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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FF96A it is the complementary color #800695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FF96A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FF96A shade: #84F965, #95FF78, #A6FF8B, #B7FF9E and #C8FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FF96A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FF96A shade: #7FF96A, #6EE757, #5DD544, #4CC331 and #3BB11E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FF96A shade: #81F96C, #A7F96C, #CDF96C, #F3F96C and #F9D96C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FF96A shade: #81F96C, #6CF97D, #6CF9A3, #6CF9C9 and #6CF9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FF96A shade matches the following richer shades: #81F96C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FF96A shade: #81F96C, #8AED78, #92E085, #9BD491 and #A4C79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FF96A shade: #CCF96C, #A7F96C, #81F96C, #6CF97D and #6CF9A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FF96A shade: #3DF61D, #5FF745, #81F96C, #A3FB94 and #C5FCBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FF96A shade: #7FF96A, #6CF2F9 and #F96CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FF96A shade: #7FF96A, #6C81F9 and #F96C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FF96A shade: #7FF96A, #6CF2F9, #E46CF9 and #F9736C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FF96A shade: #7FF96A, #6CC8F9, #E46CF9 and #F99D6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 57 / 2

HEX #7FF96A

RGB 127 249 106

HSL 111.19, 0.92%, 0.7%

LAB 88.59, -60.47, 57.21

 

Complementary color

CMYK 14 / 96 / 0 / 42

HEX #800695

RGB 128 6 149

HSL 291.19, 0.92%, 0.3%

LAB 31.55, 61.53, -46.7

 

CMYK 47 / 0 / 59 / 2

HEX #84F965

RGB 132 249 101

HSL 107.43, 0.93%, 0.69%

LAB 88.73, -59.61, 59.58

 

CMYK 42 / 0 / 53 / 0

HEX #95FF78

RGB 149 255 120

HSL 107.11, 1%, 0.74%

LAB 91.35, -54.99, 54.44

 

CMYK 35 / 0 / 45 / 0

HEX #A6FF8B

RGB 166 255 139

HSL 106.03, 1%, 0.77%

LAB 92.35, -47.49, 47

 

CMYK 28 / 0 / 38 / 0

HEX #B7FF9E

RGB 183 255 158

HSL 104.54, 1%, 0.81%

LAB 93.47, -39.5, 39.41

 

CMYK 22 / 0 / 31 / 0

HEX #C8FFB1

RGB 200 255 177

HSL 102.31, 1%, 0.85%

LAB 94.73, -31.15, 31.8

 

CMYK 49 / 0 / 57 / 2

HEX #7FF96A

RGB 127 249 106

HSL 111.19, 0.92%, 0.7%

LAB 88.59, -60.47, 57.21

 

CMYK 52 / 0 / 62 / 9

HEX #6EE757

RGB 110 231 87

HSL 110.42, 0.75%, 0.62%

LAB 82.46, -60.22, 58.23

 

CMYK 56 / 0 / 68 / 16

HEX #5DD544

RGB 93 213 68

HSL 109.66, 0.63%, 0.55%

LAB 76.27, -59.77, 59.03

 

CMYK 61 / 0 / 75 / 24

HEX #4CC331

RGB 76 195 49

HSL 108.9, 0.6%, 0.48%

LAB 70.03, -59, 59.42

 

CMYK 67 / 0 / 83 / 31

HEX #3BB11E

RGB 59 177 30

HSL 108.16, 0.71%, 0.41%

LAB 63.73, -57.8, 59.06

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 33 / 0 / 57 / 2

HEX #A7F96C

RGB 167 249 108

HSL 94.89, 0.92%, 0.7%

LAB 90.34, -48.09, 58.81

 

CMYK 18 / 0 / 57 / 2

HEX #CDF96C

RGB 205 249 108

HSL 78.72, 0.92%, 0.7%

LAB 92.49, -34.57, 61.84

 

CMYK 2 / 0 / 57 / 2

HEX #F3F96C

RGB 243 249 108

HSL 62.55, 0.92%, 0.7%

LAB 95.11, -19.91, 65.5

 

CMYK 0 / 13 / 57 / 2

HEX #F9D96C

RGB 249 217 108

HSL 46.38, 0.92%, 0.7%

LAB 87.41, -1.67, 56.89

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 57 / 0 / 50 / 2

HEX #6CF97D

RGB 108 249 125

HSL 127.23, 0.92%, 0.7%

LAB 88.17, -62.92, 47.93

 

CMYK 57 / 0 / 35 / 2

HEX #6CF9A3

RGB 108 249 163

HSL 143.4, 0.92%, 0.7%

LAB 88.73, -56.94, 30.06

 

CMYK 57 / 0 / 19 / 2

HEX #6CF9C9

RGB 108 249 201

HSL 159.57, 0.92%, 0.7%

LAB 89.47, -49.35, 11.64

 

CMYK 57 / 0 / 4 / 2

HEX #6CF9EF

RGB 108 249 239

HSL 175.74, 0.92%, 0.7%

LAB 90.4, -40.36, -6.73

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 42 / 0 / 49 / 7

HEX #8AED78

RGB 138 237 120

HSL 110.77, 0.76%, 0.7%

LAB 85.67, -50.98, 47.45

 

