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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804528 it is the complementary color #7FBAD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804528 shade: #854523, #965736, #A76949, #B87B5C and #C98D6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804528 shade: #804528, #6F3315, #5E2102, #4D0F00 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804528 shade: #804528, #802E28 and #802828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804528 shade: #804528, #805D28, #807428, #748028 and #5C8028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804528 shade matches the following richer shades: #804528, #8E411B and #9B3C0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804528 shade: #804528, #724A36, #654F44, #575351 and #49585F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804528 shade: #80283B, #802D28, #804428, #805B28 and #807328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804528 shade: #412315, #61341E, #804528, #9F5632 and #BF673C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804528 shade: #804528, #538028 and #283080

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804528 shade: #804528, #288044 and #442880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804528 shade: #804528, #538028, #286480 and #562880

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804528 shade: #804528, #388028, #286480 and #702880

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

Complementary color

CMYK 41 / 13 / 0 / 16

HEX #7FBAD7

RGB 127 186 215

HSL 199.77, 0.52%, 0.67%

LAB 72.59, -11.64, -20.58

 

CMYK 0 / 48 / 74 / 48

HEX #854523

RGB 133 69 35

HSL 20.82, 0.58%, 0.33%

LAB 36.68, 24.51, 32.07

 

CMYK 0 / 42 / 64 / 41

HEX #965736

RGB 150 87 54

HSL 20.63, 0.47%, 0.4%

LAB 43.61, 22.86, 30.06

 

CMYK 0 / 37 / 56 / 35

HEX #A76949

RGB 167 105 73

HSL 20.43, 0.39%, 0.47%

LAB 50.45, 21.45, 28.22

 

CMYK 0 / 33 / 50 / 28

HEX #B87B5C

RGB 184 123 92

HSL 20.22, 0.39%, 0.54%

LAB 57.2, 20.24, 26.58

 

CMYK 0 / 30 / 45 / 21

HEX #C98D6F

RGB 201 141 111

HSL 20, 0.45%, 0.61%

LAB 63.85, 19.2, 25.11

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 0 / 54 / 81 / 56

HEX #6F3315

RGB 111 51 21

HSL 20, 0.68%, 0.26%

LAB 28.91, 24.41, 30.41

 

CMYK 0 / 65 / 98 / 63

HEX #5E2102

RGB 94 33 2

HSL 20.22, 0.96%, 0.19%

LAB 21.84, 26.35, 31.15

 

CMYK 0 / 81 / 100 / 70

HEX #4D0F00

RGB 77 15 0

HSL 11.69, 1%, 0.15%

LAB 15.06, 28.1, 23.1

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 0 / 64 / 69 / 50

HEX #802E28

RGB 128 46 40

HSL 4.09, 0.52%, 0.33%

LAB 31.11, 35.05, 22.47

 

CMYK 0 / 69 / 69 / 50

HEX #802828

RGB 128 40 40

HSL 0, 0.52%, 0.33%

LAB 30.06, 37.86, 21.19

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 0 / 27 / 69 / 50

HEX #805D28

RGB 128 93 40

HSL 36.14, 0.52%, 0.33%

LAB 42.11, 8.45, 35.19

 

CMYK 0 / 9 / 69 / 50

HEX #807428

RGB 128 116 40

HSL 51.82, 0.52%, 0.33%

LAB 48.55, -4.89, 42.07

 

CMYK 9 / 0 / 69 / 50

HEX #748028

RGB 116 128 40

HSL 68.18, 0.52%, 0.33%

LAB 51.04, -16.95, 44.32

 

CMYK 28 / 0 / 69 / 50

HEX #5C8028

RGB 92 128 40

HSL 84.55, 0.52%, 0.33%

LAB 49.33, -27.24, 42.01

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 0 / 54 / 81 / 44

HEX #8E411B

RGB 142 65 27

HSL 19.83, 0.68%, 0.33%

LAB 37.13, 30.19, 37.19

 

CMYK 0 / 61 / 92 / 39

HEX #9B3C0D

RGB 155 60 13

HSL 19.86, 0.85%, 0.33%

LAB 38.25, 37.59, 45.03

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 0 / 35 / 53 / 55

HEX #724A36

RGB 114 74 54

HSL 20, 0.36%, 0.33%

LAB 35.48, 14.56, 18.87

 

