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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FFFDC00 it is the complementary color #80002300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FFFDC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FFFDC00 shade: #84FFD700, #95FFEA00, #A6FFFD00, #B7FFFF00 and #C8FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FFFDC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FFFDC00 shade: #7FFFDC00, #6EEDC900, #5DDBB600, #4CC9A300 and #3BB79000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FFFDC00 shade: #80FFDC, #80FFBA, #80FF97, #8AFF80 and #ACFF80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FFFDC00 shade: #80FFDC, #80FFFF, #80DDFF, #80BBFF and #8098FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FFFDC00 shade matches the following richer shades: #80FFDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FFFDC00 shade: #80FFDC, #8AF5D7, #94EAD3, #9EE0CE and #A9D6C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FFFDC00 shade: #80FF97, #80FFB9, #80FFDB, #80FFFD and #80DFFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FFFDC00 shade: #2DFFC6, #56FFD1, #80FFDC, #A9FFE7 and #D2FFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FFFDC00 shade: #7FFFDC, #808AFF and #FFA880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FFFDC00 shade: #7FFFDC, #DB80FF and #FFDB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FFFDC00 shade: #7FFFDC, #808AFF, #FF80A4 and #FFF480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FFFDC00 shade: #7FFFDC, #9B80FF, #FF80A4 and #E3FF80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #7FFFDC00

RGBA 127 255 220 0

HSLA 163.59, 1%, 0.75%, 0

LABA 92.22, -43.76, 5.85, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #80002300

RGBA 128 0 35 0

HSLA 343.59, 1%, 0.25%, 0

LABA 25.89, 49.04, 19.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #84FFD700

RGBA 132 255 215 0

HSLA 160.49, 1%, 0.76%, 0

LABA 92.28, -43.74, 8.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #95FFEA00

RGBA 149 255 234 0

HSLA 168.11, 1%, 0.79%, 0

LABA 93.39, -35.52, 0.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A6FFFD00

RGBA 166 255 253 0

HSLA 178.65, 1%, 0.83%, 0

LABA 94.62, -26.97, -7.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B7FFFF00

RGBA 183 255 255 0

HSLA 180, 1%, 0.86%, 0

LABA 95.5, -22, -7.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C8FFFF00

RGBA 200 255 255 0

HSLA 180, 1%, 0.89%, 0

LABA 96.42, -17.18, -5.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7FFFDC00

RGBA 127 255 220 0

HSLA 163.59, 1%, 0.75%, 0

LABA 92.22, -43.76, 5.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6EEDC900

RGBA 110 237 201 0

HSLA 162.99, 0.78%, 0.68%, 0

LABA 86.06, -43.79, 6.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5DDBB600

RGBA 93 219 182 0

HSLA 162.38, 0.64%, 0.61%, 0

LABA 79.82, -43.75, 7.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4CC9A300

RGBA 76 201 163 0

HSLA 161.76, 0.54%, 0.54%, 0

LABA 73.52, -43.61, 8.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3BB79000

RGBA 59 183 144 0

HSLA 161.13, 0.51%, 0.47%, 0

LABA 67.13, -43.32, 10.03, 0

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDC

RGB 128 255 220

HSL 163.46, 1%, 0.75%

LAB 92.25, -43.54, 5.9

 

CMYK 50 / 0 / 27 / 0

HEX #80FFBA

RGB 128 255 186

HSL 147.4, 1%, 0.75%

LAB 91.53, -50.59, 22.34

 

CMYK 50 / 0 / 41 / 0

HEX #80FF97

RGB 128 255 151

HSL 130.87, 1%, 0.75%

LAB 90.94, -56.64, 39.07

 

CMYK 46 / 0 / 50 / 0

HEX #8AFF80

RGB 138 255 128

HSL 115.28, 1%, 0.75%

LAB 91, -57.21, 50.24

 

CMYK 33 / 0 / 50 / 0

HEX #ACFF80

RGB 172 255 128

HSL 99.21, 1%, 0.75%

LAB 92.51, -46.88, 52.42

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDC

RGB 128 255 220

HSL 163.46, 1%, 0.75%

LAB 92.25, -43.54, 5.9

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 50 / 13 / 0 / 0

HEX #80DDFF

RGB 128 221 255

HSL 196.06, 1%, 0.75%

LAB 83.72, -18.76, -25.09

 

CMYK 50 / 27 / 0 / 0

HEX #80BBFF

RGB 128 187 255

HSL 212.13, 1%, 0.75%

LAB 74.41, -0.82, -39.42

 

CMYK 50 / 40 / 0 / 0

HEX #8098FF

RGB 128 152 255

HSL 228.66, 1%, 0.75%

LAB 65.17, 19.04, -53.94

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDC

RGB 128 255 220

HSL 163.46, 1%, 0.75%

LAB 92.25, -43.54, 5.9

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDC

RGB 128 255 220

HSL 163.46, 1%, 0.75%

LAB 92.25, -43.54, 5.9

 

CMYK 44 / 0 / 12 / 4

HEX #8AF5D7

RGB 138 245 215

HSL 163.18, 0.84%, 0.75%

LAB 89.68, -37.85, 4.82

 

