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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804C82 it is the complementary color #7FB37D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804C82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804C82 shade: #854C7D, #965E90, #A770A3, #B882B6 and #C994C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804C82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804C82 shade: #804C82, #6F3A6F, #5E285C, #4D1649 and #3C0436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804C82 shade: #7F4B81, #814B74, #814B66, #814B58 and #814B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804C82 shade: #7F4B81, #704B81, #624B81, #544B81 and #4B4B81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804C82 shade matches the following richer shades: #7F4B81, #8E3B91, #9D2AA2, #AC1AB2 and #BC09C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804C82 shade: #7F4B81, #6F5C70, #606C60, #517D4F and #418D3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804C82 shade: #624B81, #704B81, #7E4B81, #814B75 and #814B67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804C82 shade: #4B2D4D, #653C67, #7F4B81, #985B9B and #AA72AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804C82 shade: #804C82, #81534B and #4B8169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804C82 shade: #804C82, #817E4B and #4B817E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804C82 shade: #804C82, #81534B, #4E814B and #4B7981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804C82 shade: #804C82, #81634B, #4E814B and #4B6981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 42 / 0 / 49

HEX #804C82

RGB 128 76 130

HSL 297.78, 0.26%, 0.4%

LAB 40.2, 31.04, -21.34

 

Complementary color

CMYK 29 / 0 / 30 / 30

HEX #7FB37D

RGB 127 179 125

HSL 117.78, 0.26%, 0.6%

LAB 68.19, -27.94, 22.24

 

CMYK 0 / 43 / 6 / 48

HEX #854C7D

RGB 133 76 125

HSL 308.42, 0.27%, 0.41%

LAB 40.63, 31.74, -17.56

 

CMYK 0 / 37 / 4 / 41

HEX #965E90

RGB 150 94 144

HSL 306.43, 0.23%, 0.48%

LAB 47.63, 30.93, -18.13

 

CMYK 0 / 33 / 2 / 35

HEX #A770A3

RGB 167 112 163

HSL 304.36, 0.24%, 0.55%

LAB 54.5, 30.16, -18.63

 

CMYK 0 / 29 / 1 / 28

HEX #B882B6

RGB 184 130 182

HSL 302.22, 0.28%, 0.62%

LAB 61.25, 29.44, -19.08

 

CMYK 0 / 26 / 0 / 21

HEX #C994C9

RGB 201 148 201

HSL 300, 0.33%, 0.68%

LAB 67.88, 28.76, -19.5

 

CMYK 2 / 42 / 0 / 49

HEX #804C82

RGB 128 76 130

HSL 297.78, 0.26%, 0.4%

LAB 40.2, 31.04, -21.34

 

CMYK 0 / 48 / 0 / 56

HEX #6F3A6F

RGB 111 58 111

HSL 300, 0.31%, 0.33%

LAB 33.03, 31.85, -20.82

 

CMYK 0 / 57 / 2 / 63

HEX #5E285C

RGB 94 40 92

HSL 302.22, 0.4%, 0.26%

LAB 25.77, 32.54, -20.1

 

CMYK 0 / 71 / 5 / 70

HEX #4D1649

RGB 77 22 73

HSL 304.36, 0.56%, 0.19%

LAB 18.51, 32.81, -18.95

 

CMYK 0 / 93 / 10 / 76

HEX #3C0436

RGB 60 4 54

HSL 306.43, 0.88%, 0.13%

LAB 11.37, 32.14, -17.05

 

CMYK 2 / 42 / 0 / 49

HEX #7F4B81

RGB 127 75 129

HSL 297.78, 0.26%, 0.4%

LAB 39.8, 31.08, -21.36

 

CMYK 0 / 42 / 10 / 49

HEX #814B74

RGB 129 75 116

HSL 314.44, 0.26%, 0.4%

LAB 39.51, 29.24, -13.77

 

CMYK 0 / 42 / 21 / 49

HEX #814B66

RGB 129 75 102

HSL 330, 0.26%, 0.4%

LAB 39, 26.79, -5.86

 

