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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804117 it is the complementary color #7FBEE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804117 shade: #854112, #965325, #A76538, #B8774B and #C9895E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804117 shade: #804117, #6F2F04, #5E1D00, #4D0B00 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804117 shade: #824217, #822517 and #821717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804117 shade: #824217, #825F17, #827C17, #6C8217 and #4F8217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804117 shade matches the following richer shades: #824217 and #8E3F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804117 shade: #824217, #764423, #694730, #5D493C and #514C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804117 shade: #821725, #822517, #824217, #825E17 and #827B17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804117 shade: #3C1E0B, #5F3011, #824217, #A5541D and #C86523

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804117 shade: #804117, #428217 and #171782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804117 shade: #804117, #178242 and #421782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804117 shade: #804117, #428217, #175782 and #571782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804117 shade: #804117, #228217, #175782 and #771782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 82 / 50

HEX #804117

RGB 128 65 23

HSL 24, 0.7%, 0.3%

LAB 34.87, 24.02, 36.18

 

Complementary color

CMYK 45 / 18 / 0 / 9

HEX #7FBEE8

RGB 127 190 232

HSL 204, 0.7%, 0.7%

LAB 74.3, -9.18, -27.2

 

CMYK 0 / 51 / 86 / 48

HEX #854112

RGB 133 65 18

HSL 24.52, 0.76%, 0.3%

LAB 35.62, 26.04, 39.43

 

CMYK 0 / 45 / 75 / 41

HEX #965325

RGB 150 83 37

HSL 24.42, 0.6%, 0.37%

LAB 42.47, 24.09, 37.96

 

CMYK 0 / 40 / 66 / 35

HEX #A76538

RGB 167 101 56

HSL 24.32, 0.5%, 0.44%

LAB 49.26, 22.42, 36.18

 

CMYK 0 / 35 / 59 / 28

HEX #B8774B

RGB 184 119 75

HSL 24.22, 0.43%, 0.51%

LAB 55.98, 20.98, 34.44

 

CMYK 0 / 32 / 53 / 21

HEX #C9895E

RGB 201 137 94

HSL 24.11, 0.5%, 0.58%

LAB 62.61, 19.74, 32.82

 

CMYK 0 / 49 / 82 / 50

HEX #804117

RGB 128 65 23

HSL 24, 0.7%, 0.3%

LAB 34.87, 24.02, 36.18

 

CMYK 0 / 58 / 96 / 56

HEX #6F2F04

RGB 111 47 4

HSL 24.11, 0.93%, 0.23%

LAB 27.9, 26.11, 37.22

 

CMYK 0 / 69 / 100 / 63

HEX #5E1D00

RGB 94 29 0

HSL 18.51, 1%, 0.18%

LAB 21.05, 28.34, 31.11

 

CMYK 0 / 86 / 100 / 70

HEX #4D0B00

RGB 77 11 0

HSL 8.57, 1%, 0.15%

LAB 14.5, 29.67, 22.38

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 49 / 82 / 49

HEX #824217

RGB 130 66 23

HSL 24.11, 0.7%, 0.3%

LAB 35.41, 24.33, 36.81

 

CMYK 0 / 72 / 82 / 49

HEX #822517

RGB 130 37 23

HSL 7.85, 0.7%, 0.3%

LAB 29.74, 39.06, 31.29

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 0 / 49 / 82 / 49

HEX #824217

RGB 130 66 23

HSL 24.11, 0.7%, 0.3%

LAB 35.41, 24.33, 36.81

 

CMYK 0 / 27 / 82 / 49

HEX #825F17

RGB 130 95 23

HSL 40.37, 0.7%, 0.3%

LAB 42.75, 7.33, 43.63

 

CMYK 0 / 5 / 82 / 49

HEX #827C17

RGB 130 124 23

HSL 56.64, 0.7%, 0.3%

LAB 50.95, -9.26, 50.95

 

CMYK 17 / 0 / 82 / 49

HEX #6C8217

RGB 108 130 23

HSL 72.34, 0.7%, 0.3%

LAB 50.94, -22.46, 50.25

 

CMYK 39 / 0 / 82 / 49

HEX #4F8217

RGB 79 130 23

HSL 88.6, 0.7%, 0.3%

LAB 49.12, -34.37, 47.92

 

CMYK 0 / 49 / 82 / 49

HEX #824217

RGB 130 66 23

HSL 24.11, 0.7%, 0.3%

LAB 35.41, 24.33, 36.81

 

CMYK 0 / 56 / 92 / 44

HEX #8E3F0B

RGB 142 63 11

HSL 23.82, 0.86%, 0.3%

LAB 36.61, 30.79, 43.49

 

CMYK 0 / 49 / 82 / 49

HEX #824217

RGB 130 66 23

HSL 24.11, 0.7%, 0.3%

LAB 35.41, 24.33, 36.81

 

CMYK 0 / 42 / 70 / 54

HEX #764423

RGB 118 68 35

HSL 23.86, 0.54%, 0.3%

LAB 34.21, 18.39, 28.7

 

CMYK 0 / 32 / 54 / 59

HEX #694730

RGB 105 71 48

HSL 24.21, 0.37%, 0.3%

LAB 33.4, 11.65, 19.62

 

