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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803315 it is the complementary color #7FCCEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #803315 shade: #853310, #964523, #A75736, #B86949 and #C97B5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #803315 shade: #803315, #6F2102, #5E0F00, #4D0000 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #803315 shade: #7F3315, #7F1615 and #7F1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #803315 shade: #7F3315, #7F4F15, #7F6C15, #767F15 and #597F15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #803315 shade matches the following richer shades: #7F3315 and #8B2D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #803315 shade: #7F3315, #733821, #673D2D, #5B4239 and #4F4845

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #803315 shade: #7F1531, #7F1515, #7F3115, #7F4D15 and #7F6A15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #803315 shade: #381609, #5C240F, #7F3315, #A3411A and #C64F20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #803315 shade: #803315, #4D7F15 and #15237F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #803315 shade: #803315, #157F31 and #31157F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #803315 shade: #803315, #4D7F15, #15637F and #46157F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #803315 shade: #803315, #2E7F15, #15637F and #66157F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 84 / 50

HEX #803315

RGB 128 51 21

HSL 16.82, 0.72%, 0.29%

LAB 31.83, 31.6, 34.27

 

Complementary color

CMYK 46 / 13 / 0 / 8

HEX #7FCCEA

RGB 127 204 234

HSL 196.82, 0.72%, 0.71%

LAB 78.25, -15.99, -22.24

 

CMYK 0 / 62 / 88 / 48

HEX #853310

RGB 133 51 16

HSL 17.95, 0.79%, 0.29%

LAB 32.68, 33.46, 37.76

 

CMYK 0 / 54 / 77 / 41

HEX #964523

RGB 150 69 35

HSL 17.74, 0.62%, 0.36%

LAB 39.35, 31.69, 35.73

 

CMYK 0 / 48 / 68 / 35

HEX #A75736

RGB 167 87 54

HSL 17.52, 0.51%, 0.43%

LAB 46.04, 30.03, 33.54

 

CMYK 0 / 43 / 60 / 28

HEX #B86949

RGB 184 105 73

HSL 17.3, 0.44%, 0.5%

LAB 52.7, 28.54, 31.52

 

CMYK 0 / 39 / 54 / 21

HEX #C97B5C

RGB 201 123 92

HSL 17.06, 0.5%, 0.57%

LAB 59.3, 27.2, 29.71

 

CMYK 0 / 60 / 84 / 50

HEX #803315

RGB 128 51 21

HSL 16.82, 0.72%, 0.29%

LAB 31.83, 31.6, 34.27

 

CMYK 0 / 70 / 98 / 56

HEX #6F2102

RGB 111 33 2

HSL 17.06, 0.96%, 0.22%

LAB 25.17, 33.21, 35.6

 

CMYK 0 / 84 / 100 / 63

HEX #5E0F00

RGB 94 15 0

HSL 9.57, 1%, 0.18%

LAB 18.89, 34.25, 28.67

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 60 / 83 / 50

HEX #7F3315

RGB 127 51 21

HSL 16.98, 0.72%, 0.29%

LAB 31.66, 31.19, 34.04

 

CMYK 0 / 83 / 83 / 50

HEX #7F1615

RGB 127 22 21

HSL 0.57, 0.72%, 0.29%

LAB 27.13, 43.46, 29.63

 

CMYK 0 / 83 / 83 / 50

HEX #7F1515

RGB 127 21 21

HSL 0, 0.72%, 0.29%

LAB 27.02, 43.75, 29.53

 

CMYK 0 / 60 / 83 / 50

HEX #7F3315

RGB 127 51 21

HSL 16.98, 0.72%, 0.29%

LAB 31.66, 31.19, 34.04

 

CMYK 0 / 38 / 83 / 50

HEX #7F4F15

RGB 127 79 21

HSL 32.83, 0.72%, 0.29%

LAB 38.12, 15.31, 40.07

 

CMYK 0 / 15 / 83 / 50

HEX #7F6C15

RGB 127 108 21

HSL 49.25, 0.72%, 0.29%

LAB 46.03, -1.75, 47.15

 

CMYK 7 / 0 / 83 / 50

HEX #767F15

RGB 118 127 21

HSL 65.09, 0.72%, 0.29%

LAB 50.79, -16.5, 51

 

CMYK 30 / 0 / 83 / 50

HEX #597F15

RGB 89 127 21

HSL 81.51, 0.72%, 0.29%

LAB 48.71, -29.16, 48.37

 

CMYK 0 / 60 / 83 / 50

HEX #7F3315

RGB 127 51 21

HSL 16.98, 0.72%, 0.29%

LAB 31.66, 31.19, 34.04

 

CMYK 0 / 68 / 94 / 45

HEX #8B2D09

RGB 139 45 9

HSL 16.62, 0.88%, 0.29%

LAB 32.67, 38.49, 41.06

 

CMYK 0 / 60 / 83 / 50

HEX #7F3315

RGB 127 51 21

HSL 16.98, 0.72%, 0.29%

LAB 31.66, 31.19, 34.04

 

CMYK 0 / 51 / 71 / 55

HEX #733821

RGB 115 56 33

HSL 16.83, 0.55%, 0.29%

LAB 30.84, 23.96, 25.89

 

CMYK 0 / 41 / 56 / 60

HEX #673D2D

RGB 103 61 45

HSL 16.55, 0.39%, 0.29%

LAB 30.43, 16.58, 17.61

 

