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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #802A7D it is the complementary color #7FD582. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #802A7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #802A7D shade: #852A78, #963C8B, #A74E9E, #B860B1 and #C972C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #802A7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #802A7D shade: #802A7D, #6F186A, #5E0657, #4D0044 and #3C0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #802A7D shade: #7F297C, #7F2965, #7F294E, #7F2937 and #7F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #802A7D shade: #7F297C, #6B297F, #54297F, #3D297F and #29297F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #802A7D shade matches the following richer shades: #7F297C, #8D1C89, #9A0E95 and #A800A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #802A7D shade: #7F297C, #71376F, #644463, #565256 and #496049

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #802A7D shade: #54297F, #6B297F, #7F297C, #7F2965 and #7F294E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #802A7D shade: #41153F, #601F5E, #7F297C, #9E339A and #BD3DB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #802A7D shade: #802A7D, #7F3D29 and #297F60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #802A7D shade: #802A7D, #7C7F29 and #297C7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #802A7D shade: #802A7D, #7F3D29, #297F2C and #296B7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #802A7D shade: #802A7D, #7F5729, #297F2C and #29517F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 2 / 50

HEX #802A7D

RGB 128 42 125

HSL 302.09, 0.51%, 0.33%

LAB 33.41, 47.48, -28.86

 

Complementary color

CMYK 40 / 0 / 39 / 16

HEX #7FD582

RGB 127 213 130

HSL 122.09, 0.51%, 0.67%

LAB 78.29, -42.76, 33.07

 

CMYK 0 / 68 / 10 / 48

HEX #852A78

RGB 133 42 120

HSL 308.57, 0.52%, 0.34%

LAB 33.98, 47.94, -24.76

 

CMYK 0 / 60 / 7 / 41

HEX #963C8B

RGB 150 60 139

HSL 307.33, 0.43%, 0.41%

LAB 40.54, 47.89, -26.07

 

CMYK 0 / 53 / 5 / 35

HEX #A74E9E

RGB 167 78 158

HSL 306.07, 0.36%, 0.48%

LAB 47.15, 47.45, -27.01

 

CMYK 0 / 48 / 4 / 28

HEX #B860B1

RGB 184 96 177

HSL 304.77, 0.38%, 0.55%

LAB 53.74, 46.82, -27.74

 

CMYK 0 / 43 / 2 / 21

HEX #C972C4

RGB 201 114 196

HSL 303.45, 0.45%, 0.62%

LAB 60.28, 46.11, -28.34

 

CMYK 0 / 67 / 2 / 50

HEX #802A7D

RGB 128 42 125

HSL 302.09, 0.51%, 0.33%

LAB 33.41, 47.48, -28.86

 

CMYK 0 / 78 / 5 / 56

HEX #6F186A

RGB 111 24 106

HSL 303.45, 0.64%, 0.26%

LAB 26.94, 46.81, -27.18

 

CMYK 0 / 94 / 7 / 63

HEX #5E0657

RGB 94 6 87

HSL 304.77, 0.88%, 0.2%

LAB 20.82, 44.72, -24.59

 

CMYK 0 / 100 / 12 / 70

HEX #4D0044

RGB 77 0 68

HSL 307.01, 1%, 0.15%

LAB 15.46, 39.8, -20.3

 

CMYK 0 / 100 / 18 / 76

HEX #3C0031

RGB 60 0 49

HSL 311, 1%, 0.12%

LAB 10.43, 33.14, -14.89

 

CMYK 0 / 68 / 2 / 50

HEX #7F297C

RGB 127 41 124

HSL 302.09, 0.51%, 0.33%

LAB 33.03, 47.47, -28.83

 

CMYK 0 / 68 / 20 / 50

HEX #7F2965

RGB 127 41 101

HSL 318.14, 0.51%, 0.33%

LAB 31.89, 43.66, -16.02

 

CMYK 0 / 68 / 39 / 50

HEX #7F294E

RGB 127 41 78

HSL 334.19, 0.51%, 0.33%

LAB 30.99, 40.52, -2.45

 

