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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FF5E6 it is the complementary color #800A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FF5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FF5E6 shade: #84F5E1, #95FFF4, #A6FFFF, #B7FFFF and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FF5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FF5E6 shade: #7FF5E6, #6EE3D3, #5DD1C0, #4CBFAD and #3BAD9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FF5E6 shade: #7EF5E6, #7EF5C6, #7EF5A6, #7EF586 and #97F57E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FF5E6 shade: #7EF5E6, #7EE4F5, #7EC4F5, #7EA4F5 and #7E84F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FF5E6 shade matches the following richer shades: #7EF5E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FF5E6 shade: #7EF5E6, #8AEADD, #95DFD5, #A0D3CD and #ABC8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FF5E6 shade: #7EF5A6, #7EF5C5, #7EF5E5, #7EE5F5 and #7EC5F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FF5E6 shade: #32EFD7, #58F2DE, #7EF5E6, #A5F8ED and #CBFBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FF5E6 shade: #7FF5E6, #867EF5 and #F5B67E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FF5E6 shade: #7FF5E6, #E57EF5 and #F5E57E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FF5E6 shade: #7FF5E6, #867EF5, #F57E8E and #EDF57E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FF5E6 shade: #7FF5E6, #AA7EF5, #F57E8E and #C9F57E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 6 / 4

HEX #7FF5E6

RGB 127 245 230

HSL 172.37, 0.86%, 0.73%

LAB 89.64, -36.96, -3.1

 

Complementary color

CMYK 0 / 92 / 80 / 50

HEX #800A19

RGB 128 10 25

HSL 352.37, 0.86%, 0.27%

LAB 26.38, 46.78, 26.47

 

CMYK 46 / 0 / 8 / 4

HEX #84F5E1

RGB 132 245 225

HSL 169.38, 0.85%, 0.74%

LAB 89.7, -37.02, -0.39

 

CMYK 42 / 0 / 4 / 0

HEX #95FFF4

RGB 149 255 244

HSL 173.77, 1%, 0.79%

LAB 93.64, -33.25, -4.38

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 48 / 0 / 6 / 4

HEX #7FF5E6

RGB 127 245 230

HSL 172.37, 0.86%, 0.73%

LAB 89.64, -36.96, -3.1

 

CMYK 52 / 0 / 7 / 11

HEX #6EE3D3

RGB 110 227 211

HSL 171.79, 0.68%, 0.66%

LAB 83.42, -36.95, -2.32

 

CMYK 56 / 0 / 8 / 18

HEX #5DD1C0

RGB 93 209 192

HSL 171.21, 0.56%, 0.59%

LAB 77.12, -36.87, -1.49

 

CMYK 60 / 0 / 9 / 25

HEX #4CBFAD

RGB 76 191 173

HSL 170.61, 0.47%, 0.52%

LAB 70.74, -36.69, -0.59

 

CMYK 66 / 0 / 11 / 32

HEX #3BAD9A

RGB 59 173 154

HSL 170, 0.49%, 0.45%

LAB 64.28, -36.37, 0.4

 

CMYK 49 / 0 / 6 / 4

HEX #7EF5E6

RGB 126 245 230

HSL 172.44, 0.86%, 0.73%

LAB 89.61, -37.18, -3.15

 

CMYK 49 / 0 / 19 / 4

HEX #7EF5C6

RGB 126 245 198

HSL 156.3, 0.86%, 0.73%

LAB 88.84, -44.39, 12.38

 

CMYK 49 / 0 / 32 / 4

HEX #7EF5A6

RGB 126 245 166

HSL 140.17, 0.86%, 0.73%

LAB 88.21, -50.6, 27.95

 

CMYK 49 / 0 / 45 / 4

HEX #7EF586

RGB 126 245 134

HSL 124.03, 0.86%, 0.73%

LAB 87.71, -55.71, 43.19

 

CMYK 38 / 0 / 49 / 4

HEX #97F57E

RGB 151 245 126

HSL 107.39, 0.86%, 0.73%

LAB 88.63, -49.6, 48.39

 

CMYK 49 / 0 / 6 / 4

HEX #7EF5E6

RGB 126 245 230

HSL 172.44, 0.86%, 0.73%

LAB 89.61, -37.18, -3.15

 

CMYK 49 / 7 / 0 / 4

HEX #7EE4F5

RGB 126 228 245

HSL 188.57, 0.86%, 0.73%

LAB 85.26, -25.36, -17.49

 

CMYK 49 / 20 / 0 / 4

HEX #7EC4F5

RGB 126 196 245

HSL 204.71, 0.86%, 0.73%

LAB 76.38, -9, -31.01

 

CMYK 49 / 33 / 0 / 4

HEX #7EA4F5

RGB 126 164 245

HSL 220.84, 0.86%, 0.73%

LAB 67.71, 8.69, -44.49

 

CMYK 49 / 46 / 0 / 4

HEX #7E84F5

RGB 126 132 245

HSL 236.97, 0.86%, 0.73%

LAB 59.46, 27.34, -57.55

 

CMYK 49 / 0 / 6 / 4

HEX #7EF5E6

RGB 126 245 230

HSL 172.44, 0.86%, 0.73%

LAB 89.61, -37.18, -3.15

 

CMYK 49 / 0 / 6 / 4

HEX #7EF5E6

RGB 126 245 230

HSL 172.44, 0.86%, 0.73%

LAB 89.61, -37.18, -3.15

 

CMYK 41 / 0 / 6 / 8

HEX #8AEADD

RGB 138 234 221

HSL 171.88, 0.7%, 0.73%

LAB 86.74, -31.4, -2.6

 

