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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804FD0 it is the complementary color #7FB02F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804FD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804FD0 shade: #854FCB, #9661DE, #A773F1, #B885FF and #C997FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804FD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804FD0 shade: #804FD0, #6F3DBD, #5E2BAA, #4D1997 and #3C0784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804FD0 shade: #7F4ED0, #A24ED0, #C54ED0, #D04EB7 and #D04E94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804FD0 shade: #7F4ED0, #5C4ED0 and #4E4ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804FD0 shade matches the following richer shades: #7F4ED0, #7B3CE2 and #7629F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804FD0 shade: #7F4ED0, #8460BE, #8872AC, #8C8499 and #919687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804FD0 shade: #4E63D0, #5B4ED0, #7D4ED0, #A04ED0 and #C34ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804FD0 shade: #572BA0, #6933C1, #7F4ED0, #976ED9 and #AE8FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804FD0 shade: #804FD0, #D04E86 and #52D04E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804FD0 shade: #804FD0, #D07D4E and #4ED07D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804FD0 shade: #804FD0, #D04E86, #A0D04E and #4ED097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804FD0 shade: #804FD0, #D04E5F, #A0D04E and #4ED0BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 62 / 0 / 18

HEX #804FD0

RGB 128 79 208

HSL 262.79, 0.58%, 0.56%

LAB 45.27, 47.86, -59.51

 

Complementary color

CMYK 28 / 0 / 73 / 31

HEX #7FB02F

RGB 127 176 47

HSL 82.79, 0.58%, 0.44%

LAB 66.34, -35.46, 57.21

 

CMYK 34 / 61 / 0 / 20

HEX #854FCB

RGB 133 79 203

HSL 266.13, 0.54%, 0.55%

LAB 45.48, 47.68, -56.26

 

CMYK 32 / 56 / 0 / 13

HEX #9661DE

RGB 150 97 222

HSL 265.44, 0.65%, 0.63%

LAB 52.18, 46.68, -56.24

 

CMYK 31 / 52 / 0 / 5

HEX #A773F1

RGB 167 115 241

HSL 264.76, 0.82%, 0.7%

LAB 58.81, 45.69, -56.17

 

CMYK 28 / 48 / 0 / 0

HEX #B885FF

RGB 184 133 255

HSL 265.08, 1%, 0.76%

LAB 65.11, 43.54, -53.76

 

CMYK 21 / 41 / 0 / 0

HEX #C997FF

RGB 201 151 255

HSL 268.85, 1%, 0.8%

LAB 70.71, 38.31, -44.81

 

CMYK 38 / 62 / 0 / 18

HEX #804FD0

RGB 128 79 208

HSL 262.79, 0.58%, 0.56%

LAB 45.27, 47.86, -59.51

 

CMYK 41 / 68 / 0 / 26

HEX #6F3DBD

RGB 111 61 189

HSL 263.44, 0.51%, 0.49%

LAB 38.54, 48.89, -59.48

 

CMYK 45 / 75 / 0 / 33

HEX #5E2BAA

RGB 94 43 170

HSL 264.09, 0.6%, 0.42%

LAB 31.83, 49.7, -59.22

 

CMYK 49 / 83 / 0 / 41

HEX #4D1997

RGB 77 25 151

HSL 264.76, 0.72%, 0.35%

LAB 25.28, 49.9, -58.49

 

CMYK 55 / 95 / 0 / 48

HEX #3C0784

RGB 60 7 132

HSL 265.44, 0.9%, 0.27%

LAB 19.13, 48.79, -56.86

 

CMYK 39 / 63 / 0 / 18

HEX #7F4ED0

RGB 127 78 208

HSL 262.62, 0.58%, 0.56%

LAB 44.96, 48.18, -60.01

 

CMYK 22 / 63 / 0 / 18

HEX #A24ED0

RGB 162 78 208

HSL 278.77, 0.58%, 0.56%

LAB 49.11, 55.99, -53.12

 

CMYK 5 / 63 / 0 / 18

HEX #C54ED0

RGB 197 78 208

HSL 294.92, 0.58%, 0.56%

LAB 53.89, 64.27, -45.21

 

CMYK 0 / 63 / 12 / 18

HEX #D04EB7

RGB 208 78 183

HSL 311.54, 0.58%, 0.56%

LAB 54.32, 62.91, -30.05

 

CMYK 0 / 63 / 29 / 18

HEX #D04E94

RGB 208 78 148

HSL 327.69, 0.58%, 0.56%

LAB 52.95, 58.04, -11.66

 

CMYK 39 / 63 / 0 / 18

HEX #7F4ED0

RGB 127 78 208

HSL 262.62, 0.58%, 0.56%

LAB 44.96, 48.18, -60.01

 

CMYK 56 / 63 / 0 / 18

HEX #5C4ED0

RGB 92 78 208

HSL 246.46, 0.58%, 0.56%

LAB 41.65, 41.38, -65.53

 

CMYK 63 / 63 / 0 / 18

HEX #4E4ED0

RGB 78 78 208

HSL 240, 0.58%, 0.56%

LAB 40.61, 39.09, -67.28

 

CMYK 39 / 63 / 0 / 18

HEX #7F4ED0

RGB 127 78 208

HSL 262.62, 0.58%, 0.56%

LAB 44.96, 48.18, -60.01

 

CMYK 46 / 73 / 0 / 11

HEX #7B3CE2

RGB 123 60 226

HSL 262.77, 0.74%, 0.56%

LAB 42.66, 61.01, -74.07

 

CMYK 52 / 83 / 0 / 4

HEX #7629F4

RGB 118 41 244

HSL 262.76, 0.9%, 0.56%

LAB 41.17, 72.2, -86.74

 

