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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80274B it is the complementary color #7FD8B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80274B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80274B shade: #852746, #963959, #A74B6C, #B85D7F and #C96F92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80274B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80274B shade: #80274B, #6F1538, #5E0325, #4D0012 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80274B shade: #81284C, #812834 and #812828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80274B shade: #81284C, #812864, #81287C, #6E2881 and #562881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80274B shade matches the following richer shades: #81284C, #8E1A49 and #9C0C46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80274B shade: #81284C, #73354E, #664351, #585053 and #4A5E56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80274B shade: #81287C, #812865, #81284D, #812835 and #813228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80274B shade: #421427, #611E39, #81284C, #A0315E and #C03B71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80274B shade: #80274B, #816D28 and #287081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80274B shade: #80274B, #4D8128 and #284D81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80274B shade: #80274B, #816D28, #28815C and #283B81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80274B shade: #80274B, #798128, #28815C and #2F2881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 41 / 50

HEX #80274B

RGB 128 39 75

HSL 335.73, 0.53%, 0.33%

LAB 30.76, 41.37, -0.81

 

Complementary color

CMYK 41 / 0 / 17 / 15

HEX #7FD8B4

RGB 127 216 180

HSL 155.73, 0.53%, 0.67%

LAB 80.13, -34.91, 9.44

 

CMYK 0 / 71 / 47 / 48

HEX #852746

RGB 133 39 70

HSL 340.21, 0.55%, 0.34%

LAB 31.53, 42.45, 3.72

 

CMYK 0 / 62 / 41 / 41

HEX #963959

RGB 150 57 89

HSL 339.35, 0.45%, 0.41%

LAB 38.08, 42.08, 1.31

 

CMYK 0 / 55 / 35 / 35

HEX #A74B6C

RGB 167 75 108

HSL 338.48, 0.38%, 0.47%

LAB 44.7, 41.38, -0.52

 

CMYK 0 / 49 / 31 / 28

HEX #B85D7F

RGB 184 93 127

HSL 337.58, 0.39%, 0.54%

LAB 51.33, 40.55, -1.99

 

CMYK 0 / 45 / 27 / 21

HEX #C96F92

RGB 201 111 146

HSL 336.67, 0.45%, 0.61%

LAB 57.91, 39.69, -3.21

 

CMYK 0 / 70 / 41 / 50

HEX #80274B

RGB 128 39 75

HSL 335.73, 0.53%, 0.33%

LAB 30.76, 41.37, -0.81

 

CMYK 0 / 81 / 50 / 56

HEX #6F1538

RGB 111 21 56

HSL 336.67, 0.68%, 0.26%

LAB 24.33, 41, 2.19

 

CMYK 0 / 97 / 61 / 63

HEX #5E0325

RGB 94 3 37

HSL 337.58, 0.94%, 0.19%

LAB 18.27, 39.42, 6.44

 

CMYK 0 / 100 / 77 / 70

HEX #4D0012

RGB 77 0 18

HSL 345.97, 1%, 0.15%

LAB 13.36, 34.39, 12.76

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 69 / 41 / 49

HEX #81284C

RGB 129 40 76

HSL 335.73, 0.53%, 0.33%

LAB 31.13, 41.38, -0.89

 

CMYK 0 / 69 / 60 / 49

HEX #812834

RGB 129 40 52

HSL 351.91, 0.53%, 0.33%

LAB 30.48, 39.05, 13.98

 

CMYK 0 / 69 / 69 / 49

HEX #812828

RGB 129 40 40

HSL 0, 0.53%, 0.33%

LAB 30.25, 38.22, 21.47

 

CMYK 0 / 69 / 41 / 49

HEX #81284C

RGB 129 40 76

HSL 335.73, 0.53%, 0.33%

LAB 31.13, 41.38, -0.89

 

CMYK 0 / 69 / 22 / 49

HEX #812864

RGB 129 40 100

HSL 319.55, 0.53%, 0.33%

LAB 32.04, 44.53, -15.11

 

CMYK 0 / 69 / 4 / 49

HEX #81287C

RGB 129 40 124

HSL 303.37, 0.53%, 0.33%

LAB 33.22, 48.39, -28.51

 

CMYK 15 / 69 / 0 / 49

HEX #6E2881

RGB 110 40 129

HSL 287.19, 0.53%, 0.33%

LAB 30.44, 44.59, -36.25

 

CMYK 33 / 69 / 0 / 49

HEX #562881

RGB 86 40 129

HSL 271.01, 0.53%, 0.33%

LAB 26.96, 38.92, -42.02

 

CMYK 0 / 69 / 41 / 49

HEX #81284C

RGB 129 40 76

HSL 335.73, 0.53%, 0.33%

LAB 31.13, 41.38, -0.89

 

CMYK 0 / 82 / 49 / 44

HEX #8E1A49

RGB 142 26 73

HSL 335.69, 0.69%, 0.33%

LAB 31.74, 50.03, 2.27

 

CMYK 0 / 92 / 55 / 39

HEX #9C0C46

RGB 156 12 70

HSL 335.83, 0.86%, 0.33%

LAB 33.51, 56.5, 7.16

 

CMYK 0 / 69 / 41 / 49

HEX #81284C

RGB 129 40 76

HSL 335.73, 0.53%, 0.33%

LAB 31.13, 41.38, -0.89

 

