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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805299 it is the complementary color #7FAD66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805299 shade: #855294, #9664A7, #A776BA, #B888CD and #C99AE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805299 shade: #805299, #6F4086, #5E2E73, #4D1C60 and #3C0A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805299 shade: #805298, #935298, #98528B, #985278 and #985265

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805299 shade: #805298, #6D5298, #5A5298 and #525298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805299 shade matches the following richer shades: #805298, #853FAB, #8B2CBE, #9119D1 and #9606E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805299 shade: #805298, #7A6586, #747873, #6F8B60 and #699E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805299 shade: #595298, #6C5298, #7F5298, #915298 and #98528D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805299 shade: #533563, #69447E, #805298, #9467AD and #A782BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805299 shade: #805299, #98525E and #529863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805299 shade: #805299, #987F52 and #52987F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805299 shade: #805299, #98525E, #6C9852 and #52988D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805299 shade: #805299, #985B52, #6C9852 and #528F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 46 / 0 / 40

HEX #805299

RGB 128 82 153

HSL 278.87, 0.3%, 0.46%

LAB 42.65, 32.57, -31.44

 

Complementary color

CMYK 27 / 0 / 41 / 32

HEX #7FAD66

RGB 127 173 102

HSL 98.87, 0.3%, 0.54%

LAB 66.03, -28.6, 31.62

 

CMYK 10 / 45 / 0 / 42

HEX #855294

RGB 133 82 148

HSL 286.36, 0.29%, 0.45%

LAB 43, 33, -27.84

 

CMYK 10 / 40 / 0 / 35

HEX #9664A7

RGB 150 100 167

HSL 284.78, 0.28%, 0.52%

LAB 49.96, 32.18, -28.11

 

CMYK 10 / 37 / 0 / 27

HEX #A776BA

RGB 167 118 186

HSL 283.24, 0.33%, 0.6%

LAB 56.8, 31.41, -28.35

 

CMYK 10 / 34 / 0 / 20

HEX #B888CD

RGB 184 136 205

HSL 281.74, 0.41%, 0.67%

LAB 63.51, 30.68, -28.58

 

CMYK 10 / 31 / 0 / 12

HEX #C99AE0

RGB 201 154 224

HSL 280.29, 0.53%, 0.74%

LAB 70.11, 30.01, -28.81

 

CMYK 16 / 46 / 0 / 40

HEX #805299

RGB 128 82 153

HSL 278.87, 0.3%, 0.46%

LAB 42.65, 32.57, -31.44

 

CMYK 17 / 52 / 0 / 47

HEX #6F4086

RGB 111 64 134

HSL 280.29, 0.35%, 0.39%

LAB 35.53, 33.44, -31.25

 

CMYK 18 / 60 / 0 / 55

HEX #5E2E73

RGB 94 46 115

HSL 281.74, 0.43%, 0.32%

LAB 28.3, 34.26, -30.96

 

CMYK 20 / 71 / 0 / 62

HEX #4D1C60

RGB 77 28 96

HSL 283.24, 0.55%, 0.24%

LAB 21.03, 34.8, -30.42

 

CMYK 22 / 87 / 0 / 70

HEX #3C0A4D

RGB 60 10 77

HSL 284.78, 0.77%, 0.17%

LAB 13.91, 34.4, -29.23

 

CMYK 16 / 46 / 0 / 40

HEX #805298

RGB 128 82 152

HSL 279.43, 0.3%, 0.46%

LAB 42.6, 32.34, -30.92

 

CMYK 3 / 46 / 0 / 40

HEX #935298

RGB 147 82 152

HSL 295.71, 0.3%, 0.46%

LAB 44.95, 38.2, -27.07

 

CMYK 0 / 46 / 9 / 40

HEX #98528B

RGB 152 82 139

HSL 311.14, 0.3%, 0.46%

LAB 45.05, 37.34, -19.07

 

