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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805031 it is the complementary color #7FAFCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805031 shade: #85502C, #96623F, #A77452, #B88665 and #C99878

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805031 shade: #805031, #6F3E1E, #5E2C0B, #4D1A00 and #3C0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805031 shade: #815131, #813B31 and #813131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805031 shade: #815131, #816631, #817C31, #718131 and #5C8131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805031 shade matches the following richer shades: #815131, #904D23, #9E4A14 and #AD4706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805031 shade: #815131, #735440, #65574E, #565A5C and #485D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805031 shade: #81313D, #813A31, #815031, #816531 and #817B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805031 shade: #462B1A, #633E26, #815131, #9F633C and #BB764A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805031 shade: #805031, #538131 and #313281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805031 shade: #805031, #318150 and #503181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805031 shade: #805031, #538131, #316381 and #603181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805031 shade: #805031, #3A8131, #316381 and #783181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 62 / 50

HEX #805031

RGB 128 80 49

HSL 23.54, 0.45%, 0.35%

LAB 38.81, 16.83, 26.43

 

Complementary color

CMYK 38 / 15 / 0 / 19

HEX #7FAFCE

RGB 127 175 206

HSL 203.54, 0.45%, 0.65%

LAB 69.2, -8.12, -20.79

 

CMYK 0 / 40 / 67 / 48

HEX #85502C

RGB 133 80 44

HSL 24.27, 0.5%, 0.35%

LAB 39.42, 18.71, 30.18

 

CMYK 0 / 35 / 58 / 41

HEX #96623F

RGB 150 98 63

HSL 24.14, 0.41%, 0.42%

LAB 46.42, 17.26, 28.38

 

CMYK 0 / 31 / 51 / 35

HEX #A77452

RGB 167 116 82

HSL 24, 0.34%, 0.49%

LAB 53.29, 16.05, 26.75

 

CMYK 0 / 27 / 45 / 28

HEX #B88665

RGB 184 134 101

HSL 23.86, 0.37%, 0.56%

LAB 60.05, 15.03, 25.28

 

CMYK 0 / 24 / 40 / 21

HEX #C99878

RGB 201 152 120

HSL 23.7, 0.43%, 0.63%

LAB 66.7, 14.16, 23.95

 

CMYK 0 / 38 / 62 / 50

HEX #805031

RGB 128 80 49

HSL 23.54, 0.45%, 0.35%

LAB 38.81, 16.83, 26.43

 

CMYK 0 / 44 / 73 / 56

HEX #6F3E1E

RGB 111 62 30

HSL 23.7, 0.57%, 0.28%

LAB 31.62, 18.44, 28.34

 

CMYK 0 / 53 / 88 / 63

HEX #5E2C0B

RGB 94 44 11

HSL 23.86, 0.79%, 0.21%

LAB 24.34, 20.42, 30.03

 

CMYK 0 / 66 / 100 / 70

HEX #4D1A00

RGB 77 26 0

HSL 20.26, 1%, 0.15%

LAB 17.07, 22.7, 25.62

 

CMYK 0 / 87 / 100 / 76

HEX #3C0800

RGB 60 8 0

HSL 8, 1%, 0.12%

LAB 10.06, 24.54, 15.69

 

CMYK 0 / 37 / 62 / 49

HEX #815131

RGB 129 81 49

HSL 24, 0.45%, 0.35%

LAB 39.2, 16.69, 26.93

 

CMYK 0 / 54 / 62 / 49

HEX #813B31

RGB 129 59 49

HSL 7.5, 0.45%, 0.35%

LAB 34.02, 29.33, 20.51

 

CMYK 0 / 62 / 62 / 49

HEX #813131

RGB 129 49 49

HSL 0, 0.45%, 0.35%

LAB 32, 34.57, 17.93

 

CMYK 0 / 37 / 62 / 49

HEX #815131

RGB 129 81 49

HSL 24, 0.45%, 0.35%

LAB 39.2, 16.69, 26.93

 

CMYK 0 / 21 / 62 / 49

HEX #816631

RGB 129 102 49

HSL 39.75, 0.45%, 0.35%

LAB 44.79, 4.27, 33.54

 

CMYK 0 / 4 / 62 / 49

HEX #817C31

RGB 129 124 49

HSL 56.25, 0.45%, 0.35%

LAB 51.04, -8.28, 40.57

 

CMYK 12 / 0 / 62 / 49

HEX #718131

RGB 113 129 49

HSL 72, 0.45%, 0.35%

LAB 51.19, -18.13, 40.36

 

CMYK 29 / 0 / 62 / 49

HEX #5C8131

RGB 92 129 49

HSL 87.75, 0.45%, 0.35%

LAB 49.73, -26.93, 38.33

 

CMYK 0 / 37 / 62 / 49

HEX #815131

RGB 129 81 49

HSL 24, 0.45%, 0.35%

LAB 39.2, 16.69, 26.93

 

CMYK 0 / 47 / 76 / 44

HEX #904D23

RGB 144 77 35

HSL 23.12, 0.61%, 0.35%

LAB 40.18, 24.77, 36.31

 

CMYK 0 / 53 / 87 / 38

HEX #9E4A14

RGB 158 74 20

HSL 23.48, 0.78%, 0.35%

LAB 41.56, 31.81, 45.26

 

CMYK 0 / 59 / 97 / 32

HEX #AD4706

RGB 173 71 6

HSL 23.35, 0.93%, 0.35%

LAB 43.37, 39.11, 52.07

 