CMYK 0 / 68 / 57 / 50

HEX #7F2937

RGB 127 41 55

HSL 350.23, 0.51%, 0.33%

LAB 30.34, 38.15, 11.75

 

CMYK 0 / 68 / 68 / 50

HEX #7F2929

RGB 127 41 41

HSL 0, 0.51%, 0.33%

LAB 30.05, 37.1, 20.5

 

CMYK 0 / 68 / 2 / 50

HEX #7F297C

RGB 127 41 124

HSL 302.09, 0.51%, 0.33%

LAB 33.03, 47.47, -28.83

 

CMYK 16 / 68 / 0 / 50

HEX #6B297F

RGB 107 41 127

HSL 286.05, 0.51%, 0.33%

LAB 30.02, 42.97, -35.69

 

CMYK 34 / 68 / 0 / 50

HEX #54297F

RGB 84 41 127

HSL 270, 0.51%, 0.33%

LAB 26.74, 37.41, -41.13

 

CMYK 52 / 68 / 0 / 50

HEX #3D297F

RGB 61 41 127

HSL 253.95, 0.51%, 0.33%

LAB 24.03, 32.42, -45.66

 

CMYK 68 / 68 / 0 / 50

HEX #29297F

RGB 41 41 127

HSL 240, 0.51%, 0.33%

LAB 22.27, 28.9, -48.62

 

CMYK 0 / 68 / 2 / 50

HEX #7F297C

RGB 127 41 124

HSL 302.09, 0.51%, 0.33%

LAB 33.03, 47.47, -28.83

 

CMYK 0 / 80 / 3 / 45

HEX #8D1C89

RGB 141 28 137

HSL 302.12, 0.67%, 0.33%

LAB 34.6, 57.49, -34.29

 

CMYK 0 / 91 / 3 / 40

HEX #9A0E95

RGB 154 14 149

HSL 302.14, 0.83%, 0.33%

LAB 36.66, 64.91, -38.25

 

CMYK 0 / 100 / 4 / 34

HEX #A800A2

RGB 168 0 162

HSL 302.14, 1%, 0.33%

LAB 39.47, 70.99, -41.5

 

CMYK 0 / 68 / 2 / 50

HEX #7F297C

RGB 127 41 124

HSL 302.09, 0.51%, 0.33%

LAB 33.03, 47.47, -28.83

 

CMYK 0 / 51 / 2 / 56

HEX #71376F

RGB 113 55 111

HSL 302.07, 0.35%, 0.33%

LAB 32.68, 34.17, -21.35

 

CMYK 0 / 32 / 1 / 61

HEX #644463

RGB 100 68 99

HSL 301.88, 0.19%, 0.33%

LAB 33.44, 19.52, -12.71

 

CMYK 0 / 5 / 0 / 66

HEX #565256

RGB 86 82 86

HSL 300, 0.02%, 0.33%

LAB 35.37, 2.48, -1.76

 

CMYK 24 / 0 / 24 / 62

HEX #496049

RGB 73 96 73

HSL 120, 0.14%, 0.33%

LAB 38.31, -13.77, 10.38

 

CMYK 34 / 68 / 0 / 50

HEX #54297F

RGB 84 41 127

HSL 270, 0.51%, 0.33%

LAB 26.74, 37.41, -41.13

 

CMYK 16 / 68 / 0 / 50

HEX #6B297F

RGB 107 41 127

HSL 286.05, 0.51%, 0.33%

LAB 30.02, 42.97, -35.69

 

CMYK 0 / 68 / 2 / 50

HEX #7F297C

RGB 127 41 124

HSL 302.09, 0.51%, 0.33%

LAB 33.03, 47.47, -28.83

 

CMYK 0 / 68 / 20 / 50

HEX #7F2965

RGB 127 41 101

HSL 318.14, 0.51%, 0.33%

LAB 31.89, 43.66, -16.02

 

