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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80415E it is the complementary color #7FBEA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80415E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80415E shade: #854159, #96536C, #A7657F, #B87792 and #C989A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80415E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80415E shade: #80415E, #6F2F4B, #5E1D38, #4D0B25 and #3C0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80415E shade: #81415E, #81414D and #814141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80415E shade: #81415E, #814170, #814181, #704181 and #5E4181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80415E shade matches the following richer shades: #81415E, #91315D, #A0225C, #B0125B and #C00259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80415E shade: #81415E, #715160, #626061, #527062 and #428063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80415E shade: #814181, #814170, #81415F, #81414E and #814541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80415E shade: #4A2536, #65334A, #81415E, #9C4F72 and #B16487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80415E shade: #80415E, #817041 and #417881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80415E shade: #80415E, #5F8141 and #415F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80415E shade: #80415E, #817041, #418163 and #415281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80415E shade: #80415E, #7F8141, #418163 and #434181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 50

HEX #80415E

RGB 128 65 94

HSL 332.38, 0.33%, 0.38%

LAB 36.32, 30.84, -4.83

 

Complementary color

CMYK 33 / 0 / 15 / 25

HEX #7FBEA1

RGB 127 190 161

HSL 152.38, 0.33%, 0.62%

LAB 72.17, -26.51, 8.27

 

CMYK 0 / 51 / 33 / 48

HEX #854159

RGB 133 65 89

HSL 338.82, 0.34%, 0.39%

LAB 36.91, 31.96, -0.72

 

CMYK 0 / 45 / 28 / 41

HEX #96536C

RGB 150 83 108

HSL 337.61, 0.29%, 0.46%

LAB 43.88, 31.04, -2.02

 

CMYK 0 / 40 / 24 / 35

HEX #A7657F

RGB 167 101 127

HSL 336.36, 0.27%, 0.53%

LAB 50.75, 30.14, -3.1

 

CMYK 0 / 35 / 21 / 28

HEX #B87792

RGB 184 119 146

HSL 335.08, 0.31%, 0.59%

LAB 57.52, 29.31, -4.02

 

CMYK 0 / 32 / 18 / 21

HEX #C989A5

RGB 201 137 165

HSL 333.75, 0.37%, 0.66%

LAB 64.18, 28.54, -4.84

 

CMYK 0 / 49 / 27 / 50

HEX #80415E

RGB 128 65 94

HSL 332.38, 0.33%, 0.38%

LAB 36.32, 30.84, -4.83

 

CMYK 0 / 58 / 32 / 56

HEX #6F2F4B

RGB 111 47 75

HSL 333.75, 0.41%, 0.31%

LAB 29.21, 31.68, -3.42

 

CMYK 0 / 69 / 40 / 63

HEX #5E1D38

RGB 94 29 56

HSL 335.08, 0.53%, 0.24%

LAB 22.1, 32.27, -1.46

 

CMYK 0 / 86 / 52 / 70

HEX #4D0B25

RGB 77 11 37

HSL 336.36, 0.75%, 0.17%

LAB 15.23, 31.97, 1.59

 

CMYK 0 / 100 / 70 / 76

HEX #3C0012

RGB 60 0 18

HSL 342, 1%, 0.12%

LAB 9.03, 29.53, 6.09

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 50 / 40 / 49

HEX #81414D

RGB 129 65 77

HSL 348.75, 0.33%, 0.38%

LAB 35.95, 28.86, 5.43

 

CMYK 0 / 50 / 50 / 49

HEX #814141

RGB 129 65 65

HSL 0, 0.33%, 0.38%

LAB 35.65, 27.47, 12.62

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 50 / 13 / 49

HEX #814170

RGB 129 65 112

HSL 315.94, 0.33%, 0.38%

LAB 37.15, 34.14, -14.9

 

CMYK 0 / 50 / 0 / 49

HEX #814181

RGB 129 65 129

HSL 300, 0.33%, 0.38%

LAB 37.9, 37.3, -24.28

 

CMYK 13 / 50 / 0 / 49

HEX #704181

RGB 112 65 129

HSL 284.06, 0.33%, 0.38%

LAB 35.62, 32.02, -28.02

 

CMYK 27 / 50 / 0 / 49

HEX #5E4181

RGB 94 65 129

HSL 267.19, 0.33%, 0.38%

LAB 33.45, 26.54, -31.59

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 66 / 36 / 43

HEX #91315D

RGB 145 49 93

HSL 332.5, 0.49%, 0.38%

LAB 36, 44.57, -4.38

 

CMYK 0 / 79 / 43 / 37

HEX #A0225C

RGB 160 34 92

HSL 332.38, 0.65%, 0.38%

LAB 36.73, 54.45, -2.36

 

CMYK 0 / 90 / 48 / 31

HEX #B0125B

RGB 176 18 91

HSL 332.28, 0.81%, 0.38%

LAB 38.58, 62.17, 1.37

 

CMYK 0 / 99 / 54 / 25

HEX #C00259

RGB 192 2 89

HSL 332.53, 0.98%, 0.38%

LAB 41.17, 67.68, 6.8

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 28 / 15 / 56

HEX #715160

RGB 113 81 96

HSL 331.88, 0.16%, 0.38%

LAB 38.27, 15.96, -3.42

 

