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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FEEAD it is the complementary color #801152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FEEAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FEEAD shade: #84EEA8, #95FFBB, #A6FFCE, #B7FFE1 and #C8FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FEEAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FEEAD shade: #7FEEAD, #6EDC9A, #5DCA87, #4CB874 and #3BA661

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FEEAD shade: #81EFAE, #81EF91, #8EEF81, #ACEF81 and #CAEF81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FEEAD shade: #81EFAE, #81EFCC, #81EFE9, #81D6EF and #81B8EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FEEAD shade matches the following richer shades: #81EFAE and #75FAAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FEEAD shade: #81EFAE, #8CE3B0, #98D7B2, #A3CCB4 and #AFC0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FEEAD shade: #8FEF81, #81EF8F, #81EFAD, #81EFCA and #81EFE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FEEAD shade: #38E57F, #5CEA97, #81EFAE, #A5F3C6 and #CAF8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FEEAD shade: #7FEEAD, #81ADEF and #EF8181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FEEAD shade: #7FEEAD, #AD81EF and #EFAD81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FEEAD shade: #7FEEAD, #81ADEF, #EF81C3 and #EFC381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FEEAD shade: #7FEEAD, #818CEF, #EF81C3 and #EFE481

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 27 / 7

HEX #7FEEAD

RGB 127 238 173

HSL 144.86, 0.77%, 0.72%

LAB 86.34, -46.12, 21.83

 

Complementary color

CMYK 0 / 87 / 36 / 50

HEX #801152

RGB 128 17 82

HSL 324.86, 0.77%, 0.28%

LAB 28.38, 49.58, -8.97

 

CMYK 45 / 0 / 29 / 7

HEX #84EEA8

RGB 132 238 168

HSL 140.38, 0.76%, 0.73%

LAB 86.45, -45.74, 24.57

 

CMYK 42 / 0 / 27 / 0

HEX #95FFBB

RGB 149 255 187

HSL 141.51, 1%, 0.79%

LAB 92.35, -45.08, 23.09

 

CMYK 35 / 0 / 19 / 0

HEX #A6FFCE

RGB 166 255 206

HSL 146.97, 1%, 0.83%

LAB 93.49, -36.84, 15.08

 

CMYK 28 / 0 / 12 / 0

HEX #B7FFE1

RGB 183 255 225

HSL 155, 1%, 0.86%

LAB 94.75, -28.25, 7.22

 

CMYK 22 / 0 / 4 / 0

HEX #C8FFF4

RGB 200 255 244

HSL 168, 1%, 0.89%

LAB 96.13, -19.44, -0.44

 

CMYK 47 / 0 / 27 / 7

HEX #7FEEAD

RGB 127 238 173

HSL 144.86, 0.77%, 0.72%

LAB 86.34, -46.12, 21.83

 

CMYK 50 / 0 / 30 / 14

HEX #6EDC9A

RGB 110 220 154

HSL 144, 0.61%, 0.65%

LAB 80.09, -46.29, 22.97

 

CMYK 54 / 0 / 33 / 21

HEX #5DCA87

RGB 93 202 135

HSL 143.12, 0.51%, 0.58%

LAB 73.75, -46.4, 24.2

 

CMYK 59 / 0 / 37 / 28

HEX #4CB874

RGB 76 184 116

HSL 142.22, 0.43%, 0.51%

LAB 67.34, -46.4, 25.52

 

CMYK 64 / 0 / 42 / 35

HEX #3BA661

RGB 59 166 97

HSL 141.31, 0.48%, 0.44%

LAB 60.84, -46.23, 26.96

 

CMYK 46 / 0 / 27 / 6

HEX #81EFAE

RGB 129 239 174

HSL 144.55, 0.77%, 0.72%

LAB 86.73, -45.85, 21.85

 

CMYK 46 / 0 / 39 / 6

HEX #81EF91

RGB 129 239 145

HSL 128.73, 0.77%, 0.72%

LAB 86.23, -50.85, 35.91

 

