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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8037D5 it is the complementary color #7FC82A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8037D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8037D5 shade: #8537D0, #9649E3, #A75BF6, #B86DFF and #C97FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8037D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8037D5 shade: #8037D5, #6F25C2, #5E13AF, #4D019C and #3C0089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8037D5 shade: #8139D5, #AB39D5, #D539D5, #D539AB and #D53981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8037D5 shade: #8139D5, #5739D5 and #3939D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8037D5 shade matches the following richer shades: #8139D5, #8026E8 and #7E12FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8037D5 shade: #8139D5, #834DC2, #8460AE, #86739B and #878787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8037D5 shade: #3946D5, #5639D5, #7F39D5, #A939D5 and #D239D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8037D5 shade: #59219B, #6D28BD, #8139D5, #975BDC and #AD7DE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8037D5 shade: #8037D5, #D53970 and #39D541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8037D5 shade: #8037D5, #D57F39 and #39D57F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8037D5 shade: #8037D5, #D53970, #8FD539 and #39D59F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8037D5 shade: #8037D5, #D53941, #8FD539 and #39D5CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 74 / 0 / 16

HEX #8037D5

RGB 128 55 213

HSL 267.72, 0.65%, 0.53%

LAB 41.42, 60.81, -68.64

 

Complementary color

CMYK 37 / 0 / 79 / 22

HEX #7FC82A

RGB 127 200 42

HSL 87.72, 0.65%, 0.47%

LAB 73.54, -46.17, 65.68

 

CMYK 36 / 74 / 0 / 18

HEX #8537D0

RGB 133 55 208

HSL 270.59, 0.62%, 0.52%

LAB 41.65, 60.48, -65.36

 

CMYK 34 / 68 / 0 / 11

HEX #9649E3

RGB 150 73 227

HSL 270, 0.73%, 0.59%

LAB 48, 60.06, -65.81

 

CMYK 32 / 63 / 0 / 4

HEX #A75BF6

RGB 167 91 246

HSL 269.42, 0.9%, 0.66%

LAB 54.4, 59.37, -66.04

 

CMYK 28 / 57 / 0 / 0

HEX #B86DFF

RGB 184 109 255

HSL 270.82, 1%, 0.71%

LAB 60.2, 56.23, -61.59

 

CMYK 21 / 50 / 0 / 0

HEX #C97FFF

RGB 201 127 255

HSL 274.69, 1%, 0.75%

LAB 65.61, 51.14, -52.87

 

CMYK 40 / 74 / 0 / 16

HEX #8037D5

RGB 128 55 213

HSL 267.72, 0.65%, 0.53%

LAB 41.42, 60.81, -68.64

 

CMYK 43 / 81 / 0 / 24

HEX #6F25C2

RGB 111 37 194

HSL 268.28, 0.68%, 0.45%

LAB 35.2, 60.78, -67.86

 

CMYK 46 / 89 / 0 / 31

HEX #5E13AF

RGB 94 19 175

HSL 268.85, 0.8%, 0.38%

LAB 29.26, 59.76, -66.43

 

CMYK 51 / 99 / 0 / 39

HEX #4D019C

RGB 77 1 156

HSL 269.42, 0.99%, 0.31%

LAB 23.67, 57.51, -64.22

 

CMYK 56 / 100 / 0 / 46

HEX #3C0089

RGB 60 0 137

HSL 266.28, 1%, 0.27%

LAB 19.08, 51.96, -60.09

 

CMYK 39 / 73 / 0 / 16

HEX #8139D5

RGB 129 57 213

HSL 267.69, 0.65%, 0.53%

LAB 41.84, 60.11, -67.94

 

CMYK 20 / 73 / 0 / 16

HEX #AB39D5

RGB 171 57 213

HSL 283.85, 0.65%, 0.53%

LAB 47.48, 67.82, -58.54

 

CMYK 0 / 73 / 0 / 16

HEX #D539D5

RGB 213 57 213

HSL 300, 0.65%, 0.53%

LAB 53.9, 76.25, -47.91

 

CMYK 0 / 73 / 20 / 16

HEX #D539AB

RGB 213 57 171

HSL 316.15, 0.65%, 0.53%

LAB 51.85, 70.15, -26.83

 

CMYK 0 / 73 / 39 / 16

HEX #D53981

RGB 213 57 129

HSL 332.31, 0.65%, 0.53%

LAB 50.28, 65.24, -4.2

 

CMYK 39 / 73 / 0 / 16

HEX #8139D5

RGB 129 57 213

HSL 267.69, 0.65%, 0.53%

LAB 41.84, 60.11, -67.94

 

CMYK 59 / 73 / 0 / 16

HEX #5739D5

RGB 87 57 213

HSL 251.54, 0.65%, 0.53%

LAB 37.4, 53.75, -75.39

 

CMYK 73 / 73 / 0 / 16

HEX #3939D5

RGB 57 57 213

HSL 240, 0.65%, 0.53%

LAB 35.2, 50.46, -79.09

 

CMYK 39 / 73 / 0 / 16

HEX #8139D5

RGB 129 57 213

HSL 267.69, 0.65%, 0.53%

LAB 41.84, 60.11, -67.94

 

CMYK 45 / 84 / 0 / 9

HEX #8026E8

RGB 128 38 232

HSL 267.84, 0.81%, 0.53%

LAB 40.9, 71.48, -80.35

 

CMYK 50 / 93 / 0 / 1

HEX #7E12FC

RGB 126 18 252

HSL 267.69, 0.98%, 0.53%

LAB 41.05, 80.28, -91.4

 

CMYK 39 / 73 / 0 / 16

HEX #8139D5

RGB 129 57 213

HSL 267.69, 0.65%, 0.53%

LAB 41.84, 60.11, -67.94

 

