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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803995 it is the complementary color #7FC66A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #803995 shade: #853990, #964BA3, #A75DB6, #B86FC9 and #C981DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #803995 shade: #803995, #6F2782, #5E156F, #4D035C and #3C0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #803995 shade: #7F3894, #943890, #943877, #94385F and #943846

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #803995 shade: #7F3894, #663894, #4D3894 and #383894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #803995 shade matches the following richer shades: #7F3894, #8828A4, #9117B5 and #9A07C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #803995 shade: #7F3894, #764983, #6D5973, #646A62 and #5B7A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #803995 shade: #4E3894, #663894, #7E3894, #943891 and #943878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #803995 shade: #4C2158, #652D76, #7F3894, #9943B2 and #AB5DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #803995 shade: #803995, #94383B and #38945A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #803995 shade: #803995, #947E38 and #38947E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #803995 shade: #803995, #94383B, #4E9438 and #389491

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #803995 shade: #803995, #945138, #4E9438 and #387B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 62 / 0 / 42

HEX #803995

RGB 128 57 149

HSL 286.3, 0.45%, 0.4%

LAB 37.27, 45.24, -37.52

 

Complementary color

CMYK 36 / 0 / 46 / 22

HEX #7FC66A

RGB 127 198 106

HSL 106.3, 0.45%, 0.6%

LAB 73.51, -39.62, 39.06

 

CMYK 8 / 60 / 0 / 44

HEX #853990

RGB 133 57 144

HSL 292.41, 0.43%, 0.39%

LAB 37.71, 45.54, -33.74

 

CMYK 8 / 54 / 0 / 36

HEX #964BA3

RGB 150 75 163

HSL 291.14, 0.37%, 0.47%

LAB 44.46, 45, -34.36

 

CMYK 8 / 49 / 0 / 29

HEX #A75DB6

RGB 167 93 182

HSL 289.89, 0.38%, 0.54%

LAB 51.18, 44.3, -34.8

 

CMYK 8 / 45 / 0 / 21

HEX #B86FC9

RGB 184 111 201

HSL 288.67, 0.45%, 0.61%

LAB 57.82, 43.54, -35.16

 

CMYK 9 / 41 / 0 / 14

HEX #C981DC

RGB 201 129 220

HSL 287.47, 0.57%, 0.68%

LAB 64.39, 42.77, -35.45

 

CMYK 14 / 62 / 0 / 42

HEX #803995

RGB 128 57 149

HSL 286.3, 0.45%, 0.4%

LAB 37.27, 45.24, -37.52

 

CMYK 15 / 70 / 0 / 49

HEX #6F2782

RGB 111 39 130

HSL 287.47, 0.54%, 0.33%

LAB 30.5, 45.49, -36.77

 

CMYK 15 / 81 / 0 / 56

HEX #5E156F

RGB 94 21 111

HSL 288.67, 0.68%, 0.26%

LAB 23.88, 44.95, -35.48

 

CMYK 16 / 97 / 0 / 64

HEX #4D035C

RGB 77 3 92

HSL 289.89, 0.94%, 0.19%

LAB 17.53, 43.12, -33.39

 

CMYK 18 / 100 / 0 / 71

HEX #3C0049

RGB 60 0 73

HSL 289.32, 1%, 0.14%

LAB 12.23, 37.47, -29.17

 

CMYK 14 / 62 / 0 / 42

HEX #7F3894

RGB 127 56 148

HSL 286.3, 0.45%, 0.4%

LAB 36.89, 45.27, -37.53

 

CMYK 0 / 62 / 3 / 42

HEX #943890

RGB 148 56 144

HSL 302.61, 0.45%, 0.4%

LAB 39.81, 50.04, -30.27

 

CMYK 0 / 62 / 20 / 42

HEX #943877

RGB 148 56 119

HSL 318.91, 0.45%, 0.4%

LAB 38.65, 45.92, -16.7

 

CMYK 0 / 62 / 36 / 42

HEX #94385F

RGB 148 56 95

HSL 334.57, 0.45%, 0.4%

LAB 37.75, 42.6, -3

 

CMYK 0 / 62 / 53 / 42

HEX #943846

RGB 148 56 70

HSL 350.87, 0.45%, 0.4%

LAB 37.05, 39.91, 11.87

 

CMYK 14 / 62 / 0 / 42

HEX #7F3894

RGB 127 56 148

HSL 286.3, 0.45%, 0.4%

LAB 36.89, 45.27, -37.53

 

CMYK 31 / 62 / 0 / 42

HEX #663894

RGB 102 56 148

HSL 270, 0.45%, 0.4%

LAB 33.54, 38.93, -43.07

 

CMYK 48 / 62 / 0 / 42

HEX #4D3894

RGB 77 56 148

HSL 253.7, 0.45%, 0.4%

LAB 30.75, 33.13, -47.73

 

CMYK 62 / 62 / 0 / 42

HEX #383894

RGB 56 56 148

HSL 240, 0.45%, 0.4%

LAB 28.92, 29.01, -50.78

 

CMYK 14 / 62 / 0 / 42

HEX #7F3894

RGB 127 56 148

HSL 286.3, 0.45%, 0.4%

LAB 36.89, 45.27, -37.53

 

CMYK 17 / 76 / 0 / 36

HEX #8828A4

RGB 136 40 164

HSL 286.45, 0.61%, 0.4%

LAB 36.8, 57.46, -47.27

 

CMYK 20 / 87 / 0 / 29

HEX #9117B5

RGB 145 23 181

HSL 286.33, 0.77%, 0.4%

LAB 37.79, 67.15, -55.76

 

