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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FFCD6 it is the complementary color #800329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FFCD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FFCD6 shade: #84FCD1, #95FFE4, #A6FFF7, #B7FFFF and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FFCD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FFCD6 shade: #7FFCD6, #6EEAC3, #5DD8B0, #4CC69D and #3BB48A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FFCD6 shade: #7EFCD5, #7EFCB3, #7EFC91, #8CFC7E and #AEFC7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FFCD6 shade: #7EFCD5, #7EFCF7, #7EDEFC, #7EBCFC and #7E9AFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FFCD6 shade matches the following richer shades: #7EFCD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FFCD6 shade: #7EFCD5, #88F1D1, #93E6CD, #9EDCC9 and #A9D1C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FFCD6 shade: #7EFC91, #7EFCB2, #7EFCD4, #7EFCF5 and #7EE0FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FFCD6 shade: #2DFABB, #55FBC8, #7EFCD5, #A6FDE2 and #CEFEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FFCD6 shade: #7FFCD6, #7E8CFC and #FCA17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FFCD6 shade: #7FFCD6, #D47EFC and #FCD47E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FFCD6 shade: #7FFCD6, #7E8CFC, #FC7EA6 and #FCED7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FFCD6 shade: #7FFCD6, #957EFC, #FC7EA6 and #E5FC7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 15 / 1

HEX #7FFCD6

RGB 127 252 214

HSL 161.76, 0.95%, 0.74%

LAB 91.23, -43.78, 7.52

 

Complementary color

CMYK 0 / 98 / 68 / 50

HEX #800329

RGB 128 3 41

HSL 341.76, 0.95%, 0.26%

LAB 26.2, 48.8, 15.65

 

CMYK 48 / 0 / 17 / 1

HEX #84FCD1

RGB 132 252 209

HSL 158.5, 0.95%, 0.75%

LAB 91.29, -43.72, 10.22

 

CMYK 42 / 0 / 11 / 0

HEX #95FFE4

RGB 149 255 228

HSL 164.72, 1%, 0.79%

LAB 93.24, -36.85, 3.29

 

CMYK 35 / 0 / 3 / 0

HEX #A6FFF7

RGB 166 255 247

HSL 174.61, 1%, 0.83%

LAB 94.46, -28.32, -4.65

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 50 / 0 / 15 / 1

HEX #7FFCD6

RGB 127 252 214

HSL 161.76, 0.95%, 0.74%

LAB 91.23, -43.78, 7.52

 

CMYK 53 / 0 / 17 / 8

HEX #6EEAC3

RGB 110 234 195

HSL 161.13, 0.75%, 0.67%

LAB 85.05, -43.83, 8.47

 

CMYK 57 / 0 / 19 / 15

HEX #5DD8B0

RGB 93 216 176

HSL 160.49, 0.61%, 0.61%

LAB 78.79, -43.82, 9.49

 

CMYK 62 / 0 / 21 / 22

HEX #4CC69D

RGB 76 198 157

HSL 159.84, 0.52%, 0.54%

LAB 72.47, -43.72, 10.59

 

CMYK 67 / 0 / 23 / 29

HEX #3BB48A

RGB 59 180 138

HSL 159.17, 0.51%, 0.47%

LAB 66.06, -43.45, 11.81

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD5

RGB 126 252 213

HSL 161.43, 0.95%, 0.74%

LAB 91.17, -44.22, 7.95

 

CMYK 50 / 0 / 29 / 1

HEX #7EFCB3

RGB 126 252 179

HSL 145.24, 0.95%, 0.74%

LAB 90.46, -51.14, 24.42

 

CMYK 50 / 0 / 42 / 1

HEX #7EFC91

RGB 126 252 145

HSL 129.05, 0.95%, 0.74%

LAB 89.91, -56.87, 40.66

 

CMYK 44 / 0 / 50 / 1

HEX #8CFC7E

RGB 140 252 126

HSL 113.33, 0.95%, 0.74%

LAB 90.18, -55.71, 50.19

 

CMYK 31 / 0 / 50 / 1

HEX #AEFC7E

RGB 174 252 126

HSL 97.14, 0.95%, 0.74%

LAB 91.74, -45.16, 52.44

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD5

RGB 126 252 213

HSL 161.43, 0.95%, 0.74%

LAB 91.17, -44.22, 7.95

 

CMYK 50 / 0 / 2 / 1

HEX #7EFCF7

RGB 126 252 247

HSL 177.62, 0.95%, 0.74%

LAB 92.03, -36.25, -8.41

 

CMYK 50 / 12 / 0 / 1

HEX #7EDEFC

RGB 126 222 252

HSL 194.29, 0.95%, 0.74%

LAB 83.81, -20.51, -23.37

 

CMYK 50 / 25 / 0 / 1

HEX #7EBCFC

RGB 126 188 252

HSL 210.48, 0.95%, 0.74%

LAB 74.46, -2.68, -37.73

 

CMYK 50 / 39 / 0 / 1

HEX #7E9AFC

RGB 126 154 252

HSL 226.67, 0.95%, 0.74%

LAB 65.42, 16.54, -51.92

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD5

RGB 126 252 213

HSL 161.43, 0.95%, 0.74%

LAB 91.17, -44.22, 7.95

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD5

RGB 126 252 213

HSL 161.43, 0.95%, 0.74%

LAB 91.17, -44.22, 7.95

 

CMYK 44 / 0 / 13 / 5

HEX #88F1D1

RGB 136 241 209

HSL 161.71, 0.79%, 0.74%

LAB 88.33, -37.84, 5.99

 