CMYK 0 / 22 / 35 / 64

HEX #5D493C

RGB 93 73 60

HSL 23.64, 0.22%, 0.3%

LAB 32.74, 6.37, 11.01

 

CMYK 0 / 6 / 11 / 68

HEX #514C48

RGB 81 76 72

HSL 26.67, 0.06%, 0.3%

LAB 32.67, 1.26, 3.11

 

CMYK 0 / 82 / 72 / 49

HEX #821725

RGB 130 23 37

HSL 352.15, 0.7%, 0.3%

LAB 28.09, 44.77, 20.81

 

CMYK 0 / 72 / 82 / 49

HEX #822517

RGB 130 37 23

HSL 7.85, 0.7%, 0.3%

LAB 29.74, 39.06, 31.29

 

CMYK 0 / 49 / 82 / 49

HEX #824217

RGB 130 66 23

HSL 24.11, 0.7%, 0.3%

LAB 35.41, 24.33, 36.81

 

CMYK 0 / 28 / 82 / 49

HEX #825E17

RGB 130 94 23

HSL 39.81, 0.7%, 0.3%

LAB 42.48, 7.92, 43.39

 

CMYK 0 / 5 / 82 / 49

HEX #827B17

RGB 130 123 23

HSL 56.07, 0.7%, 0.3%

LAB 50.66, -8.71, 50.7

 

CMYK 0 / 50 / 82 / 76

HEX #3C1E0B

RGB 60 30 11

HSL 23.27, 0.69%, 0.14%

LAB 15.03, 12.71, 17.9

 

CMYK 0 / 49 / 82 / 63

HEX #5F3011

RGB 95 48 17

HSL 23.85, 0.7%, 0.22%

LAB 25.52, 18.73, 28.28

 

CMYK 0 / 49 / 82 / 49

HEX #824217

RGB 130 66 23

HSL 24.11, 0.7%, 0.3%

LAB 35.41, 24.33, 36.81

 

CMYK 0 / 49 / 82 / 35

HEX #A5541D

RGB 165 84 29

HSL 24.26, 0.7%, 0.38%

LAB 44.84, 29.64, 44.82

 

CMYK 0 / 50 / 83 / 22

HEX #C86523

RGB 200 101 35

HSL 24, 0.7%, 0.46%

LAB 53.72, 35.24, 52.28

 

CMYK 0 / 49 / 82 / 50

HEX #804117

RGB 128 65 23

HSL 24, 0.7%, 0.3%

LAB 34.87, 24.02, 36.18

 

CMYK 49 / 0 / 82 / 49

HEX #428217

RGB 66 130 23

HSL 95.89, 0.7%, 0.3%

LAB 48.49, -38.96, 47.12

 

CMYK 82 / 82 / 0 / 49

HEX #171782

RGB 23 23 130

HSL 240, 0.7%, 0.3%

LAB 17.49, 39.02, -58.42

 

CMYK 0 / 49 / 82 / 50

HEX #804117

RGB 128 65 23

HSL 24, 0.7%, 0.3%

LAB 34.87, 24.02, 36.18

 

CMYK 82 / 0 / 49 / 49

HEX #178242

RGB 23 130 66

HSL 144.11, 0.7%, 0.3%

LAB 47.68, -43.91, 26.53

 

CMYK 49 / 82 / 0 / 49

HEX #421782

RGB 66 23 130

HSL 264.11, 0.7%, 0.3%

LAB 21.52, 43.62, -51.65

 

CMYK 0 / 49 / 82 / 50

HEX #804117

RGB 128 65 23

HSL 24, 0.7%, 0.3%

LAB 34.87, 24.02, 36.18

 

CMYK 49 / 0 / 82 / 49

HEX #428217

RGB 66 130 23

HSL 95.89, 0.7%, 0.3%

LAB 48.49, -38.96, 47.12

 

CMYK 82 / 33 / 0 / 49

HEX #175782

RGB 23 87 130

HSL 204.11, 0.7%, 0.3%

LAB 35.22, -3.59, -29.7

 

CMYK 33 / 82 / 0 / 49

HEX #571782

RGB 87 23 130

HSL 275.89, 0.7%, 0.3%

LAB 24.48, 47.03, -46.67

 

CMYK 0 / 49 / 82 / 50

HEX #804117

RGB 128 65 23

HSL 24, 0.7%, 0.3%

LAB 34.87, 24.02, 36.18

 

CMYK 74 / 0 / 82 / 49

HEX #228217

RGB 34 130 23

HSL 113.83, 0.7%, 0.3%

LAB 47.45, -47.33, 45.77

 

CMYK 82 / 33 / 0 / 49

HEX #175782

RGB 23 87 130

HSL 204.11, 0.7%, 0.3%

LAB 35.22, -3.59, -29.7

 

CMYK 8 / 82 / 0 / 49

HEX #771782

RGB 119 23 130

HSL 293.83, 0.7%, 0.3%

LAB 29.78, 53.11, -37.85

 

Description

Color code: HEX #804117 | qconv.com Color code: HEX #804117 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 65 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 65 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 82 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 82% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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