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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8034AF it is the complementary color #7FCB50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8034AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8034AF shade: #8534AA, #9646BD, #A758D0, #B86AE3 and #C97CF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8034AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8034AF shade: #8034AF, #6F229C, #5E1089, #4D0076 and #3C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8034AF shade: #8135B1, #A335B1, #B1359D, #B1357C and #B1355A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8034AF shade: #8135B1, #6035B1, #3F35B1 and #3535B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8034AF shade matches the following richer shades: #8135B1, #8622C3 and #8A10D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8034AF shade: #8135B1, #7D479E, #795A8C, #746C79 and #707F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8034AF shade: #3F35B1, #6035B1, #8135B1, #A235B1 and #B1359E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8034AF shade: #532271, #6A2B91, #8135B1, #9747C8 and #A967D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8034AF shade: #8034AF, #B1354C and #35B150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8034AF shade: #8034AF, #B18135 and #35B181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8034AF shade: #8034AF, #B1354C, #64B135 and #35B19A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8034AF shade: #8034AF, #B14335, #64B135 and #35A2B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 70 / 0 / 31

HEX #8034AF

RGB 128 52 175

HSL 277.07, 0.54%, 0.45%

LAB 38.09, 53.27, -51.83

 

Complementary color

CMYK 37 / 0 / 61 / 20

HEX #7FCB50

RGB 127 203 80

HSL 97.07, 0.54%, 0.55%

LAB 74.7, -44.73, 52.74

 

CMYK 22 / 69 / 0 / 33

HEX #8534AA

RGB 133 52 170

HSL 281.19, 0.53%, 0.44%

LAB 38.45, 53.25, -48.23

 

CMYK 21 / 63 / 0 / 26

HEX #9646BD

RGB 150 70 189

HSL 280.34, 0.47%, 0.51%

LAB 45, 52.91, -48.81

 

CMYK 20 / 58 / 0 / 18

HEX #A758D0

RGB 167 88 208

HSL 279.5, 0.56%, 0.58%

LAB 51.55, 52.3, -49.18

 

CMYK 19 / 53 / 0 / 11

HEX #B86AE3

RGB 184 106 227

HSL 278.68, 0.68%, 0.65%

LAB 58.08, 51.56, -49.42

 

CMYK 18 / 50 / 0 / 4

HEX #C97CF6

RGB 201 124 246

HSL 277.87, 0.87%, 0.73%

LAB 64.55, 50.77, -49.59

 

CMYK 27 / 70 / 0 / 31

HEX #8034AF

RGB 128 52 175

HSL 277.07, 0.54%, 0.45%

LAB 38.09, 53.27, -51.83

 

CMYK 29 / 78 / 0 / 39

HEX #6F229C

RGB 111 34 156

HSL 277.87, 0.64%, 0.37%

LAB 31.63, 53.15, -50.98

 

CMYK 31 / 88 / 0 / 46

HEX #5E1089

RGB 94 16 137

HSL 278.68, 0.79%, 0.3%

LAB 25.43, 51.95, -49.47

 

CMYK 35 / 100 / 0 / 54

HEX #4D0076

RGB 77 0 118

HSL 279.15, 1%, 0.23%

LAB 19.58, 49.31, -47.11

 

CMYK 39 / 100 / 0 / 61

HEX #3C0063

RGB 60 0 99

HSL 276.36, 1%, 0.19%

LAB 14.74, 43.06, -42.74

 

CMYK 27 / 70 / 0 / 31

HEX #8135B1

RGB 129 53 177

HSL 276.77, 0.54%, 0.45%

LAB 38.53, 53.48, -52.3

 

CMYK 8 / 70 / 0 / 31

HEX #A335B1

RGB 163 53 177

HSL 293.23, 0.54%, 0.45%

LAB 43.52, 60.86, -44.03

 

CMYK 0 / 70 / 11 / 31

HEX #B1359D

RGB 177 53 157

HSL 309.68, 0.54%, 0.45%

LAB 44.7, 60.81, -30.12

 

CMYK 0 / 70 / 30 / 31

HEX #B1357C

RGB 177 53 124

HSL 325.65, 0.54%, 0.45%

LAB 43.28, 56.24, -12.29

 

CMYK 0 / 70 / 49 / 31

HEX #B1355A

RGB 177 53 90

HSL 342.1, 0.54%, 0.45%

LAB 42.2, 52.59, 7.23

 

CMYK 27 / 70 / 0 / 31

HEX #8135B1

RGB 129 53 177

HSL 276.77, 0.54%, 0.45%

LAB 38.53, 53.48, -52.3

 

CMYK 46 / 70 / 0 / 31

HEX #6035B1

RGB 96 53 177

HSL 260.81, 0.54%, 0.45%

LAB 34.41, 46.98, -59.18

 

CMYK 64 / 70 / 0 / 31

HEX #3F35B1

RGB 63 53 177

HSL 244.84, 0.54%, 0.45%

LAB 31.29, 41.7, -64.4

 

CMYK 70 / 70 / 0 / 31

HEX #3535B1

RGB 53 53 177

HSL 240, 0.54%, 0.45%

LAB 30.59, 40.45, -65.59

 

CMYK 27 / 70 / 0 / 31

HEX #8135B1

RGB 129 53 177

HSL 276.77, 0.54%, 0.45%

LAB 38.53, 53.48, -52.3

 

CMYK 31 / 83 / 0 / 24

HEX #8622C3

RGB 134 34 195

HSL 277.27, 0.7%, 0.45%

LAB 38.11, 65.39, -63.55

 

CMYK 36 / 93 / 0 / 16

HEX #8A10D6

RGB 138 16 214

HSL 276.97, 0.86%, 0.45%

LAB 38.95, 73.84, -73.2

 