CMYK 0 / 22 / 33 / 60

HEX #654F44

RGB 101 79 68

HSL 20, 0.2%, 0.33%

LAB 35.55, 7.43, 10.01

 

CMYK 0 / 5 / 7 / 66

HEX #575351

RGB 87 83 81

HSL 20, 0.04%, 0.33%

LAB 35.61, 1.22, 1.74

 

CMYK 23 / 7 / 0 / 63

HEX #49585F

RGB 73 88 95

HSL 199.09, 0.13%, 0.33%

LAB 36.41, -4.04, -5.98

 

CMYK 0 / 69 / 54 / 50

HEX #80283B

RGB 128 40 59

HSL 347.05, 0.52%, 0.33%

LAB 30.45, 39.3, 9.31

 

CMYK 0 / 65 / 69 / 50

HEX #802D28

RGB 128 45 40

HSL 3.41, 0.52%, 0.33%

LAB 30.92, 35.53, 22.25

 

CMYK 0 / 47 / 69 / 50

HEX #804428

RGB 128 68 40

HSL 19.09, 0.52%, 0.33%

LAB 35.75, 23.19, 28

 

CMYK 0 / 29 / 69 / 50

HEX #805B28

RGB 128 91 40

HSL 34.77, 0.52%, 0.33%

LAB 41.57, 9.64, 34.59

 

CMYK 0 / 10 / 69 / 50

HEX #807328

RGB 128 115 40

HSL 51.14, 0.52%, 0.33%

LAB 48.26, -4.33, 41.77

 

CMYK 0 / 46 / 68 / 75

HEX #412315

RGB 65 35 21

HSL 19.09, 0.51%, 0.17%

LAB 17.37, 12.71, 15.44

 

CMYK 0 / 46 / 69 / 62

HEX #61341E

RGB 97 52 30

HSL 19.7, 0.53%, 0.25%

LAB 26.99, 18.02, 22.49

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 0 / 46 / 69 / 38

HEX #9F5632

RGB 159 86 50

HSL 19.82, 0.52%, 0.41%

LAB 44.6, 27, 33.78

 

CMYK 0 / 46 / 69 / 25

HEX #BF673C

RGB 191 103 60

HSL 19.69, 0.52%, 0.49%

LAB 53.06, 31.62, 39.27

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 35 / 0 / 69 / 50

HEX #538028

RGB 83 128 40

HSL 90.68, 0.52%, 0.33%

LAB 48.8, -30.79, 41.28

 

CMYK 69 / 63 / 0 / 50

HEX #283080

RGB 40 48 128

HSL 234.55, 0.52%, 0.33%

LAB 24.08, 24.43, -46.29

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 69 / 0 / 47 / 50

HEX #288044

RGB 40 128 68

HSL 139.09, 0.52%, 0.33%

LAB 47.37, -40.01, 25.12

 

CMYK 47 / 69 / 0 / 50

HEX #442880

RGB 68 40 128

HSL 259.09, 0.52%, 0.33%

LAB 24.66, 34.73, -45.24

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 35 / 0 / 69 / 50

HEX #538028

RGB 83 128 40

HSL 90.68, 0.52%, 0.33%

LAB 48.8, -30.79, 41.28

 

CMYK 69 / 22 / 0 / 50

HEX #286480

RGB 40 100 128

HSL 199.09, 0.52%, 0.33%

LAB 39.79, -9.83, -21.31

 

CMYK 33 / 69 / 0 / 50

HEX #562880

RGB 86 40 128

HSL 271.36, 0.52%, 0.33%

LAB 26.89, 38.66, -41.51

 

CMYK 0 / 46 / 69 / 50

HEX #804528

RGB 128 69 40

HSL 19.77, 0.52%, 0.33%

LAB 35.98, 22.62, 28.27

 

CMYK 56 / 0 / 69 / 50

HEX #388028

RGB 56 128 40

HSL 109.09, 0.52%, 0.33%

LAB 47.54, -39.94, 39.56

 

CMYK 69 / 22 / 0 / 50

HEX #286480

RGB 40 100 128

HSL 199.09, 0.52%, 0.33%

LAB 39.79, -9.83, -21.31

 

CMYK 13 / 69 / 0 / 50

HEX #702880

RGB 112 40 128

HSL 289.09, 0.52%, 0.33%

LAB 30.69, 44.88, -35.21

 

Description

Color code: HEX #804528 | qconv.com Color code: HEX #804528 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 69 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 69 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 69 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 69% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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