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Color name
HEX #800C59

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #800C59 it is the complementary color #7FF3A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #800C59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #800C59 shade: #850C54, #961E67, #A7307A, #B8428D and #C954A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #800C59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #800C59 shade: #800C59, #6F0046, #5E0033, #4D0020 and #3C000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #800C59 shade: #7E0C58, #7E0C39, #7E0C1A and #7E0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #800C59 shade: #7E0C58, #7E0C76, #670C7E, #480C7E and #290C7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #800C59 shade matches the following richer shades: #7E0C58 and #89015B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #800C59 shade: #7E0C58, #731754, #682250, #5D2D4D and #513849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #800C59 shade: #670C7E, #7E0C76, #7E0C58, #7E0C39 and #7E0C1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #800C59 shade: #320523, #58083D, #7E0C58, #A40F72 and #C9138C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #800C59 shade: #800C59, #7E490C and #0C7E76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #800C59 shade: #800C59, #587E0C and #0C587E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #800C59 shade: #800C59, #7E490C, #0C7E32 and #0C417E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #800C59 shade: #800C59, #7E6B0C, #0C7E32 and #0C1F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 30 / 50

HEX #800C59

RGB 128 12 89

HSL 320.17, 0.83%, 0.27%

LAB 28.31, 51.46, -13.71

 

Complementary color

CMYK 48 / 0 / 32 / 5

HEX #7FF3A6

RGB 127 243 166

HSL 140.17, 0.83%, 0.73%

LAB 87.66, -49.52, 27.22

 

CMYK 0 / 91 / 37 / 48

HEX #850C54

RGB 133 12 84

HSL 324.3, 0.83%, 0.28%

LAB 29.13, 52.08, -9.06

 

CMYK 0 / 80 / 31 / 41

HEX #961E67

RGB 150 30 103

HSL 323.5, 0.67%, 0.35%

LAB 34.79, 54.21, -12.5

 

CMYK 0 / 71 / 27 / 35

HEX #A7307A

RGB 167 48 122

HSL 322.69, 0.55%, 0.42%

LAB 40.79, 55.09, -15

 

CMYK 0 / 64 / 23 / 28

HEX #B8428D

RGB 184 66 141

HSL 321.86, 0.47%, 0.49%

LAB 46.99, 55.24, -16.88

 

CMYK 0 / 58 / 20 / 21

HEX #C954A0

RGB 201 84 160

HSL 321.03, 0.52%, 0.56%

LAB 53.27, 54.96, -18.34

 

CMYK 0 / 91 / 30 / 50

HEX #800C59

RGB 128 12 89

HSL 320.17, 0.83%, 0.27%

LAB 28.31, 51.46, -13.71

 

CMYK 0 / 100 / 37 / 56

HEX #6F0046

RGB 111 0 70

HSL 322.16, 1%, 0.22%

LAB 23.07, 47.56, -9.28

 

CMYK 0 / 100 / 46 / 63

HEX #5E0033

RGB 94 0 51

HSL 327.45, 1%, 0.18%

LAB 18.45, 41.5, -3.36

 

CMYK 0 / 100 / 58 / 70

HEX #4D0020

RGB 77 0 32

HSL 335.06, 1%, 0.15%

LAB 13.72, 35.35, 3.13

 

CMYK 0 / 100 / 78 / 76

HEX #3C000D

RGB 60 0 13

HSL 347, 1%, 0.12%

LAB 8.91, 29.2, 8.64

 

CMYK 0 / 90 / 30 / 51

HEX #7E0C58

RGB 126 12 88

HSL 320, 0.83%, 0.27%

LAB 27.85, 50.87, -13.78

 

CMYK 0 / 90 / 55 / 51

HEX #7E0C39

RGB 126 12 57

HSL 336.32, 0.83%, 0.27%

LAB 26.72, 47.7, 5.36

 

CMYK 0 / 90 / 79 / 51

HEX #7E0C1A

RGB 126 12 26

HSL 352.63, 0.83%, 0.27%

LAB 26.08, 45.86, 25.38

 

CMYK 0 / 90 / 90 / 51

HEX #7E0C0C

RGB 126 12 12

HSL 0, 0.83%, 0.27%

LAB 25.94, 45.45, 33.33

 

CMYK 0 / 90 / 30 / 51

HEX #7E0C58

RGB 126 12 88

HSL 320, 0.83%, 0.27%

LAB 27.85, 50.87, -13.78

 

CMYK 0 / 90 / 6 / 51

HEX #7E0C76

RGB 126 12 118

HSL 304.21, 0.83%, 0.27%

LAB 29.43, 55.06, -30.76

 

CMYK 18 / 90 / 0 / 51

HEX #670C7E

RGB 103 12 126

HSL 287.89, 0.83%, 0.27%

LAB 25.72, 52.13, -42.01

 

CMYK 43 / 90 / 0 / 51

HEX #480C7E

RGB 72 12 126

HSL 271.58, 0.83%, 0.27%

LAB 20.62, 47.34, -50.55

 

CMYK 67 / 90 / 0 / 51

HEX #290C7E

RGB 41 12 126

HSL 255.26, 0.83%, 0.27%

LAB 16.7, 44.01, -57.15

 

CMYK 0 / 90 / 30 / 51

HEX #7E0C58

RGB 126 12 88

HSL 320, 0.83%, 0.27%

LAB 27.85, 50.87, -13.78

 

CMYK 0 / 99 / 34 / 46

HEX #89015B

RGB 137 1 91

HSL 320.29, 0.99%, 0.27%

LAB 29.65, 55.55, -12.8

 

