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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8052A8 it is the complementary color #7FAD57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8052A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8052A8 shade: #8552A3, #9664B6, #A776C9, #B888DC and #C99AEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8052A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8052A8 shade: #8052A8, #6F4095, #5E2E82, #4D1C6F and #3C0A5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8052A8 shade: #8052A7, #9752A7, #A752A1, #A7528A and #A75273

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8052A8 shade: #8052A7, #6952A7 and #5252A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8052A8 shade matches the following richer shades: #8052A7, #813EBC, #832AD0, #8416E4 and #8602F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8052A8 shade: #8052A7, #7F6793, #7D7B7F, #7C8F6B and #7AA357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8052A8 shade: #5252A7, #6952A7, #8052A7, #9652A7 and #A752A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8052A8 shade: #563770, #6B458C, #8052A7, #946CB7 and #A888C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8052A8 shade: #8052A8, #A75269 and #52A75E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8052A8 shade: #8052A8, #A78052 and #52A780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8052A8 shade: #8052A8, #A75269, #7AA752 and #52A791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8052A8 shade: #8052A8, #A75552, #7AA752 and #52A5A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 51 / 0 / 34

HEX #8052A8

RGB 128 82 168

HSL 272.09, 0.34%, 0.49%

LAB 43.43, 36.1, -39.13

 

Complementary color

CMYK 27 / 0 / 50 / 32

HEX #7FAD57

RGB 127 173 87

HSL 92.09, 0.34%, 0.51%

LAB 65.82, -30.53, 39.05

 

CMYK 18 / 50 / 0 / 36

HEX #8552A3

RGB 133 82 163

HSL 277.78, 0.33%, 0.48%

LAB 43.75, 36.35, -35.63

 

CMYK 18 / 45 / 0 / 29

HEX #9664B6

RGB 150 100 182

HSL 276.59, 0.36%, 0.55%

LAB 50.66, 35.49, -35.76

 

CMYK 17 / 41 / 0 / 21

HEX #A776C9

RGB 167 118 201

HSL 275.42, 0.43%, 0.63%

LAB 57.45, 34.66, -35.88

 

CMYK 16 / 38 / 0 / 14

HEX #B888DC

RGB 184 136 220

HSL 274.29, 0.55%, 0.7%

LAB 64.13, 33.89, -35.99

 

CMYK 16 / 36 / 0 / 6

HEX #C99AEF

RGB 201 154 239

HSL 273.18, 0.73%, 0.77%

LAB 70.71, 33.16, -36.11

 

CMYK 24 / 51 / 0 / 34

HEX #8052A8

RGB 128 82 168

HSL 272.09, 0.34%, 0.49%

LAB 43.43, 36.1, -39.13

 

CMYK 26 / 57 / 0 / 42

HEX #6F4095

RGB 111 64 149

HSL 273.18, 0.4%, 0.42%

LAB 36.4, 37.03, -39.05

 

CMYK 28 / 65 / 0 / 49

HEX #5E2E82

RGB 94 46 130

HSL 274.29, 0.48%, 0.35%

LAB 29.27, 37.89, -38.87

 

CMYK 31 / 75 / 0 / 56

HEX #4D1C6F

RGB 77 28 111

HSL 275.42, 0.6%, 0.27%

LAB 22.15, 38.41, -38.41

 

CMYK 35 / 89 / 0 / 64

HEX #3C0A5C

RGB 60 10 92

HSL 276.59, 0.8%, 0.2%

LAB 15.23, 37.92, -37.28

 

CMYK 23 / 51 / 0 / 35

HEX #8052A7

RGB 128 82 167

HSL 272.47, 0.34%, 0.49%

LAB 43.38, 35.86, -38.62

 

CMYK 10 / 51 / 0 / 35

HEX #9752A7

RGB 151 82 167

HSL 288.71, 0.34%, 0.49%

LAB 46.18, 42.44, -34.01

 

