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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804DBF it is the complementary color #7FB240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804DBF shade: #854DBA, #965FCD, #A771E0, #B883F3 and #C995FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804DBF shade: #804DBF, #6F3BAC, #5E2999, #4D1786 and #3C0573

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804DBF shade: #814FBF, #A04FBF, #BE4FBF, #BF4FA3 and #BF4F84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804DBF shade: #814FBF, #634FBF and #4F4FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804DBF shade matches the following richer shades: #814FBF, #7F3BD3, #7D28E6 and #7B15FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804DBF shade: #814FBF, #8362AC, #857699, #878985 and #899C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804DBF shade: #4F5ABF, #624FBF, #804FBF, #9E4FBF and #BC4FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804DBF shade: #59328A, #6D3DA8, #814FBF, #976DCA and #AD8BD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804DBF shade: #804DBF, #BF4F78 and #4FBF53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804DBF shade: #804DBF, #BF804F and #4FBF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804DBF shade: #804DBF, #BF4F78, #8FBF4F and #4FBF96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804DBF shade: #804DBF, #BF4F56, #8FBF4F and #4FBFB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 60 / 0 / 25

HEX #804DBF

RGB 128 77 191

HSL 266.84, 0.47%, 0.53%

LAB 43.74, 44.58, -52.14

 

Complementary color

CMYK 29 / 0 / 64 / 30

HEX #7FB240

RGB 127 178 64

HSL 86.84, 0.47%, 0.47%

LAB 67.07, -35.16, 51.25

 

CMYK 28 / 59 / 0 / 27

HEX #854DBA

RGB 133 77 186

HSL 270.83, 0.44%, 0.52%

LAB 44, 44.55, -48.77

 

CMYK 27 / 54 / 0 / 20

HEX #965FCD

RGB 150 95 205

HSL 270, 0.52%, 0.59%

LAB 50.78, 43.63, -48.82

 

CMYK 25 / 50 / 0 / 12

HEX #A771E0

RGB 167 113 224

HSL 269.19, 0.64%, 0.66%

LAB 57.47, 42.71, -48.82

 

CMYK 24 / 46 / 0 / 5

HEX #B883F3

RGB 184 131 243

HSL 268.39, 0.82%, 0.73%

LAB 64.07, 41.82, -48.81

 

CMYK 21 / 42 / 0 / 0

HEX #C995FF

RGB 201 149 255

HSL 269.43, 1%, 0.79%

LAB 70.27, 39.4, -45.51

 

CMYK 33 / 60 / 0 / 25

HEX #804DBF

RGB 128 77 191

HSL 266.84, 0.47%, 0.53%

LAB 43.74, 44.58, -52.14

 

CMYK 35 / 66 / 0 / 33

HEX #6F3BAC

RGB 111 59 172

HSL 267.61, 0.49%, 0.45%

LAB 36.9, 45.52, -52.07

 

CMYK 39 / 73 / 0 / 40

HEX #5E2999

RGB 94 41 153

HSL 268.39, 0.58%, 0.38%

LAB 30.07, 46.24, -51.79

 

CMYK 43 / 83 / 0 / 47

HEX #4D1786

RGB 77 23 134

HSL 269.19, 0.71%, 0.31%

LAB 23.38, 46.34, -51.05

 

CMYK 48 / 96 / 0 / 55

HEX #3C0573

RGB 60 5 115

HSL 270, 0.92%, 0.24%

LAB 17.02, 45.16, -49.48

 

CMYK 32 / 59 / 0 / 25

HEX #814FBF

RGB 129 79 191

HSL 266.79, 0.47%, 0.53%

LAB 44.26, 43.73, -51.3

 

CMYK 16 / 59 / 0 / 25

HEX #A04FBF

RGB 160 79 191

HSL 283.39, 0.47%, 0.53%

LAB 48.04, 51.41, -45.04

 

