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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804C0ACE it is the complementary color #7FB3F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804C0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804C0ACE shade: #854C05CE, #965E18CE, #A7702BCE, #B8823ECE and #C99451CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804C0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804C0ACE shade: #804C0ACE, #6F3A00CE, #5E2800CE, #4D1600CE and #3C0400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804C0ACE shade: #804C0A, #802C0A, #800C0A and #800A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804C0ACE shade: #804C0A, #806C0A, #74800A, #54800A and #35800A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804C0ACE shade matches the following richer shades: #804C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804C0ACE shade: #804C0A, #754B15, #6A4920, #5F482B and #544736

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804C0ACE shade: #800C0A, #802B0A, #804B0A, #806A0A and #76800A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804C0ACE shade: #331E04, #5A3507, #804C0A, #A6630D and #CD790F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804C0ACE shade: #804C0A, #27800A and #1B0A80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804C0ACE shade: #804C0A, #0A804B and #4B0A80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804C0ACE shade: #804C0A, #27800A, #0A3F80 and #620A80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804C0ACE shade: #804C0A, #0A8010, #0A3F80 and #800A7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 75 / 40

HEX #804C0ACE

RGBA 128 76 10 0.81

HSLA 33.56, 0.86%, 0.27%, 0.81

LABA 37.44, 17.23, 43.5, 0.81

 

Complementary color

CMYK 39 / 22 / 0 / 3

HEX #7FB3F5CE

RGBA 127 179 245 0.81

HSLA 213.56, 0.86%, 0.73%, 0.81

LABA 71.79, 0.48, -38.11, 0.81

 

CMYK 0 / 35 / 78 / 39

HEX #854C05CE

RGBA 133 76 5 0.81

HSLA 33.28, 0.93%, 0.27%, 0.81

LABA 38.14, 19.44, 45.85, 0.81

 

CMYK 0 / 30 / 68 / 33

HEX #965E18CE

RGBA 150 94 24 0.81

HSLA 33.33, 0.72%, 0.34%, 0.81

LABA 45.02, 17.29, 46.24, 0.81

 

CMYK 0 / 27 / 60 / 28

HEX #A7702BCE

RGBA 167 112 43 0.81

HSLA 33.39, 0.59%, 0.41%, 0.81

LABA 51.81, 15.47, 45.43, 0.81

 

CMYK 0 / 24 / 54 / 23

HEX #B8823ECE

RGBA 184 130 62 0.81

HSLA 33.44, 0.5%, 0.48%, 0.81

LABA 58.51, 13.96, 44.13, 0.81

 

CMYK 0 / 21 / 48 / 17

HEX #C99451CE

RGBA 201 148 81 0.81

HSLA 33.5, 0.53%, 0.55%, 0.81

LABA 65.11, 12.68, 42.71, 0.81

 

CMYK 0 / 33 / 75 / 40

HEX #804C0ACE

RGBA 128 76 10 0.81

HSLA 33.56, 0.86%, 0.27%, 0.81

LABA 37.44, 17.23, 43.5, 0.81

 

CMYK 0 / 39 / 81 / 46

HEX #6F3A00CE

RGBA 111 58 0 0.81

HSLA 31.35, 1%, 0.22%, 0.81

LABA 30.41, 19.69, 40.84, 0.81

 

CMYK 0 / 47 / 81 / 51

HEX #5E2800CE

RGBA 94 40 0 0.81

HSLA 25.53, 1%, 0.18%, 0.81

LABA 23.33, 22.4, 33.51, 0.81

 

CMYK 0 / 58 / 81 / 57

HEX #4D1600CE

RGBA 77 22 0 0.81

HSLA 17.14, 1%, 0.15%, 0.81

LABA 16.26, 24.83, 24.62, 0.81

 

CMYK 0 / 76 / 81 / 62

HEX #3C0400CE

RGBA 60 4 0 0.81

HSLA 4, 1%, 0.12%, 0.81

LABA 9.38, 26.46, 14.72, 0.81

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 0 / 66 / 92 / 50

HEX #802C0A

RGB 128 44 10

HSL 17.29, 0.86%, 0.27%

LAB 30.43, 34.79, 38.09

 

CMYK 0 / 91 / 92 / 50

HEX #800C0A

RGB 128 12 10

HSL 1.02, 0.86%, 0.27%

LAB 26.37, 46, 34.76

 

CMYK 0 / 92 / 92 / 50

HEX #800A0A

RGB 128 10 10

HSL 0, 0.86%, 0.27%

LAB 26.24, 46.38, 34.64

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 0 / 16 / 92 / 50

HEX #806C0A

RGB 128 108 10

HSL 49.83, 0.86%, 0.27%

LAB 46.09, -1.58, 50.27

 

CMYK 9 / 0 / 92 / 50

HEX #74800A

RGB 116 128 10

HSL 66.1, 0.86%, 0.27%

LAB 50.89, -18.26, 53.62

 

CMYK 34 / 0 / 92 / 50

HEX #54800A

RGB 84 128 10

HSL 82.37, 0.86%, 0.27%

LAB 48.69, -32.05, 50.91

 