CMYK 0 / 51 / 4 / 35

HEX #A752A1

RGB 167 82 161

HSL 304.24, 0.34%, 0.49%

LAB 48.04, 45.98, -27.41

 

CMYK 0 / 51 / 17 / 35

HEX #A7528A

RGB 167 82 138

HSL 320.47, 0.34%, 0.49%

LAB 47.09, 42.08, -15.17

 

CMYK 0 / 51 / 31 / 35

HEX #A75273

RGB 167 82 115

HSL 336.71, 0.34%, 0.49%

LAB 46.3, 38.7, -2.46

 

CMYK 23 / 51 / 0 / 35

HEX #8052A7

RGB 128 82 167

HSL 272.47, 0.34%, 0.49%

LAB 43.38, 35.86, -38.62

 

CMYK 37 / 51 / 0 / 35

HEX #6952A7

RGB 105 82 167

HSL 256.24, 0.34%, 0.49%

LAB 40.94, 29.59, -42.65

 

CMYK 51 / 51 / 0 / 35

HEX #5252A7

RGB 82 82 167

HSL 240, 0.34%, 0.49%

LAB 38.93, 23.93, -45.98

 

CMYK 23 / 51 / 0 / 35

HEX #8052A7

RGB 128 82 167

HSL 272.47, 0.34%, 0.49%

LAB 43.38, 35.86, -38.62

 

CMYK 31 / 67 / 0 / 26

HEX #813EBC

RGB 129 62 188

HSL 271.9, 0.5%, 0.49%

LAB 40.81, 51.82, -55.11

 

CMYK 37 / 80 / 0 / 18

HEX #832AD0

RGB 131 42 208

HSL 272.17, 0.66%, 0.49%

LAB 39.64, 65.17, -68.64

 

CMYK 42 / 90 / 0 / 11

HEX #8416E4

RGB 132 22 228

HSL 272.04, 0.82%, 0.49%

LAB 39.72, 75.02, -80

 

CMYK 46 / 99 / 0 / 3

HEX #8602F8

RGB 134 2 248

HSL 272.2, 0.98%, 0.49%

LAB 41.04, 82, -89.14

 

CMYK 23 / 51 / 0 / 35

HEX #8052A7

RGB 128 82 167

HSL 272.47, 0.34%, 0.49%

LAB 43.38, 35.86, -38.62

 

CMYK 14 / 30 / 0 / 42

HEX #7F6793

RGB 127 103 147

HSL 272.73, 0.18%, 0.49%

LAB 47.39, 18.45, -20.5

 

CMYK 2 / 3 / 0 / 50

HEX #7D7B7F

RGB 125 123 127

HSL 270, 0.02%, 0.49%

LAB 51.9, 1.56, -1.92

 

CMYK 13 / 0 / 25 / 44

HEX #7C8F6B

RGB 124 143 107

HSL 91.67, 0.14%, 0.49%

LAB 57.07, -13.69, 16.95

 

CMYK 25 / 0 / 47 / 36

HEX #7AA357

RGB 122 163 87

HSL 92.37, 0.3%, 0.49%

LAB 62.52, -27.6, 34.92

 

CMYK 51 / 51 / 0 / 35

HEX #5252A7

RGB 82 82 167

HSL 240, 0.34%, 0.49%

LAB 38.93, 23.93, -45.98

 

CMYK 37 / 51 / 0 / 35

HEX #6952A7

RGB 105 82 167

HSL 256.24, 0.34%, 0.49%

LAB 40.94, 29.59, -42.65

 

CMYK 23 / 51 / 0 / 35

HEX #8052A7

RGB 128 82 167

HSL 272.47, 0.34%, 0.49%

LAB 43.38, 35.86, -38.62

 

CMYK 10 / 51 / 0 / 35

HEX #9652A7

RGB 150 82 167

HSL 288, 0.34%, 0.49%

LAB 46.05, 42.15, -34.22

 

