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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FFB4E it is the complementary color #8004B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FFB4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FFB4E shade: #84FB49, #95FF5C, #A6FF6F, #B7FF82 and #C8FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FFB4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FFB4E shade: #7FFB4E, #6EE93B, #5DD728, #4CC515 and #3BB302

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FFB4E shade: #81FB50, #AFFB50, #DDFB50, #FBEC50 and #FBBD50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FFB4E shade: #81FB50, #52FB50, #50FB7C, #50FBAA and #50FBD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FFB4E shade matches the following richer shades: #81FB50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FFB4E shade: #81FB50, #87ED5F, #8DDF6D, #93D07B and #9AC28A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FFB4E shade: #DCFB50, #AEFB50, #81FB50, #53FB50 and #50FB7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FFB4E shade: #49F405, #63FB28, #81FB50, #9EFC79 and #BBFDA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FFB4E shade: #7FFB4E, #50FBED and #FB50C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FFB4E shade: #7FFB4E, #5081FB and #FB5081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FFB4E shade: #7FFB4E, #50FBED, #CB50FB and #FB505E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FFB4E shade: #7FFB4E, #50D6FB, #CB50FB and #FB7550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 69 / 2

HEX #7FFB4E

RGB 127 251 78

HSL 103.01, 0.96%, 0.65%

LAB 88.95, -63.76, 68.89

 

Complementary color

CMYK 28 / 98 / 0 / 31

HEX #8004B1

RGB 128 4 177

HSL 283.01, 0.96%, 0.35%

LAB 33.67, 66.96, -60.21

 

CMYK 47 / 0 / 71 / 2

HEX #84FB49

RGB 132 251 73

HSL 100.11, 0.96%, 0.64%

LAB 89.1, -62.71, 70.88

 

CMYK 42 / 0 / 64 / 0

HEX #95FF5C

RGB 149 255 92

HSL 99.02, 1%, 0.68%

LAB 91.09, -57.74, 66.1

 

CMYK 35 / 0 / 56 / 0

HEX #A6FF6F

RGB 166 255 111

HSL 97.08, 1%, 0.72%

LAB 92.03, -50.63, 59.43

 

CMYK 28 / 0 / 49 / 0

HEX #B7FF82

RGB 183 255 130

HSL 94.56, 1%, 0.75%

LAB 93.1, -42.98, 52.35

 

CMYK 22 / 0 / 42 / 0

HEX #C8FF95

RGB 200 255 149

HSL 91.13, 1%, 0.79%

LAB 94.3, -34.9, 45.04

 

CMYK 49 / 0 / 69 / 2

HEX #7FFB4E

RGB 127 251 78

HSL 103.01, 0.96%, 0.65%

LAB 88.95, -63.76, 68.89

 

CMYK 53 / 0 / 75 / 9

HEX #6EE93B

RGB 110 233 59

HSL 102.41, 0.8%, 0.57%

LAB 82.86, -63.18, 69.1

 

CMYK 57 / 0 / 81 / 16

HEX #5DD728

RGB 93 215 40

HSL 101.83, 0.69%, 0.5%

LAB 76.73, -62.32, 68.66

 

CMYK 61 / 0 / 89 / 23

HEX #4CC515

RGB 76 197 21

HSL 101.25, 0.81%, 0.43%

LAB 70.54, -61.07, 67.2

 

CMYK 67 / 0 / 99 / 30

HEX #3BB302

RGB 59 179 2

HSL 100.68, 0.98%, 0.35%

LAB 64.3, -59.34, 64.45

 

CMYK 49 / 0 / 68 / 2

HEX #81FB50

RGB 129 251 80

HSL 102.81, 0.96%, 0.65%

LAB 89.04, -63.05, 68.27

 

CMYK 30 / 0 / 68 / 2

HEX #AFFB50

RGB 175 251 80

HSL 86.67, 0.96%, 0.65%

LAB 91.09, -48.45, 71.05

 

CMYK 12 / 0 / 68 / 2

HEX #DDFB50

RGB 221 251 80

HSL 70.53, 0.96%, 0.65%

LAB 93.86, -31.3, 74.75

 

CMYK 0 / 6 / 68 / 2

HEX #FBEC50

RGB 251 236 80

HSL 54.74, 0.96%, 0.65%

LAB 92.17, -12.08, 73.79

 

CMYK 0 / 25 / 68 / 2

HEX #FBBD50

RGB 251 189 80

HSL 38.25, 0.96%, 0.65%

LAB 80.45, 11.82, 61.75

 

CMYK 49 / 0 / 68 / 2

HEX #81FB50

RGB 129 251 80

HSL 102.81, 0.96%, 0.65%

LAB 89.04, -63.05, 68.27

 

CMYK 67 / 0 / 68 / 2

HEX #52FB50

RGB 82 251 80

HSL 119.3, 0.96%, 0.65%

LAB 87.66, -73.93, 66.41

 

CMYK 68 / 0 / 51 / 2

HEX #50FB7C

RGB 80 251 124

HSL 135.44, 0.96%, 0.65%

LAB 88.04, -69.31, 48.08

 

CMYK 68 / 0 / 32 / 2

HEX #50FBAA

RGB 80 251 170

HSL 151.58, 0.96%, 0.65%

LAB 88.73, -61.57, 26.42

 

CMYK 68 / 0 / 14 / 2

HEX #50FBD8

RGB 80 251 216

HSL 167.72, 0.96%, 0.65%

LAB 89.7, -51.44, 4.11

 

CMYK 49 / 0 / 68 / 2

HEX #81FB50

RGB 129 251 80

HSL 102.81, 0.96%, 0.65%

LAB 89.04, -63.05, 68.27

 

