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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803DF8 it is the complementary color #7FC207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803DF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #803DF8 shade: #853DF3, #964FFF, #A761FF, #B873FF and #C985FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803DF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #803DF8 shade: #803DF8, #6F2BE5, #5E19D2, #4D07BF and #3C00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #803DF8 shade: #813FF8, #B33FF8, #E53FF8, #F83FD9 and #F83FA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #803DF8 shade: #813FF8, #4F3FF8 and #3F3FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #803DF8 shade matches the following richer shades: #813FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #803DF8 shade: #813FF8, #864FE8, #8A5FD8, #8F6FC8 and #947FB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #803DF8 shade: #3F61F8, #4E3FF8, #803FF8, #B13FF8 and #E23FF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #803DF8 shade: #5408DD, #6717F7, #813FF8, #9B67F9 and #B58FFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #803DF8 shade: #803DF8, #F83F92 and #48F83F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #803DF8 shade: #803DF8, #F8803F and #3FF880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #803DF8 shade: #803DF8, #F83F92, #B7F83F and #3FF8A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #803DF8 shade: #803DF8, #F83F5B, #B7F83F and #3FF8DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 75 / 0 / 3

HEX #803DF8

RGB 128 61 248

HSL 261.5, 0.93%, 0.61%

LAB 45.23, 66.85, -82.27

 

Complementary color

CMYK 35 / 0 / 96 / 24

HEX #7FC207

RGB 127 194 7

HSL 81.5, 0.93%, 0.39%

LAB 71.63, -44.7, 70.81

 

CMYK 45 / 75 / 0 / 5

HEX #853DF3

RGB 133 61 243

HSL 263.74, 0.88%, 0.6%

LAB 45.35, 66.33, -79.24

 

CMYK 41 / 69 / 0 / 0

HEX #964FFF

RGB 150 79 255

HSL 264.2, 1%, 0.65%

LAB 51.03, 63.99, -76.59

 

CMYK 35 / 62 / 0 / 0

HEX #A761FF

RGB 167 97 255

HSL 266.58, 1%, 0.69%

LAB 56.07, 58.53, -68.32

 

CMYK 28 / 55 / 0 / 0

HEX #B873FF

RGB 184 115 255

HSL 269.57, 1%, 0.73%

LAB 61.37, 53.15, -59.72

 

CMYK 21 / 48 / 0 / 0

HEX #C985FF

RGB 201 133 255

HSL 273.44, 1%, 0.76%

LAB 66.83, 47.99, -50.92

 

CMYK 48 / 75 / 0 / 3

HEX #803DF8

RGB 128 61 248

HSL 261.5, 0.93%, 0.61%

LAB 45.23, 66.85, -82.27

 

CMYK 52 / 81 / 0 / 10

HEX #6F2BE5

RGB 111 43 229

HSL 261.94, 0.78%, 0.53%

LAB 39.18, 67.1, -81.55

 

CMYK 55 / 88 / 0 / 18

HEX #5E19D2

RGB 94 25 210

HSL 262.38, 0.79%, 0.46%

LAB 33.41, 66.49, -80.21

 

CMYK 60 / 96 / 0 / 25

HEX #4D07BF

RGB 77 7 191

HSL 262.83, 0.93%, 0.39%

LAB 28.09, 64.5, -77.96

 

CMYK 65 / 100 / 0 / 33

HEX #3C00AC

RGB 60 0 172

HSL 260.93, 1%, 0.34%

LAB 23.47, 60.36, -74.35

 

CMYK 48 / 75 / 0 / 3

HEX #813FF8

RGB 129 63 248

HSL 261.41, 0.93%, 0.61%

LAB 45.63, 66.13, -81.6

 

CMYK 28 / 75 / 0 / 3

HEX #B33FF8

RGB 179 63 248

HSL 277.62, 0.93%, 0.61%

LAB 51.74, 74.11, -71.37

 

CMYK 8 / 75 / 0 / 3

HEX #E53FF8

RGB 229 63 248

HSL 293.84, 0.93%, 0.61%

LAB 58.97, 83.26, -59.36

 

CMYK 0 / 75 / 13 / 3

HEX #F83FD9

RGB 248 63 217

HSL 310.05, 0.93%, 0.61%

LAB 60.36, 82.45, -39.6

 

CMYK 0 / 75 / 33 / 3

HEX #F83FA7

RGB 248 63 167

HSL 326.27, 0.93%, 0.61%

LAB 58.32, 76.33, -14.06

 

CMYK 48 / 75 / 0 / 3

HEX #813FF8

RGB 129 63 248

HSL 261.41, 0.93%, 0.61%

LAB 45.63, 66.13, -81.6

 

CMYK 68 / 75 / 0 / 3

HEX #4F3FF8

RGB 79 63 248

HSL 245.19, 0.93%, 0.61%

LAB 41.21, 60.16, -89.04

 

CMYK 75 / 75 / 0 / 3

HEX #3F3FF8

RGB 63 63 248

HSL 240, 0.93%, 0.61%

LAB 40.23, 58.8, -90.69

 

CMYK 48 / 75 / 0 / 3

HEX #813FF8

RGB 129 63 248

HSL 261.41, 0.93%, 0.61%

LAB 45.63, 66.13, -81.6

 

CMYK 48 / 75 / 0 / 3

HEX #813FF8

RGB 129 63 248

HSL 261.41, 0.93%, 0.61%

LAB 45.63, 66.13, -81.6

 

CMYK 42 / 66 / 0 / 9

HEX #864FE8

RGB 134 79 232

HSL 261.57, 0.77%, 0.61%

LAB 47.61, 55.3, -69.36

 