CMYK 0 / 46 / 21 / 40

HEX #985278

RGB 152 82 120

HSL 327.43, 0.3%, 0.46%

LAB 44.33, 34.14, -8.65

 

CMYK 0 / 46 / 34 / 40

HEX #985265

RGB 152 82 101

HSL 343.71, 0.3%, 0.46%

LAB 43.73, 31.36, 2.08

 

CMYK 16 / 46 / 0 / 40

HEX #805298

RGB 128 82 152

HSL 279.43, 0.3%, 0.46%

LAB 42.6, 32.34, -30.92

 

CMYK 28 / 46 / 0 / 40

HEX #6D5298

RGB 109 82 152

HSL 263.14, 0.3%, 0.46%

LAB 40.5, 26.63, -34.37

 

CMYK 41 / 46 / 0 / 40

HEX #5A5298

RGB 90 82 152

HSL 246.86, 0.3%, 0.46%

LAB 38.68, 21.26, -37.36

 

CMYK 46 / 46 / 0 / 40

HEX #525298

RGB 82 82 152

HSL 240, 0.3%, 0.46%

LAB 38.01, 19.16, -38.46

 

CMYK 16 / 46 / 0 / 40

HEX #805298

RGB 128 82 152

HSL 279.43, 0.3%, 0.46%

LAB 42.6, 32.34, -30.92

 

CMYK 22 / 63 / 0 / 33

HEX #853FAB

RGB 133 63 171

HSL 278.89, 0.46%, 0.46%

LAB 40.38, 48.31, -45.74

 

CMYK 27 / 77 / 0 / 25

HEX #8B2CBE

RGB 139 44 190

HSL 279.04, 0.62%, 0.46%

LAB 39.59, 61.88, -58.18

 

CMYK 31 / 88 / 0 / 18

HEX #9119D1

RGB 145 25 209

HSL 279.13, 0.79%, 0.46%

LAB 40.11, 72.11, -68.37

 

CMYK 34 / 97 / 0 / 11

HEX #9606E4

RGB 150 6 228

HSL 278.92, 0.95%, 0.46%

LAB 41.56, 79.15, -76.88

 

CMYK 16 / 46 / 0 / 40

HEX #805298

RGB 128 82 152

HSL 279.43, 0.3%, 0.46%

LAB 42.6, 32.34, -30.92

 

CMYK 9 / 25 / 0 / 47

HEX #7A6586

RGB 122 101 134

HSL 278.18, 0.14%, 0.46%

LAB 45.86, 14.98, -15.13

 

CMYK 3 / 0 / 4 / 53

HEX #747873

RGB 116 120 115

HSL 108, 0.02%, 0.46%

LAB 49.96, -2.52, 2.21

 

CMYK 20 / 0 / 31 / 45

HEX #6F8B60

RGB 111 139 96

HSL 99.07, 0.18%, 0.46%

LAB 54.75, -18.36, 19.85

 

CMYK 34 / 0 / 51 / 38

HEX #699E4D

RGB 105 158 77

HSL 99.26, 0.34%, 0.46%

LAB 59.88, -32.73, 36.56

 

CMYK 41 / 46 / 0 / 40

HEX #595298

RGB 89 82 152

HSL 246, 0.3%, 0.46%

LAB 38.6, 20.99, -37.5

 

CMYK 29 / 46 / 0 / 40

HEX #6C5298

RGB 108 82 152

HSL 262.29, 0.3%, 0.46%

LAB 40.39, 26.34, -34.54

 

CMYK 16 / 46 / 0 / 40

HEX #7F5298

RGB 127 82 152

HSL 278.57, 0.3%, 0.46%

LAB 42.48, 32.03, -31.11

 

CMYK 5 / 46 / 0 / 40

HEX #915298

RGB 145 82 152

HSL 294, 0.3%, 0.46%

LAB 44.69, 37.58, -27.49

 

