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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803B5F it is the complementary color #7FC4A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803B5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #803B5F shade: #853B5A, #964D6D, #A75F80, #B87193 and #C983A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803B5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #803B5F shade: #803B5F, #6F294C, #5E1739, #4D0526 and #3C0013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #803B5F shade: #813B60, #813B4D and #813B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #803B5F shade: #813B60, #813B73, #7D3B81, #6A3B81 and #573B81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #803B5F shade matches the following richer shades: #813B60, #912C61, #A01D61 and #AF0E62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #803B5F shade: #813B60, #724B5F, #635A5F, #53695E and #44795D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #803B5F shade: #7D3B81, #813B73, #813B61, #813B4E and #813B3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #803B5F shade: #492136, #652E4B, #813B60, #9E4875 and #B45B8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #803B5F shade: #803B5F, #816A3B and #3B7D81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #803B5F shade: #803B5F, #61813B and #3B6181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #803B5F shade: #803B5F, #816A3B, #3B815C and #3B5381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #803B5F shade: #803B5F, #817F3B, #3B815C and #3B3E81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 26 / 50

HEX #803B5F

RGB 128 59 95

HSL 328.7, 0.37%, 0.37%

LAB 35.09, 34.27, -7.31

 

Complementary color

CMYK 35 / 0 / 18 / 23

HEX #7FC4A0

RGB 127 196 160

HSL 148.7, 0.37%, 0.63%

LAB 73.89, -29.62, 11.26

 

CMYK 0 / 56 / 32 / 48

HEX #853B5A

RGB 133 59 90

HSL 334.86, 0.39%, 0.38%

LAB 35.7, 35.32, -3.13

 

CMYK 0 / 49 / 27 / 41

HEX #964D6D

RGB 150 77 109

HSL 333.7, 0.32%, 0.45%

LAB 42.61, 34.48, -4.51

 

CMYK 0 / 43 / 23 / 35

HEX #A75F80

RGB 167 95 128

HSL 332.5, 0.29%, 0.51%

LAB 49.45, 33.61, -5.63

 

CMYK 0 / 39 / 20 / 28

HEX #B87193

RGB 184 113 147

HSL 331.27, 0.33%, 0.58%

LAB 56.19, 32.76, -6.57

 

CMYK 0 / 35 / 17 / 21

HEX #C983A6

RGB 201 131 166

HSL 330, 0.39%, 0.65%

LAB 62.85, 31.96, -7.39

 

CMYK 0 / 54 / 26 / 50

HEX #803B5F

RGB 128 59 95

HSL 328.7, 0.37%, 0.37%

LAB 35.09, 34.27, -7.31

 

CMYK 0 / 63 / 32 / 56

HEX #6F294C

RGB 111 41 76

HSL 330, 0.46%, 0.3%

LAB 28.08, 34.93, -5.77

 

CMYK 0 / 76 / 39 / 63

HEX #5E1739

RGB 94 23 57

HSL 331.27, 0.61%, 0.23%

LAB 21.16, 35.08, -3.54

 

CMYK 0 / 94 / 51 / 70

HEX #4D0526

RGB 77 5 38

HSL 332.5, 0.88%, 0.16%

LAB 14.55, 34.11, -0.13

 

CMYK 0 / 100 / 68 / 76

HEX #3C0013

RGB 60 0 19

HSL 341, 1%, 0.12%

LAB 9.06, 29.6, 5.51

 

CMYK 0 / 54 / 26 / 49

HEX #813B60

RGB 129 59 96

HSL 328.29, 0.37%, 0.37%

LAB 35.28, 34.77, -7.64

 

CMYK 0 / 54 / 40 / 49

HEX #813B4D

RGB 129 59 77

HSL 344.57, 0.37%, 0.37%

LAB 34.66, 32.16, 3.59

 

CMYK 0 / 54 / 54 / 49

HEX #813B3B

RGB 129 59 59

HSL 0, 0.37%, 0.37%

LAB 34.21, 30.19, 14.47

 

CMYK 0 / 54 / 26 / 49

HEX #813B60

RGB 129 59 96

HSL 328.29, 0.37%, 0.37%

LAB 35.28, 34.77, -7.64

 

CMYK 0 / 54 / 11 / 49

HEX #813B73

RGB 129 59 115

HSL 312, 0.37%, 0.37%

LAB 36.05, 37.89, -18.46

 

CMYK 3 / 54 / 0 / 49

HEX #7D3B81

RGB 125 59 129

HSL 296.57, 0.37%, 0.37%

LAB 36.12, 39.28, -27.1

 

CMYK 18 / 54 / 0 / 49

HEX #6A3B81

RGB 106 59 129

HSL 280.29, 0.37%, 0.37%

LAB 33.51, 33.66, -31.39

 

CMYK 33 / 54 / 0 / 49

HEX #573B81

RGB 87 59 129

HSL 264, 0.37%, 0.37%

LAB 31.21, 28.22, -35.2

 

CMYK 0 / 54 / 26 / 49

HEX #813B60

RGB 129 59 96

HSL 328.29, 0.37%, 0.37%

LAB 35.28, 34.77, -7.64

 

CMYK 0 / 70 / 33 / 43

HEX #912C61

RGB 145 44 97

HSL 328.51, 0.53%, 0.37%

LAB 35.37, 47.19, -7.88

 

CMYK 0 / 82 / 39 / 37

HEX #A01D61

RGB 160 29 97

HSL 328.85, 0.69%, 0.37%

LAB 36.4, 56.39, -6.05

 

CMYK 0 / 92 / 44 / 31

HEX #AF0E62

RGB 175 14 98

HSL 328.7, 0.85%, 0.37%

LAB 38.39, 63.15, -3.39

 