CMYK 49 / 0 / 68 / 2

HEX #81FB50

RGB 129 251 80

HSL 102.81, 0.96%, 0.65%

LAB 89.04, -63.05, 68.27

 

CMYK 43 / 0 / 60 / 7

HEX #87ED5F

RGB 135 237 95

HSL 103.1, 0.8%, 0.65%

LAB 85.27, -54.66, 58.26

 

CMYK 37 / 0 / 51 / 13

HEX #8DDF6D

RGB 141 223 109

HSL 103.16, 0.64%, 0.65%

LAB 81.59, -45.53, 47.7

 

CMYK 29 / 0 / 41 / 18

HEX #93D07B

RGB 147 208 123

HSL 103.06, 0.47%, 0.65%

LAB 77.72, -35.11, 36.09

 

CMYK 21 / 0 / 29 / 24

HEX #9AC28A

RGB 154 194 138

HSL 102.86, 0.31%, 0.65%

LAB 74.37, -23.79, 23.95

 

CMYK 12 / 0 / 68 / 2

HEX #DCFB50

RGB 220 251 80

HSL 70.88, 0.96%, 0.65%

LAB 93.79, -31.69, 74.66

 

CMYK 31 / 0 / 68 / 2

HEX #AEFB50

RGB 174 251 80

HSL 87.02, 0.96%, 0.65%

LAB 91.04, -48.8, 70.98

 

CMYK 49 / 0 / 68 / 2

HEX #81FB50

RGB 129 251 80

HSL 102.81, 0.96%, 0.65%

LAB 89.04, -63.05, 68.27

 

CMYK 67 / 0 / 68 / 2

HEX #53FB50

RGB 83 251 80

HSL 118.95, 0.96%, 0.65%

LAB 87.69, -73.75, 66.44

 

CMYK 68 / 0 / 51 / 2

HEX #50FB7B

RGB 80 251 123

HSL 135.09, 0.96%, 0.65%

LAB 88.03, -69.45, 48.53

 

CMYK 70 / 0 / 98 / 4

HEX #49F405

RGB 73 244 5

HSL 102.93, 0.96%, 0.49%

LAB 85.06, -76.8, 80.94

 

CMYK 61 / 0 / 84 / 2

HEX #63FB28

RGB 99 251 40

HSL 103.22, 0.96%, 0.57%

LAB 87.87, -72.95, 78.73

 

CMYK 49 / 0 / 68 / 2

HEX #81FB50

RGB 129 251 80

HSL 102.81, 0.96%, 0.65%

LAB 89.04, -63.05, 68.27

 

CMYK 37 / 0 / 52 / 1

HEX #9EFC79

RGB 158 252 121

HSL 103.05, 0.96%, 0.73%

LAB 90.9, -50.9, 53.54

 

CMYK 26 / 0 / 36 / 1

HEX #BBFDA1

RGB 187 253 161

HSL 103.04, 0.96%, 0.81%

LAB 93.18, -36.87, 37.59

 

CMYK 49 / 0 / 69 / 2

HEX #7FFB4E

RGB 127 251 78

HSL 103.01, 0.96%, 0.65%

LAB 88.95, -63.76, 68.89

 

CMYK 68 / 0 / 6 / 2

HEX #50FBED

RGB 80 251 237

HSL 175.09, 0.96%, 0.65%

LAB 90.24, -46.13, -6.01

 

CMYK 0 / 68 / 22 / 2

HEX #FB50C5

RGB 251 80 197

HSL 318.95, 0.96%, 0.65%

LAB 61.89, 75.1, -25.84

 

CMYK 49 / 0 / 69 / 2

HEX #7FFB4E

RGB 127 251 78

HSL 103.01, 0.96%, 0.65%

LAB 88.95, -63.76, 68.89

 

CMYK 68 / 49 / 0 / 2

HEX #5081FB

RGB 80 129 251

HSL 222.81, 0.96%, 0.65%

LAB 56.46, 22.62, -65.82

 

CMYK 0 / 68 / 49 / 2

HEX #FB5081

RGB 251 80 129

HSL 342.81, 0.96%, 0.65%

LAB 59.74, 67.86, 10.3

 

CMYK 49 / 0 / 69 / 2

HEX #7FFB4E

RGB 127 251 78

HSL 103.01, 0.96%, 0.65%

LAB 88.95, -63.76, 68.89

 

CMYK 68 / 0 / 6 / 2

HEX #50FBED

RGB 80 251 237

HSL 175.09, 0.96%, 0.65%

LAB 90.24, -46.13, -6.01

 

CMYK 19 / 68 / 0 / 2

HEX #CB50FB

RGB 203 80 251

HSL 283.16, 0.96%, 0.65%

LAB 57.46, 72.79, -63.65

 

CMYK 0 / 68 / 63 / 2

HEX #FB505E

RGB 251 80 94

HSL 355.09, 0.96%, 0.65%

LAB 59.02, 65.37, 29.73

 

CMYK 49 / 0 / 69 / 2

HEX #7FFB4E

RGB 127 251 78

HSL 103.01, 0.96%, 0.65%

LAB 88.95, -63.76, 68.89

 

CMYK 68 / 15 / 0 / 2

HEX #50D6FB

RGB 80 214 251

HSL 192.98, 0.96%, 0.65%

LAB 80.05, -24.97, -28.72

 

CMYK 19 / 68 / 0 / 2

HEX #CB50FB

RGB 203 80 251

HSL 283.16, 0.96%, 0.65%

LAB 57.46, 72.79, -63.65

 

CMYK 0 / 53 / 68 / 2

HEX #FB7550

RGB 251 117 80

HSL 12.98, 0.96%, 0.65%

LAB 64.81, 48.71, 44.5

 

Description

Color code: HEX #7FFB4E | qconv.com Color code: HEX #7FFB4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 251 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 251 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 69% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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