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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8045EC it is the complementary color #7FBA13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8045EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8045EC shade: #8545E7, #9657FA, #A769FF, #B87BFF and #C98DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8045EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8045EC shade: #8045EC, #6F33D9, #5E21C6, #4D0FB3 and #3C00A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8045EC shade: #8046EB, #AD46EB, #D946EB, #EB46D0 and #EB46A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8045EC shade: #8046EB, #5446EB and #4646EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8045EC shade matches the following richer shades: #8046EB and #7B35FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8045EC shade: #8046EB, #8556DB, #8A67CA, #8F77BA and #9488A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8045EC shade: #4664EB, #5446EB, #8046EB, #AC46EB and #D846EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8045EC shade: #5515CA, #6721E7, #8046EB, #9A6BEF and #B391F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8045EC shade: #8045EC, #EB4690 and #4EEB46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8045EC shade: #8045EC, #EB8046 and #46EB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8045EC shade: #8045EC, #EB4690, #B1EB46 and #46EBA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8045EC shade: #8045EC, #EB465F, #B1EB46 and #46EBD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 71 / 0 / 7

HEX #8045EC

RGB 128 69 236

HSL 261.2, 0.81%, 0.6%

LAB 45.5, 60.2, -75.08

 

Complementary color

CMYK 32 / 0 / 90 / 27

HEX #7FBA13

RGB 127 186 19

HSL 81.2, 0.81%, 0.4%

LAB 69.24, -41.06, 67.3

 

CMYK 42 / 70 / 0 / 9

HEX #8545E7

RGB 133 69 231

HSL 263.7, 0.77%, 0.59%

LAB 45.65, 59.77, -71.98

 

CMYK 40 / 65 / 0 / 2

HEX #9657FA

RGB 150 87 250

HSL 263.19, 0.94%, 0.66%

LAB 52.07, 58.89, -72.13

 

CMYK 35 / 59 / 0 / 0

HEX #A769FF

RGB 167 105 255

HSL 264.8, 1%, 0.71%

LAB 57.6, 54.44, -65.87

 

CMYK 28 / 52 / 0 / 0

HEX #B87BFF

RGB 184 123 255

HSL 267.73, 1%, 0.74%

LAB 62.99, 48.93, -57.13

 

CMYK 21 / 45 / 0 / 0

HEX #C98DFF

RGB 201 141 255

HSL 271.58, 1%, 0.78%

LAB 68.52, 43.72, -48.25

 

CMYK 46 / 71 / 0 / 7

HEX #8045EC

RGB 128 69 236

HSL 261.2, 0.81%, 0.6%

LAB 45.5, 60.2, -75.08

 

CMYK 49 / 76 / 0 / 15

HEX #6F33D9

RGB 111 51 217

HSL 261.69, 0.69%, 0.53%

LAB 39.17, 60.9, -74.7

 

CMYK 53 / 83 / 0 / 22

HEX #5E21C6

RGB 94 33 198

HSL 262.18, 0.71%, 0.45%

LAB 33.02, 61.03, -73.87

 

CMYK 57 / 92 / 0 / 30

HEX #4D0FB3

RGB 77 15 179

HSL 262.68, 0.85%, 0.38%

LAB 27.23, 60.03, -72.26

 

CMYK 63 / 100 / 0 / 37

HEX #3C00A0

RGB 60 0 160

HSL 262.5, 1%, 0.31%

LAB 21.94, 57.48, -69.61

 

CMYK 46 / 70 / 0 / 8

HEX #8046EB

RGB 128 70 235

HSL 261.09, 0.8%, 0.6%

LAB 45.59, 59.47, -74.36

 

CMYK 26 / 70 / 0 / 8

HEX #AD46EB

RGB 173 70 235

HSL 277.45, 0.8%, 0.6%

LAB 50.99, 67.63, -65.34

 

CMYK 8 / 70 / 0 / 8

HEX #D946EB

RGB 217 70 235

HSL 293.45, 0.8%, 0.6%

LAB 57.2, 76.47, -55.03

 

CMYK 0 / 70 / 11 / 8

HEX #EB46D0

RGB 235 70 208

HSL 309.82, 0.8%, 0.6%

LAB 58.6, 76.17, -37.41

 

CMYK 0 / 70 / 30 / 8

HEX #EB46A4

RGB 235 70 164

HSL 325.82, 0.8%, 0.6%

LAB 56.8, 70.48, -14.82

 

CMYK 46 / 70 / 0 / 8

HEX #8046EB

RGB 128 70 235

HSL 261.09, 0.8%, 0.6%

LAB 45.59, 59.47, -74.36

 

CMYK 64 / 70 / 0 / 8

HEX #5446EB

RGB 84 70 235

HSL 245.09, 0.8%, 0.6%

LAB 41.63, 53.1, -81

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 46 / 70 / 0 / 8

HEX #8046EB

RGB 128 70 235

HSL 261.09, 0.8%, 0.6%

LAB 45.59, 59.47, -74.36

 

CMYK 51 / 79 / 0 / 1

HEX #7B35FC

RGB 123 53 252

HSL 261.11, 0.97%, 0.6%

LAB 43.92, 70.44, -86.67

 

CMYK 46 / 70 / 0 / 8

HEX #8046EB

RGB 128 70 235

HSL 261.09, 0.8%, 0.6%

LAB 45.59, 59.47, -74.36

 

CMYK 39 / 61 / 0 / 14

HEX #8556DB

RGB 133 86 219

HSL 261.2, 0.65%, 0.6%

LAB 47.95, 48.03, -61.44

 

