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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8033DC it is the complementary color #7FCC23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8033DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8033DC shade: #8533D7, #9645EA, #A757FD, #B869FF and #C97BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8033DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8033DC shade: #8033DC, #6F21C9, #5E0FB6, #4D00A3 and #3C0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8033DC shade: #8032DC, #AD32DC, #DB32DC, #DC32AF and #DC3281

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8033DC shade: #8032DC, #5232DC and #3232DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8033DC shade matches the following richer shades: #8032DC and #7E1FF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8033DC shade: #8032DC, #8145C9, #8359B5, #856CA2 and #86808F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8033DC shade: #3240DC, #5132DC, #7F32DC, #AC32DC and #D932DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8033DC shade: #581BA1, #6B21C4, #8032DC, #9655E2 and #AB79E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8033DC shade: #8033DC, #DC326E and #32DC3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8033DC shade: #8033DC, #DC7F32 and #32DC7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8033DC shade: #8033DC, #DC326E, #90DC32 and #32DCA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8033DC shade: #8033DC, #DC323B, #90DC32 and #32DCD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 77 / 0 / 14

HEX #8033DC

RGB 128 51 220

HSL 267.34, 0.71%, 0.53%

LAB 41.41, 64.13, -72.67

 

Complementary color

CMYK 38 / 0 / 83 / 20

HEX #7FCC23

RGB 127 204 35

HSL 87.34, 0.71%, 0.47%

LAB 74.71, -48.13, 68.62

 

CMYK 38 / 76 / 0 / 16

HEX #8533D7

RGB 133 51 215

HSL 270, 0.67%, 0.52%

LAB 41.63, 63.74, -69.42

 

CMYK 36 / 71 / 0 / 8

HEX #9645EA

RGB 150 69 234

HSL 269.45, 0.8%, 0.59%

LAB 47.86, 63.51, -70

 

CMYK 34 / 66 / 0 / 1

HEX #A757FD

RGB 167 87 253

HSL 268.92, 0.98%, 0.67%

LAB 54.16, 62.92, -70.31

 

CMYK 28 / 59 / 0 / 0

HEX #B869FF

RGB 184 105 255

HSL 271.6, 1%, 0.71%

LAB 59.45, 58.24, -62.8

 

CMYK 21 / 52 / 0 / 0

HEX #C97BFF

RGB 201 123 255

HSL 275.45, 1%, 0.74%

LAB 64.81, 53.22, -54.13

 

CMYK 42 / 77 / 0 / 14

HEX #8033DC

RGB 128 51 220

HSL 267.34, 0.71%, 0.53%

LAB 41.41, 64.13, -72.67

 

CMYK 45 / 84 / 0 / 21

HEX #6F21C9

RGB 111 33 201

HSL 267.86, 0.72%, 0.46%

LAB 35.37, 63.8, -71.68

 

CMYK 48 / 92 / 0 / 29

HEX #5E0FB6

RGB 94 15 182

HSL 268.38, 0.85%, 0.39%

LAB 29.66, 62.32, -69.96

 

CMYK 53 / 100 / 0 / 36

HEX #4D00A3

RGB 77 0 163

HSL 268.34, 1%, 0.32%

LAB 24.39, 59.32, -67.3

 

CMYK 58 / 100 / 0 / 44

HEX #3C0090

RGB 60 0 144

HSL 265, 1%, 0.28%

LAB 19.94, 53.64, -63.05

 

CMYK 42 / 77 / 0 / 14

HEX #8032DC

RGB 128 50 220

HSL 267.53, 0.71%, 0.53%

LAB 41.28, 64.52, -72.89

 

CMYK 21 / 77 / 0 / 14

HEX #AD32DC

RGB 173 50 220

HSL 283.41, 0.71%, 0.53%

LAB 47.41, 71.94, -62.64

 

CMYK 0 / 77 / 0 / 14

HEX #DB32DC

RGB 219 50 220

HSL 299.65, 0.71%, 0.53%

LAB 54.56, 80.5, -50.77

 

CMYK 0 / 77 / 20 / 14

HEX #DC32AF

RGB 220 50 175

HSL 315.88, 0.71%, 0.53%

LAB 52.5, 74.35, -28.07

 

CMYK 0 / 77 / 41 / 14

HEX #DC3281

RGB 220 50 129

HSL 332.12, 0.71%, 0.53%

LAB 50.78, 69.22, -3.32

 

CMYK 42 / 77 / 0 / 14

HEX #8032DC

RGB 128 50 220

HSL 267.53, 0.71%, 0.53%

LAB 41.28, 64.52, -72.89

 

CMYK 63 / 77 / 0 / 14

HEX #5232DC

RGB 82 50 220

HSL 251.29, 0.71%, 0.53%

LAB 36.45, 58.59, -81

 

CMYK 77 / 77 / 0 / 14

HEX #3232DC

RGB 50 50 220

HSL 240, 0.71%, 0.53%

LAB 34.25, 55.86, -84.72

 

CMYK 42 / 77 / 0 / 14

HEX #8032DC

RGB 128 50 220

HSL 267.53, 0.71%, 0.53%

LAB 41.28, 64.52, -72.89

 

CMYK 48 / 87 / 0 / 6

HEX #7E1FF0

RGB 126 31 240

HSL 267.27, 0.87%, 0.53%

LAB 40.75, 75, -85.15

 

CMYK 42 / 77 / 0 / 14

HEX #8032DC

RGB 128 50 220

HSL 267.53, 0.71%, 0.53%

LAB 41.28, 64.52, -72.89

 