CMYK 59 / 0 / 92 / 50

HEX #35800A

RGB 53 128 10

HSL 98.14, 0.86%, 0.27%

LAB 47.26, -42.74, 49.13

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 0 / 36 / 82 / 54

HEX #754B15

RGB 117 75 21

HSL 33.75, 0.7%, 0.27%

LAB 35.73, 12.97, 37.36

 

CMYK 0 / 31 / 70 / 58

HEX #6A4920

RGB 106 73 32

HSL 33.24, 0.54%, 0.27%

LAB 33.84, 9.51, 29.51

 

CMYK 0 / 24 / 55 / 63

HEX #5F482B

RGB 95 72 43

HSL 33.46, 0.38%, 0.27%

LAB 32.35, 5.79, 21.07

 

CMYK 0 / 15 / 36 / 67

HEX #544736

RGB 84 71 54

HSL 34, 0.22%, 0.27%

LAB 31.01, 2.61, 12.28

 

CMYK 0 / 91 / 92 / 50

HEX #800C0A

RGB 128 12 10

HSL 1.02, 0.86%, 0.27%

LAB 26.37, 46, 34.76

 

CMYK 0 / 66 / 92 / 50

HEX #802B0A

RGB 128 43 10

HSL 16.78, 0.86%, 0.27%

LAB 30.25, 35.26, 37.96

 

CMYK 0 / 41 / 92 / 50

HEX #804B0A

RGB 128 75 10

HSL 33.05, 0.86%, 0.27%

LAB 37.19, 17.82, 43.31

 

CMYK 0 / 17 / 92 / 50

HEX #806A0A

RGB 128 106 10

HSL 48.81, 0.86%, 0.27%

LAB 45.52, -0.43, 49.82

 

CMYK 8 / 0 / 92 / 50

HEX #76800A

RGB 118 128 10

HSL 65.08, 0.86%, 0.27%

LAB 51.05, -17.34, 53.81

 

CMYK 0 / 41 / 92 / 80

HEX #331E04

RGB 51 30 4

HSL 33.19, 0.85%, 0.11%

LAB 13.48, 7.47, 18.46

 

CMYK 0 / 41 / 92 / 65

HEX #5A3507

RGB 90 53 7

HSL 33.25, 0.86%, 0.19%

LAB 25.97, 12.83, 32.99

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 0 / 40 / 92 / 35

HEX #A6630D

RGB 166 99 13

HSL 33.73, 0.85%, 0.35%

LAB 48.34, 21.37, 53.29

 

CMYK 0 / 41 / 93 / 20

HEX #CD790F

RGB 205 121 15

HSL 33.47, 0.86%, 0.43%

LAB 58.68, 26.28, 62.78

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 70 / 0 / 92 / 50

HEX #27800A

RGB 39 128 10

HSL 105.25, 0.86%, 0.27%

LAB 46.83, -46.27, 48.6

 

CMYK 79 / 92 / 0 / 50

HEX #1B0A80

RGB 27 10 128

HSL 248.64, 0.86%, 0.27%

LAB 15.53, 44.39, -60.4

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 92 / 0 / 41 / 50

HEX #0A804B

RGB 10 128 75

HSL 153.05, 0.86%, 0.27%

LAB 46.99, -42.65, 20.63

 

CMYK 41 / 92 / 0 / 50

HEX #4B0A80

RGB 75 10 128

HSL 273.05, 0.86%, 0.27%

LAB 21.1, 48.73, -51.02

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 70 / 0 / 92 / 50

HEX #27800A

RGB 39 128 10

HSL 105.25, 0.86%, 0.27%

LAB 46.83, -46.27, 48.6

 

CMYK 92 / 51 / 0 / 50

HEX #0A3F80

RGB 10 63 128

HSL 213.05, 0.86%, 0.27%

LAB 27.24, 10.47, -41.22

 

CMYK 23 / 92 / 0 / 50

HEX #620A80

RGB 98 10 128

HSL 284.75, 0.86%, 0.27%

LAB 24.87, 52.1, -44.71

 

CMYK 0 / 41 / 92 / 50

HEX #804C0A

RGB 128 76 10

HSL 33.56, 0.86%, 0.27%

LAB 37.44, 17.23, 43.5

 

CMYK 92 / 0 / 88 / 50

HEX #0A8010

RGB 10 128 16

HSL 123.05, 0.86%, 0.27%

LAB 46.37, -50.26, 46.64

 

CMYK 92 / 51 / 0 / 50

HEX #0A3F80

RGB 10 63 128

HSL 213.05, 0.86%, 0.27%

LAB 27.24, 10.47, -41.22

 

CMYK 0 / 92 / 5 / 50

HEX #800A7A

RGB 128 10 122

HSL 303.05, 0.86%, 0.27%

LAB 29.94, 56.41, -32.46

 

Description

Color code: HEX #804C0ACE | qconv.com Color code: HEX #804C0ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 76 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 76 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 75 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 75% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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