CMYK 0 / 42 / 32 / 49

HEX #814B58

RGB 129 75 88

HSL 345.56, 0.26%, 0.4%

LAB 38.56, 24.62, 2.24

 

CMYK 0 / 42 / 42 / 49

HEX #814B4B

RGB 129 75 75

HSL 0, 0.26%, 0.4%

LAB 38.21, 22.88, 9.88

 

CMYK 2 / 42 / 0 / 49

HEX #7F4B81

RGB 127 75 129

HSL 297.78, 0.26%, 0.4%

LAB 39.8, 31.08, -21.36

 

CMYK 13 / 42 / 0 / 49

HEX #704B81

RGB 112 75 129

HSL 281.11, 0.26%, 0.4%

LAB 37.95, 26.11, -24.37

 

CMYK 24 / 42 / 0 / 49

HEX #624B81

RGB 98 75 129

HSL 265.56, 0.26%, 0.4%

LAB 36.39, 21.58, -26.92

 

CMYK 35 / 42 / 0 / 49

HEX #544B81

RGB 84 75 129

HSL 250, 0.26%, 0.4%

LAB 35.01, 17.24, -29.19

 

CMYK 42 / 42 / 0 / 49

HEX #4B4B81

RGB 75 75 129

HSL 240, 0.26%, 0.4%

LAB 34.22, 14.61, -30.49

 

CMYK 2 / 42 / 0 / 49

HEX #7F4B81

RGB 127 75 129

HSL 297.78, 0.26%, 0.4%

LAB 39.8, 31.08, -21.36

 

CMYK 2 / 59 / 0 / 43

HEX #8E3B91

RGB 142 59 145

HSL 297.91, 0.42%, 0.4%

LAB 39.45, 47.21, -31.51

 

CMYK 3 / 74 / 0 / 36

HEX #9D2AA2

RGB 157 42 162

HSL 297.5, 0.59%, 0.4%

LAB 40.3, 60.81, -40.29

 

CMYK 3 / 85 / 0 / 30

HEX #AC1AB2

RGB 172 26 178

HSL 297.63, 0.75%, 0.4%

LAB 42.34, 70.65, -46.41

 

CMYK 4 / 95 / 0 / 24

HEX #BC09C3

RGB 188 9 195

HSL 297.74, 0.91%, 0.4%

LAB 45.4, 78.37, -51.35

 

CMYK 2 / 42 / 0 / 49

HEX #7F4B81

RGB 127 75 129

HSL 297.78, 0.26%, 0.4%

LAB 39.8, 31.08, -21.36

 

CMYK 1 / 18 / 0 / 56

HEX #6F5C70

RGB 111 92 112

HSL 297, 0.1%, 0.4%

LAB 41.54, 11.62, -8.46

 

CMYK 11 / 0 / 11 / 58

HEX #606C60

RGB 96 108 96

HSL 120, 0.06%, 0.4%

LAB 44.31, -7.08, 5.18

 

CMYK 35 / 0 / 37 / 51

HEX #517D4F

RGB 81 125 79

HSL 117.39, 0.23%, 0.4%

LAB 48.24, -25.09, 20.41

 

CMYK 54 / 0 / 55 / 45

HEX #418D3F

RGB 65 141 63

HSL 118.46, 0.38%, 0.4%

LAB 52.43, -40.01, 34.22

 

CMYK 24 / 42 / 0 / 49

HEX #624B81

RGB 98 75 129

HSL 265.56, 0.26%, 0.4%

LAB 36.39, 21.58, -26.92

 

CMYK 13 / 42 / 0 / 49

HEX #704B81

RGB 112 75 129

HSL 281.11, 0.26%, 0.4%

LAB 37.95, 26.11, -24.37

 

CMYK 2 / 42 / 0 / 49

HEX #7E4B81

RGB 126 75 129

HSL 296.67, 0.26%, 0.4%

LAB 39.67, 30.74, -21.57

 

CMYK 0 / 42 / 9 / 49

HEX #814B75

RGB 129 75 117

HSL 313.33, 0.26%, 0.4%

LAB 39.55, 29.42, -14.33

 