CMYK 0 / 90 / 30 / 51

HEX #7E0C58

RGB 126 12 88

HSL 320, 0.83%, 0.27%

LAB 27.85, 50.87, -13.78

 

CMYK 0 / 80 / 27 / 55

HEX #731754

RGB 115 23 84

HSL 320.22, 0.67%, 0.27%

LAB 26.44, 44.76, -13.49

 

CMYK 0 / 67 / 23 / 59

HEX #682250

RGB 104 34 80

HSL 320.57, 0.51%, 0.27%

LAB 25.76, 36.61, -12.05

 

CMYK 0 / 52 / 17 / 64

HEX #5D2D4D

RGB 93 45 77

HSL 320, 0.35%, 0.27%

LAB 25.98, 26.54, -9.89

 

CMYK 0 / 31 / 10 / 68

HEX #513849

RGB 81 56 73

HSL 319.2, 0.18%, 0.27%

LAB 26.9, 14.28, -6.01

 

CMYK 18 / 90 / 0 / 51

HEX #670C7E

RGB 103 12 126

HSL 287.89, 0.83%, 0.27%

LAB 25.72, 52.13, -42.01

 

CMYK 0 / 90 / 6 / 51

HEX #7E0C76

RGB 126 12 118

HSL 304.21, 0.83%, 0.27%

LAB 29.43, 55.06, -30.76

 

CMYK 0 / 90 / 30 / 51

HEX #7E0C58

RGB 126 12 88

HSL 320, 0.83%, 0.27%

LAB 27.85, 50.87, -13.78

 

CMYK 0 / 90 / 55 / 51

HEX #7E0C39

RGB 126 12 57

HSL 336.32, 0.83%, 0.27%

LAB 26.72, 47.7, 5.36

 

CMYK 0 / 90 / 79 / 51

HEX #7E0C1B

RGB 126 12 27

HSL 352.11, 0.83%, 0.27%

LAB 26.09, 45.9, 24.75

 

CMYK 0 / 90 / 30 / 80

HEX #320523

RGB 50 5 35

HSL 320, 0.82%, 0.11%

LAB 8.2, 25.75, -8.04

 

CMYK 0 / 91 / 31 / 65

HEX #58083D

RGB 88 8 61

HSL 320.25, 0.83%, 0.19%

LAB 18.3, 38.92, -10.78

 

CMYK 0 / 90 / 30 / 51

HEX #7E0C58

RGB 126 12 88

HSL 320, 0.83%, 0.27%

LAB 27.85, 50.87, -13.78

 

CMYK 0 / 91 / 30 / 36

HEX #A40F72

RGB 164 15 114

HSL 320.13, 0.83%, 0.35%

LAB 36.83, 62.12, -16.11

 

CMYK 0 / 91 / 30 / 21

HEX #C9138C

RGB 201 19 140

HSL 320.11, 0.83%, 0.43%

LAB 45.33, 72.48, -18.55

 

CMYK 0 / 91 / 30 / 50

HEX #800C59

RGB 128 12 89

HSL 320.17, 0.83%, 0.27%

LAB 28.31, 51.46, -13.71

 

CMYK 0 / 42 / 90 / 51

HEX #7E490C

RGB 126 73 12

HSL 32.11, 0.83%, 0.27%

LAB 36.42, 18.11, 41.94

 

CMYK 90 / 0 / 6 / 51

HEX #0C7E76

RGB 12 126 118

HSL 175.79, 0.83%, 0.27%

LAB 47.38, -30.38, -3.88

 

CMYK 0 / 91 / 30 / 50

HEX #800C59

RGB 128 12 89

HSL 320.17, 0.83%, 0.27%

LAB 28.31, 51.46, -13.71

 

CMYK 30 / 0 / 90 / 51

HEX #587E0C

RGB 88 126 12

HSL 80, 0.83%, 0.27%

LAB 48.29, -29.44, 50.27

 

CMYK 90 / 30 / 0 / 51

HEX #0C587E

RGB 12 88 126

HSL 200, 0.83%, 0.27%

LAB 35.13, -6.82, -27.4

 

CMYK 0 / 91 / 30 / 50

HEX #800C59

RGB 128 12 89

HSL 320.17, 0.83%, 0.27%

LAB 28.31, 51.46, -13.71

 

CMYK 0 / 42 / 90 / 51

HEX #7E490C

RGB 126 73 12

HSL 32.11, 0.83%, 0.27%

LAB 36.42, 18.11, 41.94

 

CMYK 90 / 0 / 60 / 51

HEX #0C7E32

RGB 12 126 50

HSL 140, 0.83%, 0.27%

LAB 45.95, -46.19, 32.76

 

CMYK 90 / 48 / 0 / 51

HEX #0C417E

RGB 12 65 126

HSL 212.11, 0.83%, 0.27%

LAB 27.75, 8.36, -39.14

 

CMYK 0 / 91 / 30 / 50

HEX #800C59

RGB 128 12 89

HSL 320.17, 0.83%, 0.27%

LAB 28.31, 51.46, -13.71

 

CMYK 0 / 15 / 90 / 51

HEX #7E6B0C

RGB 126 107 12

HSL 50, 0.83%, 0.27%

LAB 45.6, -1.93, 49.33

 

CMYK 90 / 0 / 60 / 51

HEX #0C7E32

RGB 12 126 50

HSL 140, 0.83%, 0.27%

LAB 45.95, -46.19, 32.76

 

CMYK 90 / 75 / 0 / 51

HEX #0C1F7E

RGB 12 31 126

HSL 230, 0.83%, 0.27%

LAB 18.21, 32.19, -54.71

 

Description

Color code: HEX #800C59 | qconv.com Color code: HEX #800C59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 12 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 12 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 30 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 30% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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