CMYK 1 / 59 / 0 / 25

HEX #BE4FBF

RGB 190 79 191

HSL 299.46, 0.47%, 0.53%

LAB 52.18, 59.1, -38.23

 

CMYK 0 / 59 / 15 / 25

HEX #BF4FA3

RGB 191 79 163

HSL 315, 0.47%, 0.53%

LAB 51.05, 54.76, -23.64

 

CMYK 0 / 59 / 31 / 25

HEX #BF4F84

RGB 191 79 132

HSL 331.61, 0.47%, 0.53%

LAB 49.9, 50.4, -6.97

 

CMYK 32 / 59 / 0 / 25

HEX #814FBF

RGB 129 79 191

HSL 266.79, 0.47%, 0.53%

LAB 44.26, 43.73, -51.3

 

CMYK 48 / 59 / 0 / 25

HEX #634FBF

RGB 99 79 191

HSL 250.71, 0.47%, 0.53%

LAB 41.23, 36.95, -56.34

 

CMYK 59 / 59 / 0 / 25

HEX #4F4FBF

RGB 79 79 191

HSL 240, 0.47%, 0.53%

LAB 39.61, 33.04, -59.04

 

CMYK 32 / 59 / 0 / 25

HEX #814FBF

RGB 129 79 191

HSL 266.79, 0.47%, 0.53%

LAB 44.26, 43.73, -51.3

 

CMYK 40 / 72 / 0 / 17

HEX #7F3BD3

RGB 127 59 211

HSL 266.84, 0.63%, 0.53%

LAB 41.76, 58.39, -66.94

 

CMYK 46 / 83 / 0 / 10

HEX #7D28E6

RGB 125 40 230

HSL 266.84, 0.79%, 0.53%

LAB 40.56, 70.03, -79.79

 

CMYK 51 / 92 / 0 / 2

HEX #7B15FA

RGB 123 21 250

HSL 266.72, 0.96%, 0.53%

LAB 40.65, 79.09, -90.94

 

CMYK 32 / 59 / 0 / 25

HEX #814FBF

RGB 129 79 191

HSL 266.79, 0.47%, 0.53%

LAB 44.26, 43.73, -51.3

 

CMYK 24 / 43 / 0 / 33

HEX #8362AC

RGB 131 98 172

HSL 266.76, 0.31%, 0.53%

LAB 47.67, 28.65, -34.77

 

CMYK 13 / 23 / 0 / 40

HEX #857699

RGB 133 118 153

HSL 265.71, 0.15%, 0.53%

LAB 52.11, 12.95, -16.76

 

CMYK 1 / 0 / 3 / 46

HEX #878985

RGB 135 137 133

HSL 90, 0.02%, 0.53%

LAB 56.82, -1.52, 1.88

 

CMYK 12 / 0 / 27 / 39

HEX #899C72

RGB 137 156 114

HSL 87.14, 0.18%, 0.53%

LAB 61.92, -14.48, 19.83

 

CMYK 59 / 53 / 0 / 25

HEX #4F5ABF

RGB 79 90 191

HSL 234.11, 0.47%, 0.53%

LAB 42.36, 26.14, -54.58

 

CMYK 49 / 59 / 0 / 25

HEX #624FBF

RGB 98 79 191

HSL 250.18, 0.47%, 0.53%

LAB 41.14, 36.74, -56.49

 

CMYK 33 / 59 / 0 / 25

HEX #804FBF

RGB 128 79 191

HSL 266.25, 0.47%, 0.53%

LAB 44.15, 43.49, -51.48

 

CMYK 17 / 59 / 0 / 25

HEX #9E4FBF

RGB 158 79 191

HSL 282.32, 0.47%, 0.53%

LAB 47.78, 50.9, -45.47

 

CMYK 2 / 59 / 0 / 25

HEX #BC4FBF

RGB 188 79 191

HSL 298.39, 0.47%, 0.53%

LAB 51.89, 58.58, -38.7

 