CMYK 33 / 0 / 4 / 13

HEX #95DFD5

RGB 149 223 213

HSL 171.89, 0.54%, 0.73%

LAB 83.95, -25.07, -2.42

 

CMYK 24 / 0 / 3 / 17

HEX #A0D3CD

RGB 160 211 205

HSL 172.94, 0.37%, 0.73%

LAB 81, -17.7, -2.42

 

CMYK 15 / 0 / 1 / 22

HEX #ABC8C5

RGB 171 200 197

HSL 173.79, 0.21%, 0.73%

LAB 78.46, -10.3, -1.78

 

CMYK 49 / 0 / 32 / 4

HEX #7EF5A6

RGB 126 245 166

HSL 140.17, 0.86%, 0.73%

LAB 88.21, -50.6, 27.95

 

CMYK 49 / 0 / 20 / 4

HEX #7EF5C5

RGB 126 245 197

HSL 155.8, 0.86%, 0.73%

LAB 88.81, -44.6, 12.87

 

CMYK 49 / 0 / 7 / 4

HEX #7EF5E5

RGB 126 245 229

HSL 171.93, 0.86%, 0.73%

LAB 89.58, -37.42, -2.67

 

CMYK 49 / 7 / 0 / 4

HEX #7EE5F5

RGB 126 229 245

HSL 188.07, 0.86%, 0.73%

LAB 85.54, -25.85, -17.07

 

CMYK 49 / 20 / 0 / 4

HEX #7EC5F5

RGB 126 197 245

HSL 204.2, 0.86%, 0.73%

LAB 76.66, -9.53, -30.58

 

CMYK 79 / 0 / 10 / 6

HEX #32EFD7

RGB 50 239 215

HSL 172.38, 0.86%, 0.57%

LAB 85.66, -50.11, -1.3

 

CMYK 64 / 0 / 8 / 5

HEX #58F2DE

RGB 88 242 222

HSL 172.21, 0.86%, 0.65%

LAB 87.41, -44.93, -2.32

 

CMYK 49 / 0 / 6 / 4

HEX #7EF5E6

RGB 126 245 230

HSL 172.44, 0.86%, 0.73%

LAB 89.61, -37.18, -3.15

 

CMYK 33 / 0 / 4 / 3

HEX #A5F8ED

RGB 165 248 237

HSL 172.05, 0.86%, 0.81%

LAB 92.24, -27.47, -2.73

 

CMYK 19 / 0 / 2 / 2

HEX #CBFBF5

RGB 203 251 245

HSL 172.5, 0.86%, 0.89%

LAB 95.28, -16.37, -2.18

 

CMYK 48 / 0 / 6 / 4

HEX #7FF5E6

RGB 127 245 230

HSL 172.37, 0.86%, 0.73%

LAB 89.64, -36.96, -3.1

 

CMYK 45 / 49 / 0 / 4

HEX #867EF5

RGB 134 126 245

HSL 244.03, 0.86%, 0.73%

LAB 58.59, 32.66, -58.92

 

CMYK 0 / 26 / 49 / 4

HEX #F5B67E

RGB 245 182 126

HSL 28.24, 0.86%, 0.73%

LAB 78.68, 16.36, 37.33

 

CMYK 48 / 0 / 6 / 4

HEX #7FF5E6

RGB 127 245 230

HSL 172.37, 0.86%, 0.73%

LAB 89.64, -36.96, -3.1

 

CMYK 7 / 49 / 0 / 4

HEX #E57EF5

RGB 229 126 245

HSL 291.93, 0.86%, 0.73%

LAB 68.15, 57.1, -43.16

 

CMYK 0 / 7 / 49 / 4

HEX #F5E57E

RGB 245 229 126

HSL 51.93, 0.86%, 0.73%

LAB 90.3, -7.87, 51.8

 

CMYK 48 / 0 / 6 / 4

HEX #7FF5E6

RGB 127 245 230

HSL 172.37, 0.86%, 0.73%

LAB 89.64, -36.96, -3.1

 

CMYK 45 / 49 / 0 / 4

HEX #867EF5

RGB 134 126 245

HSL 244.03, 0.86%, 0.73%

LAB 58.59, 32.66, -58.92

 

CMYK 0 / 49 / 42 / 4

HEX #F57E8E

RGB 245 126 142

HSL 351.93, 0.86%, 0.73%

LAB 66.74, 46.99, 12.57

 

CMYK 3 / 0 / 49 / 4

HEX #EDF57E

RGB 237 245 126

HSL 64.03, 0.86%, 0.73%

LAB 93.8, -18.89, 55.86

 

CMYK 48 / 0 / 6 / 4

HEX #7FF5E6

RGB 127 245 230

HSL 172.37, 0.86%, 0.73%

LAB 89.64, -36.96, -3.1

 

CMYK 31 / 49 / 0 / 4

HEX #AA7EF5

RGB 170 126 245

HSL 262.18, 0.86%, 0.73%

LAB 61.71, 41.37, -53.76

 

CMYK 0 / 49 / 42 / 4

HEX #F57E8E

RGB 245 126 142

HSL 351.93, 0.86%, 0.73%

LAB 66.74, 46.99, 12.57

 

CMYK 18 / 0 / 49 / 4

HEX #C9F57E

RGB 201 245 126

HSL 82.18, 0.86%, 0.73%

LAB 91.34, -32.54, 52.31

 

Description

Color code: HEX #7FF5E6 | qconv.com Color code: HEX #7FF5E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 245 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 245 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 6 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 6% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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