CMYK 22 / 96 / 0 / 23

HEX #9A07C5

RGB 154 7 197

HSL 286.42, 0.93%, 0.4%

LAB 39.67, 73.78, -62.05

 

CMYK 14 / 62 / 0 / 42

HEX #7F3894

RGB 127 56 148

HSL 286.3, 0.45%, 0.4%

LAB 36.89, 45.27, -37.53

 

CMYK 10 / 44 / 0 / 49

HEX #764983

RGB 118 73 131

HSL 286.55, 0.28%, 0.4%

LAB 38.3, 29.71, -25.01

 

CMYK 5 / 23 / 0 / 55

HEX #6D5973

RGB 109 89 115

HSL 286.15, 0.13%, 0.4%

LAB 40.63, 13.35, -11.69

 

CMYK 6 / 0 / 8 / 58

HEX #646A62

RGB 100 106 98

HSL 105, 0.04%, 0.4%

LAB 44.09, -3.96, 3.69

 

CMYK 25 / 0 / 33 / 52

HEX #5B7A52

RGB 91 122 82

HSL 106.5, 0.2%, 0.4%

LAB 47.95, -19.36, 18.42

 

CMYK 47 / 62 / 0 / 42

HEX #4E3894

RGB 78 56 148

HSL 254.35, 0.45%, 0.4%

LAB 30.85, 33.34, -47.56

 

CMYK 31 / 62 / 0 / 42

HEX #663894

RGB 102 56 148

HSL 270, 0.45%, 0.4%

LAB 33.54, 38.93, -43.07

 

CMYK 15 / 62 / 0 / 42

HEX #7E3894

RGB 126 56 148

HSL 285.65, 0.45%, 0.4%

LAB 36.75, 45.01, -37.77

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 0 / 62 / 19 / 42

HEX #943878

RGB 148 56 120

HSL 318.26, 0.45%, 0.4%

LAB 38.69, 46.07, -17.26

 

CMYK 14 / 63 / 0 / 65

HEX #4C2158

RGB 76 33 88

HSL 286.91, 0.45%, 0.24%

LAB 21.32, 30.01, -24.67

 

CMYK 14 / 62 / 0 / 54

HEX #652D76

RGB 101 45 118

HSL 286.03, 0.45%, 0.32%

LAB 29.29, 37.44, -31.24

 

CMYK 14 / 62 / 0 / 42

HEX #7F3894

RGB 127 56 148

HSL 286.3, 0.45%, 0.4%

LAB 36.89, 45.27, -37.53

 

CMYK 14 / 62 / 0 / 30

HEX #9943B2

RGB 153 67 178

HSL 286.49, 0.45%, 0.48%

LAB 44.23, 52.76, -43.56

 

CMYK 12 / 52 / 0 / 24

HEX #AB5DC2

RGB 171 93 194

HSL 286.34, 0.45%, 0.56%

LAB 52.27, 47.86, -39.99

 

CMYK 14 / 62 / 0 / 42

HEX #803995

RGB 128 57 149

HSL 286.3, 0.45%, 0.4%

LAB 37.27, 45.24, -37.52

 

CMYK 0 / 62 / 60 / 42

HEX #94383B

RGB 148 56 59

HSL 358.04, 0.45%, 0.4%

LAB 36.82, 38.99, 18.5

 

CMYK 62 / 0 / 39 / 42

HEX #38945A

RGB 56 148 90

HSL 142.17, 0.45%, 0.4%

LAB 54.82, -40.8, 22.81

 

CMYK 14 / 62 / 0 / 42

HEX #803995

RGB 128 57 149

HSL 286.3, 0.45%, 0.4%

LAB 37.27, 45.24, -37.52

 

CMYK 0 / 15 / 62 / 42

HEX #947E38

RGB 148 126 56

HSL 45.65, 0.45%, 0.4%

LAB 53.5, -0.25, 40.4

 

CMYK 62 / 0 / 15 / 42

HEX #38947E

RGB 56 148 126

HSL 165.65, 0.45%, 0.4%

LAB 55.61, -32.67, 3.61

 

CMYK 14 / 62 / 0 / 42

HEX #803995

RGB 128 57 149

HSL 286.3, 0.45%, 0.4%

LAB 37.27, 45.24, -37.52

 

CMYK 0 / 62 / 60 / 42

HEX #94383B

RGB 148 56 59

HSL 358.04, 0.45%, 0.4%

LAB 36.82, 38.99, 18.5

 

CMYK 47 / 0 / 62 / 42

HEX #4E9438

RGB 78 148 56

HSL 105.65, 0.45%, 0.4%

LAB 55.16, -39.89, 40.94

 

CMYK 62 / 0 / 2 / 42

HEX #389491

RGB 56 148 145

HSL 178.04, 0.45%, 0.4%

LAB 56.15, -27.47, -6.49

 

CMYK 14 / 62 / 0 / 42

HEX #803995

RGB 128 57 149

HSL 286.3, 0.45%, 0.4%

LAB 37.27, 45.24, -37.52

 

CMYK 0 / 45 / 62 / 42

HEX #945138

RGB 148 81 56

HSL 16.3, 0.45%, 0.4%

LAB 41.95, 25.55, 26.83

 

CMYK 47 / 0 / 62 / 42

HEX #4E9438

RGB 78 148 56

HSL 105.65, 0.45%, 0.4%

LAB 55.16, -39.89, 40.94

 

CMYK 62 / 17 / 0 / 42

HEX #387B94

RGB 56 123 148

HSL 196.3, 0.45%, 0.4%

LAB 48.44, -13.34, -19.88

 

Description

Color code: HEX #803995 | qconv.com Color code: HEX #803995 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 57 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 57 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 62 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 62% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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