CMYK 0 / 27 / 37 / 64

HEX #5B4239

RGB 91 66 57

HSL 15.88, 0.23%, 0.29%

LAB 30.44, 9.43, 9.71

 

CMYK 0 / 9 / 13 / 69

HEX #4F4845

RGB 79 72 69

HSL 18, 0.07%, 0.29%

LAB 31.18, 2.33, 2.85

 

CMYK 0 / 83 / 61 / 50

HEX #7F1531

RGB 127 21 49

HSL 344.15, 0.72%, 0.29%

LAB 27.49, 45.19, 11.89

 

CMYK 0 / 83 / 83 / 50

HEX #7F1515

RGB 127 21 21

HSL 0, 0.72%, 0.29%

LAB 27.02, 43.75, 29.53

 

CMYK 0 / 61 / 83 / 50

HEX #7F3115

RGB 127 49 21

HSL 15.85, 0.72%, 0.29%

LAB 31.26, 32.22, 33.66

 

CMYK 0 / 39 / 83 / 50

HEX #7F4D15

RGB 127 77 21

HSL 31.7, 0.72%, 0.29%

LAB 37.62, 16.5, 39.61

 

CMYK 0 / 17 / 83 / 50

HEX #7F6A15

RGB 127 106 21

HSL 48.11, 0.72%, 0.29%

LAB 45.46, -0.6, 46.65

 

CMYK 0 / 61 / 84 / 78

HEX #381609

RGB 56 22 9

HSL 16.6, 0.72%, 0.13%

LAB 12.18, 15.79, 14.83

 

CMYK 0 / 61 / 84 / 64

HEX #5C240F

RGB 92 36 15

HSL 16.36, 0.72%, 0.21%

LAB 22.2, 24.31, 25.82

 

CMYK 0 / 60 / 83 / 50

HEX #7F3315

RGB 127 51 21

HSL 16.98, 0.72%, 0.29%

LAB 31.66, 31.19, 34.04

 

CMYK 0 / 60 / 84 / 36

HEX #A3411A

RGB 163 65 26

HSL 17.08, 0.72%, 0.37%

LAB 40.64, 38.57, 42.22

 

CMYK 0 / 60 / 84 / 22

HEX #C64F20

RGB 198 79 32

HSL 16.99, 0.72%, 0.45%

LAB 49.13, 45.26, 49.35

 

CMYK 0 / 60 / 84 / 50

HEX #803315

RGB 128 51 21

HSL 16.82, 0.72%, 0.29%

LAB 31.83, 31.6, 34.27

 

CMYK 39 / 0 / 83 / 50

HEX #4D7F15

RGB 77 127 21

HSL 88.3, 0.72%, 0.29%

LAB 48.02, -33.88, 47.49

 

CMYK 83 / 72 / 0 / 50

HEX #15237F

RGB 21 35 127

HSL 232.08, 0.72%, 0.29%

LAB 19.61, 30.55, -53.02

 

CMYK 0 / 60 / 84 / 50

HEX #803315

RGB 128 51 21

HSL 16.82, 0.72%, 0.29%

LAB 31.83, 31.6, 34.27

 

CMYK 83 / 0 / 61 / 50

HEX #157F31

RGB 21 127 49

HSL 135.85, 0.72%, 0.29%

LAB 46.39, -45.75, 33.8

 

CMYK 61 / 83 / 0 / 50

HEX #31157F

RGB 49 21 127

HSL 255.85, 0.72%, 0.29%

LAB 18.89, 41.41, -54.14

 

CMYK 0 / 60 / 84 / 50

HEX #803315

RGB 128 51 21

HSL 16.82, 0.72%, 0.29%

LAB 31.83, 31.6, 34.27

 

CMYK 39 / 0 / 83 / 50

HEX #4D7F15

RGB 77 127 21

HSL 88.3, 0.72%, 0.29%

LAB 48.02, -33.88, 47.49

 

CMYK 83 / 22 / 0 / 50

HEX #15637F

RGB 21 99 127

HSL 195.85, 0.72%, 0.29%

LAB 38.93, -12.26, -22.08

 

CMYK 45 / 83 / 0 / 50

HEX #46157F

RGB 70 21 127

HSL 267.74, 0.72%, 0.29%

LAB 21.47, 44.25, -49.8

 

CMYK 0 / 60 / 84 / 50

HEX #803315

RGB 128 51 21

HSL 16.82, 0.72%, 0.29%

LAB 31.83, 31.6, 34.27

 

CMYK 64 / 0 / 83 / 50

HEX #2E7F15

RGB 46 127 21

HSL 105.85, 0.72%, 0.29%

LAB 46.73, -43.75, 45.83

 

CMYK 83 / 22 / 0 / 50

HEX #15637F

RGB 21 99 127

HSL 195.85, 0.72%, 0.29%

LAB 38.93, -12.26, -22.08

 

CMYK 20 / 83 / 0 / 50

HEX #66157F

RGB 102 21 127

HSL 285.85, 0.72%, 0.29%

LAB 26.43, 49.79, -41.51

 

Description

Color code: HEX #803315 | qconv.com Color code: HEX #803315 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 51 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 51 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 84 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 84% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - Peutz Design - The P...
Link: http://peutzdesign.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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