CMYK 39 / 63 / 0 / 18

HEX #7F4ED0

RGB 127 78 208

HSL 262.62, 0.58%, 0.56%

LAB 44.96, 48.18, -60.01

 

CMYK 31 / 49 / 0 / 25

HEX #8460BE

RGB 132 96 190

HSL 262.98, 0.42%, 0.56%

LAB 48.25, 34.62, -44.33

 

CMYK 21 / 34 / 0 / 33

HEX #8872AC

RGB 136 114 172

HSL 262.76, 0.26%, 0.56%

LAB 52.12, 20.74, -27.79

 

CMYK 8 / 14 / 0 / 40

HEX #8C8499

RGB 140 132 153

HSL 262.86, 0.09%, 0.56%

LAB 56.46, 7.23, -10.13

 

CMYK 3 / 0 / 10 / 41

HEX #919687

RGB 145 150 135

HSL 80, 0.07%, 0.56%

LAB 61.29, -4.65, 7.28

 

CMYK 63 / 52 / 0 / 18

HEX #4E63D0

RGB 78 99 208

HSL 230.31, 0.58%, 0.56%

LAB 45.77, 26.06, -58.91

 

CMYK 56 / 63 / 0 / 18

HEX #5B4ED0

RGB 91 78 208

HSL 246, 0.58%, 0.56%

LAB 41.57, 41.2, -65.66

 

CMYK 40 / 63 / 0 / 18

HEX #7D4ED0

RGB 125 78 208

HSL 261.69, 0.58%, 0.56%

LAB 44.75, 47.76, -60.37

 

CMYK 23 / 63 / 0 / 18

HEX #A04ED0

RGB 160 78 208

HSL 277.85, 0.58%, 0.56%

LAB 48.85, 55.53, -53.54

 

CMYK 6 / 63 / 0 / 18

HEX #C34ED0

RGB 195 78 208

HSL 294, 0.58%, 0.56%

LAB 53.61, 63.79, -45.69

 

CMYK 46 / 73 / 0 / 37

HEX #572BA0

RGB 87 43 160

HSL 262.56, 0.58%, 0.4%

LAB 30.14, 45.82, -55.99

 

CMYK 46 / 74 / 0 / 24

HEX #6933C1

RGB 105 51 193

HSL 262.82, 0.58%, 0.48%

LAB 36.41, 53.79, -65.33

 

CMYK 39 / 63 / 0 / 18

HEX #7F4ED0

RGB 127 78 208

HSL 262.62, 0.58%, 0.56%

LAB 44.96, 48.18, -60.01

 

CMYK 30 / 49 / 0 / 15

HEX #976ED9

RGB 151 110 217

HSL 262.99, 0.58%, 0.64%

LAB 54.8, 38.47, -49.22

 

CMYK 23 / 36 / 0 / 12

HEX #AE8FE1

RGB 174 143 225

HSL 262.68, 0.58%, 0.72%

LAB 65.03, 28.14, -37.45

 

CMYK 38 / 62 / 0 / 18

HEX #804FD0

RGB 128 79 208

HSL 262.79, 0.58%, 0.56%

LAB 45.27, 47.86, -59.51

 

CMYK 0 / 63 / 36 / 18

HEX #D04E86

RGB 208 78 134

HSL 334.15, 0.58%, 0.56%

LAB 52.49, 56.36, -4.04

 

CMYK 61 / 0 / 63 / 18

HEX #52D04E

RGB 82 208 78

HSL 118.15, 0.58%, 0.56%

LAB 74.48, -59.66, 52.88

 

CMYK 38 / 62 / 0 / 18

HEX #804FD0

RGB 128 79 208

HSL 262.79, 0.58%, 0.56%

LAB 45.27, 47.86, -59.51

 

CMYK 0 / 40 / 63 / 18

HEX #D07D4E

RGB 208 125 78

HSL 21.69, 0.58%, 0.56%

LAB 60.45, 27.9, 38.94

 

CMYK 63 / 0 / 40 / 18

HEX #4ED07D

RGB 78 208 125

HSL 141.69, 0.58%, 0.56%

LAB 74.96, -53.92, 30.93

 

CMYK 38 / 62 / 0 / 18

HEX #804FD0

RGB 128 79 208

HSL 262.79, 0.58%, 0.56%

LAB 45.27, 47.86, -59.51

 

CMYK 0 / 63 / 36 / 18

HEX #D04E86

RGB 208 78 134

HSL 334.15, 0.58%, 0.56%

LAB 52.49, 56.36, -4.04

 

CMYK 23 / 0 / 63 / 18

HEX #A0D04E

RGB 160 208 78

HSL 82.15, 0.58%, 0.56%

LAB 77.95, -35.26, 57.7

 

CMYK 63 / 0 / 27 / 18

HEX #4ED097

RGB 78 208 151

HSL 153.69, 0.58%, 0.56%

LAB 75.43, -48.87, 17.97

 

CMYK 38 / 62 / 0 / 18

HEX #804FD0

RGB 128 79 208

HSL 262.79, 0.58%, 0.56%

LAB 45.27, 47.86, -59.51

 

CMYK 0 / 63 / 54 / 18

HEX #D04E5F

RGB 208 78 95

HSL 352.15, 0.58%, 0.56%

LAB 51.48, 52.58, 17.85

 

CMYK 23 / 0 / 63 / 18

HEX #A0D04E

RGB 160 208 78

HSL 82.15, 0.58%, 0.56%

LAB 77.95, -35.26, 57.7

 

CMYK 63 / 0 / 8 / 18

HEX #4ED0BF

RGB 78 208 191

HSL 172.15, 0.58%, 0.56%

LAB 76.37, -39.42, -2.1

 

Description

Color code: HEX #804FD0 | qconv.com Color code: HEX #804FD0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 79 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 79 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 62 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 62% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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