CMYK 0 / 54 / 32 / 55

HEX #73354E

RGB 115 53 78

HSL 335.81, 0.37%, 0.33%

LAB 31.21, 30.31, -2.36

 

CMYK 0 / 34 / 21 / 60

HEX #664351

RGB 102 67 81

HSL 336, 0.21%, 0.33%

LAB 32.77, 17.43, -2.2

 

CMYK 0 / 9 / 6 / 65

HEX #585053

RGB 88 80 83

HSL 337.5, 0.05%, 0.33%

LAB 34.88, 3.9, -0.57

 

CMYK 21 / 0 / 9 / 63

HEX #4A5E56

RGB 74 94 86

HSL 156, 0.12%, 0.33%

LAB 38.08, -9.45, 2.08

 

CMYK 0 / 69 / 4 / 49

HEX #81287C

RGB 129 40 124

HSL 303.37, 0.53%, 0.33%

LAB 33.22, 48.39, -28.51

 

CMYK 0 / 69 / 22 / 49

HEX #812865

RGB 129 40 101

HSL 318.88, 0.53%, 0.33%

LAB 32.09, 44.67, -15.69

 

CMYK 0 / 69 / 40 / 49

HEX #81284D

RGB 129 40 77

HSL 335.06, 0.53%, 0.33%

LAB 31.16, 41.49, -1.5

 

CMYK 0 / 69 / 59 / 49

HEX #812835

RGB 129 40 53

HSL 351.24, 0.53%, 0.33%

LAB 30.5, 39.13, 13.35

 

CMYK 0 / 61 / 69 / 49

HEX #813228

RGB 129 50 40

HSL 6.74, 0.53%, 0.33%

LAB 32.04, 33.44, 23.64

 

CMYK 0 / 70 / 41 / 74

HEX #421427

RGB 66 20 39

HSL 335.22, 0.53%, 0.17%

LAB 14.43, 24.41, -1.32

 

CMYK 0 / 69 / 41 / 62

HEX #611E39

RGB 97 30 57

HSL 335.82, 0.53%, 0.25%

LAB 22.88, 32.96, -0.94

 

CMYK 0 / 69 / 41 / 49

HEX #81284C

RGB 129 40 76

HSL 335.73, 0.53%, 0.33%

LAB 31.13, 41.38, -0.89

 

CMYK 0 / 69 / 41 / 37

HEX #A0315E

RGB 160 49 94

HSL 335.68, 0.53%, 0.41%

LAB 38.69, 49.35, -0.75

 

CMYK 0 / 69 / 41 / 25

HEX #C03B71

RGB 192 59 113

HSL 335.64, 0.53%, 0.49%

LAB 46.35, 57.01, -0.69

 

CMYK 0 / 70 / 41 / 50

HEX #80274B

RGB 128 39 75

HSL 335.73, 0.53%, 0.33%

LAB 30.76, 41.37, -0.81

 

CMYK 0 / 16 / 69 / 49

HEX #816D28

RGB 129 109 40

HSL 46.52, 0.53%, 0.33%

LAB 46.65, -0.43, 40.11

 

CMYK 69 / 13 / 0 / 49

HEX #287081

RGB 40 112 129

HSL 191.46, 0.53%, 0.33%

LAB 43.69, -16.37, -15.92

 

CMYK 0 / 70 / 41 / 50

HEX #80274B

RGB 128 39 75

HSL 335.73, 0.53%, 0.33%

LAB 30.76, 41.37, -0.81

 

CMYK 40 / 0 / 69 / 49

HEX #4D8128

RGB 77 129 40

HSL 95.06, 0.53%, 0.33%

LAB 48.8, -33.49, 41.18

 

CMYK 69 / 40 / 0 / 49

HEX #284D81

RGB 40 77 129

HSL 215.06, 0.53%, 0.33%

LAB 32.58, 4.99, -33.23

 

CMYK 0 / 70 / 41 / 50

HEX #80274B

RGB 128 39 75

HSL 335.73, 0.53%, 0.33%

LAB 30.76, 41.37, -0.81

 

CMYK 0 / 16 / 69 / 49

HEX #816D28

RGB 129 109 40

HSL 46.52, 0.53%, 0.33%

LAB 46.65, -0.43, 40.11

 

CMYK 69 / 0 / 29 / 49

HEX #28815C

RGB 40 129 92

HSL 155.06, 0.53%, 0.33%

LAB 48.16, -35.47, 12.58

 

CMYK 69 / 54 / 0 / 49

HEX #283B81

RGB 40 59 129

HSL 227.19, 0.53%, 0.33%

LAB 27.2, 17.24, -41.86

 

CMYK 0 / 70 / 41 / 50

HEX #80274B

RGB 128 39 75

HSL 335.73, 0.53%, 0.33%

LAB 30.76, 41.37, -0.81

 

CMYK 6 / 0 / 69 / 49

HEX #798128

RGB 121 129 40

HSL 65.39, 0.53%, 0.33%

LAB 51.75, -15.25, 45.17

 

CMYK 69 / 0 / 29 / 49

HEX #28815C

RGB 40 129 92

HSL 155.06, 0.53%, 0.33%

LAB 48.16, -35.47, 12.58

 

CMYK 64 / 69 / 0 / 49

HEX #2F2881

RGB 47 40 129

HSL 244.72, 0.53%, 0.33%

LAB 22.68, 31.19, -49.19

 

Description

Color code: HEX #80274B | qconv.com Color code: HEX #80274B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 39 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 39 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 41 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 41% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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