CMYK 36 / 64 / 0 / 46

HEX #59328A

RGB 89 50 138

HSL 266.59, 0.47%, 0.37%

LAB 30.01, 36.52, -42.7

 

CMYK 35 / 64 / 0 / 34

HEX #6D3DA8

RGB 109 61 168

HSL 266.92, 0.47%, 0.45%

LAB 36.77, 42.99, -49.91

 

CMYK 32 / 59 / 0 / 25

HEX #814FBF

RGB 129 79 191

HSL 266.79, 0.47%, 0.53%

LAB 44.26, 43.73, -51.3

 

CMYK 25 / 46 / 0 / 21

HEX #976DCA

RGB 151 109 202

HSL 267.1, 0.47%, 0.61%

LAB 53.79, 35.35, -42.31

 

CMYK 19 / 35 / 0 / 16

HEX #AD8BD5

RGB 173 139 213

HSL 267.57, 0.47%, 0.69%

LAB 63.47, 27.33, -33.2

 

CMYK 33 / 60 / 0 / 25

HEX #804DBF

RGB 128 77 191

HSL 266.84, 0.47%, 0.53%

LAB 43.74, 44.58, -52.14

 

CMYK 0 / 59 / 37 / 25

HEX #BF4F78

RGB 191 79 120

HSL 338.04, 0.47%, 0.53%

LAB 49.53, 48.95, -0.31

 

CMYK 59 / 0 / 57 / 25

HEX #4FBF53

RGB 79 191 83

HSL 122.14, 0.47%, 0.53%

LAB 69.15, -53.56, 44.48

 

CMYK 33 / 60 / 0 / 25

HEX #804DBF

RGB 128 77 191

HSL 266.84, 0.47%, 0.53%

LAB 43.74, 44.58, -52.14

 

CMYK 0 / 33 / 59 / 25

HEX #BF804F

RGB 191 128 79

HSL 26.25, 0.47%, 0.53%

LAB 59.05, 19.27, 36.22

 

CMYK 59 / 0 / 33 / 25

HEX #4FBF80

RGB 79 191 128

HSL 146.25, 0.47%, 0.53%

LAB 69.81, -46.34, 22.49

 

CMYK 33 / 60 / 0 / 25

HEX #804DBF

RGB 128 77 191

HSL 266.84, 0.47%, 0.53%

LAB 43.74, 44.58, -52.14

 

CMYK 0 / 59 / 37 / 25

HEX #BF4F78

RGB 191 79 120

HSL 338.04, 0.47%, 0.53%

LAB 49.53, 48.95, -0.31

 

CMYK 25 / 0 / 59 / 25

HEX #8FBF4F

RGB 143 191 79

HSL 85.71, 0.47%, 0.53%

LAB 72, -33.79, 50.37

 

CMYK 59 / 0 / 21 / 25

HEX #4FBF96

RGB 79 191 150

HSL 158.04, 0.47%, 0.53%

LAB 70.26, -41.69, 11.27

 

CMYK 33 / 60 / 0 / 25

HEX #804DBF

RGB 128 77 191

HSL 266.84, 0.47%, 0.53%

LAB 43.74, 44.58, -52.14

 

CMYK 0 / 59 / 55 / 25

HEX #BF4F56

RGB 191 79 86

HSL 356.25, 0.47%, 0.53%

LAB 48.69, 45.6, 19

 

CMYK 25 / 0 / 59 / 25

HEX #8FBF4F

RGB 143 191 79

HSL 85.71, 0.47%, 0.53%

LAB 72, -33.79, 50.37

 

CMYK 59 / 0 / 4 / 25

HEX #4FBFB8

RGB 79 191 184

HSL 176.25, 0.47%, 0.53%

LAB 71.14, -33.24, -6.02

 

Description

Color code: HEX #804DBF | qconv.com Color code: HEX #804DBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 77 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 77 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 60 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 60% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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