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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8053AF it is the complementary color #7FAC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8053AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8053AF shade: #8553AA, #9665BD, #A777D0, #B889E3 and #C99BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8053AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8053AF shade: #8053AF, #6F419C, #5E2F89, #4D1D76 and #3C0B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8053AF shade: #8154B0, #9A54B0, #B054AE, #B05495 and #B0547C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8053AF shade: #8154B0, #6854B0 and #5454B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8053AF shade matches the following richer shades: #8154B0, #8140C4, #802BD9 and #8017ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8053AF shade: #8154B0, #81689C, #827C88, #829074 and #83A55F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8053AF shade: #5458B0, #6854B0, #8154B0, #9954B0 and #B054AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8053AF shade: #58387A, #6D4596, #8154B0, #9670BD and #AB8CCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8053AF shade: #8053AF, #B05471 and #54B05C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8053AF shade: #8053AF, #B08154 and #54B081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8053AF shade: #8053AF, #B05471, #84B054 and #54B093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8053AF shade: #8053AF, #B05455, #84B054 and #54B0AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 53 / 0 / 31

HEX #8053AF

RGB 128 83 175

HSL 269.35, 0.37%, 0.51%

LAB 44.05, 37.24, -42.28

 

Complementary color

CMYK 26 / 0 / 53 / 33

HEX #7FAC50

RGB 127 172 80

HSL 89.35, 0.37%, 0.49%

LAB 65.43, -30.85, 42.04

 

CMYK 22 / 51 / 0 / 33

HEX #8553AA

RGB 133 83 170

HSL 274.48, 0.34%, 0.5%

LAB 44.34, 37.41, -38.83

 

CMYK 21 / 47 / 0 / 26

HEX #9665BD

RGB 150 101 189

HSL 273.41, 0.4%, 0.57%

LAB 51.23, 36.53, -38.91

 

CMYK 20 / 43 / 0 / 18

HEX #A777D0

RGB 167 119 208

HSL 272.36, 0.49%, 0.64%

LAB 58, 35.68, -38.98

 

CMYK 19 / 40 / 0 / 11

HEX #B889E3

RGB 184 137 227

HSL 271.33, 0.62%, 0.71%

LAB 64.67, 34.88, -39.04

 

CMYK 18 / 37 / 0 / 4

HEX #C99BF6

RGB 201 155 246

HSL 270.33, 0.83%, 0.79%

LAB 71.22, 34.13, -39.12

 

CMYK 27 / 53 / 0 / 31

HEX #8053AF

RGB 128 83 175

HSL 269.35, 0.37%, 0.51%

LAB 44.05, 37.24, -42.28

 

CMYK 29 / 58 / 0 / 39

HEX #6F419C

RGB 111 65 156

HSL 270.33, 0.41%, 0.43%

LAB 37.04, 38.21, -42.26

 

CMYK 31 / 66 / 0 / 46

HEX #5E2F89

RGB 94 47 137

HSL 271.33, 0.49%, 0.36%

LAB 29.96, 39.11, -42.13

 

CMYK 35 / 75 / 0 / 54

HEX #4D1D76

RGB 77 29 118

HSL 272.36, 0.61%, 0.29%

LAB 22.88, 39.69, -41.73

 

CMYK 39 / 89 / 0 / 61

HEX #3C0B63

RGB 60 11 99

HSL 273.41, 0.8%, 0.22%

LAB 16.01, 39.3, -40.67

 

CMYK 27 / 52 / 0 / 31

HEX #8154B0

RGB 129 84 176

HSL 269.35, 0.37%, 0.51%

LAB 44.44, 37.19, -42.25

 

CMYK 13 / 52 / 0 / 31

HEX #9A54B0

RGB 154 84 176

HSL 285.65, 0.37%, 0.51%

LAB 47.42, 44.11, -37.32

 

CMYK 0 / 52 / 1 / 31

HEX #B054AE

RGB 176 84 174

HSL 301.3, 0.37%, 0.51%

LAB 50.25, 49.95, -31.51

 

CMYK 0 / 52 / 15 / 31

HEX #B05495

RGB 176 84 149

HSL 317.61, 0.37%, 0.51%

LAB 49.18, 45.69, -18.43

 

CMYK 0 / 52 / 30 / 31

HEX #B0547C

RGB 176 84 124

HSL 333.91, 0.37%, 0.51%

LAB 48.29, 42, -4.8

 

CMYK 27 / 52 / 0 / 31

HEX #8154B0

RGB 129 84 176

HSL 269.35, 0.37%, 0.51%

LAB 44.44, 37.19, -42.25

 

CMYK 41 / 52 / 0 / 31

HEX #6854B0

RGB 104 84 176

HSL 253.04, 0.37%, 0.51%

LAB 41.87, 30.68, -46.49

 

CMYK 52 / 52 / 0 / 31

HEX #5454B0

RGB 84 84 176

HSL 240, 0.37%, 0.51%

LAB 40.18, 26.01, -49.29

 

CMYK 27 / 52 / 0 / 31

HEX #8154B0

RGB 129 84 176

HSL 269.35, 0.37%, 0.51%

LAB 44.44, 37.19, -42.25

 

CMYK 34 / 67 / 0 / 23

HEX #8140C4

RGB 129 64 196

HSL 269.55, 0.53%, 0.51%

LAB 41.72, 52.76, -58.31

 

CMYK 41 / 80 / 0 / 15

HEX #802BD9

RGB 128 43 217

HSL 269.31, 0.7%, 0.51%

LAB 40.13, 66.42, -73.05

 

CMYK 46 / 90 / 0 / 7

HEX #8017ED

RGB 128 23 237

HSL 269.44, 0.86%, 0.51%

LAB 40.11, 76.34, -84.49

 