CMYK 37 / 0 / 10 / 8

HEX #94EAD3

RGB 148 234 211

HSL 163.95, 0.67%, 0.75%

LAB 86.92, -31.06, 2.97

 

CMYK 29 / 0 / 8 / 12

HEX #9EE0CE

RGB 158 224 206

HSL 163.64, 0.52%, 0.75%

LAB 84.5, -24.53, 2.15

 

CMYK 21 / 0 / 6 / 16

HEX #A9D6C9

RGB 169 214 201

HSL 162.67, 0.35%, 0.75%

LAB 82.24, -17.28, 1.59

 

CMYK 50 / 0 / 41 / 0

HEX #80FF97

RGB 128 255 151

HSL 130.87, 1%, 0.75%

LAB 90.94, -56.64, 39.07

 

CMYK 50 / 0 / 27 / 0

HEX #80FFB9

RGB 128 255 185

HSL 146.93, 1%, 0.75%

LAB 91.51, -50.78, 22.82

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDB

RGB 128 255 219

HSL 162.99, 1%, 0.75%

LAB 92.23, -43.76, 6.38

 

CMYK 50 / 0 / 1 / 0

HEX #80FFFD

RGB 128 255 253

HSL 179.06, 1%, 0.75%

LAB 93.1, -35.73, -9.92

 

CMYK 50 / 13 / 0 / 0

HEX #80DFFF

RGB 128 223 255

HSL 195.12, 1%, 0.75%

LAB 84.27, -19.77, -24.25

 

CMYK 82 / 0 / 22 / 0

HEX #2DFFC6

RGB 45 255 198

HSL 163.71, 1%, 0.59%

LAB 89.93, -61.11, 13.68

 

CMYK 66 / 0 / 18 / 0

HEX #56FFD1

RGB 86 255 209

HSL 163.67, 1%, 0.67%

LAB 90.83, -53.88, 9.38

 

CMYK 50 / 0 / 14 / 0

HEX #80FFDC

RGB 128 255 220

HSL 163.46, 1%, 0.75%

LAB 92.25, -43.54, 5.9

 

CMYK 34 / 0 / 9 / 0

HEX #A9FFE7

RGB 169 255 231

HSL 163.26, 1%, 0.83%

LAB 94.19, -30.99, 3.24

 

CMYK 18 / 0 / 5 / 0

HEX #D2FFF3

RGB 210 255 243

HSL 164, 1%, 0.91%

LAB 96.69, -16.6, 0.97

 

CMYK 50 / 0 / 14 / 0

HEX #7FFFDC

RGB 127 255 220

HSL 163.59, 1%, 0.75%

LAB 92.22, -43.76, 5.85

 

CMYK 50 / 46 / 0 / 0

HEX #808AFF

RGB 128 138 255

HSL 235.28, 1%, 0.75%

LAB 61.64, 27.23, -59.56

 

CMYK 0 / 34 / 50 / 0

HEX #FFA880

RGB 255 168 128

HSL 18.9, 1%, 0.75%

LAB 76.57, 27.84, 33.78

 

CMYK 50 / 0 / 14 / 0

HEX #7FFFDC

RGB 127 255 220

HSL 163.59, 1%, 0.75%

LAB 92.22, -43.76, 5.85

 

CMYK 14 / 50 / 0 / 0

HEX #DB80FF

RGB 219 128 255

HSL 282.99, 1%, 0.75%

LAB 67.81, 55.35, -49.25

 

CMYK 0 / 14 / 50 / 0

HEX #FFDB80

RGB 255 219 128

HSL 42.99, 1%, 0.75%

LAB 88.68, 1.34, 49.06

 

CMYK 50 / 0 / 14 / 0

HEX #7FFFDC

RGB 127 255 220

HSL 163.59, 1%, 0.75%

LAB 92.22, -43.76, 5.85

 

CMYK 50 / 46 / 0 / 0

HEX #808AFF

RGB 128 138 255

HSL 235.28, 1%, 0.75%

LAB 61.64, 27.23, -59.56

 

CMYK 0 / 50 / 36 / 0

HEX #FF80A4

RGB 255 128 164

HSL 342.99, 1%, 0.75%

LAB 69.02, 51.83, 3.61

 

CMYK 0 / 4 / 50 / 0

HEX #FFF480

RGB 255 244 128

HSL 54.8, 1%, 0.75%

LAB 94.96, -11.18, 56.65

 

CMYK 50 / 0 / 14 / 0

HEX #7FFFDC

RGB 127 255 220

HSL 163.59, 1%, 0.75%

LAB 92.22, -43.76, 5.85

 

CMYK 39 / 50 / 0 / 0

HEX #9B80FF

RGB 155 128 255

HSL 252.76, 1%, 0.75%

LAB 61.33, 39.13, -59.94

 

CMYK 0 / 50 / 36 / 0

HEX #FF80A4

RGB 255 128 164

HSL 342.99, 1%, 0.75%

LAB 69.02, 51.83, 3.61

 

CMYK 11 / 0 / 50 / 0

HEX #E3FF80

RGB 227 255 128

HSL 73.23, 1%, 0.75%

LAB 95.75, -27.3, 57.09

 

Description

Color code: HEX #7FFFDC00 | qconv.com Color code: HEX #7FFFDC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 255 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 255 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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