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

 

CMYK 27 / 0 / 13 / 56

HEX #527062

RGB 82 112 98

HSL 152, 0.15%, 0.38%

LAB 44.61, -14.1, 4.27

 

CMYK 48 / 0 / 23 / 50

HEX #428063

RGB 66 128 99

HSL 151.94, 0.32%, 0.38%

LAB 48.88, -27.32, 9.64

 

CMYK 0 / 50 / 0 / 49

HEX #814181

RGB 129 65 129

HSL 300, 0.33%, 0.38%

LAB 37.9, 37.3, -24.28

 

CMYK 0 / 50 / 13 / 49

HEX #814170

RGB 129 65 112

HSL 315.94, 0.33%, 0.38%

LAB 37.15, 34.14, -14.9

 

CMYK 0 / 50 / 26 / 49

HEX #81415F

RGB 129 65 95

HSL 331.88, 0.33%, 0.38%

LAB 36.51, 31.35, -5.18

 

CMYK 0 / 50 / 40 / 49

HEX #81414E

RGB 129 65 78

HSL 347.81, 0.33%, 0.38%

LAB 35.98, 28.98, 4.84

 

CMYK 0 / 47 / 50 / 49

HEX #814541

RGB 129 69 65

HSL 3.75, 0.33%, 0.38%

LAB 36.57, 25.2, 13.86

 

CMYK 0 / 50 / 27 / 71

HEX #4A2536

RGB 74 37 54

HSL 332.43, 0.33%, 0.22%

LAB 20.22, 19.95, -3.24

 

CMYK 0 / 50 / 27 / 60

HEX #65334A

RGB 101 51 74

HSL 332.4, 0.33%, 0.3%

LAB 28.46, 25.54, -4.06

 

CMYK 0 / 50 / 27 / 49

HEX #81415E

RGB 129 65 94

HSL 332.81, 0.33%, 0.38%

LAB 36.47, 31.2, -4.59

 

CMYK 0 / 49 / 27 / 39

HEX #9C4F72

RGB 156 79 114

HSL 332.73, 0.33%, 0.46%

LAB 44.05, 36.27, -5.34

 

CMYK 0 / 44 / 24 / 31

HEX #B16487

RGB 177 100 135

HSL 332.73, 0.33%, 0.54%

LAB 52.07, 35.51, -5.74

 

CMYK 0 / 49 / 27 / 50

HEX #80415E

RGB 128 65 94

HSL 332.38, 0.33%, 0.38%

LAB 36.32, 30.84, -4.83

 

CMYK 0 / 13 / 50 / 49

HEX #817041

RGB 129 112 65

HSL 44.06, 0.33%, 0.38%

LAB 47.8, -0.07, 28.46

 

CMYK 50 / 7 / 0 / 49

HEX #417881

RGB 65 120 129

HSL 188.44, 0.33%, 0.38%

LAB 47.16, -15.56, -10.57

 

CMYK 0 / 49 / 27 / 50

HEX #80415E

RGB 128 65 94

HSL 332.38, 0.33%, 0.38%

LAB 36.32, 30.84, -4.83

 

CMYK 26 / 0 / 50 / 49

HEX #5F8141

RGB 95 129 65

HSL 91.88, 0.33%, 0.38%

LAB 50.11, -23.95, 30.71

 

CMYK 50 / 26 / 0 / 49

HEX #415F81

RGB 65 95 129

HSL 211.88, 0.33%, 0.38%

LAB 39.4, -0.92, -22.43

 

CMYK 0 / 49 / 27 / 50

HEX #80415E

RGB 128 65 94

HSL 332.38, 0.33%, 0.38%

LAB 36.32, 30.84, -4.83

 

CMYK 0 / 13 / 50 / 49

HEX #817041

RGB 129 112 65

HSL 44.06, 0.33%, 0.38%

LAB 47.8, -0.07, 28.46

 

CMYK 50 / 0 / 23 / 49

HEX #418163

RGB 65 129 99

HSL 151.88, 0.33%, 0.38%

LAB 49.16, -28.08, 10.03

 

CMYK 50 / 36 / 0 / 49

HEX #415281

RGB 65 82 129

HSL 224.06, 0.33%, 0.38%

LAB 35.49, 7.32, -28.54

 

CMYK 0 / 49 / 27 / 50

HEX #80415E

RGB 128 65 94

HSL 332.38, 0.33%, 0.38%

LAB 36.32, 30.84, -4.83

 

CMYK 2 / 0 / 50 / 49

HEX #7F8141

RGB 127 129 65

HSL 61.88, 0.33%, 0.38%

LAB 52.5, -10.51, 34.16

 

CMYK 50 / 0 / 23 / 49

HEX #418163

RGB 65 129 99

HSL 151.88, 0.33%, 0.38%

LAB 49.16, -28.08, 10.03

 

CMYK 48 / 50 / 0 / 49

HEX #434181

RGB 67 65 129

HSL 241.88, 0.33%, 0.38%

LAB 30.78, 19, -36

 

Description

Color code: HEX #80415E | qconv.com Color code: HEX #80415E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 65 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 65 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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