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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80207C it is the complementary color #7FDF83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80207C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80207C shade: #852077, #96328A, #A7449D, #B856B0 and #C968C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80207C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80207C shade: #80207C, #6F0E69, #5E0056, #4D0043 and #3C0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80207C shade: #7E207B, #7E2061, #7E2047, #7E202E and #7E2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80207C shade: #7E207B, #69207E, #4F207E, #36207E and #20207E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80207C shade matches the following richer shades: #7E207B, #8B1386 and #980692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80207C shade: #7E207B, #722C6F, #653963, #584657 and #4B534C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80207C shade: #4F207E, #68207E, #7E207B, #7E2062 and #7E2049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80207C shade: #3C0F3B, #5D175B, #7E207B, #9F289B and #C030BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80207C shade: #80207C, #7E3620 and #207E5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80207C shade: #80207C, #7B7E20 and #207B7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80207C shade: #80207C, #7E3620, #207E23 and #20687E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80207C shade: #80207C, #7E5220, #207E23 and #204C7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 3 / 50

HEX #80207C

RGB 128 32 124

HSL 302.5, 0.6%, 0.31%

LAB 31.98, 51.17, -30.48

 

Complementary color

CMYK 43 / 0 / 41 / 13

HEX #7FDF83

RGB 127 223 131

HSL 122.5, 0.6%, 0.69%

LAB 81.25, -46.89, 36.42

 

CMYK 0 / 76 / 11 / 48

HEX #852077

RGB 133 32 119

HSL 308.32, 0.61%, 0.32%

LAB 32.59, 51.54, -26.31

 

CMYK 0 / 67 / 8 / 41

HEX #96328A

RGB 150 50 138

HSL 307.2, 0.5%, 0.39%

LAB 38.9, 52.12, -28.02

 

CMYK 0 / 59 / 6 / 35

HEX #A7449D

RGB 167 68 157

HSL 306.06, 0.42%, 0.46%

LAB 45.34, 52.04, -29.24

 

CMYK 0 / 53 / 4 / 28

HEX #B856B0

RGB 184 86 176

HSL 304.9, 0.41%, 0.53%

LAB 51.82, 51.61, -30.15

 

CMYK 0 / 48 / 3 / 21

HEX #C968C3

RGB 201 104 195

HSL 303.71, 0.47%, 0.6%

LAB 58.28, 51.01, -30.87

 

CMYK 0 / 75 / 3 / 50

HEX #80207C

RGB 128 32 124

HSL 302.5, 0.6%, 0.31%

LAB 31.98, 51.17, -30.48

 

CMYK 0 / 87 / 5 / 56

HEX #6F0E69

RGB 111 14 105

HSL 303.71, 0.78%, 0.25%

LAB 25.9, 49.48, -28.18

 

CMYK 0 / 100 / 9 / 63

HEX #5E0056

RGB 94 0 86

HSL 305.11, 1%, 0.18%

LAB 20.25, 46.06, -24.82

 

CMYK 0 / 100 / 13 / 70

HEX #4D0043

RGB 77 0 67

HSL 307.79, 1%, 0.15%

LAB 15.4, 39.64, -19.7

 

CMYK 0 / 100 / 20 / 76

HEX #3C0030

RGB 60 0 48

HSL 312, 1%, 0.12%

LAB 10.36, 32.99, -14.25

 

CMYK 0 / 75 / 2 / 51

HEX #7E207B

RGB 126 32 123

HSL 301.91, 0.59%, 0.31%

LAB 31.58, 50.52, -30.52

 

CMYK 0 / 75 / 23 / 51

HEX #7E2061

RGB 126 32 97

HSL 318.51, 0.59%, 0.31%

LAB 30.23, 46.41, -16.01

 

CMYK 0 / 75 / 44 / 51

HEX #7E2047

RGB 126 32 71

HSL 335.11, 0.59%, 0.31%

LAB 29.22, 43.15, -0.46

 