CMYK 0 / 54 / 26 / 49

HEX #813B60

RGB 129 59 96

HSL 328.29, 0.37%, 0.37%

LAB 35.28, 34.77, -7.64

 

CMYK 0 / 34 / 17 / 55

HEX #724B5F

RGB 114 75 95

HSL 329.23, 0.21%, 0.37%

LAB 36.81, 19.82, -4.95

 

CMYK 0 / 9 / 4 / 61

HEX #635A5F

RGB 99 90 95

HSL 326.67, 0.05%, 0.37%

LAB 39.23, 4.63, -1.56

 

CMYK 21 / 0 / 10 / 59

HEX #53695E

RGB 83 105 94

HSL 150, 0.12%, 0.37%

LAB 42.38, -10.69, 3.49

 

CMYK 44 / 0 / 23 / 53

HEX #44795D

RGB 68 121 93

HSL 148.3, 0.28%, 0.37%

LAB 46.57, -24.59, 9.92

 

CMYK 3 / 54 / 0 / 49

HEX #7D3B81

RGB 125 59 129

HSL 296.57, 0.37%, 0.37%

LAB 36.12, 39.28, -27.1

 

CMYK 0 / 54 / 11 / 49

HEX #813B73

RGB 129 59 115

HSL 312, 0.37%, 0.37%

LAB 36.05, 37.89, -18.46

 

CMYK 0 / 54 / 25 / 49

HEX #813B61

RGB 129 59 97

HSL 327.43, 0.37%, 0.37%

LAB 35.32, 34.92, -8.22

 

CMYK 0 / 54 / 40 / 49

HEX #813B4E

RGB 129 59 78

HSL 343.71, 0.37%, 0.37%

LAB 34.69, 32.28, 2.99

 

CMYK 0 / 54 / 54 / 49

HEX #813B3B

RGB 129 59 59

HSL 0, 0.37%, 0.37%

LAB 34.21, 30.19, 14.47

 

CMYK 0 / 55 / 26 / 71

HEX #492136

RGB 73 33 54

HSL 328.5, 0.38%, 0.21%

LAB 19.1, 22, -4.93

 

CMYK 0 / 54 / 26 / 60

HEX #652E4B

RGB 101 46 75

HSL 328.36, 0.37%, 0.29%

LAB 27.38, 28.57, -6.33

 

CMYK 0 / 54 / 26 / 49

HEX #813B60

RGB 129 59 96

HSL 328.29, 0.37%, 0.37%

LAB 35.28, 34.77, -7.64

 

CMYK 0 / 54 / 26 / 38

HEX #9E4875

RGB 158 72 117

HSL 328.6, 0.37%, 0.45%

LAB 43.05, 41.04, -8.65

 

CMYK 0 / 49 / 23 / 29

HEX #B45B8A

RGB 180 91 138

HSL 328.31, 0.37%, 0.53%

LAB 50.71, 41.75, -9.51

 

CMYK 0 / 54 / 26 / 50

HEX #803B5F

RGB 128 59 95

HSL 328.7, 0.37%, 0.37%

LAB 35.09, 34.27, -7.31

 

CMYK 0 / 18 / 54 / 49

HEX #816A3B

RGB 129 106 59

HSL 40.29, 0.37%, 0.37%

LAB 46.03, 2.81, 29.6

 

CMYK 54 / 3 / 0 / 49

HEX #3B7D81

RGB 59 125 129

HSL 183.43, 0.37%, 0.37%

LAB 48.49, -19.7, -8.6

 

CMYK 0 / 54 / 26 / 50

HEX #803B5F

RGB 128 59 95

HSL 328.7, 0.37%, 0.37%

LAB 35.09, 34.27, -7.31

 

CMYK 25 / 0 / 54 / 49

HEX #61813B

RGB 97 129 59

HSL 87.43, 0.37%, 0.37%

LAB 50.17, -23.87, 33.94

 

CMYK 54 / 25 / 0 / 49

HEX #3B6181

RGB 59 97 129

HSL 207.43, 0.37%, 0.37%

LAB 39.69, -3.67, -22.01

 

CMYK 0 / 54 / 26 / 50

HEX #803B5F

RGB 128 59 95

HSL 328.7, 0.37%, 0.37%

LAB 35.09, 34.27, -7.31

 

CMYK 0 / 18 / 54 / 49

HEX #816A3B

RGB 129 106 59

HSL 40.29, 0.37%, 0.37%

LAB 46.03, 2.81, 29.6

 

CMYK 54 / 0 / 29 / 49

HEX #3B815C

RGB 59 129 92

HSL 148.29, 0.37%, 0.37%

LAB 48.76, -31.24, 13.5

 

CMYK 54 / 36 / 0 / 49

HEX #3B5381

RGB 59 83 129

HSL 219.43, 0.37%, 0.37%

LAB 35.4, 5.14, -28.7

 

CMYK 0 / 54 / 26 / 50

HEX #803B5F

RGB 128 59 95

HSL 328.7, 0.37%, 0.37%

LAB 35.09, 34.27, -7.31

 

CMYK 0 / 2 / 54 / 49

HEX #817F3B

RGB 129 127 59

HSL 58.29, 0.37%, 0.37%

LAB 52.02, -9.11, 36.74

 

CMYK 54 / 0 / 29 / 49

HEX #3B815C

RGB 59 129 92

HSL 148.29, 0.37%, 0.37%

LAB 48.76, -31.24, 13.5

 

CMYK 54 / 52 / 0 / 49

HEX #3B3E81

RGB 59 62 129

HSL 237.43, 0.37%, 0.37%

LAB 29.31, 19.04, -38.38

 

Description

Color code: HEX #803B5F | qconv.com Color code: HEX #803B5F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 59 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 59 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 26 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 26% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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