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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80294F it is the complementary color #7FD6B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80294F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80294F shade: #85294A, #963B5D, #A74D70, #B85F83 and #C97196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80294F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80294F shade: #80294F, #6F173C, #5E0529, #4D0016 and #3C0003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80294F shade: #7F294F, #7F2938 and #7F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80294F shade: #7F294F, #7F2966, #7F297D, #6A297F and #53297F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80294F shade matches the following richer shades: #7F294F, #8D1C4D, #9A0E4B and #A8004A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80294F shade: #7F294F, #713750, #644452, #565254 and #496056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80294F shade: #7F297E, #7F2967, #7F2950, #7F2939 and #7F3029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80294F shade: #411528, #601F3B, #7F294F, #9E3362 and #BD3D75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80294F shade: #80294F, #7F6A29 and #29727F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80294F shade: #80294F, #507F29 and #29507F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80294F shade: #80294F, #7F6A29, #297F58 and #293F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80294F shade: #80294F, #7B7F29, #297F58 and #2E297F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 38 / 50

HEX #80294F

RGB 128 41 79

HSL 333.79, 0.51%, 0.33%

LAB 31.21, 40.97, -2.77

 

Complementary color

CMYK 41 / 0 / 18 / 16

HEX #7FD6B0

RGB 127 214 176

HSL 153.79, 0.51%, 0.67%

LAB 79.47, -34.82, 10.61

 

CMYK 0 / 69 / 44 / 48

HEX #85294A

RGB 133 41 74

HSL 338.48, 0.53%, 0.34%

LAB 31.96, 42.02, 1.71

 

CMYK 0 / 61 / 38 / 41

HEX #963B5D

RGB 150 59 93

HSL 337.58, 0.44%, 0.41%

LAB 38.55, 41.6, -0.52

 

CMYK 0 / 54 / 33 / 35

HEX #A74D70

RGB 167 77 112

HSL 336.67, 0.37%, 0.48%

LAB 45.21, 40.88, -2.22

 

CMYK 0 / 48 / 29 / 28

HEX #B85F83

RGB 184 95 131

HSL 335.73, 0.39%, 0.55%

LAB 51.85, 40.05, -3.59

 

CMYK 0 / 44 / 25 / 21

HEX #C97196

RGB 201 113 150

HSL 334.77, 0.45%, 0.62%

LAB 58.44, 39.2, -4.74

 

CMYK 0 / 68 / 38 / 50

HEX #80294F

RGB 128 41 79

HSL 333.79, 0.51%, 0.33%

LAB 31.21, 40.97, -2.77

 

CMYK 0 / 79 / 46 / 56

HEX #6F173C

RGB 111 23 60

HSL 334.77, 0.66%, 0.26%

LAB 24.7, 40.72, -0.01

 

CMYK 0 / 95 / 56 / 63

HEX #5E0529

RGB 94 5 41

HSL 335.73, 0.9%, 0.19%

LAB 18.58, 39.19, 4

 

CMYK 0 / 100 / 71 / 70

HEX #4D0016

RGB 77 0 22

HSL 342.86, 1%, 0.15%

LAB 13.45, 34.62, 10.23

 

CMYK 0 / 100 / 95 / 76

HEX #3C0003

RGB 60 0 3

HSL 357, 1%, 0.12%

LAB 8.72, 28.69, 12.54

 

CMYK 0 / 68 / 38 / 50

HEX #7F294F

RGB 127 41 79

HSL 333.49, 0.51%, 0.33%

LAB 31.03, 40.64, -3.06

 

CMYK 0 / 68 / 56 / 50

HEX #7F2938

RGB 127 41 56

HSL 349.53, 0.51%, 0.33%

LAB 30.36, 38.24, 11.13

 

CMYK 0 / 68 / 68 / 50

HEX #7F2929

RGB 127 41 41

HSL 0, 0.51%, 0.33%

LAB 30.05, 37.1, 20.5

 

CMYK 0 / 68 / 38 / 50

HEX #7F294F

RGB 127 41 79

HSL 333.49, 0.51%, 0.33%

LAB 31.03, 40.64, -3.06

 

CMYK 0 / 68 / 20 / 50

HEX #7F2966

RGB 127 41 102

HSL 317.44, 0.51%, 0.33%

LAB 31.94, 43.82, -16.59

 

CMYK 0 / 68 / 2 / 50

HEX #7F297D

RGB 127 41 125

HSL 301.4, 0.51%, 0.33%

LAB 33.09, 47.64, -29.37

 

CMYK 17 / 68 / 0 / 50

HEX #6A297F

RGB 106 41 127

HSL 285.35, 0.51%, 0.33%

LAB 29.87, 42.72, -35.95

 

CMYK 35 / 68 / 0 / 50

HEX #53297F

RGB 83 41 127

HSL 269.3, 0.51%, 0.33%

LAB 26.61, 37.18, -41.35

 

CMYK 0 / 68 / 38 / 50

HEX #7F294F

RGB 127 41 79

HSL 333.49, 0.51%, 0.33%

LAB 31.03, 40.64, -3.06

 

CMYK 0 / 80 / 45 / 45

HEX #8D1C4D

RGB 141 28 77

HSL 333.98, 0.67%, 0.33%

LAB 31.87, 49.53, -0.19

 

CMYK 0 / 91 / 51 / 40

HEX #9A0E4B

RGB 154 14 75

HSL 333.86, 0.83%, 0.33%

LAB 33.33, 56.07, 3.57

 

CMYK 0 / 100 / 56 / 34

HEX #A8004A

RGB 168 0 74

HSL 333.57, 1%, 0.33%

LAB 35.63, 61.26, 7.91

 