CMYK 36 / 56 / 0 / 15

HEX #8A5FD8

RGB 138 95 216

HSL 261.32, 0.61%, 0.61%

LAB 50.15, 43.42, -56.16

 

CMYK 29 / 45 / 0 / 22

HEX #8F6FC8

RGB 143 111 200

HSL 261.57, 0.45%, 0.61%

LAB 53.36, 31.48, -41.9

 

CMYK 20 / 31 / 0 / 28

HEX #947FB8

RGB 148 127 184

HSL 262.11, 0.29%, 0.61%

LAB 57.01, 19.77, -27.03

 

CMYK 75 / 61 / 0 / 3

HEX #3F61F8

RGB 63 97 248

HSL 228.97, 0.93%, 0.61%

LAB 47.47, 39.19, -78.77

 

CMYK 69 / 75 / 0 / 3

HEX #4E3FF8

RGB 78 63 248

HSL 244.86, 0.93%, 0.61%

LAB 41.14, 60.06, -89.15

 

CMYK 48 / 75 / 0 / 3

HEX #803FF8

RGB 128 63 248

HSL 261.08, 0.93%, 0.61%

LAB 45.53, 65.99, -81.78

 

CMYK 29 / 75 / 0 / 3

HEX #B13FF8

RGB 177 63 248

HSL 276.97, 0.93%, 0.61%

LAB 51.47, 73.76, -71.82

 

CMYK 9 / 75 / 0 / 3

HEX #E23FF8

RGB 226 63 248

HSL 292.86, 0.93%, 0.61%

LAB 58.51, 82.69, -60.12

 

CMYK 62 / 96 / 0 / 13

HEX #5408DD

RGB 84 8 221

HSL 261.41, 0.93%, 0.45%

LAB 32.43, 71.81, -88.22

 

CMYK 58 / 91 / 0 / 3

HEX #6717F7

RGB 103 23 247

HSL 261.43, 0.93%, 0.53%

LAB 38.22, 76.46, -93.36

 

CMYK 48 / 75 / 0 / 3

HEX #813FF8

RGB 129 63 248

HSL 261.41, 0.93%, 0.61%

LAB 45.63, 66.13, -81.6

 

CMYK 38 / 59 / 0 / 2

HEX #9B67F9

RGB 155 103 249

HSL 261.37, 0.92%, 0.69%

LAB 55.59, 51.38, -65.84

 

CMYK 28 / 43 / 0 / 2

HEX #B58FFB

RGB 181 143 251

HSL 261.11, 0.93%, 0.77%

LAB 66.85, 36.28, -48.84

 

CMYK 48 / 75 / 0 / 3

HEX #803DF8

RGB 128 61 248

HSL 261.5, 0.93%, 0.61%

LAB 45.23, 66.85, -82.27

 

CMYK 0 / 75 / 41 / 3

HEX #F83F92

RGB 248 63 146

HSL 333.08, 0.93%, 0.61%

LAB 57.64, 74.22, -2.77

 

CMYK 71 / 0 / 75 / 3

HEX #48F83F

RGB 72 248 63

HSL 117.08, 0.93%, 0.61%

LAB 86.44, -76.02, 71

 

CMYK 48 / 75 / 0 / 3

HEX #803DF8

RGB 128 61 248

HSL 261.5, 0.93%, 0.61%

LAB 45.23, 66.85, -82.27

 

CMYK 0 / 48 / 75 / 3

HEX #F8803F

RGB 248 128 63

HSL 21.08, 0.93%, 0.61%

LAB 66.33, 41.43, 54.48

 

CMYK 75 / 0 / 48 / 3

HEX #3FF880

RGB 63 248 128

HSL 141.08, 0.93%, 0.61%

LAB 86.87, -70.25, 44.67

 

CMYK 48 / 75 / 0 / 3

HEX #803DF8

RGB 128 61 248

HSL 261.5, 0.93%, 0.61%

LAB 45.23, 66.85, -82.27

 

CMYK 0 / 75 / 41 / 3

HEX #F83F92

RGB 248 63 146

HSL 333.08, 0.93%, 0.61%

LAB 57.64, 74.22, -2.77

 

CMYK 26 / 0 / 75 / 3

HEX #B7F83F

RGB 183 248 63

HSL 81.08, 0.93%, 0.61%

LAB 90.58, -45.3, 76.43

 

CMYK 75 / 0 / 33 / 3

HEX #3FF8A5

RGB 63 248 165

HSL 153.08, 0.93%, 0.61%

LAB 87.44, -63.79, 27.14

 

CMYK 48 / 75 / 0 / 3

HEX #803DF8

RGB 128 61 248

HSL 261.5, 0.93%, 0.61%

LAB 45.23, 66.85, -82.27

 

CMYK 0 / 75 / 63 / 3

HEX #F83F5B

RGB 248 63 91

HSL 350.92, 0.93%, 0.61%

LAB 56.35, 70.1, 27.94

 

CMYK 26 / 0 / 75 / 3

HEX #B7F83F

RGB 183 248 63

HSL 81.08, 0.93%, 0.61%

LAB 90.58, -45.3, 76.43

 

CMYK 75 / 0 / 11 / 3

HEX #3FF8DC

RGB 63 248 220

HSL 170.92, 0.93%, 0.61%

LAB 88.62, -51.29, 0.43

 

Description

Color code: HEX #803DF8 | qconv.com Color code: HEX #803DF8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 61 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 61 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 75 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 75% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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