CMYK 32 / 60 / 0 / 24

HEX #834DC2

RGB 131 77 194

HSL 267.69, 0.49%, 0.53%

LAB 44.27, 46.04, -53.01

 

CMYK 24 / 45 / 0 / 32

HEX #8460AE

RGB 132 96 174

HSL 267.69, 0.33%, 0.53%

LAB 47.4, 30.61, -36.36

 

CMYK 14 / 26 / 0 / 39

HEX #86739B

RGB 134 115 155

HSL 268.5, 0.17%, 0.53%

LAB 51.49, 15.52, -18.87

 

CMYK 0 / 0 / 0 / 47

HEX #878787

RGB 135 135 135

HSL 0, 0%, 0.53%

LAB 56.32, 0, -0.01

 

CMYK 73 / 67 / 0 / 16

HEX #3946D5

RGB 57 70 213

HSL 235, 0.65%, 0.53%

LAB 37.94, 42.93, -74.58

 

CMYK 60 / 73 / 0 / 16

HEX #5639D5

RGB 86 57 213

HSL 251.15, 0.65%, 0.53%

LAB 37.31, 53.62, -75.54

 

CMYK 40 / 73 / 0 / 16

HEX #7F39D5

RGB 127 57 213

HSL 266.92, 0.65%, 0.53%

LAB 41.6, 59.77, -68.35

 

CMYK 21 / 73 / 0 / 16

HEX #A939D5

RGB 169 57 213

HSL 283.08, 0.65%, 0.53%

LAB 47.19, 67.44, -59.02

 

CMYK 1 / 73 / 0 / 16

HEX #D239D5

RGB 210 57 213

HSL 298.85, 0.65%, 0.53%

LAB 53.42, 75.64, -48.69

 

CMYK 43 / 79 / 0 / 39

HEX #59219B

RGB 89 33 155

HSL 267.54, 0.65%, 0.37%

LAB 28.32, 49.48, -55.9

 

CMYK 42 / 79 / 0 / 26

HEX #6D28BD

RGB 109 40 189

HSL 267.79, 0.65%, 0.45%

LAB 34.89, 58.16, -65.44

 

CMYK 39 / 73 / 0 / 16

HEX #8139D5

RGB 129 57 213

HSL 267.69, 0.65%, 0.53%

LAB 41.84, 60.11, -67.94

 

CMYK 31 / 59 / 0 / 14

HEX #975BDC

RGB 151 91 220

HSL 267.91, 0.65%, 0.61%

LAB 50.95, 49.64, -57.07

 

CMYK 24 / 45 / 0 / 11

HEX #AD7DE3

RGB 173 125 227

HSL 268.24, 0.65%, 0.69%

LAB 60.87, 38.41, -45.09

 

CMYK 40 / 74 / 0 / 16

HEX #8037D5

RGB 128 55 213

HSL 267.72, 0.65%, 0.53%

LAB 41.42, 60.81, -68.64

 

CMYK 0 / 73 / 47 / 16

HEX #D53970

RGB 213 57 112

HSL 338.85, 0.65%, 0.53%

LAB 49.79, 63.64, 5.37

 

CMYK 73 / 0 / 69 / 16

HEX #39D541

RGB 57 213 65

HSL 123.08, 0.65%, 0.53%

LAB 75.35, -67.38, 58.93

 

CMYK 40 / 74 / 0 / 16

HEX #8037D5

RGB 128 55 213

HSL 267.72, 0.65%, 0.53%

LAB 41.42, 60.81, -68.64

 

CMYK 0 / 40 / 73 / 16

HEX #D57F39

RGB 213 127 57

HSL 26.92, 0.65%, 0.53%

LAB 61.33, 27.69, 50.6

 

CMYK 73 / 0 / 40 / 16

HEX #39D57F

RGB 57 213 127

HSL 146.92, 0.65%, 0.53%

LAB 76.06, -59.01, 31.27

 

CMYK 40 / 74 / 0 / 16

HEX #8037D5

RGB 128 55 213

HSL 267.72, 0.65%, 0.53%

LAB 41.42, 60.81, -68.64

 

CMYK 0 / 73 / 47 / 16

HEX #D53970

RGB 213 57 112

HSL 338.85, 0.65%, 0.53%

LAB 49.79, 63.64, 5.37

 

CMYK 33 / 0 / 73 / 16

HEX #8FD539

RGB 143 213 57

HSL 86.92, 0.65%, 0.53%

LAB 78.3, -45.17, 65.77

 

CMYK 73 / 0 / 25 / 16

HEX #39D59F

RGB 57 213 159

HSL 159.23, 0.65%, 0.53%

LAB 76.66, -52.49, 15.37

 

CMYK 40 / 74 / 0 / 16

HEX #8037D5

RGB 128 55 213

HSL 267.72, 0.65%, 0.53%

LAB 41.42, 60.81, -68.64

 

CMYK 0 / 73 / 69 / 16

HEX #D53941

RGB 213 57 65

HSL 356.92, 0.65%, 0.53%

LAB 48.83, 60.47, 32.44

 

CMYK 33 / 0 / 73 / 16

HEX #8FD539

RGB 143 213 57

HSL 86.92, 0.65%, 0.53%

LAB 78.3, -45.17, 65.77

 

CMYK 73 / 0 / 4 / 16

HEX #39D5CD

RGB 57 213 205

HSL 176.92, 0.65%, 0.53%

LAB 77.8, -40.86, -7.58

 

Description

Color code: HEX #8037D5 | qconv.com Color code: HEX #8037D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 55 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 55 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 74 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 74% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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