CMYK 0 / 68 / 38 / 50

HEX #7F294F

RGB 127 41 79

HSL 333.49, 0.51%, 0.33%

LAB 31.03, 40.64, -3.06

 

CMYK 0 / 51 / 29 / 56

HEX #713750

RGB 113 55 80

HSL 334.14, 0.35%, 0.33%

LAB 31.4, 28.74, -3.42

 

CMYK 0 / 32 / 18 / 61

HEX #644452

RGB 100 68 82

HSL 333.75, 0.19%, 0.33%

LAB 32.82, 16.17, -2.81

 

CMYK 0 / 5 / 2 / 66

HEX #565254

RGB 86 82 84

HSL 330, 0.02%, 0.33%

LAB 35.31, 2.05, -0.59

 

CMYK 24 / 0 / 10 / 62

HEX #496056

RGB 73 96 86

HSL 153.91, 0.14%, 0.33%

LAB 38.65, -10.98, 2.89

 

CMYK 0 / 68 / 1 / 50

HEX #7F297E

RGB 127 41 126

HSL 300.7, 0.51%, 0.33%

LAB 33.14, 47.82, -29.91

 

CMYK 0 / 68 / 19 / 50

HEX #7F2967

RGB 127 41 103

HSL 316.74, 0.51%, 0.33%

LAB 31.98, 43.97, -17.16

 

CMYK 0 / 68 / 37 / 50

HEX #7F2950

RGB 127 41 80

HSL 332.79, 0.51%, 0.33%

LAB 31.06, 40.77, -3.66

 

CMYK 0 / 68 / 55 / 50

HEX #7F2939

RGB 127 41 57

HSL 348.84, 0.51%, 0.33%

LAB 30.38, 38.32, 10.5

 

CMYK 0 / 62 / 68 / 50

HEX #7F3029

RGB 127 48 41

HSL 4.88, 0.51%, 0.33%

LAB 31.31, 33.74, 22.06

 

CMYK 0 / 68 / 38 / 75

HEX #411528

RGB 65 21 40

HSL 334.09, 0.51%, 0.17%

LAB 14.48, 23.63, -2

 

CMYK 0 / 68 / 39 / 62

HEX #601F3B

RGB 96 31 59

HSL 334.15, 0.51%, 0.25%

LAB 22.94, 32.38, -2.25

 

CMYK 0 / 68 / 38 / 50

HEX #7F294F

RGB 127 41 79

HSL 333.49, 0.51%, 0.33%

LAB 31.03, 40.64, -3.06

 

CMYK 0 / 68 / 38 / 38

HEX #9E3362

RGB 158 51 98

HSL 333.64, 0.51%, 0.41%

LAB 38.76, 48.36, -3.22

 

CMYK 0 / 68 / 38 / 26

HEX #BD3D75

RGB 189 61 117

HSL 333.75, 0.51%, 0.49%

LAB 46.23, 55.77, -3.37

 

CMYK 0 / 68 / 38 / 50

HEX #80294F

RGB 128 41 79

HSL 333.79, 0.51%, 0.33%

LAB 31.21, 40.97, -2.77

 

CMYK 0 / 17 / 68 / 50

HEX #7F6A29

RGB 127 106 41

HSL 45.35, 0.51%, 0.33%

LAB 45.61, 0.42, 38.45

 

CMYK 68 / 10 / 0 / 50

HEX #29727F

RGB 41 114 127

HSL 189.07, 0.51%, 0.33%

LAB 44.29, -17.97, -13.81

 

CMYK 0 / 68 / 38 / 50

HEX #80294F

RGB 128 41 79

HSL 333.79, 0.51%, 0.33%

LAB 31.21, 40.97, -2.77

 

CMYK 37 / 0 / 68 / 50

HEX #507F29

RGB 80 127 41

HSL 92.79, 0.51%, 0.33%

LAB 48.32, -31.38, 40.28

 

CMYK 68 / 37 / 0 / 50

HEX #29507F

RGB 41 80 127

HSL 212.79, 0.51%, 0.33%

LAB 33.44, 2.45, -30.63

 

CMYK 0 / 68 / 38 / 50

HEX #80294F

RGB 128 41 79

HSL 333.79, 0.51%, 0.33%

LAB 31.21, 40.97, -2.77

 

CMYK 0 / 17 / 68 / 50

HEX #7F6A29

RGB 127 106 41

HSL 45.35, 0.51%, 0.33%

LAB 45.61, 0.42, 38.45

 

CMYK 68 / 0 / 31 / 50

HEX #297F58

RGB 41 127 88

HSL 152.79, 0.51%, 0.33%

LAB 47.44, -35.32, 13.89

 

CMYK 68 / 50 / 0 / 50

HEX #293F7F

RGB 41 63 127

HSL 224.65, 0.51%, 0.33%

LAB 28.27, 13.89, -38.87

 

CMYK 0 / 68 / 38 / 50

HEX #80294F

RGB 128 41 79

HSL 333.79, 0.51%, 0.33%

LAB 31.21, 40.97, -2.77

 

CMYK 3 / 0 / 68 / 50

HEX #7B7F29

RGB 123 127 41

HSL 62.79, 0.51%, 0.33%

LAB 51.32, -13.21, 44.36

 

CMYK 68 / 0 / 31 / 50

HEX #297F58

RGB 41 127 88

HSL 152.79, 0.51%, 0.33%

LAB 47.44, -35.32, 13.89

 

CMYK 64 / 68 / 0 / 50

HEX #2E297F

RGB 46 41 127

HSL 243.49, 0.51%, 0.33%

LAB 22.65, 29.69, -47.97

 

Description

Color code: HEX #80294F | qconv.com Color code: HEX #80294F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 41 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 41 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 38 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 38% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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