CMYK 41 / 0 / 46 / 6

HEX #8EEF81

RGB 142 239 129

HSL 112.91, 0.77%, 0.72%

LAB 86.54, -49.46, 44.27

 

CMYK 28 / 0 / 46 / 6

HEX #ACEF81

RGB 172 239 129

HSL 96.55, 0.77%, 0.72%

LAB 88.01, -39.8, 46.43

 

CMYK 15 / 0 / 46 / 6

HEX #CAEF81

RGB 202 239 129

HSL 80.18, 0.77%, 0.72%

LAB 89.8, -29.07, 49.04

 

CMYK 46 / 0 / 27 / 6

HEX #81EFAE

RGB 129 239 174

HSL 144.55, 0.77%, 0.72%

LAB 86.73, -45.85, 21.85

 

CMYK 46 / 0 / 15 / 6

HEX #81EFCC

RGB 129 239 204

HSL 160.91, 0.77%, 0.72%

LAB 87.37, -39.73, 7.18

 

CMYK 46 / 0 / 3 / 6

HEX #81EFE9

RGB 129 239 233

HSL 176.73, 0.77%, 0.72%

LAB 88.1, -33.01, -6.92

 

CMYK 46 / 10 / 0 / 6

HEX #81D6EF

RGB 129 214 239

HSL 193.64, 0.77%, 0.72%

LAB 81.29, -19.3, -20.29

 

CMYK 46 / 23 / 0 / 6

HEX #81B8EF

RGB 129 184 239

HSL 210, 0.77%, 0.72%

LAB 73.01, -3.51, -32.96

 

CMYK 46 / 0 / 27 / 6

HEX #81EFAE

RGB 129 239 174

HSL 144.55, 0.77%, 0.72%

LAB 86.73, -45.85, 21.85

 

CMYK 53 / 0 / 31 / 2

HEX #75FAAC

RGB 117 250 172

HSL 144.81, 0.93%, 0.72%

LAB 89.45, -53.71, 26.55

 

CMYK 46 / 0 / 27 / 6

HEX #81EFAE

RGB 129 239 174

HSL 144.55, 0.77%, 0.72%

LAB 86.73, -45.85, 21.85

 

CMYK 38 / 0 / 22 / 11

HEX #8CE3B0

RGB 140 227 176

HSL 144.83, 0.61%, 0.72%

LAB 83.78, -37.19, 16.79

 

CMYK 29 / 0 / 17 / 16

HEX #98D7B2

RGB 152 215 178

HSL 144.76, 0.44%, 0.72%

LAB 81.01, -27.63, 11.92

 

CMYK 20 / 0 / 12 / 20

HEX #A3CCB4

RGB 163 204 180

HSL 144.88, 0.29%, 0.72%

LAB 78.62, -18.32, 7.52

 

CMYK 9 / 0 / 5 / 25

HEX #AFC0B6

RGB 175 192 182

HSL 144.71, 0.12%, 0.72%

LAB 76.19, -7.74, 3.04

 

CMYK 40 / 0 / 46 / 6

HEX #8FEF81

RGB 143 239 129

HSL 112.36, 0.77%, 0.72%

LAB 86.58, -49.16, 44.33

 

CMYK 46 / 0 / 40 / 6

HEX #81EF8F

RGB 129 239 143

HSL 127.64, 0.77%, 0.72%

LAB 86.2, -51.16, 36.86

 

CMYK 46 / 0 / 28 / 6

HEX #81EFAD

RGB 129 239 173

HSL 144, 0.77%, 0.72%

LAB 86.71, -46.04, 22.34

 

CMYK 46 / 0 / 15 / 6

HEX #81EFCA

RGB 129 239 202

HSL 159.82, 0.77%, 0.72%

LAB 87.32, -40.17, 8.16

 

CMYK 46 / 0 / 3 / 6

HEX #81EFE7

RGB 129 239 231

HSL 175.64, 0.77%, 0.72%

LAB 88.05, -33.5, -5.95

 