CMYK 0 / 51 / 3 / 35

HEX #A752A2

RGB 167 82 162

HSL 303.53, 0.34%, 0.49%

LAB 48.08, 46.16, -27.93

 

CMYK 23 / 51 / 0 / 56

HEX #563770

RGB 86 55 112

HSL 272.63, 0.34%, 0.33%

LAB 29.11, 25.85, -27.84

 

CMYK 24 / 51 / 0 / 45

HEX #6B458C

RGB 107 69 140

HSL 272.11, 0.34%, 0.41%

LAB 36.51, 30.79, -33.42

 

CMYK 23 / 51 / 0 / 35

HEX #8052A7

RGB 128 82 167

HSL 272.47, 0.34%, 0.49%

LAB 43.38, 35.86, -38.62

 

CMYK 19 / 41 / 0 / 28

HEX #946CB7

RGB 148 108 183

HSL 272, 0.34%, 0.57%

LAB 52.33, 30.55, -33.73

 

CMYK 14 / 31 / 0 / 23

HEX #A888C4

RGB 168 136 196

HSL 272, 0.34%, 0.65%

LAB 61.58, 23.68, -26.63

 

CMYK 24 / 51 / 0 / 34

HEX #8052A8

RGB 128 82 168

HSL 272.09, 0.34%, 0.49%

LAB 43.43, 36.1, -39.13

 

CMYK 0 / 51 / 37 / 35

HEX #A75269

RGB 167 82 105

HSL 343.76, 0.34%, 0.49%

LAB 46, 37.42, 3.2

 

CMYK 51 / 0 / 44 / 35

HEX #52A75E

RGB 82 167 94

HSL 128.47, 0.34%, 0.49%

LAB 61.86, -41.63, 30.02

 

CMYK 24 / 51 / 0 / 34

HEX #8052A8

RGB 128 82 168

HSL 272.09, 0.34%, 0.49%

LAB 43.43, 36.1, -39.13

 

CMYK 0 / 23 / 51 / 35

HEX #A78052

RGB 167 128 82

HSL 32.47, 0.34%, 0.49%

LAB 56.35, 9.27, 30.65

 

CMYK 51 / 0 / 23 / 35

HEX #52A780

RGB 82 167 128

HSL 152.47, 0.34%, 0.49%

LAB 62.5, -35.16, 12.41

 

CMYK 24 / 51 / 0 / 34

HEX #8052A8

RGB 128 82 168

HSL 272.09, 0.34%, 0.49%

LAB 43.43, 36.1, -39.13

 

CMYK 0 / 51 / 37 / 35

HEX #A75269

RGB 167 82 105

HSL 343.76, 0.34%, 0.49%

LAB 46, 37.42, 3.2

 

CMYK 27 / 0 / 51 / 35

HEX #7AA752

RGB 122 167 82

HSL 91.76, 0.34%, 0.49%

LAB 63.66, -30.13, 38.86

 

CMYK 51 / 0 / 13 / 35

HEX #52A791

RGB 82 167 145

HSL 164.47, 0.34%, 0.49%

LAB 62.91, -31.23, 3.52

 

CMYK 24 / 51 / 0 / 34

HEX #8052A8

RGB 128 82 168

HSL 272.09, 0.34%, 0.49%

LAB 43.43, 36.1, -39.13

 

CMYK 0 / 49 / 51 / 35

HEX #A75552

RGB 167 85 82

HSL 2.12, 0.34%, 0.49%

LAB 46.07, 33.31, 17.24

 

CMYK 27 / 0 / 51 / 35

HEX #7AA752

RGB 122 167 82

HSL 91.76, 0.34%, 0.49%

LAB 63.66, -30.13, 38.86

 

CMYK 51 / 1 / 0 / 35

HEX #52A5A7

RGB 82 165 167

HSL 181.41, 0.34%, 0.49%

LAB 62.92, -24.55, -8.79

 

Description

Color code: HEX #8052A8 | qconv.com Color code: HEX #8052A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 82 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 82 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 51 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 51% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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