CMYK 35 / 0 / 41 / 12

HEX #92E085

RGB 146 224 133

HSL 111.43, 0.59%, 0.7%

LAB 82.44, -41.24, 37.12

 

CMYK 27 / 0 / 32 / 17

HEX #9BD491

RGB 155 212 145

HSL 111.04, 0.44%, 0.7%

LAB 79.67, -31.02, 27.43

 

CMYK 18 / 0 / 21 / 22

HEX #A4C79E

RGB 164 199 158

HSL 111.22, 0.27%, 0.7%

LAB 76.8, -19.47, 16.74

 

CMYK 18 / 0 / 57 / 2

HEX #CCF96C

RGB 204 249 108

HSL 79.15, 0.92%, 0.7%

LAB 92.43, -34.94, 61.75

 

CMYK 33 / 0 / 57 / 2

HEX #A7F96C

RGB 167 249 108

HSL 94.89, 0.92%, 0.7%

LAB 90.34, -48.09, 58.81

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 57 / 0 / 50 / 2

HEX #6CF97D

RGB 108 249 125

HSL 127.23, 0.92%, 0.7%

LAB 88.17, -62.92, 47.93

 

CMYK 57 / 0 / 35 / 2

HEX #6CF9A2

RGB 108 249 162

HSL 142.98, 0.92%, 0.7%

LAB 88.71, -57.12, 30.54

 

CMYK 75 / 0 / 88 / 4

HEX #3DF61D

RGB 61 246 29

HSL 111.15, 0.92%, 0.54%

LAB 85.5, -78.77, 78.47

 

CMYK 62 / 0 / 72 / 3

HEX #5FF745

RGB 95 247 69

HSL 111.24, 0.92%, 0.62%

LAB 86.69, -70.93, 69.44

 

CMYK 48 / 0 / 57 / 2

HEX #81F96C

RGB 129 249 108

HSL 111.06, 0.92%, 0.7%

LAB 88.69, -59.71, 56.46

 

CMYK 35 / 0 / 41 / 2

HEX #A3FB94

RGB 163 251 148

HSL 111.26, 0.93%, 0.78%

LAB 91.2, -45.54, 41.16

 

CMYK 22 / 0 / 26 / 1

HEX #C5FCBB

RGB 197 252 187

HSL 110.77, 0.92%, 0.86%

LAB 93.92, -29.22, 25.62

 

CMYK 49 / 0 / 57 / 2

HEX #7FF96A

RGB 127 249 106

HSL 111.19, 0.92%, 0.7%

LAB 88.59, -60.47, 57.21

 

CMYK 57 / 3 / 0 / 2

HEX #6CF2F9

RGB 108 242 249

HSL 182.98, 0.92%, 0.7%

LAB 88.7, -34.55, -14.48

 

CMYK 0 / 57 / 25 / 2

HEX #F96CBA

RGB 249 108 186

HSL 326.81, 0.92%, 0.7%

LAB 65.29, 61.93, -14.45

 

CMYK 49 / 0 / 57 / 2

HEX #7FF96A

RGB 127 249 106

HSL 111.19, 0.92%, 0.7%

LAB 88.59, -60.47, 57.21

 

CMYK 57 / 48 / 0 / 2

HEX #6C81F9

RGB 108 129 249

HSL 231.06, 0.92%, 0.7%

LAB 57.78, 26.66, -62.52

 

CMYK 0 / 57 / 48 / 2

HEX #F96C81

RGB 249 108 129

HSL 351.06, 0.92%, 0.7%

LAB 63.71, 55.66, 15.82

 

CMYK 49 / 0 / 57 / 2

HEX #7FF96A

RGB 127 249 106

HSL 111.19, 0.92%, 0.7%

LAB 88.59, -60.47, 57.21

 

CMYK 57 / 3 / 0 / 2

HEX #6CF2F9

RGB 108 242 249

HSL 182.98, 0.92%, 0.7%

LAB 88.7, -34.55, -14.48

 

CMYK 8 / 57 / 0 / 2

HEX #E46CF9

RGB 228 108 249

HSL 291.06, 0.92%, 0.7%

LAB 65.01, 66.1, -50.31

 

CMYK 0 / 54 / 57 / 2

HEX #F9736C

RGB 249 115 108

HSL 2.98, 0.92%, 0.7%

LAB 64.55, 50.71, 28.86

 

CMYK 49 / 0 / 57 / 2

HEX #7FF96A

RGB 127 249 106

HSL 111.19, 0.92%, 0.7%

LAB 88.59, -60.47, 57.21

 

CMYK 57 / 20 / 0 / 2

HEX #6CC8F9

RGB 108 200 249

HSL 200.85, 0.92%, 0.7%

LAB 76.88, -13.75, -32.44

 

CMYK 8 / 57 / 0 / 2

HEX #E46CF9

RGB 228 108 249

HSL 291.06, 0.92%, 0.7%

LAB 65.01, 66.1, -50.31

 

CMYK 0 / 37 / 57 / 2

HEX #F99D6C

RGB 249 157 108

HSL 20.85, 0.92%, 0.7%

LAB 73.11, 29.58, 39.76

 

Description

Color code: HEX #7FF96A | qconv.com Color code: HEX #7FF96A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 249 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 249 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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