CMYK 0 / 42 / 20 / 49

HEX #814B67

RGB 129 75 103

HSL 328.89, 0.26%, 0.4%

LAB 39.03, 26.95, -6.43

 

CMYK 3 / 42 / 0 / 70

HEX #4B2D4D

RGB 75 45 77

HSL 296.25, 0.26%, 0.24%

LAB 23.37, 19.88, -14.12

 

CMYK 2 / 42 / 0 / 60

HEX #653C67

RGB 101 60 103

HSL 297.21, 0.26%, 0.32%

LAB 31.76, 25.63, -17.84

 

CMYK 2 / 42 / 0 / 49

HEX #7F4B81

RGB 127 75 129

HSL 297.78, 0.26%, 0.4%

LAB 39.8, 31.08, -21.36

 

CMYK 2 / 41 / 0 / 39

HEX #985B9B

RGB 152 91 155

HSL 297.19, 0.26%, 0.48%

LAB 47.65, 35.42, -24.6

 

CMYK 1 / 34 / 0 / 33

HEX #AA72AC

RGB 170 114 172

HSL 297.93, 0.26%, 0.56%

LAB 55.64, 31.78, -22.06

 

CMYK 2 / 42 / 0 / 49

HEX #804C82

RGB 128 76 130

HSL 297.78, 0.26%, 0.4%

LAB 40.2, 31.04, -21.34

 

CMYK 0 / 36 / 42 / 49

HEX #81534B

RGB 129 83 75

HSL 8.89, 0.26%, 0.4%

LAB 40.18, 18.17, 12.61

 

CMYK 42 / 0 / 19 / 49

HEX #4B8169

RGB 75 129 105

HSL 153.33, 0.26%, 0.4%

LAB 49.76, -23.84, 7.44

 

CMYK 2 / 42 / 0 / 49

HEX #804C82

RGB 128 76 130

HSL 297.78, 0.26%, 0.4%

LAB 40.2, 31.04, -21.34

 

CMYK 0 / 2 / 42 / 49

HEX #817E4B

RGB 129 126 75

HSL 56.67, 0.26%, 0.4%

LAB 51.95, -6.89, 28.14

 

CMYK 42 / 0 / 2 / 49

HEX #4B817E

RGB 75 129 126

HSL 176.67, 0.26%, 0.4%

LAB 50.34, -18.66, -4.01

 

CMYK 2 / 42 / 0 / 49

HEX #804C82

RGB 128 76 130

HSL 297.78, 0.26%, 0.4%

LAB 40.2, 31.04, -21.34

 

CMYK 0 / 36 / 42 / 49

HEX #81534B

RGB 129 83 75

HSL 8.89, 0.26%, 0.4%

LAB 40.18, 18.17, 12.61

 

CMYK 40 / 0 / 42 / 49

HEX #4E814B

RGB 78 129 75

HSL 116.67, 0.26%, 0.4%

LAB 49.29, -28.76, 24.01

 

CMYK 42 / 6 / 0 / 49

HEX #4B7981

RGB 75 121 129

HSL 188.89, 0.26%, 0.4%

LAB 47.95, -13.48, -9.33

 

CMYK 2 / 42 / 0 / 49

HEX #804C82

RGB 128 76 130

HSL 297.78, 0.26%, 0.4%

LAB 40.2, 31.04, -21.34

 

CMYK 0 / 23 / 42 / 49

HEX #81634B

RGB 129 99 75

HSL 26.67, 0.26%, 0.4%

LAB 44.37, 8.67, 18.29

 

CMYK 40 / 0 / 42 / 49

HEX #4E814B

RGB 78 129 75

HSL 116.67, 0.26%, 0.4%

LAB 49.29, -28.76, 24.01

 

CMYK 42 / 19 / 0 / 49

HEX #4B6981

RGB 75 105 129

HSL 206.67, 0.26%, 0.4%

LAB 43.04, -4.24, -16.77

 

Description

Color code: HEX #804C82 | qconv.com Color code: HEX #804C82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 76 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 76 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 42 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 42% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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