CMYK 0 / 37 / 62 / 49

HEX #815131

RGB 129 81 49

HSL 24, 0.45%, 0.35%

LAB 39.2, 16.69, 26.93

 

CMYK 0 / 27 / 44 / 55

HEX #735440

RGB 115 84 64

HSL 23.53, 0.28%, 0.35%

LAB 38.47, 10.08, 16.72

 

CMYK 0 / 14 / 23 / 60

HEX #65574E

RGB 101 87 78

HSL 23.48, 0.13%, 0.35%

LAB 38.08, 4.11, 7.34

 

CMYK 7 / 2 / 0 / 64

HEX #565A5C

RGB 86 90 92

HSL 200, 0.03%, 0.35%

LAB 37.96, -1.13, -1.7

 

CMYK 33 / 13 / 0 / 58

HEX #485D6B

RGB 72 93 107

HSL 204, 0.2%, 0.35%

LAB 38.32, -4.22, -10.56

 

CMYK 0 / 62 / 53 / 49

HEX #81313D

RGB 129 49 61

HSL 351, 0.45%, 0.35%

LAB 32.26, 35.6, 10.53

 

CMYK 0 / 55 / 62 / 49

HEX #813A31

RGB 129 58 49

HSL 6.75, 0.45%, 0.35%

LAB 33.81, 29.87, 20.24

 

CMYK 0 / 38 / 62 / 49

HEX #815031

RGB 129 80 49

HSL 23.25, 0.45%, 0.35%

LAB 38.94, 17.28, 26.63

 

CMYK 0 / 22 / 62 / 49

HEX #816531

RGB 129 101 49

HSL 39, 0.45%, 0.35%

LAB 44.51, 4.86, 33.22

 

CMYK 0 / 5 / 62 / 49

HEX #817B31

RGB 129 123 49

HSL 55.5, 0.45%, 0.35%

LAB 50.75, -7.73, 40.25

 

CMYK 0 / 39 / 63 / 73

HEX #462B1A

RGB 70 43 26

HSL 23.18, 0.46%, 0.19%

LAB 20.46, 10.4, 16.14

 

CMYK 0 / 37 / 62 / 61

HEX #633E26

RGB 99 62 38

HSL 23.61, 0.45%, 0.27%

LAB 30, 13.44, 21.31

 

CMYK 0 / 37 / 62 / 49

HEX #815131

RGB 129 81 49

HSL 24, 0.45%, 0.35%

LAB 39.2, 16.69, 26.93

 

CMYK 0 / 38 / 62 / 38

HEX #9F633C

RGB 159 99 60

HSL 23.64, 0.45%, 0.43%

LAB 47.78, 20.37, 31.99

 

CMYK 0 / 37 / 60 / 27

HEX #BB764A

RGB 187 118 74

HSL 23.36, 0.45%, 0.51%

LAB 56.1, 22.72, 35.22

 

CMYK 0 / 38 / 62 / 50

HEX #805031

RGB 128 80 49

HSL 23.54, 0.45%, 0.35%

LAB 38.81, 16.83, 26.43

 

CMYK 36 / 0 / 62 / 49

HEX #538131

RGB 83 129 49

HSL 94.5, 0.45%, 0.35%

LAB 49.21, -30.42, 37.59

 

CMYK 62 / 61 / 0 / 49

HEX #313281

RGB 49 50 129

HSL 239.25, 0.45%, 0.35%

LAB 25.32, 25, -44.87

 

CMYK 0 / 38 / 62 / 50

HEX #805031

RGB 128 80 49

HSL 23.54, 0.45%, 0.35%

LAB 38.81, 16.83, 26.43

 

CMYK 62 / 0 / 38 / 49

HEX #318150

RGB 49 129 80

HSL 143.25, 0.45%, 0.35%

LAB 48.18, -36.21, 19.52

 

CMYK 38 / 62 / 0 / 49

HEX #503181

RGB 80 49 129

HSL 263.25, 0.45%, 0.35%

LAB 28.08, 32.44, -40.26

 

CMYK 0 / 38 / 62 / 50

HEX #805031

RGB 128 80 49

HSL 23.54, 0.45%, 0.35%

LAB 38.81, 16.83, 26.43

 

CMYK 36 / 0 / 62 / 49

HEX #538131

RGB 83 129 49

HSL 94.5, 0.45%, 0.35%

LAB 49.21, -30.42, 37.59

 

CMYK 62 / 23 / 0 / 49

HEX #316381

RGB 49 99 129

HSL 202.5, 0.45%, 0.35%

LAB 39.85, -7.15, -21.79

 

CMYK 26 / 62 / 0 / 49

HEX #603181

RGB 96 49 129

HSL 275.25, 0.45%, 0.35%

LAB 30.08, 36.51, -36.94

 

CMYK 0 / 38 / 62 / 50

HEX #805031

RGB 128 80 49

HSL 23.54, 0.45%, 0.35%

LAB 38.81, 16.83, 26.43

 

CMYK 55 / 0 / 62 / 49

HEX #3A8131

RGB 58 129 49

HSL 113.25, 0.45%, 0.35%

LAB 48.03, -38.8, 35.95

 

CMYK 62 / 23 / 0 / 49

HEX #316381

RGB 49 99 129

HSL 202.5, 0.45%, 0.35%

LAB 39.85, -7.15, -21.79

 

CMYK 7 / 62 / 0 / 49

HEX #783181

RGB 120 49 129

HSL 293.25, 0.45%, 0.35%

LAB 33.51, 42.93, -31.27

 

Description

Color code: HEX #805031 | qconv.com Color code: HEX #805031 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 80 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 80 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 62 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 62% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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