CMYK 76 / 0 / 45 / 10

HEX #38E57F

RGB 56 229 127

HSL 144.62, 0.77%, 0.56%

LAB 80.97, -64.84, 37.64

 

CMYK 61 / 0 / 35 / 8

HEX #5CEA97

RGB 92 234 151

HSL 144.93, 0.77%, 0.64%

LAB 83.63, -56.55, 29.22

 

CMYK 46 / 0 / 27 / 6

HEX #81EFAE

RGB 129 239 174

HSL 144.55, 0.77%, 0.72%

LAB 86.73, -45.85, 21.85

 

CMYK 32 / 0 / 19 / 5

HEX #A5F3C6

RGB 165 243 198

HSL 145.38, 0.76%, 0.8%

LAB 89.94, -33.13, 14.18

 

CMYK 19 / 0 / 11 / 3

HEX #CAF8DD

RGB 202 248 221

HSL 144.78, 0.77%, 0.88%

LAB 93.85, -19.85, 8.13

 

CMYK 47 / 0 / 27 / 7

HEX #7FEEAD

RGB 127 238 173

HSL 144.86, 0.77%, 0.72%

LAB 86.34, -46.12, 21.83

 

CMYK 46 / 28 / 0 / 6

HEX #81ADEF

RGB 129 173 239

HSL 216, 0.77%, 0.72%

LAB 70.03, 2.57, -37.59

 

CMYK 0 / 46 / 46 / 6

HEX #EF8181

RGB 239 129 129

HSL 0, 0.77%, 0.72%

LAB 66.24, 42.04, 19.08

 

CMYK 47 / 0 / 27 / 7

HEX #7FEEAD

RGB 127 238 173

HSL 144.86, 0.77%, 0.72%

LAB 86.34, -46.12, 21.83

 

CMYK 28 / 46 / 0 / 6

HEX #AD81EF

RGB 173 129 239

HSL 264, 0.77%, 0.72%

LAB 62.35, 39.03, -49.4

 

CMYK 0 / 28 / 46 / 6

HEX #EFAD81

RGB 239 173 129

HSL 24, 0.77%, 0.72%

LAB 75.96, 19.02, 32.11

 

CMYK 47 / 0 / 27 / 7

HEX #7FEEAD

RGB 127 238 173

HSL 144.86, 0.77%, 0.72%

LAB 86.34, -46.12, 21.83

 

CMYK 46 / 28 / 0 / 6

HEX #81ADEF

RGB 129 173 239

HSL 216, 0.77%, 0.72%

LAB 70.03, 2.57, -37.59

 

CMYK 0 / 46 / 18 / 6

HEX #EF81C3

RGB 239 129 195

HSL 324, 0.77%, 0.72%

LAB 68.01, 50.18, -15.53

 

CMYK 0 / 18 / 46 / 6

HEX #EFC381

RGB 239 195 129

HSL 36, 0.77%, 0.72%

LAB 81.27, 7.42, 38.98

 

CMYK 47 / 0 / 27 / 7

HEX #7FEEAD

RGB 127 238 173

HSL 144.86, 0.77%, 0.72%

LAB 86.34, -46.12, 21.83

 

CMYK 46 / 41 / 0 / 6

HEX #818CEF

RGB 129 140 239

HSL 234, 0.77%, 0.72%

LAB 61.36, 21.55, -51.21

 

CMYK 0 / 46 / 18 / 6

HEX #EF81C3

RGB 239 129 195

HSL 324, 0.77%, 0.72%

LAB 68.01, 50.18, -15.53

 

CMYK 0 / 5 / 46 / 6

HEX #EFE481

RGB 239 228 129

HSL 54, 0.77%, 0.72%

LAB 89.59, -9.47, 49.39

 

Description

Color code: HEX #7FEEAD | qconv.com Color code: HEX #7FEEAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 238 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 238 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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