CMYK 0 / 75 / 63 / 51

HEX #7E202E

RGB 126 32 46

HSL 351.06, 0.59%, 0.31%

LAB 28.55, 40.92, 15.28

 

CMYK 0 / 75 / 75 / 51

HEX #7E2020

RGB 126 32 32

HSL 0, 0.59%, 0.31%

LAB 28.31, 40.09, 24.09

 

CMYK 0 / 75 / 2 / 51

HEX #7E207B

RGB 126 32 123

HSL 301.91, 0.59%, 0.31%

LAB 31.58, 50.52, -30.52

 

CMYK 17 / 75 / 0 / 51

HEX #69207E

RGB 105 32 126

HSL 286.6, 0.59%, 0.31%

LAB 28.23, 46.25, -37.95

 

CMYK 37 / 75 / 0 / 51

HEX #4F207E

RGB 79 32 126

HSL 270, 0.59%, 0.31%

LAB 24.33, 40.7, -44.45

 

CMYK 57 / 75 / 0 / 51

HEX #36207E

RGB 54 32 126

HSL 254.04, 0.59%, 0.31%

LAB 21.3, 36.13, -49.53

 

CMYK 75 / 75 / 0 / 51

HEX #20207E

RGB 32 32 126

HSL 240, 0.59%, 0.31%

LAB 19.42, 33.15, -52.68

 

CMYK 0 / 75 / 2 / 51

HEX #7E207B

RGB 126 32 123

HSL 301.91, 0.59%, 0.31%

LAB 31.58, 50.52, -30.52

 

CMYK 0 / 86 / 4 / 45

HEX #8B1386

RGB 139 19 134

HSL 302.5, 0.76%, 0.31%

LAB 33.3, 58.8, -34.52

 

CMYK 0 / 96 / 4 / 40

HEX #980692

RGB 152 6 146

HSL 302.47, 0.92%, 0.31%

LAB 35.75, 65.13, -37.87

 

CMYK 0 / 75 / 2 / 51

HEX #7E207B

RGB 126 32 123

HSL 301.91, 0.59%, 0.31%

LAB 31.58, 50.52, -30.52

 

CMYK 0 / 61 / 3 / 55

HEX #722C6F

RGB 114 44 111

HSL 302.57, 0.44%, 0.31%

LAB 30.7, 40.19, -24.43

 

CMYK 0 / 44 / 2 / 60

HEX #653963

RGB 101 57 99

HSL 302.73, 0.28%, 0.31%

LAB 30.86, 26.59, -16.66

 

CMYK 0 / 20 / 1 / 65

HEX #584657

RGB 88 70 87

HSL 303.33, 0.11%, 0.31%

LAB 32.13, 11.07, -7.18

 

CMYK 10 / 0 / 8 / 67

HEX #4B534C

RGB 75 83 76

HSL 127.5, 0.05%, 0.31%

LAB 34.4, -4.73, 3.01

 

CMYK 37 / 75 / 0 / 51

HEX #4F207E

RGB 79 32 126

HSL 270, 0.59%, 0.31%

LAB 24.33, 40.7, -44.45

 

CMYK 17 / 75 / 0 / 51

HEX #68207E

RGB 104 32 126

HSL 285.96, 0.59%, 0.31%

LAB 28.07, 46.03, -38.22

 

CMYK 0 / 75 / 2 / 51

HEX #7E207B

RGB 126 32 123

HSL 301.91, 0.59%, 0.31%

LAB 31.58, 50.52, -30.52

 

CMYK 0 / 75 / 22 / 51

HEX #7E2062

RGB 126 32 98

HSL 317.87, 0.59%, 0.31%

LAB 30.28, 46.56, -16.58

 

CMYK 0 / 75 / 42 / 51

HEX #7E2049

RGB 126 32 73

HSL 333.83, 0.59%, 0.31%

LAB 29.29, 43.36, -1.69

 