CMYK 0 / 68 / 39 / 50

HEX #7F294E

RGB 127 41 78

HSL 334.19, 0.51%, 0.33%

LAB 30.99, 40.52, -2.45

 

CMYK 0 / 68 / 3 / 75

HEX #41153F

RGB 65 21 63

HSL 302.73, 0.51%, 0.17%

LAB 15.59, 27.71, -16.76

 

CMYK 0 / 68 / 2 / 62

HEX #601F5E

RGB 96 31 94

HSL 301.85, 0.51%, 0.25%

LAB 24.56, 38.04, -23.3

 

CMYK 0 / 68 / 2 / 50

HEX #7F297C

RGB 127 41 124

HSL 302.09, 0.51%, 0.33%

LAB 33.03, 47.47, -28.83

 

CMYK 0 / 68 / 3 / 38

HEX #9E339A

RGB 158 51 154

HSL 302.24, 0.51%, 0.41%

LAB 41.17, 56.42, -34.09

 

CMYK 0 / 68 / 2 / 26

HEX #BD3DB9

RGB 189 61 185

HSL 301.88, 0.51%, 0.49%

LAB 49.08, 65.17, -39.64

 

CMYK 0 / 67 / 2 / 50

HEX #802A7D

RGB 128 42 125

HSL 302.09, 0.51%, 0.33%

LAB 33.41, 47.48, -28.86

 

CMYK 0 / 52 / 68 / 50

HEX #7F3D29

RGB 127 61 41

HSL 13.95, 0.51%, 0.33%

LAB 34, 26.81, 25.32

 

CMYK 68 / 0 / 24 / 50

HEX #297F60

RGB 41 127 96

HSL 158.37, 0.51%, 0.33%

LAB 47.62, -33.42, 9.49

 

CMYK 0 / 67 / 2 / 50

HEX #802A7D

RGB 128 42 125

HSL 302.09, 0.51%, 0.33%

LAB 33.41, 47.48, -28.86

 

CMYK 2 / 0 / 68 / 50

HEX #7C7F29

RGB 124 127 41

HSL 62.09, 0.51%, 0.33%

LAB 51.41, -12.76, 44.48

 

CMYK 68 / 2 / 0 / 50

HEX #297C7F

RGB 41 124 127

HSL 182.09, 0.51%, 0.33%

LAB 47.52, -23.29, -8.93

 

CMYK 0 / 67 / 2 / 50

HEX #802A7D

RGB 128 42 125

HSL 302.09, 0.51%, 0.33%

LAB 33.41, 47.48, -28.86

 

CMYK 0 / 52 / 68 / 50

HEX #7F3D29

RGB 127 61 41

HSL 13.95, 0.51%, 0.33%

LAB 34, 26.81, 25.32

 

CMYK 68 / 0 / 65 / 50

HEX #297F2C

RGB 41 127 44

HSL 122.09, 0.51%, 0.33%

LAB 46.75, -42.94, 36.74

 

CMYK 68 / 16 / 0 / 50

HEX #296B7F

RGB 41 107 127

HSL 193.95, 0.51%, 0.33%

LAB 42.03, -14.06, -17.25

 

CMYK 0 / 67 / 2 / 50

HEX #802A7D

RGB 128 42 125

HSL 302.09, 0.51%, 0.33%

LAB 33.41, 47.48, -28.86

 

CMYK 0 / 31 / 68 / 50

HEX #7F5729

RGB 127 87 41

HSL 32.09, 0.51%, 0.33%

LAB 40.39, 11.61, 32.72

 

CMYK 68 / 0 / 65 / 50

HEX #297F2C

RGB 41 127 44

HSL 122.09, 0.51%, 0.33%

LAB 46.75, -42.94, 36.74

 

CMYK 68 / 36 / 0 / 50

HEX #29517F

RGB 41 81 127

HSL 212.09, 0.51%, 0.33%

LAB 33.75, 1.79, -30.14

 

Description

Color code: HEX #802A7D | qconv.com Color code: HEX #802A7D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 42 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 42 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 2 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 2% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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