CMYK 32 / 49 / 0 / 21

HEX #8A67CA

RGB 138 103 202

HSL 261.21, 0.48%, 0.6%

LAB 51.12, 35.25, -46.64

 

CMYK 23 / 36 / 0 / 27

HEX #8F77BA

RGB 143 119 186

HSL 261.49, 0.33%, 0.6%

LAB 54.64, 23.36, -31.9

 

CMYK 12 / 20 / 0 / 34

HEX #9488A9

RGB 148 136 169

HSL 261.82, 0.16%, 0.6%

LAB 58.76, 11.16, -15.78

 

CMYK 70 / 57 / 0 / 8

HEX #4664EB

RGB 70 100 235

HSL 229.09, 0.8%, 0.6%

LAB 47.51, 33.59, -71.42

 

CMYK 64 / 70 / 0 / 8

HEX #5446EB

RGB 84 70 235

HSL 245.09, 0.8%, 0.6%

LAB 41.63, 53.1, -81

 

CMYK 46 / 70 / 0 / 8

HEX #8046EB

RGB 128 70 235

HSL 261.09, 0.8%, 0.6%

LAB 45.59, 59.47, -74.36

 

CMYK 27 / 70 / 0 / 8

HEX #AC46EB

RGB 172 70 235

HSL 277.09, 0.8%, 0.6%

LAB 50.86, 67.43, -65.56

 

CMYK 8 / 70 / 0 / 8

HEX #D846EB

RGB 216 70 235

HSL 293.09, 0.8%, 0.6%

LAB 57.05, 76.26, -55.28

 

CMYK 58 / 90 / 0 / 21

HEX #5515CA

RGB 85 21 202

HSL 261.22, 0.81%, 0.44%

LAB 31.19, 64.84, -79.26

 

CMYK 55 / 86 / 0 / 9

HEX #6721E7

RGB 103 33 231

HSL 261.21, 0.8%, 0.52%

LAB 37.37, 70.09, -85.7

 

CMYK 46 / 70 / 0 / 8

HEX #8046EB

RGB 128 70 235

HSL 261.09, 0.8%, 0.6%

LAB 45.59, 59.47, -74.36

 

CMYK 36 / 55 / 0 / 6

HEX #9A6BEF

RGB 154 107 239

HSL 261.36, 0.8%, 0.68%

LAB 55.7, 46.44, -60.11

 

CMYK 26 / 40 / 0 / 5

HEX #B391F3

RGB 179 145 243

HSL 260.82, 0.8%, 0.76%

LAB 66.75, 32.7, -44.63

 

CMYK 46 / 71 / 0 / 7

HEX #8045EC

RGB 128 69 236

HSL 261.2, 0.81%, 0.6%

LAB 45.5, 60.2, -75.08

 

CMYK 0 / 70 / 39 / 8

HEX #EB4690

RGB 235 70 144

HSL 333.09, 0.8%, 0.6%

LAB 56.14, 68.31, -4.06

 

CMYK 67 / 0 / 70 / 8

HEX #4EEB46

RGB 78 235 70

HSL 117.09, 0.8%, 0.6%

LAB 82.64, -70.37, 64.8

 

CMYK 46 / 71 / 0 / 7

HEX #8045EC

RGB 128 69 236

HSL 261.2, 0.81%, 0.6%

LAB 45.5, 60.2, -75.08

 

CMYK 0 / 46 / 70 / 8

HEX #EB8046

RGB 235 128 70

HSL 21.09, 0.8%, 0.6%

LAB 64.6, 36.69, 48.73

 

CMYK 70 / 0 / 46 / 8

HEX #46EB80

RGB 70 235 128

HSL 141.09, 0.8%, 0.6%

LAB 83.06, -64.79, 39.88

 

CMYK 46 / 71 / 0 / 7

HEX #8045EC

RGB 128 69 236

HSL 261.2, 0.81%, 0.6%

LAB 45.5, 60.2, -75.08

 

CMYK 0 / 70 / 39 / 8

HEX #EB4690

RGB 235 70 144

HSL 333.09, 0.8%, 0.6%

LAB 56.14, 68.31, -4.06

 

CMYK 25 / 0 / 70 / 8

HEX #B1EB46

RGB 177 235 70

HSL 81.09, 0.8%, 0.6%

LAB 86.61, -41.5, 70.12

 

CMYK 70 / 0 / 31 / 8

HEX #46EBA1

RGB 70 235 161

HSL 153.09, 0.8%, 0.6%

LAB 83.6, -58.81, 23.97

 

CMYK 46 / 71 / 0 / 7

HEX #8045EC

RGB 128 69 236

HSL 261.2, 0.81%, 0.6%

LAB 45.5, 60.2, -75.08

 

CMYK 0 / 70 / 60 / 8

HEX #EB465F

RGB 235 70 95

HSL 350.91, 0.8%, 0.6%

LAB 54.94, 64.24, 23.29

 

CMYK 25 / 0 / 70 / 8

HEX #B1EB46

RGB 177 235 70

HSL 81.09, 0.8%, 0.6%

LAB 86.61, -41.5, 70.12

 

CMYK 70 / 0 / 11 / 8

HEX #46EBD2

RGB 70 235 210

HSL 170.91, 0.8%, 0.6%

LAB 84.68, -47.54, -0.08

 

Description

Color code: HEX #8045EC | qconv.com Color code: HEX #8045EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 69 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 69 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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