CMYK 27 / 70 / 0 / 31

HEX #8135B1

RGB 129 53 177

HSL 276.77, 0.54%, 0.45%

LAB 38.53, 53.48, -52.3

 

CMYK 21 / 55 / 0 / 38

HEX #7D479E

RGB 125 71 158

HSL 277.24, 0.38%, 0.45%

LAB 40.14, 39.08, -38.42

 

CMYK 14 / 36 / 0 / 45

HEX #795A8C

RGB 121 90 140

HSL 277.2, 0.22%, 0.45%

LAB 43.17, 22.61, -22.88

 

CMYK 4 / 11 / 0 / 53

HEX #746C79

RGB 116 108 121

HSL 276.92, 0.06%, 0.45%

LAB 46.74, 5.76, -6.09

 

CMYK 12 / 0 / 20 / 50

HEX #707F66

RGB 112 127 102

HSL 96, 0.11%, 0.45%

LAB 51.36, -10.48, 11.78

 

CMYK 64 / 70 / 0 / 31

HEX #3F35B1

RGB 63 53 177

HSL 244.84, 0.54%, 0.45%

LAB 31.29, 41.7, -64.4

 

CMYK 46 / 70 / 0 / 31

HEX #6035B1

RGB 96 53 177

HSL 260.81, 0.54%, 0.45%

LAB 34.41, 46.98, -59.18

 

CMYK 27 / 70 / 0 / 31

HEX #8135B1

RGB 129 53 177

HSL 276.77, 0.54%, 0.45%

LAB 38.53, 53.48, -52.3

 

CMYK 8 / 70 / 0 / 31

HEX #A235B1

RGB 162 53 177

HSL 292.74, 0.54%, 0.45%

LAB 43.36, 60.63, -44.28

 

CMYK 0 / 70 / 11 / 31

HEX #B1359E

RGB 177 53 158

HSL 309.19, 0.54%, 0.45%

LAB 44.75, 60.96, -30.65

 

CMYK 27 / 70 / 0 / 56

HEX #532271

RGB 83 34 113

HSL 277.22, 0.54%, 0.29%

LAB 24.24, 37.31, -36.27

 

CMYK 27 / 70 / 0 / 43

HEX #6A2B91

RGB 106 43 145

HSL 277.06, 0.54%, 0.37%

LAB 31.43, 45.82, -44.61

 

CMYK 27 / 70 / 0 / 31

HEX #8135B1

RGB 129 53 177

HSL 276.77, 0.54%, 0.45%

LAB 38.53, 53.48, -52.3

 

CMYK 25 / 65 / 0 / 22

HEX #9747C8

RGB 151 71 200

HSL 277.21, 0.54%, 0.53%

LAB 45.98, 55.07, -53.61

 

CMYK 19 / 51 / 0 / 18

HEX #A967D1

RGB 169 103 209

HSL 277.36, 0.54%, 0.61%

LAB 54.8, 45.25, -44.57

 

CMYK 27 / 70 / 0 / 31

HEX #8034AF

RGB 128 52 175

HSL 277.07, 0.54%, 0.45%

LAB 38.09, 53.27, -51.83

 

CMYK 0 / 70 / 57 / 31

HEX #B1354C

RGB 177 53 76

HSL 348.87, 0.54%, 0.45%

LAB 41.87, 51.44, 15.51

 

CMYK 70 / 0 / 55 / 31

HEX #35B150

RGB 53 177 80

HSL 133.06, 0.54%, 0.45%

LAB 63.98, -54.27, 39.59

 

CMYK 27 / 70 / 0 / 31

HEX #8034AF

RGB 128 52 175

HSL 277.07, 0.54%, 0.45%

LAB 38.09, 53.27, -51.83

 

CMYK 0 / 27 / 70 / 31

HEX #B18135

RGB 177 129 53

HSL 36.77, 0.54%, 0.45%

LAB 57.37, 10.9, 46.96

 

CMYK 70 / 0 / 27 / 31

HEX #35B181

RGB 53 177 129

HSL 156.77, 0.54%, 0.45%

LAB 64.79, -45.24, 14.94

 

CMYK 27 / 70 / 0 / 31

HEX #8034AF

RGB 128 52 175

HSL 277.07, 0.54%, 0.45%

LAB 38.09, 53.27, -51.83

 

CMYK 0 / 70 / 57 / 31

HEX #B1354C

RGB 177 53 76

HSL 348.87, 0.54%, 0.45%

LAB 41.87, 51.44, 15.51

 

CMYK 44 / 0 / 70 / 31

HEX #64B135

RGB 100 177 53

HSL 97.26, 0.54%, 0.45%

LAB 65.29, -45.16, 53.45

 

CMYK 70 / 0 / 13 / 31

HEX #35B19A

RGB 53 177 154

HSL 168.87, 0.54%, 0.45%

LAB 65.38, -39.11, 1.99

 

CMYK 27 / 70 / 0 / 31

HEX #8034AF

RGB 128 52 175

HSL 277.07, 0.54%, 0.45%

LAB 38.09, 53.27, -51.83

 

CMYK 0 / 62 / 70 / 31

HEX #B14335

RGB 177 67 53

HSL 6.77, 0.54%, 0.45%

LAB 43.68, 43.97, 31.75

 

CMYK 44 / 0 / 70 / 31

HEX #64B135

RGB 100 177 53

HSL 97.26, 0.54%, 0.45%

LAB 65.29, -45.16, 53.45

 

CMYK 70 / 8 / 0 / 31

HEX #35A2B1

RGB 53 162 177

HSL 187.26, 0.54%, 0.45%

LAB 61.46, -25.37, -16.7

 

Description

Color code: HEX #8034AF | qconv.com Color code: HEX #8034AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 52 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 52 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 70 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 70% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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