CMYK 0 / 46 / 7 / 40

HEX #98528D

RGB 152 82 141

HSL 309.43, 0.3%, 0.46%

LAB 45.13, 37.7, -20.15

 

CMYK 16 / 46 / 0 / 61

HEX #533563

RGB 83 53 99

HSL 279.13, 0.3%, 0.3%

LAB 27.53, 22.85, -22.02

 

CMYK 17 / 46 / 0 / 51

HEX #69447E

RGB 105 68 126

HSL 278.28, 0.3%, 0.38%

LAB 35.29, 27.36, -26.74

 

CMYK 16 / 46 / 0 / 40

HEX #805298

RGB 128 82 152

HSL 279.43, 0.3%, 0.46%

LAB 42.6, 32.34, -30.92

 

CMYK 14 / 40 / 0 / 32

HEX #9467AD

RGB 148 103 173

HSL 278.57, 0.3%, 0.54%

LAB 50.7, 31.15, -30.48

 

CMYK 11 / 30 / 0 / 27

HEX #A782BB

RGB 167 130 187

HSL 278.95, 0.3%, 0.62%

LAB 59.68, 24.82, -24.47

 

CMYK 16 / 46 / 0 / 40

HEX #805299

RGB 128 82 153

HSL 278.87, 0.3%, 0.46%

LAB 42.65, 32.57, -31.44

 

CMYK 0 / 46 / 38 / 40

HEX #98525E

RGB 152 82 94

HSL 349.71, 0.3%, 0.46%

LAB 43.53, 30.45, 6.09

 

CMYK 46 / 0 / 35 / 40

HEX #529863

RGB 82 152 99

HSL 134.57, 0.3%, 0.46%

LAB 57.22, -34.12, 21.22

 

CMYK 16 / 46 / 0 / 40

HEX #805299

RGB 128 82 153

HSL 278.87, 0.3%, 0.46%

LAB 42.65, 32.57, -31.44

 

CMYK 0 / 16 / 46 / 40

HEX #987F52

RGB 152 127 82

HSL 38.57, 0.3%, 0.46%

LAB 54.52, 3.33, 27.99

 

CMYK 46 / 0 / 16 / 40

HEX #52987F

RGB 82 152 127

HSL 158.57, 0.3%, 0.46%

LAB 57.83, -28.27, 6.35

 

CMYK 16 / 46 / 0 / 40

HEX #805299

RGB 128 82 153

HSL 278.87, 0.3%, 0.46%

LAB 42.65, 32.57, -31.44

 

CMYK 0 / 46 / 38 / 40

HEX #98525E

RGB 152 82 94

HSL 349.71, 0.3%, 0.46%

LAB 43.53, 30.45, 6.09

 

CMYK 29 / 0 / 46 / 40

HEX #6C9852

RGB 108 152 82

HSL 97.71, 0.3%, 0.46%

LAB 58.28, -28.14, 32.04

 

CMYK 46 / 0 / 7 / 40

HEX #52988D

RGB 82 152 141

HSL 170.57, 0.3%, 0.46%

LAB 58.2, -24.86, -1.07

 

CMYK 16 / 46 / 0 / 40

HEX #805299

RGB 128 82 153

HSL 278.87, 0.3%, 0.46%

LAB 42.65, 32.57, -31.44

 

CMYK 0 / 40 / 46 / 40

HEX #985B52

RGB 152 91 82

HSL 7.71, 0.3%, 0.46%

LAB 45.31, 23.98, 15.86

 

CMYK 29 / 0 / 46 / 40

HEX #6C9852

RGB 108 152 82

HSL 97.71, 0.3%, 0.46%

LAB 58.28, -28.14, 32.04

 

CMYK 46 / 6 / 0 / 40

HEX #528F98

RGB 82 143 152

HSL 187.71, 0.3%, 0.46%

LAB 55.79, -17.25, -10.94

 

Description

Color code: HEX #805299 | qconv.com Color code: HEX #805299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 82 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 82 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 46 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 46% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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