CMYK 0 / 75 / 2 / 76

HEX #3C0F3B

RGB 60 15 59

HSL 301.33, 0.6%, 0.15%

LAB 13.34, 28.39, -17.53

 

CMYK 0 / 75 / 2 / 64

HEX #5D175B

RGB 93 23 91

HSL 301.71, 0.6%, 0.23%

LAB 22.64, 40.1, -24.39

 

CMYK 0 / 75 / 2 / 51

HEX #7E207B

RGB 126 32 123

HSL 301.91, 0.59%, 0.31%

LAB 31.58, 50.52, -30.52

 

CMYK 0 / 75 / 3 / 38

HEX #9F289B

RGB 159 40 155

HSL 302.02, 0.6%, 0.39%

LAB 40.01, 60.73, -36.52

 

CMYK 0 / 75 / 3 / 25

HEX #C030BA

RGB 192 48 186

HSL 302.5, 0.6%, 0.47%

LAB 48.09, 70.34, -41.76

 

CMYK 0 / 75 / 3 / 50

HEX #80207C

RGB 128 32 124

HSL 302.5, 0.6%, 0.31%

LAB 31.98, 51.17, -30.48

 

CMYK 0 / 57 / 75 / 51

HEX #7E3620

RGB 126 54 32

HSL 14.04, 0.59%, 0.31%

LAB 32.21, 29.68, 28.52

 

CMYK 75 / 0 / 27 / 51

HEX #207E5C

RGB 32 126 92

HSL 158.3, 0.59%, 0.31%

LAB 46.98, -35.5, 10.89

 

CMYK 0 / 75 / 3 / 50

HEX #80207C

RGB 128 32 124

HSL 302.5, 0.6%, 0.31%

LAB 31.98, 51.17, -30.48

 

CMYK 2 / 0 / 75 / 51

HEX #7B7E20

RGB 123 126 32

HSL 61.91, 0.59%, 0.31%

LAB 50.96, -13.19, 47.65

 

CMYK 75 / 2 / 0 / 51

HEX #207B7E

RGB 32 123 126

HSL 181.91, 0.59%, 0.31%

LAB 46.95, -24.42, -9.22

 

CMYK 0 / 75 / 3 / 50

HEX #80207C

RGB 128 32 124

HSL 302.5, 0.6%, 0.31%

LAB 31.98, 51.17, -30.48

 

CMYK 0 / 57 / 75 / 51

HEX #7E3620

RGB 126 54 32

HSL 14.04, 0.59%, 0.31%

LAB 32.21, 29.68, 28.52

 

CMYK 75 / 0 / 72 / 51

HEX #207E23

RGB 32 126 35

HSL 121.91, 0.59%, 0.31%

LAB 46.11, -45.36, 39.98

 

CMYK 75 / 17 / 0 / 51

HEX #20687E

RGB 32 104 126

HSL 194.04, 0.59%, 0.31%

LAB 40.76, -14.15, -18.62

 

CMYK 0 / 75 / 3 / 50

HEX #80207C

RGB 128 32 124

HSL 302.5, 0.6%, 0.31%

LAB 31.98, 51.17, -30.48

 

CMYK 0 / 35 / 75 / 51

HEX #7E5220

RGB 126 82 32

HSL 31.91, 0.59%, 0.31%

LAB 38.85, 13.57, 35.67

 

CMYK 75 / 0 / 72 / 51

HEX #207E23

RGB 32 126 35

HSL 121.91, 0.59%, 0.31%

LAB 46.11, -45.36, 39.98

 

CMYK 75 / 40 / 0 / 51

HEX #204C7E

RGB 32 76 126

HSL 211.91, 0.59%, 0.31%

LAB 31.77, 3.15, -32.68

 

Description

Color code: HEX #80207C | qconv.com Color code: HEX #80207C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 32 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 32 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 3 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 3% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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