CMYK 27 / 52 / 0 / 31

HEX #8154B0

RGB 129 84 176

HSL 269.35, 0.37%, 0.51%

LAB 44.44, 37.19, -42.25

 

CMYK 17 / 33 / 0 / 39

HEX #81689C

RGB 129 104 156

HSL 268.85, 0.21%, 0.51%

LAB 48.22, 20.61, -24.53

 

CMYK 4 / 9 / 0 / 47

HEX #827C88

RGB 130 124 136

HSL 270, 0.05%, 0.51%

LAB 52.88, 4.68, -5.69

 

CMYK 10 / 0 / 19 / 44

HEX #829074

RGB 130 144 116

HSL 90, 0.11%, 0.51%

LAB 57.99, -10.4, 13.21

 

CMYK 21 / 0 / 42 / 35

HEX #83A55F

RGB 131 165 95

HSL 89.14, 0.28%, 0.51%

LAB 63.8, -24.14, 32.5

 

CMYK 52 / 50 / 0 / 31

HEX #5458B0

RGB 84 88 176

HSL 237.39, 0.37%, 0.51%

LAB 41.21, 23.48, -47.63

 

CMYK 41 / 52 / 0 / 31

HEX #6854B0

RGB 104 84 176

HSL 253.04, 0.37%, 0.51%

LAB 41.87, 30.68, -46.49

 

CMYK 27 / 52 / 0 / 31

HEX #8154B0

RGB 129 84 176

HSL 269.35, 0.37%, 0.51%

LAB 44.44, 37.19, -42.25

 

CMYK 13 / 52 / 0 / 31

HEX #9954B0

RGB 153 84 176

HSL 285, 0.37%, 0.51%

LAB 47.3, 43.82, -37.53

 

CMYK 0 / 52 / 1 / 31

HEX #B054AF

RGB 176 84 175

HSL 300.65, 0.37%, 0.51%

LAB 50.29, 50.13, -32.03

 

CMYK 28 / 54 / 0 / 52

HEX #58387A

RGB 88 56 122

HSL 269.09, 0.37%, 0.35%

LAB 30.18, 28.45, -32.46

 

CMYK 27 / 54 / 0 / 41

HEX #6D4596

RGB 109 69 150

HSL 269.63, 0.37%, 0.43%

LAB 37.32, 33.87, -38.21

 

CMYK 27 / 52 / 0 / 31

HEX #8154B0

RGB 129 84 176

HSL 269.35, 0.37%, 0.51%

LAB 44.44, 37.19, -42.25

 

CMYK 21 / 41 / 0 / 26

HEX #9670BD

RGB 150 112 189

HSL 269.61, 0.37%, 0.59%

LAB 53.76, 30.25, -34.94

 

CMYK 15 / 31 / 0 / 21

HEX #AB8CCA

RGB 171 140 202

HSL 270, 0.37%, 0.67%

LAB 63.08, 23.69, -27.68

 

CMYK 27 / 53 / 0 / 31

HEX #8053AF

RGB 128 83 175

HSL 269.35, 0.37%, 0.51%

LAB 44.05, 37.24, -42.28

 

CMYK 0 / 52 / 36 / 31

HEX #B05471

RGB 176 84 113

HSL 341.09, 0.37%, 0.51%

LAB 47.96, 40.58, 1.35

 

CMYK 52 / 0 / 48 / 31

HEX #54B05C

RGB 84 176 92

HSL 125.22, 0.37%, 0.51%

LAB 64.73, -45.16, 34.72

 

CMYK 27 / 53 / 0 / 31

HEX #8053AF

RGB 128 83 175

HSL 269.35, 0.37%, 0.51%

LAB 44.05, 37.24, -42.28

 

CMYK 0 / 27 / 52 / 31

HEX #B08154

RGB 176 129 84

HSL 29.35, 0.37%, 0.51%

LAB 57.63, 12.76, 31.37

 

CMYK 52 / 0 / 27 / 31

HEX #54B081

RGB 84 176 129

HSL 149.35, 0.37%, 0.51%

LAB 65.37, -38.52, 15.88

 

CMYK 27 / 53 / 0 / 31

HEX #8053AF

RGB 128 83 175

HSL 269.35, 0.37%, 0.51%

LAB 44.05, 37.24, -42.28

 

CMYK 0 / 52 / 36 / 31

HEX #B05471

RGB 176 84 113

HSL 341.09, 0.37%, 0.51%

LAB 47.96, 40.58, 1.35

 

CMYK 25 / 0 / 52 / 31

HEX #84B054

RGB 132 176 84

HSL 88.7, 0.37%, 0.51%

LAB 66.97, -30.42, 42

 

CMYK 52 / 0 / 16 / 31

HEX #54B093

RGB 84 176 147

HSL 161.09, 0.37%, 0.51%

LAB 65.78, -34.52, 6.55

 

CMYK 27 / 53 / 0 / 31

HEX #8053AF

RGB 128 83 175

HSL 269.35, 0.37%, 0.51%

LAB 44.05, 37.24, -42.28

 

CMYK 0 / 52 / 52 / 31

HEX #B05455

RGB 176 84 85

HSL 359.35, 0.37%, 0.51%

LAB 47.27, 37.57, 17.29

 

CMYK 25 / 0 / 52 / 31

HEX #84B054

RGB 132 176 84

HSL 88.7, 0.37%, 0.51%

LAB 66.97, -30.42, 42

 

CMYK 52 / 0 / 1 / 31

HEX #54B0AF

RGB 84 176 175

HSL 179.35, 0.37%, 0.51%

LAB 66.54, -27.43, -7.86

 

Description

Color code: HEX #8053AF | qconv.com Color code: HEX #8053AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 83 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 83 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 53 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 53% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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