41 / 35

HEX #59A662

RGB 89 166 98

HSL 127.01, 0.3%, 0.5%

LAB 61.89, -38.55, 28

 

CMYK 22 / 46 / 0 / 36

HEX #8059A4

RGB 128 89 164

HSL 271.2, 0.3%, 0.5%

LAB 44.82, 31.09, -34.57

 

CMYK 0 / 22 / 46 / 35

HEX #A68159

RGB 166 129 89

HSL 31.17, 0.3%, 0.5%

LAB 56.61, 8.98, 27.1

 

CMYK 46 / 0 / 22 / 35

HEX #59A681

RGB 89 166 129

HSL 151.17, 0.3%, 0.5%

LAB 62.49, -32.65, 11.88

 

CMYK 22 / 46 / 0 / 36

HEX #8059A4

RGB 128 89 164

HSL 271.2, 0.3%, 0.5%

LAB 44.82, 31.09, -34.57

 

CMYK 0 / 46 / 33 / 35

HEX #A6596F

RGB 166 89 111

HSL 342.86, 0.3%, 0.5%

LAB 47.49, 34.09, 1.7

 

CMYK 24 / 0 / 46 / 35

HEX #7EA659

RGB 126 166 89

HSL 91.17, 0.3%, 0.5%

LAB 63.7, -27.3, 35.41

 

CMYK 46 / 0 / 13 / 35

HEX #59A690

RGB 89 166 144

HSL 162.86, 0.3%, 0.5%

LAB 62.85, -29.25, 4.03

 

CMYK 22 / 46 / 0 / 36

HEX #8059A4

RGB 128 89 164

HSL 271.2, 0.3%, 0.5%

LAB 44.82, 31.09, -34.57

 

CMYK 0 / 45 / 46 / 35

HEX #A65B59

RGB 166 91 89

HSL 1.56, 0.3%, 0.5%

LAB 47.38, 30.38, 14.8

 

CMYK 24 / 0 / 46 / 35

HEX #7EA659

RGB 126 166 89

HSL 91.17, 0.3%, 0.5%

LAB 63.7, -27.3, 35.41

 

CMYK 46 / 1 / 0 / 35

HEX #59A4A6

RGB 89 164 166

HSL 181.56, 0.3%, 0.5%

LAB 62.87, -22.7, -8.28

 

Description

Color code: HEX #8059A4 | qconv.com Color code: HEX #8059A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 89 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 89 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 46 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 46% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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