CMYK 36 / 0 / 11 / 10

HEX #93E6CD

RGB 147 230 205

HSL 161.93, 0.62%, 0.74%

LAB 85.61, -30.74, 4.21

 

CMYK 28 / 0 / 9 / 14

HEX #9EDCC9

RGB 158 220 201

HSL 161.61, 0.47%, 0.74%

LAB 83.27, -23.62, 3.01

 

CMYK 19 / 0 / 6 / 18

HEX #A9D1C5

RGB 169 209 197

HSL 162, 0.3%, 0.74%

LAB 80.78, -15.56, 1.59

 

CMYK 50 / 0 / 42 / 1

HEX #7EFC91

RGB 126 252 145

HSL 129.05, 0.95%, 0.74%

LAB 89.91, -56.87, 40.66

 

CMYK 50 / 0 / 29 / 1

HEX #7EFCB2

RGB 126 252 178

HSL 144.76, 0.95%, 0.74%

LAB 90.45, -51.33, 24.9

 

CMYK 50 / 0 / 16 / 1

HEX #7EFCD4

RGB 126 252 212

HSL 160.95, 0.95%, 0.74%

LAB 91.15, -44.44, 8.44

 

CMYK 50 / 0 / 3 / 1

HEX #7EFCF5

RGB 126 252 245

HSL 176.67, 0.95%, 0.74%

LAB 91.98, -36.74, -7.46

 

CMYK 50 / 11 / 0 / 1

HEX #7EE0FC

RGB 126 224 252

HSL 193.33, 0.95%, 0.74%

LAB 84.37, -21.52, -22.53

 

CMYK 82 / 0 / 25 / 2

HEX #2DFABB

RGB 45 250 187

HSL 161.56, 0.95%, 0.58%

LAB 88.22, -61.73, 16.93

 

CMYK 66 / 0 / 20 / 2

HEX #55FBC8

RGB 85 251 200

HSL 161.57, 0.95%, 0.66%

LAB 89.44, -54.46, 12.04

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD5

RGB 126 252 213

HSL 161.43, 0.95%, 0.74%

LAB 91.17, -44.22, 7.95

 

CMYK 34 / 0 / 11 / 1

HEX #A6FDE2

RGB 166 253 226

HSL 161.38, 0.96%, 0.82%

LAB 93.38, -31.92, 4.63

 

CMYK 19 / 0 / 6 / 0

HEX #CEFEEF

RGB 206 254 239

HSL 161.25, 0.96%, 0.9%

LAB 96.1, -18.12, 2.12

 

CMYK 50 / 0 / 15 / 1

HEX #7FFCD6

RGB 127 252 214

HSL 161.76, 0.95%, 0.74%

LAB 91.23, -43.78, 7.52

 

CMYK 50 / 44 / 0 / 1

HEX #7E8CFC

RGB 126 140 252

HSL 233.33, 0.95%, 0.74%

LAB 61.84, 24.73, -57.6

 

CMYK 0 / 36 / 50 / 1

HEX #FCA17E

RGB 252 161 126

HSL 16.67, 0.95%, 0.74%

LAB 74.63, 30.15, 32.25

 

CMYK 50 / 0 / 15 / 1

HEX #7FFCD6

RGB 127 252 214

HSL 161.76, 0.95%, 0.74%

LAB 91.23, -43.78, 7.52

 

CMYK 16 / 50 / 0 / 1

HEX #D47EFC

RGB 212 126 252

HSL 280.95, 0.95%, 0.74%

LAB 66.48, 53.9, -49.76

 

CMYK 0 / 16 / 50 / 1

HEX #FCD47E

RGB 252 212 126

HSL 40.95, 0.95%, 0.74%

LAB 86.65, 3.55, 47.48

 

CMYK 50 / 0 / 15 / 1

HEX #7FFCD6

RGB 127 252 214

HSL 161.76, 0.95%, 0.74%

LAB 91.23, -43.78, 7.52

 

CMYK 50 / 44 / 0 / 1

HEX #7E8CFC

RGB 126 140 252

HSL 233.33, 0.95%, 0.74%

LAB 61.84, 24.73, -57.6

 

CMYK 0 / 50 / 34 / 1

HEX #FC7EA6

RGB 252 126 166

HSL 340.95, 0.95%, 0.74%

LAB 68.29, 52.03, 1.37

 

CMYK 0 / 6 / 50 / 1

HEX #FCED7E

RGB 252 237 126

HSL 52.86, 0.95%, 0.74%

LAB 92.91, -9.08, 55.08

 

CMYK 50 / 0 / 15 / 1

HEX #7FFCD6

RGB 127 252 214

HSL 161.76, 0.95%, 0.74%

LAB 91.23, -43.78, 7.52

 

CMYK 41 / 50 / 0 / 1

HEX #957EFC

RGB 149 126 252

HSL 250.95, 0.95%, 0.74%

LAB 60.19, 38.05, -60.14

 

CMYK 0 / 50 / 34 / 1

HEX #FC7EA6

RGB 252 126 166

HSL 340.95, 0.95%, 0.74%

LAB 68.29, 52.03, 1.37

 

CMYK 9 / 0 / 50 / 1

HEX #E5FC7E

RGB 229 252 126

HSL 70.95, 0.95%, 0.74%

LAB 95.07, -25.31, 57.23

 

Description

Color code: HEX #7FFCD6 | qconv.com Color code: HEX #7FFCD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 252 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 252 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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