CMYK 36 / 66 / 0 / 21

HEX #8145C9

RGB 129 69 201

HSL 267.27, 0.55%, 0.53%

LAB 42.97, 51.51, -59.18

 

CMYK 28 / 51 / 0 / 29

HEX #8359B5

RGB 131 89 181

HSL 267.39, 0.38%, 0.53%

LAB 46.05, 36.11, -42.59

 

CMYK 18 / 33 / 0 / 36

HEX #856CA2

RGB 133 108 162

HSL 267.78, 0.23%, 0.53%

LAB 49.88, 20.95, -25.45

 

CMYK 6 / 10 / 0 / 44

HEX #86808F

RGB 134 128 143

HSL 264, 0.06%, 0.53%

LAB 54.54, 5.28, -7.26

 

CMYK 77 / 71 / 0 / 14

HEX #3240DC

RGB 50 64 220

HSL 235.06, 0.71%, 0.53%

LAB 36.95, 48.22, -80.24

 

CMYK 63 / 77 / 0 / 14

HEX #5132DC

RGB 81 50 220

HSL 250.94, 0.71%, 0.53%

LAB 36.36, 58.49, -81.15

 

CMYK 42 / 77 / 0 / 14

HEX #7F32DC

RGB 127 50 220

HSL 267.18, 0.71%, 0.53%

LAB 41.15, 64.37, -73.1

 

CMYK 22 / 77 / 0 / 14

HEX #AC32DC

RGB 172 50 220

HSL 283.06, 0.71%, 0.53%

LAB 47.26, 71.76, -62.89

 

CMYK 1 / 77 / 0 / 14

HEX #D932DC

RGB 217 50 220

HSL 298.94, 0.71%, 0.53%

LAB 54.24, 80.11, -51.3

 

CMYK 45 / 83 / 0 / 37

HEX #581BA1

RGB 88 27 161

HSL 267.31, 0.71%, 0.37%

LAB 27.93, 53.19, -60.2

 

CMYK 45 / 83 / 0 / 23

HEX #6B21C4

RGB 107 33 196

HSL 267.24, 0.71%, 0.45%

LAB 34.39, 62.11, -70.37

 

CMYK 42 / 77 / 0 / 14

HEX #8032DC

RGB 128 50 220

HSL 267.53, 0.71%, 0.53%

LAB 41.28, 64.52, -72.89

 

CMYK 34 / 62 / 0 / 11

HEX #9655E2

RGB 150 85 226

HSL 267.66, 0.71%, 0.61%

LAB 50.06, 53.98, -61.91

 

CMYK 26 / 48 / 0 / 9

HEX #AB79E8

RGB 171 121 232

HSL 267.03, 0.71%, 0.69%

LAB 60.03, 41.26, -49.2

 

CMYK 42 / 77 / 0 / 14

HEX #8033DC

RGB 128 51 220

HSL 267.34, 0.71%, 0.53%

LAB 41.41, 64.13, -72.67

 

CMYK 0 / 77 / 50 / 14

HEX #DC326E

RGB 220 50 110

HSL 338.82, 0.71%, 0.53%

LAB 50.24, 67.55, 7.41

 

CMYK 77 / 0 / 73 / 14

HEX #32DC3B

RGB 50 220 59

HSL 123.18, 0.71%, 0.53%

LAB 77.39, -71.04, 63.17

 

CMYK 42 / 77 / 0 / 14

HEX #8033DC

RGB 128 51 220

HSL 267.34, 0.71%, 0.53%

LAB 41.41, 64.13, -72.67

 

CMYK 0 / 42 / 77 / 14

HEX #DC7F32

RGB 220 127 50

HSL 27.18, 0.71%, 0.53%

LAB 62.19, 30.28, 54.91

 

CMYK 77 / 0 / 42 / 14

HEX #32DC7F

RGB 50 220 127

HSL 147.18, 0.71%, 0.53%

LAB 78.11, -62.43, 33.93

 

CMYK 42 / 77 / 0 / 14

HEX #8033DC

RGB 128 51 220

HSL 267.34, 0.71%, 0.53%

LAB 41.41, 64.13, -72.67

 

CMYK 0 / 77 / 50 / 14

HEX #DC326E

RGB 220 50 110

HSL 338.82, 0.71%, 0.53%

LAB 50.24, 67.55, 7.41

 

CMYK 35 / 0 / 77 / 14

HEX #90DC32

RGB 144 220 50

HSL 86.82, 0.71%, 0.53%

LAB 80.37, -48.13, 70

 

CMYK 77 / 0 / 27 / 14

HEX #32DCA1

RGB 50 220 161

HSL 159.18, 0.71%, 0.53%

LAB 78.72, -55.63, 17.18

 

CMYK 42 / 77 / 0 / 14

HEX #8033DC

RGB 128 51 220

HSL 267.34, 0.71%, 0.53%

LAB 41.41, 64.13, -72.67

 

CMYK 0 / 77 / 73 / 14

HEX #DC323B

RGB 220 50 59

HSL 356.82, 0.71%, 0.53%

LAB 49.27, 64.49, 36.77

 

CMYK 35 / 0 / 77 / 14

HEX #90DC32

RGB 144 220 50

HSL 86.82, 0.71%, 0.53%

LAB 80.37, -48.13, 70

 

CMYK 77 / 0 / 4 / 14

HEX #32DCD4

RGB 50 220 212

HSL 177.18, 0.71%, 0.53%

LAB 79.96, -42.75, -8.12

 

Description

Color code: HEX #8033DC | qconv.com Color code: HEX #8033DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 51 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 51 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 77 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 77% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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